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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA3CE2 it is the complementary color #25C31D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA3CE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA3CE2 shade: #DF3CDD, #F04EF0, #FF60FF, #FF72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA3CE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA3CE2 shade: #DA3CE2, #C92ACF, #B818BC, #A706A9 and #960096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA3CE2 shade: #DA3CE2, #E23CBD, #E23C90, #E23C63 and #E23C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA3CE2 shade: #DA3CE2, #AD3CE2, #803CE2, #533CE2 and #3C3CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA3CE2 shade matches the following richer shades: #DA3CE2 and #EA2AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA3CE2 shade: #DA3CE2, #C94ED0, #B960BE, #A972AB and #988499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA3CE2 shade: #813CE2, #AD3CE2, #DA3CE2, #E23CBE and #E23C92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA3CE2 shade: #A91AB1, #CC20D5, #DA3CE2, #E160E7 and #E784ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA3CE2 shade: #DA3CE2, #E2553C and #3CE297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA3CE2 shade: #DA3CE2, #E2DA3C and #3CE2DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA3CE2 shade: #DA3CE2, #E2553C, #44E23C and #3CC9E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA3CE2 shade: #DA3CE2, #E2863C, #44E23C and #3C97E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 73 / 0 / 11

HEX #DA3CE2

RGB 218 60 226

HSL 297.11, 0.74%, 0.56%

LAB 55.71, 78.43, -52.34

 

Complementary color

CMYK 81 / 0 / 85 / 24

HEX #25C31D

RGB 37 195 29

HSL 117.11, 0.74%, 0.44%

LAB 69.12, -67.05, 64.02

 

CMYK 0 / 73 / 1 / 13

HEX #DF3CDD

RGB 223 60 221

HSL 300.74, 0.72%, 0.55%

LAB 56.23, 78.65, -48.65

 

CMYK 0 / 68 / 0 / 6

HEX #F04EF0

RGB 240 78 240

HSL 300, 0.84%, 0.62%

LAB 61.88, 79.4, -50.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 4 / 73 / 0 / 11

HEX #DA3CE2

RGB 218 60 226

HSL 297.11, 0.74%, 0.56%

LAB 55.71, 78.43, -52.34

 

CMYK 3 / 80 / 0 / 19

HEX #C92ACF

RGB 201 42 207

HSL 297.82, 0.66%, 0.49%

LAB 50.19, 77.06, -50.49

 

CMYK 2 / 87 / 0 / 26

HEX #B818BC

RGB 184 24 188

HSL 298.54, 0.77%, 0.42%

LAB 44.91, 74.74, -48.08

 

CMYK 1 / 96 / 0 / 34

HEX #A706A9

RGB 167 6 169

HSL 299.26, 0.93%, 0.34%

LAB 39.93, 71.22, -44.97

 

CMYK 0 / 100 / 0 / 41

HEX #960096

RGB 150 0 150

HSL 300, 1%, 0.29%

LAB 35.37, 66.14, -40.95

 

CMYK 4 / 73 / 0 / 11

HEX #DA3CE2

RGB 218 60 226

HSL 297.11, 0.74%, 0.56%

LAB 55.71, 78.43, -52.34

 

CMYK 0 / 73 / 16 / 11

HEX #E23CBD

RGB 226 60 189

HSL 313.37, 0.74%, 0.56%

LAB 55.15, 74.66, -32.01

 

CMYK 0 / 73 / 36 / 11

HEX #E23C90

RGB 226 60 144

HSL 329.64, 0.74%, 0.56%

LAB 53.4, 69.25, -8.3

 

CMYK 0 / 73 / 56 / 11

HEX #E23C63

RGB 226 60 99

HSL 345.9, 0.74%, 0.56%

LAB 52.18, 65.31, 16.92

 

CMYK 0 / 73 / 73 / 11

HEX #E23C3C

RGB 226 60 60

HSL 0, 0.74%, 0.56%

LAB 51.53, 63.16, 39.06

 

CMYK 4 / 73 / 0 / 11

HEX #DA3CE2

RGB 218 60 226

HSL 297.11, 0.74%, 0.56%

LAB 55.71, 78.43, -52.34

 

CMYK 23 / 73 / 0 / 11

HEX #AD3CE2

RGB 173 60 226

HSL 280.84, 0.74%, 0.56%

LAB 49.02, 69.67, -63.45

 

CMYK 43 / 73 / 0 / 11

HEX #803CE2

RGB 128 60 226

HSL 264.58, 0.74%, 0.56%

LAB 43.23, 61.8, -73.12

 

CMYK 63 / 73 / 0 / 11

HEX #533CE2

RGB 83 60 226

HSL 248.31, 0.74%, 0.56%

LAB 38.83, 55.55, -80.5

 

CMYK 73 / 73 / 0 / 11

HEX #3C3CE2

RGB 60 60 226

HSL 240, 0.74%, 0.56%

LAB 37.27, 53.25, -83.14

 

CMYK 4 / 73 / 0 / 11

HEX #DA3CE2

RGB 218 60 226

HSL 297.11, 0.74%, 0.56%

LAB 55.71, 78.43, -52.34

 

CMYK 4 / 83 / 0 / 4

HEX #EA2AF4

RGB 234 42 244

HSL 297.03, 0.9%, 0.56%

LAB 57.73, 88.73, -59.07

 

CMYK 4 / 73 / 0 / 11

HEX #DA3CE2

RGB 218 60 226

HSL 297.11, 0.74%, 0.56%

LAB 55.71, 78.43, -52.34

 

