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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA445C it is the complementary color #25BBA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA445C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA445C shade: #DF4457, #F0566A, #FF687D, #FF7A90 and #FF8CA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA445C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA445C shade: #DA445C, #C93249, #B82036, #A70E23 and #960010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA445C shade: #DA445C and #DA4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA445C shade: #DA445C, #DA4484, #DA44AD, #DA44D5 and #B644DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA445C shade matches the following richer shades: #DA445C, #EC314F and #FE1F43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA445C shade: #DA445C, #C85668, #B66874, #A47A81 and #918C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA445C shade: #DA44AD, #DA4485, #DA445D, #DA5344 and #DA7B44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA445C shade: #AA2237, #CC2843, #DA445C, #E1667A and #E88998

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA445C shade: #DA445C, #D5DA44 and #4499DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA445C shade: #DA445C, #5DDA44 and #445DDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA445C shade: #DA445C, #D5DA44, #44DAC1 and #4944DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA445C shade: #DA445C, #A8DA44, #44DAC1 and #7644DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 58 / 15

HEX #DA445C

RGB 218 68 92

HSL 350.4, 0.67%, 0.56%

LAB 51.62, 59.63, 20.14

 

Complementary color

CMYK 80 / 0 / 13 / 27

HEX #25BBA3

RGB 37 187 163

HSL 170.4, 0.67%, 0.44%

LAB 68.44, -43.01, 1.44

 

CMYK 0 / 70 / 61 / 13

HEX #DF4457

RGB 223 68 87

HSL 352.65, 0.71%, 0.57%

LAB 52.41, 60.83, 24.32

 

CMYK 0 / 64 / 56 / 6

HEX #F0566A

RGB 240 86 106

HSL 352.21, 0.84%, 0.64%

LAB 58.25, 60.4, 21.4

 

CMYK 0 / 59 / 51 / 0

HEX #FF687D

RGB 255 104 125

HSL 351.66, 1%, 0.7%

LAB 63.87, 59.07, 18.47

 

CMYK 0 / 52 / 44 / 0

HEX #FF7A90

RGB 255 122 144

HSL 350.08, 1%, 0.74%

LAB 67.42, 52.57, 12.6

 

CMYK 0 / 45 / 36 / 0

HEX #FF8CA3

RGB 255 140 163

HSL 348, 1%, 0.77%

LAB 71.32, 45.81, 7.48

 

CMYK 0 / 69 / 58 / 15

HEX #DA445C

RGB 218 68 92

HSL 350.4, 0.67%, 0.56%

LAB 51.62, 59.63, 20.14

 

CMYK 0 / 75 / 64 / 21

HEX #C93249

RGB 201 50 73

HSL 350.86, 0.6%, 0.49%

LAB 45.88, 59.64, 23.48

 

CMYK 0 / 83 / 71 / 28

HEX #B82036

RGB 184 32 54

HSL 351.32, 0.7%, 0.42%

LAB 40.39, 58.95, 27.56

 

CMYK 0 / 92 / 79 / 35

HEX #A70E23

RGB 167 14 35

HSL 351.76, 0.85%, 0.35%

LAB 35.3, 57.21, 32.41

 

CMYK 0 / 100 / 89 / 41

HEX #960010

RGB 150 0 16

HSL 353.6, 1%, 0.29%

LAB 30.69, 54.17, 37.52

 

CMYK 0 / 69 / 58 / 15

HEX #DA445C

RGB 218 68 92

HSL 350.4, 0.67%, 0.56%

LAB 51.62, 59.63, 20.14

 

CMYK 0 / 69 / 69 / 15

HEX #DA4444

RGB 218 68 68

HSL 0, 0.67%, 0.56%

LAB 51.22, 58.19, 33.78

 

CMYK 0 / 69 / 58 / 15

HEX #DA445C

RGB 218 68 92

HSL 350.4, 0.67%, 0.56%

LAB 51.62, 59.63, 20.14

 

CMYK 0 / 69 / 39 / 15

HEX #DA4484

RGB 218 68 132

HSL 334.4, 0.67%, 0.56%

LAB 52.63, 63.08, -2.45

 

CMYK 0 / 69 / 21 / 15

HEX #DA44AD

RGB 218 68 173

HSL 318, 0.67%, 0.56%

LAB 54.09, 67.93, -24.47

 

CMYK 0 / 69 / 2 / 15

HEX #DA44D5

RGB 218 68 213

HSL 302, 0.67%, 0.56%

LAB 55.93, 73.76, -44.63

 

CMYK 17 / 69 / 0 / 15

HEX #B644DA

RGB 182 68 218

HSL 285.6, 0.67%, 0.56%

LAB 50.85, 66.83, -55.89

 

CMYK 0 / 69 / 58 / 15

HEX #DA445C

RGB 218 68 92

HSL 350.4, 0.67%, 0.56%

LAB 51.62, 59.63, 20.14

 

CMYK 0 / 79 / 67 / 7

HEX #EC314F

RGB 236 49 79

HSL 350.37, 0.83%, 0.56%

LAB 52.5, 70.15, 29.66

 

CMYK 0 / 88 / 74 / 0

HEX #FE1F43

RGB 254 31 67

HSL 350.31, 0.99%, 0.56%

LAB 54.51, 78.06, 39.91

 

CMYK 0 / 69 / 58 / 15

HEX #DA445C

RGB 218 68 92

HSL 350.4, 0.67%, 0.56%

LAB 51.62, 59.63, 20.14

 

