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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA3E7D it is the complementary color #25C182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA3E7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA3E7D shade: #DF3E78, #F0508B, #FF629E, #FF74B1 and #FF86C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA3E7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA3E7D shade: #DA3E7D, #C92C6A, #B81A57, #A70844 and #960031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA3E7D shade: #DA3E7D, #DA3E53 and #DA3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA3E7D shade: #DA3E7D, #DA3EA7, #DA3ED1, #B93EDA and #8E3EDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA3E7D shade matches the following richer shades: #DA3E7D and #EC2B79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA3E7D shade: #DA3E7D, #C75080, #B56384, #A27587 and #90888B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA3E7D shade: #DA3ED2, #DA3EA8, #DA3E7F, #DA3E55 and #DA503E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA3E7D shade: #A61F56, #C82667, #DA3E7D, #E06094 and #E783AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA3E7D shade: #DA3E7D, #DAB83E and #3EBDDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA3E7D shade: #DA3E7D, #7FDA3E and #3E7FDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA3E7D shade: #DA3E7D, #DAB83E, #3EDA99 and #3E60DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA3E7D shade: #DA3E7D, #CDDA3E, #3EDA99 and #4B3EDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 43 / 15

HEX #DA3E7D

RGB 218 62 125

HSL 335.77, 0.68%, 0.55%

LAB 51.65, 64.53, 0.31

 

Complementary color

CMYK 81 / 0 / 33 / 24

HEX #25C182

RGB 37 193 130

HSL 155.77, 0.68%, 0.45%

LAB 69.57, -53.42, 20.95

 

CMYK 0 / 72 / 46 / 13

HEX #DF3E78

RGB 223 62 120

HSL 338.39, 0.72%, 0.56%

LAB 52.39, 65.46, 4.5

 

CMYK 0 / 67 / 42 / 6

HEX #F0508B

RGB 240 80 139

HSL 337.88, 0.84%, 0.63%

LAB 58.16, 65.57, 1.93

 

CMYK 0 / 62 / 38 / 0

HEX #FF629E

RGB 255 98 158

HSL 337.07, 1%, 0.69%

LAB 63.72, 64.72, -0.69

 

CMYK 0 / 55 / 31 / 0

HEX #FF74B1

RGB 255 116 177

HSL 333.67, 1%, 0.73%

LAB 67.22, 59.01, -6.37

 

CMYK 0 / 47 / 23 / 0

HEX #FF86C4

RGB 255 134 196

HSL 329.26, 1%, 0.76%

LAB 71.07, 52.95, -11.29

 

CMYK 0 / 72 / 43 / 15

HEX #DA3E7D

RGB 218 62 125

HSL 335.77, 0.68%, 0.55%

LAB 51.65, 64.53, 0.31

 

CMYK 0 / 78 / 47 / 21

HEX #C92C6A

RGB 201 44 106

HSL 336.31, 0.64%, 0.48%

LAB 45.99, 63.87, 3.29

 

CMYK 0 / 86 / 53 / 28

HEX #B81A57

RGB 184 26 87

HSL 336.84, 0.75%, 0.41%

LAB 40.6, 62.36, 7.03

 

CMYK 0 / 95 / 59 / 35

HEX #A70844

RGB 167 8 68

HSL 337.36, 0.91%, 0.34%

LAB 35.61, 59.63, 11.75

 

CMYK 0 / 100 / 67 / 41

HEX #960031

RGB 150 0 49

HSL 340.4, 1%, 0.29%

LAB 31.13, 55.35, 17.61

 

CMYK 0 / 72 / 43 / 15

HEX #DA3E7D

RGB 218 62 125

HSL 335.77, 0.68%, 0.55%

LAB 51.65, 64.53, 0.31

 

CMYK 0 / 72 / 62 / 15

HEX #DA3E53

RGB 218 62 83

HSL 351.92, 0.68%, 0.55%

LAB 50.66, 61.23, 24.25

 

CMYK 0 / 72 / 72 / 15

HEX #DA3E3E

RGB 218 62 62

HSL 0, 0.68%, 0.55%

LAB 50.33, 60.12, 36.18

 

CMYK 0 / 72 / 43 / 15

HEX #DA3E7D

RGB 218 62 125

HSL 335.77, 0.68%, 0.55%

LAB 51.65, 64.53, 0.31

 

CMYK 0 / 72 / 23 / 15

HEX #DA3EA7

RGB 218 62 167

HSL 319.62, 0.68%, 0.55%

LAB 53.1, 69.22, -22.48

 

CMYK 0 / 72 / 4 / 15

HEX #DA3ED1

RGB 218 62 209

HSL 303.46, 0.68%, 0.55%

LAB 55.03, 75.13, -43.79

 

CMYK 15 / 72 / 0 / 15

HEX #B93EDA

RGB 185 62 218

HSL 287.31, 0.68%, 0.55%

LAB 50.48, 69.73, -56.46

 

CMYK 35 / 72 / 0 / 15

HEX #8E3EDA

RGB 142 62 218

HSL 270.77, 0.68%, 0.55%

LAB 44.6, 61.41, -66.25

 

CMYK 0 / 72 / 43 / 15

HEX #DA3E7D

RGB 218 62 125

HSL 335.77, 0.68%, 0.55%

LAB 51.65, 64.53, 0.31

 

CMYK 0 / 82 / 49 / 7

HEX #EC2B79

RGB 236 43 121

HSL 335.75, 0.84%, 0.55%

LAB 52.88, 74.33, 4.93

 

CMYK 0 / 72 / 43 / 15

HEX #DA3E7D

RGB 218 62 125

HSL 335.77, 0.68%, 0.55%

LAB 51.65, 64.53, 0.31

 

