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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA3EBB it is the complementary color #25C144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA3EBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA3EBB shade: #DF3EB6, #F050C9, #FF62DC, #FF74EF and #FF86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA3EBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA3EBB shade: #DA3EBB, #C92CA8, #B81A95, #A70882 and #96006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA3EBB shade: #DA3EBB, #DA3E91, #DA3E67 and #DA3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA3EBB shade: #DA3EBB, #CF3EDA, #A53EDA, #7B3EDA and #503EDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA3EBB shade matches the following richer shades: #DA3EBB and #EC2BC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA3EBB shade: #DA3EBB, #C750B0, #B563A4, #A27599 and #90888E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA3EBB shade: #A33EDA, #CD3EDA, #DA3EBD, #DA3E94 and #DA3E6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA3EBB shade: #A61F8B, #C826A8, #DA3EBB, #E060C7 and #E783D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA3EBB shade: #DA3EBB, #DA7A3E and #3EDAB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA3EBB shade: #DA3EBB, #BDDA3E and #3EBDDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA3EBB shade: #DA3EBB, #DA7A3E, #3EDA5A and #3E9EDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA3EBB shade: #DA3EBB, #DAA83E, #3EDA5A and #3E6FDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 14 / 15

HEX #DA3EBB

RGB 218 62 187

HSL 311.92, 0.68%, 0.55%

LAB 53.96, 71.9, -32.81

 

Complementary color

CMYK 81 / 0 / 65 / 24

HEX #25C144

RGB 37 193 68

HSL 131.92, 0.68%, 0.45%

LAB 68.72, -63.48, 50.47

 

CMYK 0 / 72 / 18 / 13

HEX #DF3EB6

RGB 223 62 182

HSL 315.28, 0.72%, 0.56%

LAB 54.56, 72.39, -28.91

 

CMYK 0 / 67 / 16 / 6

HEX #F050C9

RGB 240 80 201

HSL 314.63, 0.84%, 0.63%

LAB 60.32, 72.9, -30.68

 

CMYK 0 / 62 / 14 / 0

HEX #FF62DC

RGB 255 98 220

HSL 313.38, 1%, 0.69%

LAB 65.88, 72.47, -32.6

 

CMYK 0 / 55 / 6 / 0

HEX #FF74EF

RGB 255 116 239

HSL 306.91, 1%, 0.73%

LAB 69.46, 67.75, -37.57

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 72 / 14 / 15

HEX #DA3EBB

RGB 218 62 187

HSL 311.92, 0.68%, 0.55%

LAB 53.96, 71.9, -32.81

 

CMYK 0 / 78 / 16 / 21

HEX #C92CA8

RGB 201 44 168

HSL 312.61, 0.64%, 0.48%

LAB 48.32, 70.81, -30.71

 

CMYK 0 / 86 / 19 / 28

HEX #B81A95

RGB 184 26 149

HSL 313.29, 0.75%, 0.41%

LAB 42.91, 68.81, -28.01

 

CMYK 0 / 95 / 22 / 35

HEX #A70882

RGB 167 8 130

HSL 313.96, 0.91%, 0.34%

LAB 37.84, 65.57, -24.51

 

CMYK 0 / 100 / 26 / 41

HEX #96006F

RGB 150 0 111

HSL 315.6, 1%, 0.29%

LAB 33.2, 60.77, -20.04

 

CMYK 0 / 72 / 14 / 15

HEX #DA3EBB

RGB 218 62 187

HSL 311.92, 0.68%, 0.55%

LAB 53.96, 71.9, -32.81

 

CMYK 0 / 72 / 33 / 15

HEX #DA3E91

RGB 218 62 145

HSL 328.08, 0.68%, 0.55%

LAB 52.28, 66.6, -10.72

 

CMYK 0 / 72 / 53 / 15

HEX #DA3E67

RGB 218 62 103

HSL 344.23, 0.68%, 0.55%

LAB 51.07, 62.62, 12.76

 

CMYK 0 / 72 / 72 / 15

HEX #DA3E3E

RGB 218 62 62

HSL 0, 0.68%, 0.55%

LAB 50.33, 60.12, 36.18

 

CMYK 0 / 72 / 14 / 15

HEX #DA3EBB

RGB 218 62 187

HSL 311.92, 0.68%, 0.55%

LAB 53.96, 71.9, -32.81

 

CMYK 5 / 72 / 0 / 15

HEX #CF3EDA

RGB 207 62 218

HSL 295.77, 0.68%, 0.55%

LAB 53.78, 74.24, -50.99

 

CMYK 24 / 72 / 0 / 15

HEX #A53EDA

RGB 165 62 218

HSL 279.62, 0.68%, 0.55%

LAB 47.63, 65.76, -61.19

 

CMYK 44 / 72 / 0 / 15

HEX #7B3EDA

RGB 123 62 218

HSL 263.46, 0.68%, 0.55%

LAB 42.34, 58.07, -70.04

 

CMYK 63 / 72 / 0 / 15

HEX #503EDA

RGB 80 62 218

HSL 246.92, 0.68%, 0.55%

LAB 38.22, 51.74, -76.94

 

CMYK 0 / 72 / 14 / 15

HEX #DA3EBB

RGB 218 62 187

HSL 311.92, 0.68%, 0.55%

LAB 53.96, 71.9, -32.81

 

CMYK 0 / 82 / 16 / 7

HEX #EC2BC6

RGB 236 43 198

HSL 311.81, 0.84%, 0.55%

LAB 55.72, 82.41, -36.18

 

CMYK 0 / 72 / 14 / 15

HEX #DA3EBB

RGB 218 62 187

HSL 311.92, 0.68%, 0.55%

LAB 53.96, 71.9, -32.81

 

