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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA34A8 it is the complementary color #25CB57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA34A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA34A8 shade: #DF34A3, #F046B6, #FF58C9, #FF6ADC and #FF7CEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA34A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA34A8 shade: #DA34A8, #C92295, #B81082, #A7006F and #96005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA34A8 shade: #DA34A8, #DA347B, #DA344F and #DA3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA34A8 shade: #DA34A8, #DA34D5, #B234DA, #8634DA and #5934DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA34A8 shade matches the following richer shades: #DA34A8 and #ED21B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA34A8 shade: #DA34A8, #C648A0, #B35B99, #A06F91 and #8C8289

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA34A8 shade: #B334DA, #DA34D4, #DA34A8, #DA347C and #DA3450

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA34A8 shade: #9F1D78, #C22492, #DA34A8, #E057B7 and #E77AC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA34A8 shade: #DA34A8, #DA8734 and #34DAC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA34A8 shade: #DA34A8, #A8DA34 and #34A8DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA34A8 shade: #DA34A8, #DA8734, #34DA66 and #3487DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA34A8 shade: #DA34A8, #DAB934, #34DA66 and #3456DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 23 / 15

HEX #DA34A8

RGB 218 52 168

HSL 318.07, 0.69%, 0.53%

LAB 52.05, 72.45, -24.69

 

Complementary color

CMYK 82 / 0 / 57 / 20

HEX #25CB57

RGB 37 203 87

HSL 138.07, 0.69%, 0.47%

LAB 72.09, -64.38, 45.87

 

CMYK 0 / 77 / 27 / 13

HEX #DF34A3

RGB 223 52 163

HSL 321.05, 0.73%, 0.54%

LAB 52.72, 73.02, -20.64

 

CMYK 0 / 71 / 24 / 6

HEX #F046B6

RGB 240 70 182

HSL 320.47, 0.85%, 0.61%

LAB 58.3, 73.9, -22.9

 

CMYK 0 / 65 / 21 / 0

HEX #FF58C9

RGB 255 88 201

HSL 319.4, 1%, 0.67%

LAB 63.72, 73.73, -25.25

 

CMYK 0 / 58 / 14 / 0

HEX #FF6ADC

RGB 255 106 220

HSL 314.09, 1%, 0.71%

LAB 67.08, 69.18, -30.74

 

CMYK 0 / 51 / 6 / 0

HEX #FF7CEF

RGB 255 124 239

HSL 307.33, 1%, 0.74%

LAB 70.81, 64.14, -35.48

 

CMYK 0 / 76 / 23 / 15

HEX #DA34A8

RGB 218 52 168

HSL 318.07, 0.69%, 0.53%

LAB 52.05, 72.45, -24.69

 

CMYK 0 / 83 / 26 / 21

HEX #C92295

RGB 201 34 149

HSL 318.68, 0.71%, 0.46%

LAB 46.62, 70.84, -22.01

 

CMYK 0 / 91 / 29 / 28

HEX #B81082

RGB 184 16 130

HSL 319.29, 0.84%, 0.39%

LAB 41.49, 68.15, -18.6

 

CMYK 0 / 100 / 34 / 35

HEX #A7006F

RGB 167 0 111

HSL 320.12, 1%, 0.33%

LAB 36.67, 64.31, -14.4

 

CMYK 0 / 100 / 39 / 41

HEX #96005C

RGB 150 0 92

HSL 323.2, 1%, 0.29%

LAB 32.38, 58.67, -9.05

 

CMYK 0 / 76 / 23 / 15

HEX #DA34A8

RGB 218 52 168

HSL 318.07, 0.69%, 0.53%

LAB 52.05, 72.45, -24.69

 

CMYK 0 / 76 / 44 / 15

HEX #DA347B

RGB 218 52 123

HSL 334.34, 0.69%, 0.53%

LAB 50.44, 67.56, -0.24

 

CMYK 0 / 76 / 64 / 15

HEX #DA344F

RGB 218 52 79

HSL 350.24, 0.69%, 0.53%

LAB 49.41, 64.28, 25.03

 

CMYK 0 / 76 / 76 / 15

HEX #DA3434

RGB 218 52 52

HSL 0, 0.69%, 0.53%

LAB 49.02, 63.03, 40.36

 

CMYK 0 / 76 / 23 / 15

HEX #DA34A8

RGB 218 52 168

HSL 318.07, 0.69%, 0.53%

LAB 52.05, 72.45, -24.69

 

CMYK 0 / 76 / 2 / 15

HEX #DA34D5

RGB 218 52 213

HSL 301.81, 0.69%, 0.53%

LAB 54.2, 78.7, -47.37

 

CMYK 18 / 76 / 0 / 15

HEX #B234DA

RGB 178 52 218

HSL 285.54, 0.69%, 0.53%

LAB 48.24, 71.82, -60.12

 

CMYK 39 / 76 / 0 / 15

HEX #8634DA

RGB 134 52 218

HSL 269.64, 0.69%, 0.53%

LAB 42.13, 64.2, -70.31

 

CMYK 59 / 76 / 0 / 15

HEX #5934DA

RGB 89 52 218

HSL 253.37, 0.69%, 0.53%

LAB 37.19, 57.87, -78.61

 

CMYK 0 / 76 / 23 / 15

HEX #DA34A8

RGB 218 52 168

HSL 318.07, 0.69%, 0.53%

LAB 52.05, 72.45, -24.69

 

CMYK 0 / 86 / 26 / 7

HEX #ED21B0

RGB 237 33 176

HSL 317.94, 0.85%, 0.53%

LAB 54.27, 81.87, -25.68

 

CMYK 0 / 76 / 23 / 15

HEX #DA34A8

RGB 218 52 168

HSL 318.07, 0.69%, 0.53%

LAB 52.05, 72.45, -24.69

 

