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Color name
HEX #DA3AF3

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA3AF3 it is the complementary color #25C50C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA3AF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA3AF3 shade: #DF3AEE, #F04CFF, #FF5EFF, #FF70FF and #FF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA3AF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA3AF3 shade: #DA3AF3, #C928E0, #B816CD, #A704BA and #9600A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA3AF3 shade: #DA39F3, #F339DA, #F339A8, #F33976 and #F33944

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA3AF3 shade: #DA39F3, #A839F3, #7639F3, #4439F3 and #3939F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA3AF3 shade matches the following richer shades: #DA39F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA3AF3 shade: #DA39F3, #CE4AE3, #C25BD2, #B56CC1 and #A97DB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA3AF3 shade: #7439F3, #A639F3, #D839F3, #F339DE and #F339AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA3AF3 shade: #B40CCE, #D312F1, #DA39F3, #E260F6 and #E987F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA3AF3 shade: #DA3AF3, #F34339 and #39F38D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA3AF3 shade: #DA3AF3, #F3D839 and #39F3D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA3AF3 shade: #DA3AF3, #F34339, #55F339 and #39EAF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA3AF3 shade: #DA3AF3, #F37B39, #55F339 and #39B2F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 76 / 0 / 5

HEX #DA3AF3

RGB 218 58 243

HSL 291.89, 0.89%, 0.59%

LAB 56.49, 81.82, -60.64

 

Complementary color

CMYK 81 / 0 / 94 / 23

HEX #25C50C

RGB 37 197 12

HSL 111.89, 0.89%, 0.41%

LAB 69.72, -68.19, 67.52

 

CMYK 6 / 76 / 0 / 7

HEX #DF3AEE

RGB 223 58 238

HSL 295, 0.84%, 0.58%

LAB 56.97, 81.94, -57.04

 

CMYK 6 / 70 / 0 / 0

HEX #F04CFF

RGB 240 76 255

HSL 294.97, 1%, 0.65%

LAB 62.44, 82.5, -57.6

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 10 / 76 / 0 / 5

HEX #DA3AF3

RGB 218 58 243

HSL 291.89, 0.89%, 0.59%

LAB 56.49, 81.82, -60.64

 

CMYK 10 / 82 / 0 / 12

HEX #C928E0

RGB 201 40 224

HSL 292.5, 0.75%, 0.52%

LAB 51.06, 80.28, -58.81

 

CMYK 10 / 89 / 0 / 20

HEX #B816CD

RGB 184 22 205

HSL 293.11, 0.81%, 0.45%

LAB 45.87, 77.77, -56.43

 

CMYK 10 / 98 / 0 / 27

HEX #A704BA

RGB 167 4 186

HSL 293.74, 0.96%, 0.37%

LAB 40.97, 74.11, -53.38

 

CMYK 10 / 100 / 0 / 35

HEX #9600A7

RGB 150 0 167

HSL 293.89, 1%, 0.33%

LAB 36.51, 68.84, -49.44

 

CMYK 10 / 77 / 0 / 5

HEX #DA39F3

RGB 218 57 243

HSL 291.94, 0.89%, 0.59%

LAB 56.39, 82.11, -60.8

 

CMYK 0 / 77 / 10 / 5

HEX #F339DA

RGB 243 57 218

HSL 308.06, 0.89%, 0.59%

LAB 59.01, 83.18, -42.34

 

CMYK 0 / 77 / 31 / 5

HEX #F339A8

RGB 243 57 168

HSL 324.19, 0.89%, 0.59%

LAB 56.89, 76.94, -16.89

 

CMYK 0 / 77 / 51 / 5

HEX #F33976

RGB 243 57 118

HSL 340.32, 0.89%, 0.59%

LAB 55.37, 72.29, 10.44

 

CMYK 0 / 77 / 72 / 5

HEX #F33944

RGB 243 57 68

HSL 356.45, 0.89%, 0.59%

LAB 54.45, 69.38, 38.71

 

CMYK 10 / 77 / 0 / 5

HEX #DA39F3

RGB 218 57 243

HSL 291.94, 0.89%, 0.59%

LAB 56.39, 82.11, -60.8

 

CMYK 31 / 77 / 0 / 5

HEX #A839F3

RGB 168 57 243

HSL 275.81, 0.89%, 0.59%

LAB 49.16, 73.35, -72.84

 

CMYK 51 / 77 / 0 / 5

HEX #7639F3

RGB 118 57 243

HSL 259.68, 0.89%, 0.59%

LAB 43.14, 65.94, -82.94

 

CMYK 72 / 77 / 0 / 5

HEX #4439F3

RGB 68 57 243

HSL 243.55, 0.89%, 0.59%

LAB 38.94, 60.69, -89.99

 

CMYK 77 / 77 / 0 / 5

HEX #3939F3

RGB 57 57 243

HSL 240, 0.89%, 0.59%

LAB 38.32, 59.9, -91.05

 

CMYK 10 / 77 / 0 / 5

HEX #DA39F3

RGB 218 57 243

HSL 291.94, 0.89%, 0.59%

LAB 56.39, 82.11, -60.8

 

CMYK 10 / 77 / 0 / 5

HEX #DA39F3

RGB 218 57 243

HSL 291.94, 0.89%, 0.59%

LAB 56.39, 82.11, -60.8

 

CMYK 9 / 67 / 0 / 11

HEX #CE4AE3

RGB 206 74 227

HSL 291.76, 0.73%, 0.59%

LAB 55.65, 71.3, -53.11

 