CMYK 0 / 60 / 12 / 22

HEX #C750B0

RGB 199 80 176

HSL 311.6, 0.52%, 0.55%

LAB 52.96, 58.57, -28.2

 

CMYK 0 / 45 / 9 / 29

HEX #B563A4

RGB 181 99 164

HSL 312.44, 0.36%, 0.55%

LAB 53.41, 42.06, -20.72

 

CMYK 0 / 28 / 6 / 36

HEX #A27599

RGB 162 117 153

HSL 312, 0.19%, 0.55%

LAB 54.77, 23.7, -12.46

 

CMYK 0 / 6 / 1 / 44

HEX #90888E

RGB 144 136 142

HSL 315, 0.03%, 0.55%

LAB 57.55, 4.13, -2.14

 

CMYK 25 / 72 / 0 / 15

HEX #A33EDA

RGB 163 62 218

HSL 278.85, 0.68%, 0.55%

LAB 47.36, 65.37, -61.65

 

CMYK 6 / 72 / 0 / 15

HEX #CD3EDA

RGB 205 62 218

HSL 295, 0.68%, 0.55%

LAB 53.48, 73.82, -51.49

 

CMYK 0 / 72 / 13 / 15

HEX #DA3EBD

RGB 218 62 189

HSL 311.15, 0.68%, 0.55%

LAB 54.05, 72.18, -33.82

 

CMYK 0 / 72 / 32 / 15

HEX #DA3E94

RGB 218 62 148

HSL 326.92, 0.68%, 0.55%

LAB 52.39, 66.94, -12.34

 

CMYK 0 / 72 / 51 / 15

HEX #DA3E6A

RGB 218 62 106

HSL 343.08, 0.68%, 0.55%

LAB 51.14, 62.86, 11.05

 

CMYK 0 / 81 / 16 / 35

HEX #A61F8B

RGB 166 31 139

HSL 312, 0.69%, 0.39%

LAB 39.5, 62.46, -27.5

 

CMYK 0 / 81 / 16 / 22

HEX #C826A8

RGB 200 38 168

HSL 311.85, 0.68%, 0.47%

LAB 47.61, 72.11, -31.83

 

CMYK 0 / 72 / 14 / 15

HEX #DA3EBB

RGB 218 62 187

HSL 311.92, 0.68%, 0.55%

LAB 53.96, 71.9, -32.81

 

CMYK 0 / 57 / 11 / 12

HEX #E060C7

RGB 224 96 199

HSL 311.72, 0.67%, 0.63%

LAB 60.19, 61.95, -29.94

 

CMYK 0 / 43 / 9 / 9

HEX #E783D3

RGB 231 131 211

HSL 312, 0.68%, 0.71%

LAB 67.97, 49.18, -24.63

 

CMYK 0 / 72 / 14 / 15

HEX #DA3EBB

RGB 218 62 187

HSL 311.92, 0.68%, 0.55%

LAB 53.96, 71.9, -32.81

 

CMYK 0 / 44 / 72 / 15

HEX #DA7A3E

RGB 218 122 62

HSL 23.08, 0.68%, 0.55%

LAB 60.93, 32.62, 48.01

 

CMYK 72 / 0 / 16 / 15

HEX #3EDAB8

RGB 62 218 184

HSL 166.92, 0.68%, 0.55%

LAB 78.83, -47.95, 5.17

 

CMYK 0 / 72 / 14 / 15

HEX #DA3EBB

RGB 218 62 187

HSL 311.92, 0.68%, 0.55%

LAB 53.96, 71.9, -32.81

 

CMYK 13 / 0 / 72 / 15

HEX #BDDA3E

RGB 189 218 62

HSL 71.15, 0.68%, 0.55%

LAB 82.54, -29.58, 69.16

 

CMYK 72 / 13 / 0 / 15

HEX #3EBDDA

RGB 62 189 218

HSL 191.15, 0.68%, 0.55%

LAB 71.2, -25.02, -24.54

 

CMYK 0 / 72 / 14 / 15

HEX #DA3EBB

RGB 218 62 187

HSL 311.92, 0.68%, 0.55%

LAB 53.96, 71.9, -32.81

 

CMYK 0 / 44 / 72 / 15

HEX #DA7A3E

RGB 218 122 62

HSL 23.08, 0.68%, 0.55%

LAB 60.93, 32.62, 48.01

 

CMYK 72 / 0 / 59 / 15

HEX #3EDA5A

RGB 62 218 90

HSL 130.77, 0.68%, 0.55%

LAB 77.22, -65.59, 50.62

 

CMYK 72 / 28 / 0 / 15

HEX #3E9EDA

RGB 62 158 218

HSL 203.08, 0.68%, 0.55%

LAB 62.12, -8.56, -38.59

 

CMYK 0 / 72 / 14 / 15

HEX #DA3EBB

RGB 218 62 187

HSL 311.92, 0.68%, 0.55%

LAB 53.96, 71.9, -32.81

 

CMYK 0 / 23 / 72 / 15

HEX #DAA83E

RGB 218 168 62

HSL 40.77, 0.68%, 0.55%

LAB 71.73, 8.01, 59.26

 

CMYK 72 / 0 / 59 / 15

HEX #3EDA5A

RGB 62 218 90

HSL 130.77, 0.68%, 0.55%

LAB 77.22, -65.59, 50.62

 

CMYK 72 / 49 / 0 / 15

HEX #3E6FDA

RGB 62 111 218

HSL 221.15, 0.68%, 0.55%

LAB 48.83, 19.57, -59.71

 

Description

Color code: HEX #DA3EBB | qconv.com Color code: HEX #DA3EBB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 62 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 62 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 14 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 14% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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