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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA42A6 it is the complementary color #25BD59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA42A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA42A6 shade: #DF42A1, #F054B4, #FF66C7, #FF78DA and #FF8AED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA42A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA42A6 shade: #DA42A6, #C93093, #B81E80, #A70C6D and #96005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA42A6 shade: #DA44A7, #DA447E, #DA4455 and #DA4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA42A6 shade: #DA44A7, #DA44CF, #BC44DA, #9444DA and #6B44DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA42A6 shade matches the following richer shades: #DA44A7, #EC31AC and #FE1FB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA42A6 shade: #DA44A7, #C856A1, #B6689B, #A47A95 and #918C90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA42A6 shade: #BC44DA, #DA44D0, #DA44A8, #DA4480 and #DA4458

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA42A6 shade: #AA227B, #CC2894, #DA44A7, #E166B7 and #E889C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA42A6 shade: #DA42A6, #DA9444 and #44DAD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA42A6 shade: #DA42A6, #A8DA44 and #44A8DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA42A6 shade: #DA42A6, #DA9444, #44DA76 and #448ADA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA42A6 shade: #DA42A6, #DAC144, #44DA76 and #445DDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 24 / 15

HEX #DA42A6

RGB 218 66 166

HSL 320.53, 0.67%, 0.56%

LAB 53.55, 67.72, -21.2

 

Complementary color

CMYK 80 / 0 / 53 / 26

HEX #25BD59

RGB 37 189 89

HSL 140.53, 0.67%, 0.44%

LAB 67.66, -59.46, 39.59

 

CMYK 0 / 70 / 28 / 13

HEX #DF42A1

RGB 223 66 161

HSL 323.69, 0.71%, 0.57%

LAB 54.19, 68.39, -17.21

 

CMYK 0 / 65 / 25 / 6

HEX #F054B4

RGB 240 84 180

HSL 323.08, 0.84%, 0.64%

LAB 60.03, 68.62, -19.11

 

CMYK 0 / 60 / 22 / 0

HEX #FF66C7

RGB 255 102 199

HSL 321.96, 1%, 0.7%

LAB 65.66, 67.93, -21.15

 

CMYK 0 / 53 / 15 / 0

HEX #FF78DA

RGB 255 120 218

HSL 316.44, 1%, 0.74%

LAB 69.29, 62.72, -26.22

 

CMYK 0 / 46 / 7 / 0

HEX #FF8AED

RGB 255 138 237

HSL 309.23, 1%, 0.77%

LAB 73.25, 57.19, -30.6

 

CMYK 0 / 70 / 24 / 15

HEX #DA42A6

RGB 218 66 166

HSL 320.53, 0.67%, 0.56%

LAB 53.55, 67.72, -21.2

 

CMYK 0 / 76 / 27 / 21

HEX #C93093

RGB 201 48 147

HSL 321.18, 0.61%, 0.49%

LAB 47.8, 66.98, -18.99

 

CMYK 0 / 84 / 30 / 28

HEX #B81E80

RGB 184 30 128

HSL 321.82, 0.72%, 0.42%

LAB 42.27, 65.41, -16.17

 

CMYK 0 / 93 / 35 / 35

HEX #A70C6D

RGB 167 12 109

HSL 322.45, 0.87%, 0.35%

LAB 37.08, 62.67, -12.51

 

CMYK 0 / 100 / 40 / 41

HEX #96005A

RGB 150 0 90

HSL 324, 1%, 0.29%

LAB 32.31, 58.47, -7.86

 

CMYK 0 / 69 / 23 / 15

HEX #DA44A7

RGB 218 68 167

HSL 320.4, 0.67%, 0.56%

LAB 53.85, 67.14, -21.34

 

CMYK 0 / 69 / 42 / 15

HEX #DA447E

RGB 218 68 126

HSL 336.8, 0.67%, 0.56%

LAB 52.45, 62.48, 0.88

 

