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Color name
HEX #DA3C16

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA3C16 it is the complementary color #25C3E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA3C16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA3C16 shade: #DF3C11, #F04E24, #FF6037, #FF724A and #FF845D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA3C16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA3C16 shade: #DA3C16, #C92A03, #B81800, #A70600 and #960000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA3C16 shade: #DA3C16 and #DA1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA3C16 shade: #DA3C16, #DA7116, #DAA616, #DADA16 and #A5DA16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA3C16 shade matches the following richer shades: #DA3C16 and #EE3002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA3C16 shade: #DA3C16, #C74829, #B3533C, #A05F50 and #8D6B63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA3C16 shade: #DA165A, #DA1626, #DA3A16, #DA6E16 and #DAA216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA3C16 shade: #8F270E, #B53112, #DA3C16, #EA532F and #EE7254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA3C16 shade: #DA3C16, #8FDA16 and #1640DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA3C16 shade: #DA3C16, #16DA3A and #3A16DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA3C16 shade: #DA3C16, #8FDA16, #16B6DA and #6116DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA3C16 shade: #DA3C16, #54DA16, #16B6DA and #9C16DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 90 / 15

HEX #DA3C16

RGB 218 60 22

HSL 11.63, 0.82%, 0.47%

LAB 49.73, 59.64, 55.34

 

Complementary color

CMYK 84 / 16 / 0 / 9

HEX #25C3E9

RGB 37 195 233

HSL 191.63, 0.82%, 0.53%

LAB 73.09, -25.69, -29.81

 

CMYK 0 / 73 / 92 / 13

HEX #DF3C11

RGB 223 60 17

HSL 12.52, 0.86%, 0.47%

LAB 50.64, 61.13, 58.09

 

CMYK 0 / 68 / 85 / 6

HEX #F04E24

RGB 240 78 36

HSL 12.35, 0.87%, 0.54%

LAB 56.19, 60.32, 56.53

 

CMYK 0 / 62 / 78 / 0

HEX #FF6037

RGB 255 96 55

HSL 12.3, 1%, 0.61%

LAB 61.57, 58.53, 53.79

 

CMYK 0 / 55 / 71 / 0

HEX #FF724A

RGB 255 114 74

HSL 13.26, 1%, 0.65%

LAB 64.79, 51.28, 47.75

HEX #FF724A

CMYK 0 / 48 / 64 / 0

HEX #FF845D

RGB 255 132 93

HSL 14.44, 1%, 0.68%

LAB 68.43, 43.63, 42.07

HEX #FF845D

CMYK 0 / 72 / 90 / 15

HEX #DA3C16

RGB 218 60 22

HSL 11.63, 0.82%, 0.47%

LAB 49.73, 59.64, 55.34

 

CMYK 0 / 79 / 99 / 21

HEX #C92A03

RGB 201 42 3

HSL 11.82, 0.97%, 0.4%

LAB 44.35, 59.95, 56.21

 

CMYK 0 / 87 / 100 / 28

HEX #B81800

RGB 184 24 0

HSL 7.83, 1%, 0.36%

LAB 39.32, 59.43, 53.02

 

CMYK 0 / 96 / 100 / 35

HEX #A70600

RGB 167 6 0

HSL 2.16, 1%, 0.33%

LAB 34.69, 57.58, 48.84

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 72 / 90 / 15

HEX #DA3C16

RGB 218 60 22

HSL 11.63, 0.82%, 0.47%

LAB 49.73, 59.64, 55.34

 

CMYK 0 / 90 / 90 / 15

HEX #DA1616

RGB 218 22 22

HSL 0, 0.82%, 0.47%

LAB 46.36, 69.14, 52.95

 

CMYK 0 / 72 / 90 / 15

HEX #DA3C16

RGB 218 60 22

HSL 11.63, 0.82%, 0.47%

LAB 49.73, 59.64, 55.34

 

CMYK 0 / 48 / 90 / 15

HEX #DA7116

RGB 218 113 22

HSL 27.86, 0.82%, 0.47%

LAB 58.76, 36, 61.96

 

CMYK 0 / 24 / 90 / 15

HEX #DAA616

RGB 218 166 22

HSL 44.08, 0.82%, 0.47%

LAB 71.03, 7.78, 71.25

 

CMYK 0 / 0 / 90 / 15

HEX #DADA16

RGB 218 218 22

HSL 60, 0.82%, 0.47%

LAB 84.54, -18.91, 81.71

 

CMYK 24 / 0 / 90 / 15

HEX #A5DA16

RGB 165 218 22

HSL 76.22, 0.82%, 0.47%

LAB 80.85, -40.49, 77.21

 

CMYK 0 / 72 / 90 / 15

HEX #DA3C16

RGB 218 60 22

HSL 11.63, 0.82%, 0.47%

LAB 49.73, 59.64, 55.34

 

CMYK 0 / 80 / 99 / 7

HEX #EE3002

RGB 238 48 2

HSL 11.69, 0.98%, 0.47%

LAB 52.17, 69.02, 64.24

 

CMYK 0 / 72 / 90 / 15

HEX #DA3C16

RGB 218 60 22

HSL 11.63, 0.82%, 0.47%

LAB 49.73, 59.64, 55.34

 

CMYK 0 / 64 / 79 / 22

HEX #C74829

RGB 199 72 41

HSL 11.77, 0.66%, 0.47%

LAB 48.18, 49.06, 44.27

 

