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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA34C7 it is the complementary color #25CB38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA34C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA34C7 shade: #DF34C2, #F046D5, #FF58E8, #FF6AFB and #FF7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA34C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA34C7 shade: #DA34C7, #C922B4, #B810A1, #A7008E and #96007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA34C7 shade: #D934C6, #D9349A, #D9346D, #D93441 and #D93434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA34C7 shade: #D934C6, #C034D9, #9334D9, #6634D9 and #3A34D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA34C7 shade matches the following richer shades: #D934C6 and #ED21D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA34C7 shade: #D934C6, #C647B7, #B35BA9, #9F6E9A and #8C828B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA34C7 shade: #9234D9, #BE34D9, #D934C9, #D9349D and #D93471

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA34C7 shade: #9E1D8F, #C123AF, #D934C6, #E057D0 and #E67ADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA34C7 shade: #DA34C7, #D96634 and #34D9A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA34C7 shade: #DA34C7, #C9D934 and #34C9D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA34C7 shade: #DA34C7, #D96634, #34D944 and #34A8D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA34C7 shade: #DA34C7, #D99734, #34D944 and #3476D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 9 / 15

HEX #DA34C7

RGB 218 52 199

HSL 306.87, 0.69%, 0.53%

LAB 53.48, 76.63, -40.5

 

Complementary color

CMYK 82 / 0 / 72 / 20

HEX #25CB38

RGB 37 203 56

HSL 126.87, 0.69%, 0.47%

LAB 71.82, -67.71, 58.51

 

CMYK 0 / 77 / 13 / 13

HEX #DF34C2

RGB 223 52 194

HSL 310.18, 0.73%, 0.54%

LAB 54.07, 76.99, -36.63

 

CMYK 0 / 71 / 11 / 6

HEX #F046D5

RGB 240 70 213

HSL 309.53, 0.85%, 0.61%

LAB 59.63, 78.02, -38.58

 

CMYK 0 / 65 / 9 / 0

HEX #FF58E8

RGB 255 88 232

HSL 308.26, 1%, 0.67%

LAB 65.01, 78.03, -40.64

 

CMYK 0 / 58 / 2 / 0

HEX #FF6AFB

RGB 255 106 251

HSL 301.61, 1%, 0.71%

LAB 68.41, 73.96, -45.8

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 76 / 9 / 15

HEX #DA34C7

RGB 218 52 199

HSL 306.87, 0.69%, 0.53%

LAB 53.48, 76.63, -40.5

 

CMYK 0 / 83 / 10 / 21

HEX #C922B4

RGB 201 34 180

HSL 307.54, 0.71%, 0.46%

LAB 48.08, 74.85, -38.16

 

CMYK 0 / 91 / 13 / 28

HEX #B810A1

RGB 184 16 161

HSL 308.21, 0.84%, 0.39%

LAB 42.96, 72.01, -35.16

 

CMYK 0 / 100 / 15 / 35

HEX #A7008E

RGB 167 0 142

HSL 308.98, 1%, 0.33%

LAB 38.14, 68.02, -31.45

 

CMYK 0 / 100 / 18 / 41

HEX #96007B

RGB 150 0 123

HSL 310.8, 1%, 0.29%

LAB 33.8, 62.28, -26.7

 

CMYK 0 / 76 / 9 / 15

HEX #D934C6

RGB 217 52 198

HSL 306.91, 0.68%, 0.53%

LAB 53.26, 76.27, -40.28

 

CMYK 0 / 76 / 29 / 15

HEX #D9349A

RGB 217 52 154

HSL 322.91, 0.68%, 0.53%

LAB 51.31, 70.53, -17.55

 

CMYK 0 / 76 / 50 / 15

HEX #D9346D

RGB 217 52 109

HSL 339.27, 0.68%, 0.53%

LAB 49.87, 66.08, 7.41

 

CMYK 0 / 76 / 70 / 15

HEX #D93441

RGB 217 52 65

HSL 355.27, 0.68%, 0.53%

LAB 48.99, 63.27, 32.81

 

CMYK 0 / 76 / 76 / 15

HEX #D93434

RGB 217 52 52

HSL 0, 0.68%, 0.53%

LAB 48.83, 62.74, 40.09

 

CMYK 0 / 76 / 9 / 15

HEX #D934C6

RGB 217 52 198

HSL 306.91, 0.68%, 0.53%

LAB 53.26, 76.27, -40.28

 

CMYK 12 / 76 / 0 / 15

HEX #C034D9

RGB 192 52 217

HSL 290.91, 0.68%, 0.53%

LAB 50.3, 74.27, -56.12

 

CMYK 32 / 76 / 0 / 15

HEX #9334D9

RGB 147 52 217

HSL 274.55, 0.68%, 0.53%

LAB 43.75, 66.12, -67.02

 

CMYK 53 / 76 / 0 / 15

HEX #6634D9

RGB 102 52 217

HSL 258.18, 0.68%, 0.53%

LAB 38.36, 59.23, -76.07

 

CMYK 73 / 76 / 0 / 15

HEX #3A34D9

RGB 58 52 217

HSL 242.18, 0.68%, 0.53%

LAB 34.73, 54.48, -82.17

 

CMYK 0 / 76 / 9 / 15

HEX #D934C6

RGB 217 52 198

HSL 306.91, 0.68%, 0.53%

LAB 53.26, 76.27, -40.28

 

CMYK 0 / 86 / 10 / 7

HEX #ED21D5

RGB 237 33 213

HSL 307.06, 0.85%, 0.53%

LAB 55.98, 86.45, -44.34

 

CMYK 0 / 76 / 9 / 15

HEX #D934C6

RGB 217 52 198

HSL 306.91, 0.68%, 0.53%

LAB 53.26, 76.27, -40.28

 

