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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA3674 it is the complementary color #25C98B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA3674. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DA3674: #DF366F, #F04882, #FF5A95, #FF6CA8 and #FF7EBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA3674. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DA3674: #DA3674, #C92461, #B8124E, #A7003B and #960028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 47 / 15

HEX #DA3674

RGB 218 54 116

HSL 337.32, 0.69%, 0.53%

LAB 50.46, 66.33, 4.02

 

Complementary color

CMYK 82 / 0 / 31 / 21

HEX #25C98B

RGB 37 201 139

HSL 157.32, 0.69%, 0.47%

LAB 72.25, -54.52, 19.82

 

CMYK 0 / 76 / 50 / 13

HEX #DF366F

RGB 223 54 111

HSL 339.76, 0.73%, 0.54%

LAB 51.24, 67.26, 8.29

 

CMYK 0 / 70 / 46 / 6

HEX #F04882

RGB 240 72 130

HSL 339.29, 0.85%, 0.61%

LAB 56.85, 67.67, 5.35

 

CMYK 0 / 65 / 42 / 0

HEX #FF5A95

RGB 255 90 149

HSL 338.55, 1%, 0.68%

LAB 62.29, 67.03, 2.41

 

CMYK 0 / 58 / 34 / 0

HEX #FF6CA8

RGB 255 108 168

HSL 335.51, 1%, 0.71%

LAB 65.6, 61.54, -3.66

 

CMYK 0 / 51 / 27 / 0

HEX #FF7EBB

RGB 255 126 187

HSL 331.63, 1%, 0.75%

LAB 69.31, 55.6, -8.9

 

CMYK 0 / 75 / 47 / 15

HEX #DA3674

RGB 218 54 116

HSL 337.32, 0.69%, 0.53%

LAB 50.46, 66.33, 4.02

 

CMYK 0 / 82 / 52 / 21

HEX #C92461

RGB 201 36 97

HSL 337.82, 0.7%, 0.46%

LAB 45, 65.24, 7.46

 

CMYK 0 / 90 / 58 / 28

HEX #B8124E

RGB 184 18 78

HSL 338.31, 0.82%, 0.4%

LAB 39.87, 63.16, 11.74

 

CMYK 0 / 100 / 65 / 35

HEX #A7003B

RGB 167 0 59

HSL 338.8, 1%, 0.33%

LAB 35.07, 60.08, 16.89

 

CMYK 0 / 100 / 73 / 41

HEX #960028

RGB 150 0 40

HSL 344, 1%, 0.29%

LAB 30.97, 54.91, 23.34

 

CMYK 0 / 75 / 47 / 15

HEX #DA3674

RGB 218 54 116

HSL 337.32, 0.69%, 0.53%

LAB 50.46, 66.33, 4.02

 

CMYK 0 / 76 / 59 / 15

HEX #D93458

RGB 217 52 88

HSL 346.91, 0.68%, 0.53%

LAB 49.39, 64.55, 19.52

 

CMYK 0 / 76 / 72 / 15

HEX #D9343C

RGB 217 52 60

HSL 357.09, 0.68%, 0.53%

LAB 48.93, 63.05, 35.65

 

CMYK 0 / 67 / 76 / 15

HEX #D94734

RGB 217 71 52

HSL 6.91, 0.68%, 0.53%

LAB 51.27, 56, 42.72

 

CMYK 0 / 54 / 76 / 15

HEX #D96334

RGB 217 99 52

HSL 17.09, 0.68%, 0.53%

LAB 56.01, 43.49, 47.67

 

CMYK 0 / 75 / 47 / 15

HEX #DA3674

RGB 218 54 116

HSL 337.32, 0.69%, 0.53%

LAB 50.46, 66.33, 4.02

 

CMYK 0 / 79 / 50 / 95

HEX #0E0307

RGB 14 3 7

HSL 338.18, 0.65%, 0.03%

LAB 1.57, 3.56, -0.46

 

CMYK 0 / 75 / 46 / 75

HEX #411023

RGB 65 16 35

HSL 336.73, 0.6%, 0.16%

LAB 13.33, 25.56, -0.02

 

CMYK 0 / 75 / 47 / 55

HEX #741D3E

RGB 116 29 62

HSL 337.24, 0.6%, 0.28%

LAB 26.56, 40.24, 1.47

 

CMYK 0 / 75 / 47 / 35

HEX #A72959

RGB 167 41 89

HSL 337.14, 0.61%, 0.41%

LAB 38.76, 53.88, 2.69

 

CMYK 0 / 75 / 47 / 15

HEX #DA3674

RGB 218 54 116

HSL 337.32, 0.69%, 0.53%

LAB 50.46, 66.33, 4.02

 

CMYK 0 / 14 / 76 / 15

HEX #D9BB34

RGB 217 187 52

HSL 49.09, 0.68%, 0.53%

LAB 76.4, -2.87, 67.52

 

CMYK 76 / 16 / 0 / 15

HEX #34B6D9

RGB 52 182 217

HSL 192.73, 0.68%, 0.53%

LAB 68.89, -22.97, -27.55

 

CMYK 0 / 75 / 47 / 15

HEX #DA3674

RGB 218 54 116

HSL 337.32, 0.69%, 0.53%

LAB 50.46, 66.33, 4.02

 

CMYK 47 / 0 / 76 / 15

HEX #73D934

RGB 115 217 52

HSL 97.09, 0.68%, 0.53%

LAB 78.18, -56.3, 66.85

 

CMYK 76 / 47 / 0 / 15

HEX #3473D9

RGB 52 115 217

HSL 217.09, 0.68%, 0.53%

LAB 49.5, 15.43, -58.08

 

CMYK 0 / 75 / 47 / 15

HEX #DA3674

RGB 218 54 116

HSL 337.32, 0.69%, 0.53%

LAB 50.46, 66.33, 4.02

 

CMYK 0 / 14 / 76 / 15

HEX #D9BB34

RGB 217 187 52

HSL 49.09, 0.68%, 0.53%

LAB 76.4, -2.87, 67.52

 

CMYK 76 / 0 / 29 / 15

HEX #34D99A

RGB 52 217 154

HSL 157.09, 0.68%, 0.53%

LAB 77.69, -55.78, 19.44

 

CMYK 76 / 62 / 0 / 15

HEX #3452D9

RGB 52 82 217

HSL 229.09, 0.68%, 0.53%

LAB 40.86, 36.41, -72.11

 

CMYK 0 / 75 / 47 / 15

HEX #DA3674

RGB 218 54 116

HSL 337.32, 0.69%, 0.53%

LAB 50.46, 66.33, 4.02

 

CMYK 9 / 0 / 76 / 15

HEX #C6D934

RGB 198 217 52

HSL 66.91, 0.68%, 0.53%

LAB 82.85, -25.92, 72.9

 

CMYK 76 / 0 / 29 / 15

HEX #34D99A

RGB 52 217 154

HSL 157.09, 0.68%, 0.53%

LAB 77.69, -55.78, 19.44

 

CMYK 67 / 76 / 0 / 15

HEX #4734D9

RGB 71 52 217

HSL 246.91, 0.68%, 0.53%

LAB 35.61, 55.64, -80.7

 

Description

Color code: HEX #DA3674 | qconv.com Color code: HEX #DA3674 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 54 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 54 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 47 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 47% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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