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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA3CE6 it is the complementary color #25C319. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA3CE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA3CE6 shade: #DF3CE1, #F04EF4, #FF60FF, #FF72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA3CE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA3CE6 shade: #DA3CE6, #C92AD3, #B818C0, #A706AD and #96009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA3CE6 shade: #DA3DE6, #E63DC4, #E63D97, #E63D69 and #E63D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA3CE6 shade: #DA3DE6, #AC3DE6, #7F3DE6, #513DE6 and #3D3DE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA3CE6 shade matches the following richer shades: #DA3DE6 and #E92BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA3CE6 shade: #DA3DE6, #CB4FD4, #BB60C2, #AC72B1 and #9D849F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA3CE6 shade: #7E3DE6, #AB3DE6, #D83DE6, #E63DC7 and #E63D9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA3CE6 shade: #AD18B8, #CF1DDD, #DA3DE6, #E161EB and #E886EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA3CE6 shade: #DA3CE6, #E6513D and #3DE694

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA3CE6 shade: #DA3CE6, #E6D83D and #3DE6D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA3CE6 shade: #DA3CE6, #E6513D, #4BE63D and #3DD2E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA3CE6 shade: #DA3CE6, #E6833D, #4BE63D and #3D9FE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 74 / 0 / 10

HEX #DA3CE6

RGB 218 60 230

HSL 295.76, 0.77%, 0.57%

LAB 55.94, 79.08, -54.24

 

Complementary color

CMYK 81 / 0 / 87 / 24

HEX #25C319

RGB 37 195 25

HSL 115.76, 0.77%, 0.43%

LAB 69.11, -67.22, 64.88

 

CMYK 1 / 73 / 0 / 12

HEX #DF3CE1

RGB 223 60 225

HSL 299.27, 0.73%, 0.56%

LAB 56.44, 79.28, -50.57

 

CMYK 2 / 68 / 0 / 4

HEX #F04EF4

RGB 240 78 244

HSL 298.55, 0.88%, 0.63%

LAB 62.09, 80.04, -52.07

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 5 / 74 / 0 / 10

HEX #DA3CE6

RGB 218 60 230

HSL 295.76, 0.77%, 0.57%

LAB 55.94, 79.08, -54.24

 

CMYK 5 / 80 / 0 / 17

HEX #C92AD3

RGB 201 42 211

HSL 296.45, 0.67%, 0.5%

LAB 50.42, 77.69, -52.41

 

CMYK 4 / 88 / 0 / 25

HEX #B818C0

RGB 184 24 192

HSL 297.14, 0.78%, 0.42%

LAB 45.15, 75.37, -50.03

 

CMYK 3 / 97 / 0 / 32

HEX #A706AD

RGB 167 6 173

HSL 297.84, 0.93%, 0.35%

LAB 40.19, 71.84, -46.95

 

CMYK 3 / 100 / 0 / 40

HEX #96009A

RGB 150 0 154

HSL 298.44, 1%, 0.3%

LAB 35.63, 66.76, -42.98

 

CMYK 5 / 73 / 0 / 10

HEX #DA3DE6

RGB 218 61 230

HSL 295.74, 0.77%, 0.57%

LAB 56.04, 78.77, -54.07

 

CMYK 0 / 73 / 15 / 10

HEX #E63DC4

RGB 230 61 196

HSL 312.07, 0.77%, 0.57%

LAB 56.23, 76.21, -34.31

 

CMYK 0 / 73 / 34 / 10

HEX #E63D97

RGB 230 61 151

HSL 328.05, 0.77%, 0.57%

LAB 54.44, 70.71, -10.82

 

CMYK 0 / 73 / 54 / 10

HEX #E63D69

RGB 230 61 105

HSL 344.38, 0.77%, 0.57%

LAB 53.15, 66.55, 14.77

 

CMYK 0 / 73 / 73 / 10

HEX #E63D3D

RGB 230 61 61

HSL 0, 0.77%, 0.57%

LAB 52.39, 64.07, 39.68

 

CMYK 5 / 73 / 0 / 10

HEX #DA3DE6

RGB 218 61 230

HSL 295.74, 0.77%, 0.57%

LAB 56.04, 78.77, -54.07

 

CMYK 25 / 73 / 0 / 10

HEX #AC3DE6

RGB 172 61 230

HSL 279.41, 0.77%, 0.57%

LAB 49.28, 69.92, -65.3

 

CMYK 45 / 73 / 0 / 10

HEX #7F3DE6

RGB 127 61 230

HSL 263.43, 0.77%, 0.57%

LAB 43.6, 62.2, -74.79

 

CMYK 65 / 73 / 0 / 10

HEX #513DE6

RGB 81 61 230

HSL 247.1, 0.77%, 0.57%

LAB 39.24, 56, -82.11

 

CMYK 73 / 73 / 0 / 10

HEX #3D3DE6

RGB 61 61 230

HSL 240, 0.77%, 0.57%

LAB 37.92, 54.06, -84.34

 

CMYK 5 / 73 / 0 / 10

HEX #DA3DE6

RGB 218 61 230

HSL 295.74, 0.77%, 0.57%

LAB 56.04, 78.77, -54.07

 

CMYK 6 / 83 / 0 / 3

HEX #E92BF8

RGB 233 43 248

HSL 295.61, 0.94%, 0.57%

LAB 57.87, 88.97, -61.08

 

CMYK 5 / 73 / 0 / 10

HEX #DA3DE6

RGB 218 61 230

HSL 295.74, 0.77%, 0.57%

LAB 56.04, 78.77, -54.07

 