CMYK 0 / 57 / 48 / 22

HEX #C85668

RGB 200 86 104

HSL 350.53, 0.51%, 0.56%

LAB 51.76, 47.01, 12.67

 

CMYK 0 / 43 / 36 / 29

HEX #B66874

RGB 182 104 116

HSL 350.77, 0.35%, 0.56%

LAB 53.07, 32.58, 7.02

 

CMYK 0 / 26 / 21 / 36

HEX #A47A81

RGB 164 122 129

HSL 350, 0.19%, 0.56%

LAB 55.48, 17.44, 2.59

 

CMYK 0 / 3 / 3 / 43

HEX #918C8D

RGB 145 140 141

HSL 348, 0.02%, 0.56%

LAB 58.69, 2.04, 0.12

 

CMYK 0 / 69 / 21 / 15

HEX #DA44AD

RGB 218 68 173

HSL 318, 0.67%, 0.56%

LAB 54.09, 67.93, -24.47

 

CMYK 0 / 69 / 39 / 15

HEX #DA4485

RGB 218 68 133

HSL 334, 0.67%, 0.56%

LAB 52.66, 63.18, -3

 

CMYK 0 / 69 / 57 / 15

HEX #DA445D

RGB 218 68 93

HSL 350, 0.67%, 0.56%

LAB 51.64, 59.7, 19.56

 

CMYK 0 / 62 / 69 / 15

HEX #DA5344

RGB 218 83 68

HSL 6, 0.67%, 0.56%

LAB 53.5, 52.02, 36.49

 

CMYK 0 / 44 / 69 / 15

HEX #DA7B44

RGB 218 123 68

HSL 22, 0.67%, 0.56%

LAB 61.21, 32.41, 45.33

 

CMYK 0 / 80 / 68 / 33

HEX #AA2237

RGB 170 34 55

HSL 350.74, 0.67%, 0.4%

LAB 37.78, 54.46, 23.08

 

CMYK 0 / 80 / 67 / 20

HEX #CC2843

RGB 204 40 67

HSL 350.12, 0.67%, 0.48%

LAB 45.3, 63.11, 26.53

 

CMYK 0 / 69 / 58 / 15

HEX #DA445C

RGB 218 68 92

HSL 350.4, 0.67%, 0.56%

LAB 51.62, 59.63, 20.14

 

CMYK 0 / 55 / 46 / 12

HEX #E1667A

RGB 225 102 122

HSL 350.24, 0.67%, 0.64%

LAB 58.9, 49.72, 12.6

 

CMYK 0 / 41 / 34 / 9

HEX #E88998

RGB 232 137 152

HSL 350.53, 0.67%, 0.72%

LAB 67.51, 37.91, 7.79

 

CMYK 0 / 69 / 58 / 15

HEX #DA445C

RGB 218 68 92

HSL 350.4, 0.67%, 0.56%

LAB 51.62, 59.63, 20.14

 

CMYK 2 / 0 / 69 / 15

HEX #D5DA44

RGB 213 218 68

HSL 62, 0.67%, 0.56%

LAB 84.33, -19.49, 69.38

 

CMYK 69 / 30 / 0 / 15

HEX #4499DA

RGB 68 153 218

HSL 206, 0.67%, 0.56%

LAB 60.85, -4.88, -40.57

 

CMYK 0 / 69 / 58 / 15

HEX #DA445C

RGB 218 68 92

HSL 350.4, 0.67%, 0.56%

LAB 51.62, 59.63, 20.14

 

CMYK 57 / 0 / 69 / 15

HEX #5DDA44

RGB 93 218 68

HSL 110, 0.67%, 0.56%

LAB 77.81, -61.55, 60.64

 

CMYK 69 / 57 / 0 / 15

HEX #445DDA

RGB 68 93 218

HSL 230, 0.67%, 0.56%

LAB 44.4, 31.75, -66.86

 

CMYK 0 / 69 / 58 / 15

HEX #DA445C

RGB 218 68 92

HSL 350.4, 0.67%, 0.56%

LAB 51.62, 59.63, 20.14

 

CMYK 2 / 0 / 69 / 15

HEX #D5DA44

RGB 213 218 68

HSL 62, 0.67%, 0.56%

LAB 84.33, -19.49, 69.38

 

CMYK 69 / 0 / 11 / 15

HEX #44DAC1

RGB 68 218 193

HSL 170, 0.67%, 0.56%

LAB 79.17, -44.86, 0.89

 

CMYK 67 / 69 / 0 / 15

HEX #4944DA

RGB 73 68 218

HSL 242, 0.67%, 0.56%

LAB 38.92, 47.56, -75.81

 

CMYK 0 / 69 / 58 / 15

HEX #DA445C

RGB 218 68 92

HSL 350.4, 0.67%, 0.56%

LAB 51.62, 59.63, 20.14

 

CMYK 23 / 0 / 69 / 15

HEX #A8DA44

RGB 168 218 68

HSL 80, 0.67%, 0.56%

LAB 81.23, -37.46, 65.25

 

CMYK 69 / 0 / 11 / 15

HEX #44DAC1

RGB 68 218 193

HSL 170, 0.67%, 0.56%

LAB 79.17, -44.86, 0.89

 

CMYK 46 / 69 / 0 / 15

HEX #7644DA

RGB 118 68 218

HSL 260, 0.67%, 0.56%

LAB 42.84, 54.29, -69.24

 

Description

Color code: HEX #DA445C | qconv.com Color code: HEX #DA445C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 68 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 68 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 58 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 58% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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