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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA3C01 it is the complementary color #25C3FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA3C01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA3C01 shade: #DF3C00, #F04E0F, #FF6022, #FF7235 and #FF8448

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA3C01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA3C01 shade: #DA3C01, #C92A00, #B81800, #A70600 and #960000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA3C01 shade: #DA3C01, #DA0201 and #DA0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA3C01 shade: #DA3C01, #DA7701, #DAB101, #C9DA01 and #8EDA01

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA3C01 shade matches the following richer shades: #DA3C01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA3C01 shade: #DA3C01, #C84413, #B74C25, #A55436 and #935C48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA3C01 shade: #DA013B, #DA0101, #DA3B01, #DA7501 and #DAAF01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA3C01 shade: #882501, #B13101, #DA3C01, #FE4A07 and #FE6830

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA3C01 shade: #DA3C01, #75DA01 and #011EDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA3C01 shade: #DA3C01, #01DA3B and #3B01DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA3C01 shade: #DA3C01, #75DA01, #01A0DA and #6601DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA3C01 shade: #DA3C01, #34DA01, #01A0DA and #A801DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 100 / 15

HEX #DA3C01

RGB 218 60 1

HSL 16.31, 0.99%, 0.43%

LAB 49.66, 59.41, 61.15

 

Complementary color

CMYK 85 / 23 / 0 / 0

HEX #25C3FE

RGB 37 195 254

HSL 196.31, 0.99%, 0.57%

LAB 73.92, -18.7, -39.85

 

CMYK 0 / 73 / 100 / 13

HEX #DF3C00

RGB 223 60 0

HSL 16.14, 1%, 0.44%

LAB 50.59, 60.97, 62.38

 

CMYK 0 / 68 / 94 / 6

HEX #F04E0F

RGB 240 78 15

HSL 16.8, 0.88%, 0.5%

LAB 56.1, 59.98, 63.6

 

CMYK 0 / 62 / 87 / 0

HEX #FF6022

RGB 255 96 34

HSL 16.83, 1%, 0.57%

LAB 61.43, 57.99, 62.63

 

CMYK 0 / 55 / 79 / 0

HEX #FF7235

RGB 255 114 53

HSL 18.12, 1%, 0.6%

LAB 64.61, 50.46, 57.65

 

CMYK 0 / 48 / 72 / 0

HEX #FF8448

RGB 255 132 72

HSL 19.67, 1%, 0.64%

LAB 68.19, 42.51, 52.46

 

CMYK 0 / 72 / 100 / 15

HEX #DA3C01

RGB 218 60 1

HSL 16.31, 0.99%, 0.43%

LAB 49.66, 59.41, 61.15

 

CMYK 0 / 79 / 100 / 21

HEX #C92A00

RGB 201 42 0

HSL 12.54, 1%, 0.39%

LAB 44.34, 59.92, 57.14

 

CMYK 0 / 87 / 100 / 28

HEX #B81800

RGB 184 24 0

HSL 7.83, 1%, 0.36%

LAB 39.32, 59.43, 53.02

 

CMYK 0 / 96 / 100 / 35

HEX #A70600

RGB 167 6 0

HSL 2.16, 1%, 0.33%

LAB 34.69, 57.58, 48.84

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 72 / 100 / 15

HEX #DA3C01

RGB 218 60 1

HSL 16.31, 0.99%, 0.43%

LAB 49.66, 59.41, 61.15

 

CMYK 0 / 99 / 100 / 15

HEX #DA0201

RGB 218 2 1

HSL 0.28, 0.99%, 0.43%

LAB 45.57, 71, 59.42

 

CMYK 0 / 100 / 100 / 15

HEX #DA0101

RGB 218 1 1

HSL 0, 0.99%, 0.43%

LAB 45.54, 71.09, 59.41

 

CMYK 0 / 72 / 100 / 15

HEX #DA3C01

RGB 218 60 1

HSL 16.31, 0.99%, 0.43%

LAB 49.66, 59.41, 61.15

 

CMYK 0 / 45 / 100 / 15

HEX #DA7701

RGB 218 119 1

HSL 32.63, 0.99%, 0.43%

LAB 59.98, 32.63, 66.92

 

CMYK 0 / 19 / 100 / 15

HEX #DAB101

RGB 218 177 1

HSL 48.66, 0.99%, 0.43%

LAB 73.77, 1.71, 76.13

 

CMYK 8 / 0 / 100 / 15

HEX #C9DA01

RGB 201 218 1

HSL 64.7, 0.99%, 0.43%

LAB 83.21, -26.27, 82.31

 

CMYK 35 / 0 / 100 / 15

HEX #8EDA01

RGB 142 218 1

HSL 81.01, 0.99%, 0.43%

LAB 79.55, -49.33, 77.93

 

CMYK 0 / 72 / 100 / 15

HEX #DA3C01

RGB 218 60 1

HSL 16.31, 0.99%, 0.43%

LAB 49.66, 59.41, 61.15

 

CMYK 0 / 72 / 100 / 15

HEX #DA3C01

RGB 218 60 1

HSL 16.31, 0.99%, 0.43%

LAB 49.66, 59.41, 61.15

 

CMYK 0 / 66 / 91 / 22

HEX #C84413

RGB 200 68 19

HSL 16.24, 0.83%, 0.43%

LAB 47.57, 50.57, 53.36

 