CMYK 0 / 60 / 36 / 22

HEX #C75080

RGB 199 80 128

HSL 335.8, 0.52%, 0.55%

LAB 51.2, 51.99, -2.52

 

CMYK 0 / 45 / 27 / 29

HEX #B56384

RGB 181 99 132

HSL 335.85, 0.36%, 0.55%

LAB 52.3, 37.03, -3.57

 

CMYK 0 / 28 / 17 / 36

HEX #A27587

RGB 162 117 135

HSL 336, 0.19%, 0.55%

LAB 54.19, 20.51, -2.82

 

CMYK 0 / 6 / 3 / 44

HEX #90888B

RGB 144 136 139

HSL 337.5, 0.03%, 0.55%

LAB 57.46, 3.56, -0.54

 

CMYK 0 / 72 / 4 / 15

HEX #DA3ED2

RGB 218 62 210

HSL 303.08, 0.68%, 0.55%

LAB 55.08, 75.29, -44.27

 

CMYK 0 / 72 / 23 / 15

HEX #DA3EA8

RGB 218 62 168

HSL 319.23, 0.68%, 0.55%

LAB 53.14, 69.35, -23

 

CMYK 0 / 72 / 42 / 15

HEX #DA3E7F

RGB 218 62 127

HSL 335, 0.68%, 0.55%

LAB 51.7, 64.72, -0.8

 

CMYK 0 / 72 / 61 / 15

HEX #DA3E55

RGB 218 62 85

HSL 351.15, 0.68%, 0.55%

LAB 50.69, 61.35, 23.1

 

CMYK 0 / 63 / 72 / 15

HEX #DA503E

RGB 218 80 62

HSL 6.92, 0.68%, 0.55%

LAB 52.94, 53.03, 39.17

 

CMYK 0 / 81 / 48 / 35

HEX #A61F56

RGB 166 31 86

HSL 335.56, 0.69%, 0.39%

LAB 37.41, 56.38, 2.62

 

CMYK 0 / 81 / 49 / 22

HEX #C82667

RGB 200 38 103

HSL 335.93, 0.68%, 0.47%

LAB 45.14, 64.97, 3.91

 

CMYK 0 / 72 / 43 / 15

HEX #DA3E7D

RGB 218 62 125

HSL 335.77, 0.68%, 0.55%

LAB 51.65, 64.53, 0.31

 

CMYK 0 / 57 / 34 / 12

HEX #E06094

RGB 224 96 148

HSL 335.63, 0.67%, 0.63%

LAB 58.37, 54.98, -3.32

 

CMYK 0 / 43 / 26 / 9

HEX #E783AB

RGB 231 131 171

HSL 336, 0.68%, 0.71%

LAB 66.64, 43.11, -4.2

 

CMYK 0 / 72 / 43 / 15

HEX #DA3E7D

RGB 218 62 125

HSL 335.77, 0.68%, 0.55%

LAB 51.65, 64.53, 0.31

 

CMYK 0 / 16 / 72 / 15

HEX #DAB83E

RGB 218 184 62

HSL 46.92, 0.68%, 0.55%

LAB 75.78, -0.44, 63.31

 

CMYK 72 / 13 / 0 / 15

HEX #3EBDDA

RGB 62 189 218

HSL 191.15, 0.68%, 0.55%

LAB 71.2, -25.02, -24.54

 

CMYK 0 / 72 / 43 / 15

HEX #DA3E7D

RGB 218 62 125

HSL 335.77, 0.68%, 0.55%

LAB 51.65, 64.53, 0.31

 

CMYK 42 / 0 / 72 / 15

HEX #7FDA3E

RGB 127 218 62

HSL 95, 0.68%, 0.55%

LAB 79.04, -52.33, 64.52

 

CMYK 72 / 42 / 0 / 15

HEX #3E7FDA

RGB 62 127 218

HSL 215, 0.68%, 0.55%

LAB 53.24, 9.63, -52.63

 

CMYK 0 / 72 / 43 / 15

HEX #DA3E7D

RGB 218 62 125

HSL 335.77, 0.68%, 0.55%

LAB 51.65, 64.53, 0.31

 

CMYK 0 / 16 / 72 / 15

HEX #DAB83E

RGB 218 184 62

HSL 46.92, 0.68%, 0.55%

LAB 75.78, -0.44, 63.31

 

CMYK 72 / 0 / 30 / 15

HEX #3EDA99

RGB 62 218 153

HSL 155, 0.68%, 0.55%

LAB 78.15, -55.08, 20.62

 

CMYK 72 / 56 / 0 / 15

HEX #3E60DA

RGB 62 96 218

HSL 226.92, 0.68%, 0.55%

LAB 44.87, 29.06, -66.11

 

CMYK 0 / 72 / 43 / 15

HEX #DA3E7D

RGB 218 62 125

HSL 335.77, 0.68%, 0.55%

LAB 51.65, 64.53, 0.31

 

CMYK 6 / 0 / 72 / 15

HEX #CDDA3E

RGB 205 218 62

HSL 65, 0.68%, 0.55%

LAB 83.69, -23.08, 70.66

 

CMYK 72 / 0 / 30 / 15

HEX #3EDA99

RGB 62 218 153

HSL 155, 0.68%, 0.55%

LAB 78.15, -55.08, 20.62

 

CMYK 66 / 72 / 0 / 15

HEX #4B3EDA

RGB 75 62 218

HSL 245, 0.68%, 0.55%

LAB 37.85, 51.14, -77.57

 

Description

Color code: HEX #DA3E7D | qconv.com Color code: HEX #DA3E7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 62 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 62 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 43 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 43% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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