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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA46D3 it is the complementary color #25B92C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA46D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA46D3 shade: #DF46CE, #F058E1, #FF6AF4, #FF7CFF and #FF8EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA46D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA46D3 shade: #DA46D3, #C934C0, #B822AD, #A7109A and #960087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA46D3 shade: #DA44D3, #DA44AA, #DA4482, #DA4459 and #DA4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA46D3 shade: #DA44D3, #B944DA, #9044DA, #6744DA and #4444DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA46D3 shade matches the following richer shades: #DA44D3, #EC31E3 and #FE1FF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA46D3 shade: #DA44D3, #C856C2, #B668B2, #A47AA2 and #918C91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA46D3 shade: #8F44DA, #B744DA, #DA44D5, #DA44AD and #DA4485

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA46D3 shade: #AA22A3, #CC28C4, #DA44D3, #E166DB and #E889E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA46D3 shade: #DA46D3, #DA6744 and #44DAA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA46D3 shade: #DA46D3, #D5DA44 and #44D5DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA46D3 shade: #DA46D3, #DA6744, #44DA49 and #44B7DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA46D3 shade: #DA46D3, #DA9444, #44DA49 and #448ADA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 3 / 15

HEX #DA46D3

RGB 218 70 211

HSL 302.84, 0.67%, 0.56%

LAB 56.08, 72.75, -43.26

 

Complementary color

CMYK 80 / 0 / 76 / 27

HEX #25B92C

RGB 37 185 44

HSL 122.84, 0.67%, 0.44%

LAB 65.96, -63.17, 56.81

 

CMYK 0 / 69 / 8 / 13

HEX #DF46CE

RGB 223 70 206

HSL 306.67, 0.71%, 0.57%

LAB 56.61, 73.12, -39.52

 

CMYK 0 / 63 / 6 / 6

HEX #F058E1

RGB 240 88 225

HSL 305.92, 0.84%, 0.64%

LAB 62.46, 73.4, -40.9

 

CMYK 0 / 58 / 4 / 0

HEX #FF6AF4

RGB 255 106 244

HSL 304.43, 1%, 0.71%

LAB 68.09, 72.84, -42.45

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 68 / 3 / 15

HEX #DA46D3

RGB 218 70 211

HSL 302.84, 0.67%, 0.56%

LAB 56.08, 72.75, -43.26

 

CMYK 0 / 74 / 4 / 21

HEX #C934C0

RGB 201 52 192

HSL 303.62, 0.59%, 0.5%

LAB 50.31, 71.98, -41.64

 

CMYK 0 / 82 / 6 / 28

HEX #B822AD

RGB 184 34 173

HSL 304.4, 0.69%, 0.43%

LAB 44.73, 70.44, -39.52

 

CMYK 0 / 90 / 8 / 35

HEX #A7109A

RGB 167 16 154

HSL 305.17, 0.83%, 0.36%

LAB 39.44, 67.8, -36.71

 

CMYK 0 / 100 / 10 / 41

HEX #960087

RGB 150 0 135

HSL 306, 1%, 0.29%

LAB 34.46, 63.92, -33.16

 

CMYK 0 / 69 / 3 / 15

HEX #DA44D3

RGB 218 68 211

HSL 302.8, 0.67%, 0.56%

LAB 55.83, 73.45, -43.65

 

CMYK 0 / 69 / 22 / 15

HEX #DA44AA

RGB 218 68 170

HSL 319.2, 0.67%, 0.56%

LAB 53.97, 67.53, -22.91

 

CMYK 0 / 69 / 40 / 15

HEX #DA4482

RGB 218 68 130

HSL 335.2, 0.67%, 0.56%

LAB 52.57, 62.87, -1.34

 

CMYK 0 / 69 / 59 / 15

HEX #DA4459

RGB 218 68 89

HSL 351.6, 0.67%, 0.56%

LAB 51.57, 59.42, 21.85

 

CMYK 0 / 69 / 69 / 15

HEX #DA4444

RGB 218 68 68

HSL 0, 0.67%, 0.56%

LAB 51.22, 58.19, 33.78

 

CMYK 0 / 69 / 3 / 15

HEX #DA44D3

RGB 218 68 211

HSL 302.8, 0.67%, 0.56%

LAB 55.83, 73.45, -43.65

 

CMYK 15 / 69 / 0 / 15

HEX #B944DA

RGB 185 68 218

HSL 286.8, 0.67%, 0.56%

LAB 51.28, 67.46, -55.18

 

CMYK 34 / 69 / 0 / 15

HEX #9044DA

RGB 144 68 218

HSL 270.4, 0.67%, 0.56%

LAB 45.81, 59.1, -64.28

 

CMYK 53 / 69 / 0 / 15

HEX #6744DA

RGB 103 68 218

HSL 254, 0.67%, 0.56%

LAB 41.34, 51.78, -71.74

 

CMYK 69 / 69 / 0 / 15

HEX #4444DA

RGB 68 68 218

HSL 240, 0.67%, 0.56%

LAB 38.59, 46.97, -76.35

 

CMYK 0 / 69 / 3 / 15

HEX #DA44D3

RGB 218 68 211

HSL 302.8, 0.67%, 0.56%

LAB 55.83, 73.45, -43.65

 

CMYK 0 / 79 / 4 / 7

HEX #EC31E3

RGB 236 49 227

HSL 302.89, 0.83%, 0.56%

LAB 57.63, 85.05, -49.68

 

CMYK 0 / 88 / 4 / 0

HEX #FE1FF4

RGB 254 31 244

HSL 302.69, 0.99%, 0.56%

LAB 60.41, 93.99, -54.6

 