CMYK 4 / 63 / 0 / 17

HEX #CB4FD4

RGB 203 79 212

HSL 295.94, 0.61%, 0.57%

LAB 55.12, 65.99, -45.5

 

CMYK 4 / 51 / 0 / 24

HEX #BB60C2

RGB 187 96 194

HSL 295.71, 0.45%, 0.57%

LAB 54.89, 50.8, -35.72

 

CMYK 3 / 36 / 0 / 31

HEX #AC72B1

RGB 172 114 177

HSL 295.24, 0.29%, 0.57%

LAB 56.07, 33.41, -24.27

 

CMYK 1 / 17 / 0 / 38

HEX #9D849F

RGB 157 132 159

HSL 295.56, 0.12%, 0.57%

LAB 58.2, 14.49, -10.82

 

CMYK 45 / 73 / 0 / 10

HEX #7E3DE6

RGB 126 61 230

HSL 263.08, 0.77%, 0.57%

LAB 43.49, 62.04, -74.98

 

CMYK 26 / 73 / 0 / 10

HEX #AB3DE6

RGB 171 61 230

HSL 279.05, 0.77%, 0.57%

LAB 49.14, 69.74, -65.53

 

CMYK 6 / 73 / 0 / 10

HEX #D83DE6

RGB 216 61 230

HSL 295.03, 0.77%, 0.57%

LAB 55.74, 78.38, -54.58

 

CMYK 0 / 73 / 13 / 10

HEX #E63DC7

RGB 230 61 199

HSL 311.01, 0.77%, 0.57%

LAB 56.37, 76.63, -35.81

 

CMYK 0 / 73 / 33 / 10

HEX #E63D9A

RGB 230 61 154

HSL 326.98, 0.77%, 0.57%

LAB 54.55, 71.03, -12.44

 

CMYK 6 / 87 / 0 / 28

HEX #AD18B8

RGB 173 24 184

HSL 295.88, 0.77%, 0.41%

LAB 42.76, 72.18, -49.27

 

CMYK 6 / 87 / 0 / 13

HEX #CF1DDD

RGB 207 29 221

HSL 295.63, 0.77%, 0.49%

LAB 51.11, 82.98, -56.97

 

CMYK 5 / 73 / 0 / 10

HEX #DA3DE6

RGB 218 61 230

HSL 295.74, 0.77%, 0.57%

LAB 56.04, 78.77, -54.07

 

CMYK 4 / 59 / 0 / 8

HEX #E161EB

RGB 225 97 235

HSL 295.65, 0.78%, 0.65%

LAB 62.13, 67.72, -47.14

 

CMYK 3 / 44 / 0 / 6

HEX #E886EF

RGB 232 134 239

HSL 296, 0.77%, 0.73%

LAB 69.78, 52.85, -37.29

 

CMYK 5 / 74 / 0 / 10

HEX #DA3CE6

RGB 218 60 230

HSL 295.76, 0.77%, 0.57%

LAB 55.94, 79.08, -54.24

 

CMYK 0 / 65 / 73 / 10

HEX #E6513D

RGB 230 81 61

HSL 7.1, 0.77%, 0.57%

LAB 55.12, 56.61, 42.71

 

CMYK 73 / 0 / 36 / 10

HEX #3DE694

RGB 61 230 148

HSL 150.89, 0.77%, 0.57%

LAB 81.69, -60.76, 28.02

 

CMYK 5 / 74 / 0 / 10

HEX #DA3CE6

RGB 218 60 230

HSL 295.76, 0.77%, 0.57%

LAB 55.94, 79.08, -54.24

 

CMYK 0 / 6 / 73 / 10

HEX #E6D83D

RGB 230 216 61

HSL 55.03, 0.77%, 0.57%

LAB 85.13, -11.75, 73.07

 

CMYK 73 / 0 / 6 / 10

HEX #3DE6D8

RGB 61 230 216

HSL 175.03, 0.77%, 0.57%

LAB 83.2, -44.9, -5.43

 

CMYK 5 / 74 / 0 / 10

HEX #DA3CE6

RGB 218 60 230

HSL 295.76, 0.77%, 0.57%

LAB 55.94, 79.08, -54.24

 

CMYK 0 / 65 / 73 / 10

HEX #E6513D

RGB 230 81 61

HSL 7.1, 0.77%, 0.57%

LAB 55.12, 56.61, 42.71

 

CMYK 67 / 0 / 73 / 10

HEX #4BE63D

RGB 75 230 61

HSL 115.03, 0.77%, 0.57%

LAB 80.98, -70.01, 66.24

 

CMYK 73 / 9 / 0 / 10

HEX #3DD2E6

RGB 61 210 230

HSL 187.1, 0.77%, 0.57%

LAB 77.76, -31.77, -21.04

 

CMYK 5 / 74 / 0 / 10

HEX #DA3CE6

RGB 218 60 230

HSL 295.76, 0.77%, 0.57%

LAB 55.94, 79.08, -54.24

 

CMYK 0 / 43 / 73 / 10

HEX #E6833D

RGB 230 131 61

HSL 24.85, 0.77%, 0.57%

LAB 64.48, 32.71, 52.72

 

CMYK 67 / 0 / 73 / 10

HEX #4BE63D

RGB 75 230 61

HSL 115.03, 0.77%, 0.57%

LAB 80.98, -70.01, 66.24

 

CMYK 73 / 31 / 0 / 10

HEX #3D9FE6

RGB 61 159 230

HSL 205.21, 0.77%, 0.57%

LAB 62.93, -5.14, -43.96

 

Description

Color code: HEX #DA3CE6 | qconv.com Color code: HEX #DA3CE6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 60 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 60 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 74 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 74% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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