CMYK 0 / 58 / 80 / 28

HEX #B74C25

RGB 183 76 37

HSL 16.03, 0.66%, 0.43%

LAB 46.14, 41.23, 43.34

 

CMYK 0 / 49 / 67 / 35

HEX #A55436

RGB 165 84 54

HSL 16.22, 0.51%, 0.43%

LAB 45.09, 30.83, 32.35

 

CMYK 0 / 37 / 51 / 42

HEX #935C48

RGB 147 92 72

HSL 16, 0.34%, 0.43%

LAB 44.7, 20.26, 20.89

 

CMYK 0 / 100 / 73 / 15

HEX #DA013B

RGB 218 1 59

HSL 343.96, 0.99%, 0.43%

LAB 45.97, 72.26, 32.84

 

CMYK 0 / 100 / 100 / 15

HEX #DA0101

RGB 218 1 1

HSL 0, 0.99%, 0.43%

LAB 45.54, 71.09, 59.41

 

CMYK 0 / 73 / 100 / 15

HEX #DA3B01

RGB 218 59 1

HSL 16.04, 0.99%, 0.43%

LAB 49.54, 59.75, 61.09

 

CMYK 0 / 46 / 100 / 15

HEX #DA7501

RGB 218 117 1

HSL 32.07, 0.99%, 0.43%

LAB 59.55, 33.68, 66.66

 

CMYK 0 / 20 / 100 / 15

HEX #DAAF01

RGB 218 175 1

HSL 48.11, 0.99%, 0.43%

LAB 73.26, 2.76, 75.77

 

CMYK 0 / 73 / 99 / 47

HEX #882501

RGB 136 37 1

HSL 16, 0.99%, 0.27%

LAB 30.78, 40.68, 42.71

 

CMYK 0 / 72 / 99 / 31

HEX #B13101

RGB 177 49 1

HSL 16.36, 0.99%, 0.35%

LAB 40.49, 50.08, 52.35

 

CMYK 0 / 72 / 100 / 15

HEX #DA3C01

RGB 218 60 1

HSL 16.31, 0.99%, 0.43%

LAB 49.66, 59.41, 61.15

 

CMYK 0 / 71 / 97 / 0

HEX #FE4A07

RGB 254 74 7

HSL 16.28, 0.99%, 0.51%

LAB 58.02, 65.85, 67.68

 

CMYK 0 / 59 / 81 / 0

HEX #FE6830

RGB 254 104 48

HSL 16.31, 0.99%, 0.59%

LAB 62.66, 54.51, 57.98

 

CMYK 0 / 72 / 100 / 15

HEX #DA3C01

RGB 218 60 1

HSL 16.31, 0.99%, 0.43%

LAB 49.66, 59.41, 61.15

 

CMYK 46 / 0 / 100 / 15

HEX #75DA01

RGB 117 218 1

HSL 87.93, 0.99%, 0.43%

LAB 78.42, -57.65, 76.55

 

CMYK 100 / 86 / 0 / 15

HEX #011EDA

RGB 1 30 218

HSL 231.98, 0.99%, 0.43%

LAB 29.4, 62.77, -91.65

 

CMYK 0 / 72 / 100 / 15

HEX #DA3C01

RGB 218 60 1

HSL 16.31, 0.99%, 0.43%

LAB 49.66, 59.41, 61.15

 

CMYK 100 / 0 / 73 / 15

HEX #01DA3B

RGB 1 218 59

HSL 136.04, 0.99%, 0.43%

LAB 76.35, -74.03, 61.99

 

CMYK 73 / 100 / 0 / 15

HEX #3B01DA

RGB 59 1 218

HSL 256.04, 0.99%, 0.43%

LAB 29.45, 71.09, -91.53

 

CMYK 0 / 72 / 100 / 15

HEX #DA3C01

RGB 218 60 1

HSL 16.31, 0.99%, 0.43%

LAB 49.66, 59.41, 61.15

 

CMYK 46 / 0 / 100 / 15

HEX #75DA01

RGB 117 218 1

HSL 87.93, 0.99%, 0.43%

LAB 78.42, -57.65, 76.55

 

CMYK 100 / 27 / 0 / 15

HEX #01A0DA

RGB 1 160 218

HSL 196.04, 0.99%, 0.43%

LAB 61.84, -14.12, -39.1

 

CMYK 53 / 100 / 0 / 15

HEX #6601DA

RGB 102 1 218

HSL 267.93, 0.99%, 0.43%

LAB 33.79, 73.28, -84.18

 

CMYK 0 / 72 / 100 / 15

HEX #DA3C01

RGB 218 60 1

HSL 16.31, 0.99%, 0.43%

LAB 49.66, 59.41, 61.15

 

CMYK 76 / 0 / 100 / 15

HEX #34DA01

RGB 52 218 1

HSL 105.9, 0.99%, 0.43%

LAB 76.6, -72.54, 74.34

 

CMYK 100 / 27 / 0 / 15

HEX #01A0DA

RGB 1 160 218

HSL 196.04, 0.99%, 0.43%

LAB 61.84, -14.12, -39.1

 

CMYK 23 / 100 / 0 / 15

HEX #A801DA

RGB 168 1 218

HSL 286.18, 0.99%, 0.43%

LAB 43.37, 79.97, -68.08

 

Description

Color code: HEX #DA3C01 | qconv.com Color code: HEX #DA3C01 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 60 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 60 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 100 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 100% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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