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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA4390 it is the complementary color #25BC6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA4390. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA4390 shade: #DF438B, #F0559E, #FF67B1, #FF79C4 and #FF8BD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA4390. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA4390 shade: #DA4390, #C9317D, #B81F6A, #A70D57 and #960044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA4390 shade: #DA4490, #DA4468 and #DA4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA4390 shade: #DA4490, #DA44B9, #D344DA, #AA44DA and #8144DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA4390 shade matches the following richer shades: #DA4490, #EC3191 and #FE1F91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA4390 shade: #DA4490, #C85690, #B66890, #A47A8F and #918C8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA4390 shade: #D244DA, #DA44B9, #DA4491, #DA4469 and #DA4644

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA4390 shade: #AA2267, #CC287C, #DA4490, #E166A5 and #E889B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA4390 shade: #DA4390, #DAAA44 and #44CDDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA4390 shade: #DA4390, #91DA44 and #4491DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA4390 shade: #DA4390, #DAAA44, #44DA8C and #4473DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA4390 shade: #DA4390, #DAD744, #44DA8C and #4446DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 34 / 15

HEX #DA4390

RGB 218 67 144

HSL 329.4, 0.67%, 0.56%

LAB 52.88, 64.73, -9.23

 

Complementary color

CMYK 80 / 0 / 41 / 26

HEX #25BC6F

RGB 37 188 111

HSL 149.4, 0.67%, 0.44%

LAB 67.66, -55.39, 28.43

 

CMYK 0 / 70 / 38 / 13

HEX #DF438B

RGB 223 67 139

HSL 332.31, 0.71%, 0.57%

LAB 53.56, 65.56, -5.14

 

CMYK 0 / 65 / 34 / 6

HEX #F0559E

RGB 240 85 158

HSL 331.74, 0.84%, 0.64%

LAB 59.43, 65.61, -7.3

 

CMYK 0 / 60 / 31 / 0

HEX #FF67B1

RGB 255 103 177

HSL 330.79, 1%, 0.7%

LAB 65.07, 64.75, -9.57

 

CMYK 0 / 53 / 23 / 0

HEX #FF79C4

RGB 255 121 196

HSL 326.42, 1%, 0.74%

LAB 68.69, 59.14, -14.86

 

CMYK 0 / 45 / 16 / 0

HEX #FF8BD7

RGB 255 139 215

HSL 320.69, 1%, 0.77%

LAB 72.65, 53.24, -19.44

 

CMYK 0 / 69 / 34 / 15

HEX #DA4390

RGB 218 67 144

HSL 329.4, 0.67%, 0.56%

LAB 52.88, 64.73, -9.23

 

CMYK 0 / 76 / 38 / 21

HEX #C9317D

RGB 201 49 125

HSL 330, 0.61%, 0.49%

LAB 47.1, 64.19, -6.74

 

CMYK 0 / 83 / 42 / 28

HEX #B81F6A

RGB 184 31 106

HSL 330.59, 0.71%, 0.42%

LAB 41.55, 62.88, -3.58

 

CMYK 0 / 92 / 48 / 35

HEX #A70D57

RGB 167 13 87

HSL 331.17, 0.86%, 0.35%

LAB 36.35, 60.42, 0.47

 

CMYK 0 / 100 / 55 / 41

HEX #960044

RGB 150 0 68

HSL 332.8, 1%, 0.29%

LAB 31.58, 56.56, 5.58

 

CMYK 0 / 69 / 34 / 15

HEX #DA4490

RGB 218 68 144

HSL 329.6, 0.67%, 0.56%

LAB 53.01, 64.37, -9.03

 

CMYK 0 / 69 / 52 / 15

HEX #DA4468

RGB 218 68 104

HSL 345.6, 0.67%, 0.56%

LAB 51.88, 60.52, 13.29

 

CMYK 0 / 69 / 69 / 15

HEX #DA4444

RGB 218 68 68

HSL 0, 0.67%, 0.56%

LAB 51.22, 58.19, 33.78

 

CMYK 0 / 69 / 34 / 15

HEX #DA4490

RGB 218 68 144

HSL 329.6, 0.67%, 0.56%

LAB 53.01, 64.37, -9.03

 

CMYK 0 / 69 / 15 / 15

HEX #DA44B9

RGB 218 68 185

HSL 313.2, 0.67%, 0.56%

LAB 54.6, 69.57, -30.66

 

CMYK 3 / 69 / 0 / 15

HEX #D344DA

RGB 211 68 218

HSL 297.2, 0.67%, 0.56%

LAB 55.12, 73.04, -48.83

 

CMYK 22 / 69 / 0 / 15

HEX #AA44DA

RGB 170 68 218

HSL 280.8, 0.67%, 0.56%

LAB 49.18, 64.32, -58.66

 

CMYK 41 / 69 / 0 / 15

HEX #8144DA

RGB 129 68 218

HSL 264.4, 0.67%, 0.56%

LAB 44.04, 56.26, -67.24

 

CMYK 0 / 69 / 34 / 15

HEX #DA4490

RGB 218 68 144

HSL 329.6, 0.67%, 0.56%

LAB 53.01, 64.37, -9.03

 

CMYK 0 / 79 / 39 / 7

HEX #EC3191

RGB 236 49 145

HSL 329.2, 0.83%, 0.56%

LAB 54.11, 75, -7.66

 

CMYK 0 / 88 / 43 / 0

HEX #FE1F91

RGB 254 31 145

HSL 329.33, 0.99%, 0.56%

LAB 56.18, 82.77, -4.21

 

CMYK 0 / 69 / 34 / 15

HEX #DA4490

RGB 218 68 144

HSL 329.6, 0.67%, 0.56%

LAB 53.01, 64.37, -9.03

 