CMYK 8 / 57 / 0 / 18

HEX #C25BD2

RGB 194 91 210

HSL 291.93, 0.57%, 0.59%

LAB 55.69, 58.11, -43.53

 

CMYK 6 / 44 / 0 / 24

HEX #B56CC1

RGB 181 108 193

HSL 291.53, 0.41%, 0.59%

LAB 56.49, 42.65, -32.71

 

CMYK 4 / 29 / 0 / 31

HEX #A97DB0

RGB 169 125 176

HSL 291.76, 0.24%, 0.59%

LAB 58.26, 26.04, -20.36

 

CMYK 52 / 77 / 0 / 5

HEX #7439F3

RGB 116 57 243

HSL 259.03, 0.89%, 0.59%

LAB 42.93, 65.68, -83.28

 

CMYK 32 / 77 / 0 / 5

HEX #A639F3

RGB 166 57 243

HSL 275.16, 0.89%, 0.59%

LAB 48.89, 73.02, -73.29

 

CMYK 11 / 77 / 0 / 5

HEX #D839F3

RGB 216 57 243

HSL 291.29, 0.89%, 0.59%

LAB 56.08, 81.74, -61.31

 

CMYK 0 / 77 / 9 / 5

HEX #F339DE

RGB 243 57 222

HSL 306.77, 0.89%, 0.59%

LAB 59.21, 83.74, -44.29

 

CMYK 0 / 77 / 29 / 5

HEX #F339AC

RGB 243 57 172

HSL 322.9, 0.89%, 0.59%

LAB 57.04, 77.39, -19

 

CMYK 13 / 94 / 0 / 19

HEX #B40CCE

RGB 180 12 206

HSL 291.96, 0.89%, 0.43%

LAB 44.83, 78.58, -58.71

 

CMYK 12 / 93 / 0 / 5

HEX #D312F1

RGB 211 18 241

HSL 291.93, 0.89%, 0.51%

LAB 52.54, 88.26, -65.93

 

CMYK 10 / 77 / 0 / 5

HEX #DA39F3

RGB 218 57 243

HSL 291.94, 0.89%, 0.59%

LAB 56.39, 82.11, -60.8

 

CMYK 8 / 61 / 0 / 4

HEX #E260F6

RGB 226 96 246

HSL 292, 0.89%, 0.67%

LAB 62.67, 70.34, -52.38

 

CMYK 6 / 46 / 0 / 3

HEX #E987F8

RGB 233 135 248

HSL 292.04, 0.89%, 0.75%

LAB 70.48, 54.29, -41.13

 

CMYK 10 / 76 / 0 / 5

HEX #DA3AF3

RGB 218 58 243

HSL 291.89, 0.89%, 0.59%

LAB 56.49, 81.82, -60.64

 

CMYK 0 / 72 / 77 / 5

HEX #F34339

RGB 243 67 57

HSL 3.23, 0.89%, 0.59%

LAB 55.45, 65.82, 45.88

 

CMYK 77 / 0 / 42 / 5

HEX #39F38D

RGB 57 243 141

HSL 147.1, 0.89%, 0.59%

LAB 85.45, -67.19, 36.52

 

CMYK 10 / 76 / 0 / 5

HEX #DA3AF3

RGB 218 58 243

HSL 291.89, 0.89%, 0.59%

LAB 56.49, 81.82, -60.64

 

CMYK 0 / 11 / 77 / 5

HEX #F3D839

RGB 243 216 57

HSL 51.29, 0.89%, 0.59%

LAB 86.24, -6.45, 75.8

 

CMYK 77 / 0 / 11 / 5

HEX #39F3D8

RGB 57 243 216

HSL 171.29, 0.89%, 0.59%

LAB 86.96, -50.86, 0.08

 

CMYK 10 / 76 / 0 / 5

HEX #DA3AF3

RGB 218 58 243

HSL 291.89, 0.89%, 0.59%

LAB 56.49, 81.82, -60.64

 

CMYK 0 / 72 / 77 / 5

HEX #F34339

RGB 243 67 57

HSL 3.23, 0.89%, 0.59%

LAB 55.45, 65.82, 45.88

 

CMYK 65 / 0 / 77 / 5

HEX #55F339

RGB 85 243 57

HSL 110.97, 0.89%, 0.59%

LAB 85.16, -72.5, 71.71

 

CMYK 77 / 4 / 0 / 5

HEX #39EAF3

RGB 57 234 243

HSL 182.9, 0.89%, 0.59%

LAB 85.09, -39.55, -16.87

 

CMYK 10 / 76 / 0 / 5

HEX #DA3AF3

RGB 218 58 243

HSL 291.89, 0.89%, 0.59%

LAB 56.49, 81.82, -60.64

 

CMYK 0 / 49 / 77 / 5

HEX #F37B39

RGB 243 123 57

HSL 21.29, 0.89%, 0.59%

LAB 64.58, 41.76, 55.23

 

CMYK 65 / 0 / 77 / 5

HEX #55F339

RGB 85 243 57

HSL 110.97, 0.89%, 0.59%

LAB 85.16, -72.5, 71.71

 

CMYK 77 / 27 / 0 / 5

HEX #39B2F3

RGB 57 178 243

HSL 200.97, 0.89%, 0.59%

LAB 68.88, -11.69, -41.75

 

Description

Color code: HEX #DA3AF3 | qconv.com Color code: HEX #DA3AF3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 58 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 58 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 76 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 76% 0% 5% C M Y K

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Provide designers and agencies with accurate color values.

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