CMYK 3 / 63 / 0 / 18

HEX #C94ED0

RGB 201 78 208

HSL 296.77, 0.58%, 0.56%

LAB 54.47, 65.23, -44.26

 

CMYK 3 / 49 / 0 / 25

HEX #B960BE

RGB 185 96 190

HSL 296.81, 0.42%, 0.56%

LAB 54.45, 49.49, -34.14

 

CMYK 1 / 33 / 0 / 33

HEX #A972AB

RGB 169 114 171

HSL 297.89, 0.25%, 0.56%

LAB 55.49, 31.25, -21.72

 

CMYK 1 / 14 / 0 / 40

HEX #988499

RGB 152 132 153

HSL 297.14, 0.09%, 0.56%

LAB 57.54, 11.51, -8.41

 

CMYK 43 / 73 / 0 / 11

HEX #813CE2

RGB 129 60 226

HSL 264.94, 0.74%, 0.56%

LAB 43.34, 61.96, -72.93

 

CMYK 23 / 73 / 0 / 11

HEX #AD3CE2

RGB 173 60 226

HSL 280.84, 0.74%, 0.56%

LAB 49.02, 69.67, -63.45

 

CMYK 4 / 73 / 0 / 11

HEX #DA3CE2

RGB 218 60 226

HSL 297.11, 0.74%, 0.56%

LAB 55.71, 78.43, -52.34

 

CMYK 0 / 73 / 16 / 11

HEX #E23CBE

RGB 226 60 190

HSL 313.01, 0.74%, 0.56%

LAB 55.19, 74.79, -32.52

 

CMYK 0 / 73 / 35 / 11

HEX #E23C92

RGB 226 60 146

HSL 328.92, 0.74%, 0.56%

LAB 53.47, 69.46, -9.39

 

CMYK 5 / 85 / 0 / 31

HEX #A91AB1

RGB 169 26 177

HSL 296.82, 0.74%, 0.4%

LAB 41.76, 69.95, -46.77

 

CMYK 4 / 85 / 0 / 16

HEX #CC20D5

RGB 204 32 213

HSL 297.02, 0.74%, 0.48%

LAB 50.3, 80.69, -53.72

 

CMYK 4 / 73 / 0 / 11

HEX #DA3CE2

RGB 218 60 226

HSL 297.11, 0.74%, 0.56%

LAB 55.71, 78.43, -52.34

 

CMYK 3 / 58 / 0 / 9

HEX #E160E7

RGB 225 96 231

HSL 297.33, 0.74%, 0.64%

LAB 61.78, 67.46, -45.47

 

CMYK 3 / 44 / 0 / 7

HEX #E784ED

RGB 231 132 237

HSL 296.57, 0.74%, 0.72%

LAB 69.19, 53.2, -37.13

 

CMYK 4 / 73 / 0 / 11

HEX #DA3CE2

RGB 218 60 226

HSL 297.11, 0.74%, 0.56%

LAB 55.71, 78.43, -52.34

 

CMYK 0 / 62 / 73 / 11

HEX #E2553C

RGB 226 85 60

HSL 9.04, 0.74%, 0.56%

LAB 55.06, 53.53, 43

 

CMYK 73 / 0 / 33 / 11

HEX #3CE297

RGB 60 226 151

HSL 152.89, 0.74%, 0.56%

LAB 80.51, -58.82, 24.89

 

CMYK 4 / 73 / 0 / 11

HEX #DA3CE2

RGB 218 60 226

HSL 297.11, 0.74%, 0.56%

LAB 55.71, 78.43, -52.34

 

CMYK 0 / 4 / 73 / 11

HEX #E2DA3C

RGB 226 218 60

HSL 57.11, 0.74%, 0.56%

LAB 85.32, -14.46, 73.46

 

CMYK 73 / 0 / 4 / 11

HEX #3CE2DA

RGB 60 226 218

HSL 177.11, 0.74%, 0.56%

LAB 82.06, -42.71, -8.17

 

CMYK 4 / 73 / 0 / 11

HEX #DA3CE2

RGB 218 60 226

HSL 297.11, 0.74%, 0.56%

LAB 55.71, 78.43, -52.34

 

CMYK 0 / 62 / 73 / 11

HEX #E2553C

RGB 226 85 60

HSL 9.04, 0.74%, 0.56%

LAB 55.06, 53.53, 43

 

CMYK 70 / 0 / 73 / 11

HEX #44E23C

RGB 68 226 60

HSL 117.11, 0.74%, 0.56%

LAB 79.58, -70.08, 65.14

 

CMYK 73 / 11 / 0 / 11

HEX #3CC9E2

RGB 60 201 226

HSL 189.04, 0.74%, 0.56%

LAB 74.97, -28.74, -23.13

 

CMYK 4 / 73 / 0 / 11

HEX #DA3CE2

RGB 218 60 226

HSL 297.11, 0.74%, 0.56%

LAB 55.71, 78.43, -52.34

 

CMYK 0 / 41 / 73 / 11

HEX #E2863C

RGB 226 134 60

HSL 26.75, 0.74%, 0.56%

LAB 64.6, 29.47, 53.14

 

CMYK 70 / 0 / 73 / 11

HEX #44E23C

RGB 68 226 60

HSL 117.11, 0.74%, 0.56%

LAB 79.58, -70.08, 65.14

 

CMYK 73 / 33 / 0 / 11

HEX #3C97E2

RGB 60 151 226

HSL 207.11, 0.74%, 0.56%

LAB 60.41, -2.08, -45.71

 

Description

Color code: HEX #DA3CE2 | qconv.com Color code: HEX #DA3CE2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 60 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 60 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 73 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 73% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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