CMYK 0 / 69 / 61 / 15

HEX #DA4455

RGB 218 68 85

HSL 353.2, 0.67%, 0.56%

LAB 51.49, 59.16, 24.14

 

CMYK 0 / 69 / 69 / 15

HEX #DA4444

RGB 218 68 68

HSL 0, 0.67%, 0.56%

LAB 51.22, 58.19, 33.78

 

CMYK 0 / 69 / 23 / 15

HEX #DA44A7

RGB 218 68 167

HSL 320.4, 0.67%, 0.56%

LAB 53.85, 67.14, -21.34

 

CMYK 0 / 69 / 5 / 15

HEX #DA44CF

RGB 218 68 207

HSL 304.4, 0.67%, 0.56%

LAB 55.63, 72.83, -41.69

 

CMYK 14 / 69 / 0 / 15

HEX #BC44DA

RGB 188 68 218

HSL 288, 0.67%, 0.56%

LAB 51.71, 68.1, -54.46

 

CMYK 32 / 69 / 0 / 15

HEX #9444DA

RGB 148 68 218

HSL 272, 0.67%, 0.56%

LAB 46.3, 59.88, -63.46

 

CMYK 51 / 69 / 0 / 15

HEX #6B44DA

RGB 107 68 218

HSL 255.6, 0.67%, 0.56%

LAB 41.72, 52.43, -71.11

 

CMYK 0 / 69 / 23 / 15

HEX #DA44A7

RGB 218 68 167

HSL 320.4, 0.67%, 0.56%

LAB 53.85, 67.14, -21.34

 

CMYK 0 / 79 / 27 / 7

HEX #EC31AC

RGB 236 49 172

HSL 320.53, 0.83%, 0.56%

LAB 55.08, 77.86, -22.1

 

CMYK 0 / 88 / 30 / 0

HEX #FE1FB2

RGB 254 31 178

HSL 320.45, 0.99%, 0.56%

LAB 57.33, 85.91, -21.87

 

CMYK 0 / 69 / 23 / 15

HEX #DA44A7

RGB 218 68 167

HSL 320.4, 0.67%, 0.56%

LAB 53.85, 67.14, -21.34

 

CMYK 0 / 57 / 20 / 22

HEX #C856A1

RGB 200 86 161

HSL 320.53, 0.51%, 0.56%

LAB 53.5, 53.9, -18.59

 

CMYK 0 / 43 / 15 / 29

HEX #B6689B

RGB 182 104 155

HSL 320.77, 0.35%, 0.56%

LAB 54.25, 38.22, -14.17

 

CMYK 0 / 26 / 9 / 36

HEX #A47A95

RGB 164 122 149

HSL 321.43, 0.19%, 0.56%

LAB 56.07, 20.83, -8.16

 

CMYK 0 / 3 / 1 / 43

HEX #918C90

RGB 145 140 144

HSL 312, 0.02%, 0.56%

LAB 58.78, 2.62, -1.47

 

CMYK 14 / 69 / 0 / 15

HEX #BC44DA

RGB 188 68 218

HSL 288, 0.67%, 0.56%

LAB 51.71, 68.1, -54.46

 

CMYK 0 / 69 / 5 / 15

HEX #DA44D0

RGB 218 68 208

HSL 304, 0.67%, 0.56%

LAB 55.68, 72.98, -42.18

 

CMYK 0 / 69 / 23 / 15

HEX #DA44A8

RGB 218 68 168

HSL 320, 0.67%, 0.56%

LAB 53.89, 67.27, -21.86

 

CMYK 0 / 69 / 41 / 15

HEX #DA4480

RGB 218 68 128

HSL 336, 0.67%, 0.56%

LAB 52.51, 62.67, -0.23

 

CMYK 0 / 69 / 60 / 15

HEX #DA4458

RGB 218 68 88

HSL 352, 0.67%, 0.56%

LAB 51.55, 59.35, 22.42

 