CMYK 0 / 57 / 28 / 22

HEX #C85690

RGB 200 86 144

HSL 329.47, 0.51%, 0.56%

LAB 52.89, 51.54, -9.5

 

CMYK 0 / 43 / 21 / 29

HEX #B66890

RGB 182 104 144

HSL 329.23, 0.35%, 0.56%

LAB 53.88, 36.47, -8.29

 

CMYK 0 / 26 / 13 / 36

HEX #A47A8F

RGB 164 122 143

HSL 330, 0.19%, 0.56%

LAB 55.88, 19.77, -4.96

 

CMYK 0 / 3 / 1 / 43

HEX #918C8F

RGB 145 140 143

HSL 324, 0.02%, 0.56%

LAB 58.75, 2.43, -0.94

 

CMYK 4 / 69 / 0 / 15

HEX #D244DA

RGB 210 68 218

HSL 296.8, 0.67%, 0.56%

LAB 54.97, 72.82, -49.08

 

CMYK 0 / 69 / 15 / 15

HEX #DA44B9

RGB 218 68 185

HSL 313.2, 0.67%, 0.56%

LAB 54.6, 69.57, -30.66

 

CMYK 0 / 69 / 33 / 15

HEX #DA4491

RGB 218 68 145

HSL 329.2, 0.67%, 0.56%

LAB 53.04, 64.48, -9.58

 

CMYK 0 / 69 / 52 / 15

HEX #DA4469

RGB 218 68 105

HSL 345.2, 0.67%, 0.56%

LAB 51.9, 60.6, 12.72

 

CMYK 0 / 68 / 69 / 15

HEX #DA4644

RGB 218 70 68

HSL 0.8, 0.67%, 0.56%

LAB 51.5, 57.42, 34.11

 

CMYK 0 / 80 / 39 / 33

HEX #AA2267

RGB 170 34 103

HSL 329.56, 0.67%, 0.4%

LAB 39.02, 58.24, -5.75

 

CMYK 0 / 80 / 39 / 20

HEX #CC287C

RGB 204 40 124

HSL 329.27, 0.67%, 0.48%

LAB 46.72, 67.39, -6.63

 

CMYK 0 / 69 / 34 / 15

HEX #DA4490

RGB 218 68 144

HSL 329.6, 0.67%, 0.56%

LAB 53.01, 64.37, -9.03

 

CMYK 0 / 55 / 27 / 12

HEX #E166A5

RGB 225 102 165

HSL 329.27, 0.67%, 0.64%

LAB 60.09, 54.64, -10.6

 

CMYK 0 / 41 / 20 / 9

HEX #E889B9

RGB 232 137 185

HSL 329.68, 0.67%, 0.72%

LAB 68.42, 42.35, -9.41

 

CMYK 0 / 69 / 34 / 15

HEX #DA4390

RGB 218 67 144

HSL 329.4, 0.67%, 0.56%

LAB 52.88, 64.73, -9.23

 

CMYK 0 / 22 / 69 / 15

HEX #DAAA44

RGB 218 170 68

HSL 40.8, 0.67%, 0.56%

LAB 72.28, 7.26, 57.28

 

CMYK 69 / 6 / 0 / 15

HEX #44CDDA

RGB 68 205 218

HSL 185.2, 0.67%, 0.56%

LAB 76.04, -32.07, -17.17

 

CMYK 0 / 69 / 34 / 15

HEX #DA4390

RGB 218 67 144

HSL 329.4, 0.67%, 0.56%

LAB 52.88, 64.73, -9.23

 

CMYK 33 / 0 / 69 / 15

HEX #91DA44

RGB 145 218 68

HSL 89.2, 0.67%, 0.56%

LAB 79.94, -45.88, 63.53

 

CMYK 69 / 33 / 0 / 15

HEX #4491DA

RGB 68 145 218

HSL 209.2, 0.67%, 0.56%

LAB 58.55, -0.27, -44.19

 

CMYK 0 / 69 / 34 / 15

HEX #DA4390

RGB 218 67 144

HSL 329.4, 0.67%, 0.56%

LAB 52.88, 64.73, -9.23

 

CMYK 0 / 22 / 69 / 15

HEX #DAAA44

RGB 218 170 68

HSL 40.8, 0.67%, 0.56%

LAB 72.28, 7.26, 57.28

 

CMYK 69 / 0 / 36 / 15

HEX #44DA8C

RGB 68 218 140

HSL 148.8, 0.67%, 0.56%

LAB 78.03, -56.79, 27.25

 

CMYK 69 / 47 / 0 / 15

HEX #4473DA

RGB 68 115 218

HSL 221.2, 0.67%, 0.56%

LAB 50.16, 17.91, -57.55

 

CMYK 0 / 69 / 34 / 15

HEX #DA4390

RGB 218 67 144

HSL 329.4, 0.67%, 0.56%

LAB 52.88, 64.73, -9.23

 

CMYK 0 / 1 / 69 / 15

HEX #DAD744

RGB 218 215 68

HSL 58.8, 0.67%, 0.56%

LAB 83.93, -15.94, 69.11

 

CMYK 69 / 0 / 36 / 15

HEX #44DA8C

RGB 68 218 140

HSL 148.8, 0.67%, 0.56%

LAB 78.03, -56.79, 27.25

 

CMYK 69 / 68 / 0 / 15

HEX #4446DA

RGB 68 70 218

HSL 239.2, 0.67%, 0.56%

LAB 39.02, 45.81, -75.65

 

Description

Color code: HEX #DA4390 | qconv.com Color code: HEX #DA4390 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 67 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 67 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 34 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 34% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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