CMYK 0 / 69 / 3 / 15

HEX #DA44D3

RGB 218 68 211

HSL 302.8, 0.67%, 0.56%

LAB 55.83, 73.45, -43.65

 

CMYK 0 / 57 / 3 / 22

HEX #C856C2

RGB 200 86 194

HSL 303.16, 0.51%, 0.56%

LAB 54.9, 59.11, -35.59

 

CMYK 0 / 43 / 2 / 29

HEX #B668B2

RGB 182 104 178

HSL 303.08, 0.35%, 0.56%

LAB 55.13, 42.23, -26.19

 

CMYK 0 / 26 / 1 / 36

HEX #A47AA2

RGB 164 122 162

HSL 302.86, 0.19%, 0.56%

LAB 56.51, 23.27, -15.03

 

CMYK 0 / 3 / 0 / 43

HEX #918C91

RGB 145 140 145

HSL 300, 0.02%, 0.56%

LAB 58.81, 2.82, -2

 

CMYK 34 / 69 / 0 / 15

HEX #8F44DA

RGB 143 68 218

HSL 270, 0.67%, 0.56%

LAB 45.68, 58.91, -64.49

 

CMYK 16 / 69 / 0 / 15

HEX #B744DA

RGB 183 68 218

HSL 286, 0.67%, 0.56%

LAB 50.99, 67.04, -55.65

 

CMYK 0 / 69 / 2 / 15

HEX #DA44D5

RGB 218 68 213

HSL 302, 0.67%, 0.56%

LAB 55.93, 73.76, -44.63

 

CMYK 0 / 69 / 21 / 15

HEX #DA44AD

RGB 218 68 173

HSL 318, 0.67%, 0.56%

LAB 54.09, 67.93, -24.47

 

CMYK 0 / 69 / 39 / 15

HEX #DA4485

RGB 218 68 133

HSL 334, 0.67%, 0.56%

LAB 52.66, 63.18, -3

 

CMYK 0 / 80 / 4 / 33

HEX #AA22A3

RGB 170 34 163

HSL 303.09, 0.67%, 0.4%

LAB 41.74, 66.08, -38.46

 

CMYK 0 / 80 / 4 / 20

HEX #CC28C4

RGB 204 40 196

HSL 302.93, 0.67%, 0.48%

LAB 49.91, 76.42, -44.57

 

CMYK 0 / 69 / 3 / 15

HEX #DA44D3

RGB 218 68 211

HSL 302.8, 0.67%, 0.56%

LAB 55.83, 73.45, -43.65

 

CMYK 0 / 55 / 3 / 12

HEX #E166DB

RGB 225 102 219

HSL 302.93, 0.67%, 0.64%

LAB 62.19, 62.77, -38.11

 

CMYK 0 / 41 / 2 / 9

HEX #E889E3

RGB 232 137 227

HSL 303.16, 0.67%, 0.72%

LAB 69.89, 49.17, -30.52

 

CMYK 0 / 68 / 3 / 15

HEX #DA46D3

RGB 218 70 211

HSL 302.84, 0.67%, 0.56%

LAB 56.08, 72.75, -43.26

 

CMYK 0 / 53 / 69 / 15

HEX #DA6744

RGB 218 103 68

HSL 14, 0.67%, 0.56%

LAB 57.1, 42.64, 40.67

 

CMYK 69 / 0 / 25 / 15

HEX #44DAA3

RGB 68 218 163

HSL 158, 0.67%, 0.56%

LAB 78.47, -52.04, 15.83

 

CMYK 0 / 68 / 3 / 15

HEX #DA46D3

RGB 218 70 211

HSL 302.84, 0.67%, 0.56%

LAB 56.08, 72.75, -43.26

 

CMYK 2 / 0 / 69 / 15

HEX #D5DA44

RGB 213 218 68

HSL 62, 0.67%, 0.56%

LAB 84.33, -19.49, 69.38

 

CMYK 69 / 2 / 0 / 15

HEX #44D5DA

RGB 68 213 218

HSL 182, 0.67%, 0.56%

LAB 78.39, -35.84, -13.64

 

CMYK 0 / 68 / 3 / 15

HEX #DA46D3

RGB 218 70 211

HSL 302.84, 0.67%, 0.56%

LAB 56.08, 72.75, -43.26

 

CMYK 0 / 53 / 69 / 15

HEX #DA6744

RGB 218 103 68

HSL 14, 0.67%, 0.56%

LAB 57.1, 42.64, 40.67

 

CMYK 69 / 0 / 67 / 15

HEX #44DA49

RGB 68 218 73

HSL 122, 0.67%, 0.56%

LAB 77.19, -66.41, 57.84

 

CMYK 69 / 16 / 0 / 15

HEX #44B7DA

RGB 68 183 218

HSL 194, 0.67%, 0.56%

LAB 69.58, -21.15, -27.01

 

CMYK 0 / 68 / 3 / 15

HEX #DA46D3

RGB 218 70 211

HSL 302.84, 0.67%, 0.56%

LAB 56.08, 72.75, -43.26

 

CMYK 0 / 32 / 69 / 15

HEX #DA9444

RGB 218 148 68

HSL 32, 0.67%, 0.56%

LAB 66.9, 19.06, 51.58

 

CMYK 69 / 0 / 67 / 15

HEX #44DA49

RGB 68 218 73

HSL 122, 0.67%, 0.56%

LAB 77.19, -66.41, 57.84

 

CMYK 69 / 37 / 0 / 15

HEX #448ADA

RGB 68 138 218

HSL 212, 0.67%, 0.56%

LAB 56.55, 3.86, -47.34

 

Description

Color code: HEX #DA46D3 | qconv.com Color code: HEX #DA46D3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 70 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 70 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 3 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 3% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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