CMYK 0 / 80 / 28 / 33

HEX #AA227B

RGB 170 34 123

HSL 320.74, 0.67%, 0.4%

LAB 39.78, 60.5, -17.12

 

CMYK 0 / 80 / 27 / 20

HEX #CC2894

RGB 204 40 148

HSL 320.49, 0.67%, 0.48%

LAB 47.61, 69.99, -19.83

 

CMYK 0 / 69 / 23 / 15

HEX #DA44A7

RGB 218 68 167

HSL 320.4, 0.67%, 0.56%

LAB 53.85, 67.14, -21.34

 

CMYK 0 / 55 / 19 / 12

HEX #E166B7

RGB 225 102 183

HSL 320.49, 0.67%, 0.64%

LAB 60.72, 57.13, -19.99

 

CMYK 0 / 41 / 14 / 9

HEX #E889C7

RGB 232 137 199

HSL 320.84, 0.67%, 0.72%

LAB 68.87, 44.49, -16.56

 

CMYK 0 / 70 / 24 / 15

HEX #DA42A6

RGB 218 66 166

HSL 320.53, 0.67%, 0.56%

LAB 53.55, 67.72, -21.2

 

CMYK 0 / 32 / 69 / 15

HEX #DA9444

RGB 218 148 68

HSL 32, 0.67%, 0.56%

LAB 66.9, 19.06, 51.58

 

CMYK 69 / 0 / 5 / 15

HEX #44DAD0

RGB 68 218 208

HSL 176, 0.67%, 0.56%

LAB 79.57, -40.91, -6.53

 

CMYK 0 / 70 / 24 / 15

HEX #DA42A6

RGB 218 66 166

HSL 320.53, 0.67%, 0.56%

LAB 53.55, 67.72, -21.2

 

CMYK 23 / 0 / 69 / 15

HEX #A8DA44

RGB 168 218 68

HSL 80, 0.67%, 0.56%

LAB 81.23, -37.46, 65.25

 

CMYK 69 / 23 / 0 / 15

HEX #44A8DA

RGB 68 168 218

HSL 200, 0.67%, 0.56%

LAB 65.2, -13.22, -33.78

 

CMYK 0 / 70 / 24 / 15

HEX #DA42A6

RGB 218 66 166

HSL 320.53, 0.67%, 0.56%

LAB 53.55, 67.72, -21.2

 

CMYK 0 / 32 / 69 / 15

HEX #DA9444

RGB 218 148 68

HSL 32, 0.67%, 0.56%

LAB 66.9, 19.06, 51.58

 

CMYK 69 / 0 / 46 / 15

HEX #44DA76

RGB 68 218 118

HSL 140, 0.67%, 0.56%

LAB 77.69, -60.66, 37.94

 

CMYK 69 / 37 / 0 / 15

HEX #448ADA

RGB 68 138 218

HSL 212, 0.67%, 0.56%

LAB 56.55, 3.86, -47.34

 

CMYK 0 / 70 / 24 / 15

HEX #DA42A6

RGB 218 66 166

HSL 320.53, 0.67%, 0.56%

LAB 53.55, 67.72, -21.2

 

CMYK 0 / 11 / 69 / 15

HEX #DAC144

RGB 218 193 68

HSL 50, 0.67%, 0.56%

LAB 78.15, -4.82, 63.33

 

CMYK 69 / 0 / 46 / 15

HEX #44DA76

RGB 68 218 118

HSL 140, 0.67%, 0.56%

LAB 77.69, -60.66, 37.94

 

CMYK 69 / 57 / 0 / 15

HEX #445DDA

RGB 68 93 218

HSL 230, 0.67%, 0.56%

LAB 44.4, 31.75, -66.86

 

Description

Color code: HEX #DA42A6 | qconv.com Color code: HEX #DA42A6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 66 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 66 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 24 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 24% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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