CMYK 0 / 54 / 66 / 30

HEX #B3533C

RGB 179 83 60

HSL 11.6, 0.5%, 0.47%

LAB 47.1, 37.31, 31.87

 

CMYK 0 / 41 / 50 / 37

HEX #A05F50

RGB 160 95 80

HSL 11.25, 0.33%, 0.47%

LAB 47.28, 24.8, 19.89

 

CMYK 0 / 24 / 30 / 45

HEX #8D6B63

RGB 141 107 99

HSL 11.43, 0.18%, 0.47%

LAB 48.36, 12.33, 9.72

 

CMYK 0 / 90 / 59 / 15

HEX #DA165A

RGB 218 22 90

HSL 339.18, 0.82%, 0.47%

LAB 47.26, 71.68, 15.45

 

CMYK 0 / 90 / 83 / 15

HEX #DA1626

RGB 218 22 38

HSL 355.1, 0.82%, 0.47%

LAB 46.47, 69.45, 45.41

 

CMYK 0 / 73 / 90 / 15

HEX #DA3A16

RGB 218 58 22

HSL 11.02, 0.82%, 0.47%

LAB 49.48, 60.32, 55.16

 

CMYK 0 / 50 / 90 / 15

HEX #DA6E16

RGB 218 110 22

HSL 26.94, 0.82%, 0.47%

LAB 58.15, 37.53, 61.49

 

CMYK 0 / 26 / 90 / 15

HEX #DAA216

RGB 218 162 22

HSL 42.86, 0.82%, 0.47%

LAB 70.04, 9.92, 70.49

 

CMYK 0 / 73 / 90 / 44

HEX #8F270E

RGB 143 39 14

HSL 11.63, 0.82%, 0.31%

LAB 32.53, 42.57, 39.3

 

CMYK 0 / 73 / 90 / 29

HEX #B53112

RGB 181 49 18

HSL 11.41, 0.82%, 0.39%

LAB 41.32, 51.64, 47.57

 

CMYK 0 / 72 / 90 / 15

HEX #DA3C16

RGB 218 60 22

HSL 11.63, 0.82%, 0.47%

LAB 49.73, 59.64, 55.34

 

CMYK 0 / 65 / 80 / 8

HEX #EA532F

RGB 234 83 47

HSL 11.55, 0.82%, 0.55%

LAB 55.97, 56.62, 50.97

 

CMYK 0 / 52 / 65 / 7

HEX #EE7254

RGB 238 114 84

HSL 11.69, 0.82%, 0.63%

LAB 62.38, 45.62, 39.03

 

CMYK 0 / 72 / 90 / 15

HEX #DA3C16

RGB 218 60 22

HSL 11.63, 0.82%, 0.47%

LAB 49.73, 59.64, 55.34

 

CMYK 34 / 0 / 90 / 15

HEX #8FDA16

RGB 143 218 22

HSL 82.96, 0.82%, 0.47%

LAB 79.64, -48.65, 75.72

 

CMYK 90 / 71 / 0 / 15

HEX #1640DA

RGB 22 64 218

HSL 227.14, 0.82%, 0.47%

LAB 35.79, 45.88, -81.04

 

CMYK 0 / 72 / 90 / 15

HEX #DA3C16

RGB 218 60 22

HSL 11.63, 0.82%, 0.47%

LAB 49.73, 59.64, 55.34

 

CMYK 90 / 0 / 73 / 15

HEX #16DA3A

RGB 22 218 58

HSL 131.02, 0.82%, 0.47%

LAB 76.45, -73.22, 62.46

 

CMYK 73 / 90 / 0 / 15

HEX #3A16DA

RGB 58 22 218

HSL 251.02, 0.82%, 0.47%

LAB 30.72, 66.91, -89.4

 

CMYK 0 / 72 / 90 / 15

HEX #DA3C16

RGB 218 60 22

HSL 11.63, 0.82%, 0.47%

LAB 49.73, 59.64, 55.34

 

CMYK 34 / 0 / 90 / 15

HEX #8FDA16

RGB 143 218 22

HSL 82.96, 0.82%, 0.47%

LAB 79.64, -48.65, 75.72

 

CMYK 90 / 17 / 0 / 15

HEX #16B6DA

RGB 22 182 218

HSL 191.02, 0.82%, 0.47%

LAB 68.52, -24.99, -28.7

 

CMYK 56 / 90 / 0 / 15

HEX #6116DA

RGB 97 22 218

HSL 262.96, 0.82%, 0.47%

LAB 34.35, 69.43, -83.27

 

CMYK 0 / 72 / 90 / 15

HEX #DA3C16

RGB 218 60 22

HSL 11.63, 0.82%, 0.47%

LAB 49.73, 59.64, 55.34

 

CMYK 61 / 0 / 90 / 15

HEX #54DA16

RGB 84 218 22

HSL 101.02, 0.82%, 0.47%

LAB 77.33, -66.18, 72.87

 

CMYK 90 / 17 / 0 / 15

HEX #16B6DA

RGB 22 182 218

HSL 191.02, 0.82%, 0.47%

LAB 68.52, -24.99, -28.7

 

CMYK 28 / 90 / 0 / 15

HEX #9C16DA

RGB 156 22 218

HSL 281.02, 0.82%, 0.47%

LAB 42.31, 75.92, -69.89

 

Description

Color code: HEX #DA3C16 | qconv.com Color code: HEX #DA3C16 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 60 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 60 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 90 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 90% 15% C M Y K

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