CMYK 0 / 64 / 19 / 22

HEX #C648A0

RGB 198 72 160

HSL 318.1, 0.53%, 0.53%

LAB 50.9, 59.32, -22.03

 

CMYK 0 / 49 / 15 / 30

HEX #B35B99

RGB 179 91 153

HSL 317.73, 0.37%, 0.53%

LAB 51.11, 43.74, -17.81

 

CMYK 0 / 31 / 9 / 37

HEX #A06F91

RGB 160 111 145

HSL 318.37, 0.21%, 0.53%

LAB 52.83, 24.94, -10.73

 

CMYK 0 / 7 / 2 / 45

HEX #8C8289

RGB 140 130 137

HSL 318, 0.04%, 0.53%

LAB 55.43, 5.11, -2.41

 

CMYK 18 / 76 / 0 / 15

HEX #B334DA

RGB 179 52 218

HSL 285.9, 0.69%, 0.53%

LAB 48.39, 72.01, -59.87

 

CMYK 0 / 76 / 3 / 15

HEX #DA34D4

RGB 218 52 212

HSL 302.17, 0.69%, 0.53%

LAB 54.15, 78.55, -46.89

 

CMYK 0 / 76 / 23 / 15

HEX #DA34A8

RGB 218 52 168

HSL 318.07, 0.69%, 0.53%

LAB 52.05, 72.45, -24.69

 

CMYK 0 / 76 / 43 / 15

HEX #DA347C

RGB 218 52 124

HSL 333.98, 0.69%, 0.53%

LAB 50.47, 67.65, -0.8

 

CMYK 0 / 76 / 63 / 15

HEX #DA3450

RGB 218 52 80

HSL 349.88, 0.69%, 0.53%

LAB 49.42, 64.34, 24.45

 

CMYK 0 / 82 / 25 / 38

HEX #9F1D78

RGB 159 29 120

HSL 318, 0.69%, 0.37%

LAB 37.13, 58.82, -19.51

 

CMYK 0 / 81 / 25 / 24

HEX #C22492

RGB 194 36 146

HSL 318.23, 0.69%, 0.45%

LAB 45.37, 68.44, -22.24

 

CMYK 0 / 76 / 23 / 15

HEX #DA34A8

RGB 218 52 168

HSL 318.07, 0.69%, 0.53%

LAB 52.05, 72.45, -24.69

 

CMYK 0 / 61 / 18 / 12

HEX #E057B7

RGB 224 87 183

HSL 317.96, 0.69%, 0.61%

LAB 58.12, 63.47, -23.99

 

CMYK 0 / 47 / 14 / 9

HEX #E77AC6

RGB 231 122 198

HSL 318.17, 0.69%, 0.69%

LAB 65.74, 51.6, -20.77

 

CMYK 0 / 76 / 23 / 15

HEX #DA34A8

RGB 218 52 168

HSL 318.07, 0.69%, 0.53%

LAB 52.05, 72.45, -24.69

 

CMYK 0 / 38 / 76 / 15

HEX #DA8734

RGB 218 135 52

HSL 30, 0.69%, 0.53%

LAB 63.74, 25.28, 55.48

 

CMYK 76 / 0 / 8 / 15

HEX #34DAC9

RGB 52 218 201

HSL 173.86, 0.69%, 0.53%

LAB 79.09, -44.7, -3.53

 

CMYK 0 / 76 / 23 / 15

HEX #DA34A8

RGB 218 52 168

HSL 318.07, 0.69%, 0.53%

LAB 52.05, 72.45, -24.69

 

CMYK 23 / 0 / 76 / 15

HEX #A8DA34

RGB 168 218 52

HSL 78.07, 0.69%, 0.53%

LAB 81.14, -38.33, 70.59

 

CMYK 76 / 23 / 0 / 15

HEX #34A8DA

RGB 52 168 218

HSL 198.07, 0.69%, 0.53%

LAB 64.8, -15.3, -34.42

 

CMYK 0 / 76 / 23 / 15

HEX #DA34A8

RGB 218 52 168

HSL 318.07, 0.69%, 0.53%

LAB 52.05, 72.45, -24.69

 

CMYK 0 / 38 / 76 / 15

HEX #DA8734

RGB 218 135 52

HSL 30, 0.69%, 0.53%

LAB 63.74, 25.28, 55.48

 

CMYK 76 / 0 / 53 / 15

HEX #34DA66

RGB 52 218 102

HSL 138.07, 0.69%, 0.53%

LAB 77.18, -65.47, 45.01

 

CMYK 76 / 38 / 0 / 15

HEX #3487DA

RGB 52 135 218

HSL 210, 0.69%, 0.53%

LAB 55.2, 3.5, -49.53

 

CMYK 0 / 76 / 23 / 15

HEX #DA34A8

RGB 218 52 168

HSL 318.07, 0.69%, 0.53%

LAB 52.05, 72.45, -24.69

 

CMYK 0 / 15 / 76 / 15

HEX #DAB934

RGB 218 185 52

HSL 48.07, 0.69%, 0.53%

LAB 75.98, -1.4, 67.16

 

CMYK 76 / 0 / 53 / 15

HEX #34DA66

RGB 52 218 102

HSL 138.07, 0.69%, 0.53%

LAB 77.18, -65.47, 45.01

 

CMYK 76 / 61 / 0 / 15

HEX #3456DA

RGB 52 86 218

HSL 227.71, 0.69%, 0.53%

LAB 41.92, 34.25, -70.94

 

Description

Color code: HEX #DA34A8 | qconv.com Color code: HEX #DA34A8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 52 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 52 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 23 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 23% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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