CMYK 0 / 64 / 8 / 22

HEX #C647B7

RGB 198 71 183

HSL 307.09, 0.53%, 0.53%

LAB 51.76, 63.18, -34.16

 

CMYK 0 / 49 / 6 / 30

HEX #B35BA9

RGB 179 91 169

HSL 306.82, 0.37%, 0.53%

LAB 51.76, 46.44, -26.21

 

CMYK 0 / 31 / 3 / 38

HEX #9F6E9A

RGB 159 110 154

HSL 306.12, 0.2%, 0.53%

LAB 52.79, 26.84, -16.07

 

CMYK 0 / 7 / 1 / 45

HEX #8C828B

RGB 140 130 139

HSL 306, 0.04%, 0.53%

LAB 55.49, 5.5, -3.49

 

CMYK 33 / 76 / 0 / 15

HEX #9234D9

RGB 146 52 217

HSL 274.18, 0.68%, 0.53%

LAB 43.62, 65.95, -67.25

 

CMYK 12 / 76 / 0 / 15

HEX #BE34D9

RGB 190 52 217

HSL 290.18, 0.68%, 0.53%

LAB 49.99, 73.89, -56.63

 

CMYK 0 / 76 / 7 / 15

HEX #D934C9

RGB 217 52 201

HSL 305.82, 0.68%, 0.53%

LAB 53.41, 76.71, -41.76

 

CMYK 0 / 76 / 28 / 15

HEX #D9349D

RGB 217 52 157

HSL 321.82, 0.68%, 0.53%

LAB 51.43, 70.88, -19.16

 

CMYK 0 / 76 / 48 / 15

HEX #D93471

RGB 217 52 113

HSL 337.82, 0.68%, 0.53%

LAB 49.98, 66.41, 5.13

 

CMYK 0 / 82 / 9 / 38

HEX #9E1D8F

RGB 158 29 143

HSL 306.98, 0.69%, 0.37%

LAB 38.08, 61.8, -32.28

 

CMYK 0 / 82 / 9 / 24

HEX #C123AF

RGB 193 35 175

HSL 306.84, 0.69%, 0.45%

LAB 46.49, 72.32, -37.82

 

CMYK 0 / 76 / 9 / 15

HEX #D934C6

RGB 217 52 198

HSL 306.91, 0.68%, 0.53%

LAB 53.26, 76.27, -40.28

 

CMYK 0 / 61 / 7 / 12

HEX #E057D0

RGB 224 87 208

HSL 307.01, 0.69%, 0.61%

LAB 59.18, 67.2, -36.63

 

CMYK 0 / 47 / 5 / 10

HEX #E67ADA

RGB 230 122 218

HSL 306.67, 0.68%, 0.69%

LAB 66.37, 54.54, -31

 

CMYK 0 / 76 / 9 / 15

HEX #DA34C7

RGB 218 52 199

HSL 306.87, 0.69%, 0.53%

LAB 53.48, 76.63, -40.5

 

CMYK 0 / 53 / 76 / 15

HEX #D96634

RGB 217 102 52

HSL 18.18, 0.68%, 0.53%

LAB 56.59, 42.01, 48.26

 

CMYK 76 / 0 / 23 / 15

HEX #34D9A8

RGB 52 217 168

HSL 162.18, 0.68%, 0.53%

LAB 77.98, -52.63, 12.45

 

CMYK 0 / 76 / 9 / 15

HEX #DA34C7

RGB 218 52 199

HSL 306.87, 0.69%, 0.53%

LAB 53.48, 76.63, -40.5

 

CMYK 7 / 0 / 76 / 15

HEX #C9D934

RGB 201 217 52

HSL 65.82, 0.68%, 0.53%

LAB 83.07, -24.69, 73.19

 

CMYK 76 / 7 / 0 / 15

HEX #34C9D9

RGB 52 201 217

HSL 185.82, 0.68%, 0.53%

LAB 74.52, -32.37, -18.97

 

CMYK 0 / 76 / 9 / 15

HEX #DA34C7

RGB 218 52 199

HSL 306.87, 0.69%, 0.53%

LAB 53.48, 76.63, -40.5

 

CMYK 0 / 53 / 76 / 15

HEX #D96634

RGB 217 102 52

HSL 18.18, 0.68%, 0.53%

LAB 56.59, 42.01, 48.26

 

CMYK 76 / 0 / 69 / 15

HEX #34D944

RGB 52 217 68

HSL 125.82, 0.68%, 0.53%

LAB 76.54, -69.1, 59.02

 

CMYK 76 / 23 / 0 / 15

HEX #34A8D9

RGB 52 168 217

HSL 197.82, 0.68%, 0.53%

LAB 64.76, -15.63, -33.94

 

CMYK 0 / 76 / 9 / 15

HEX #DA34C7

RGB 218 52 199

HSL 306.87, 0.69%, 0.53%

LAB 53.48, 76.63, -40.5

 

CMYK 0 / 30 / 76 / 15

HEX #D99734

RGB 217 151 52

HSL 36, 0.68%, 0.53%

LAB 67.38, 16.25, 58.98

 

CMYK 76 / 0 / 69 / 15

HEX #34D944

RGB 52 217 68

HSL 125.82, 0.68%, 0.53%

LAB 76.54, -69.1, 59.02

 

CMYK 76 / 46 / 0 / 15

HEX #3476D9

RGB 52 118 217

HSL 216, 0.68%, 0.53%

LAB 50.33, 13.55, -56.74

 

Description

Color code: HEX #DA34C7 | qconv.com Color code: HEX #DA34C7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 52 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 52 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 9 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 9% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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