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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA2FC8 it is the complementary color #25D037. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA2FC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA2FC8 shade: #DF2FC3, #F041D6, #FF53E9, #FF65FC and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA2FC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA2FC8 shade: #DA2FC8, #C91DB5, #B80BA2, #A7008F and #96007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA2FC8 shade: #DA2EC8, #DA2E9A, #DA2E6B, #DA2E3D and #DA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA2FC8 shade: #DA2EC8, #BE2EDA, #8F2EDA, #612EDA and #332EDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA2FC8 shade matches the following richer shades: #DA2EC8 and #EE1BD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA2FC8 shade: #DA2EC8, #C642B8, #B256A8, #9E6A99 and #8B7E89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA2FC8 shade: #902EDA, #BD2EDA, #DA2EC9, #DA2E9B and #DA2E6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA2FC8 shade: #9B1B8D, #BE21AD, #DA2EC8, #E051D1 and #E675DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA2FC8 shade: #DA2FC8, #DA622E and #2EDAA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA2FC8 shade: #DA2FC8, #C9DA2E and #2EC9DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA2FC8 shade: #DA2FC8, #DA622E, #2EDA40 and #2EA6DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA2FC8 shade: #DA2FC8, #DA952E, #2EDA40 and #2E73DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 8 / 15

HEX #DA2FC8

RGB 218 47 200

HSL 306.32, 0.7%, 0.52%

LAB 53.07, 78.09, -41.72

 

Complementary color

CMYK 82 / 0 / 74 / 18

HEX #25D037

RGB 37 208 55

HSL 126.32, 0.7%, 0.48%

LAB 73.4, -69.29, 60.47

 

CMYK 0 / 79 / 13 / 13

HEX #DF2FC3

RGB 223 47 195

HSL 309.55, 0.73%, 0.53%

LAB 53.67, 78.42, -37.84

 

CMYK 0 / 73 / 11 / 6

HEX #F041D6

RGB 240 65 214

HSL 308.91, 0.85%, 0.6%

LAB 59.12, 79.72, -39.93

 

CMYK 0 / 67 / 9 / 0

HEX #FF53E9

RGB 255 83 233

HSL 307.67, 1%, 0.66%

LAB 64.43, 79.95, -42.11

 

CMYK 0 / 60 / 1 / 0

HEX #FF65FC

RGB 255 101 252

HSL 301.17, 1%, 0.7%

LAB 67.72, 76.15, -47.44

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 78 / 8 / 15

HEX #DA2FC8

RGB 218 47 200

HSL 306.32, 0.7%, 0.52%

LAB 53.07, 78.09, -41.72

 

CMYK 0 / 86 / 10 / 21

HEX #C91DB5

RGB 201 29 181

HSL 306.98, 0.75%, 0.45%

LAB 47.79, 75.98, -39.2

 

CMYK 0 / 94 / 12 / 28

HEX #B80BA2

RGB 184 11 162

HSL 307.63, 0.89%, 0.38%

LAB 42.82, 72.73, -35.99

 

CMYK 0 / 100 / 14 / 35

HEX #A7008F

RGB 167 0 143

HSL 308.62, 1%, 0.33%

LAB 38.2, 68.16, -31.98

 

CMYK 0 / 100 / 17 / 41

HEX #96007C

RGB 150 0 124

HSL 310.4, 1%, 0.29%

LAB 33.86, 62.42, -27.25

 

CMYK 0 / 79 / 8 / 15

HEX #DA2EC8

RGB 218 46 200

HSL 306.28, 0.7%, 0.52%

LAB 52.98, 78.34, -41.86

 

CMYK 0 / 79 / 29 / 15

HEX #DA2E9A

RGB 218 46 154

HSL 322.33, 0.7%, 0.52%

LAB 50.91, 72.42, -18.15

 

CMYK 0 / 79 / 51 / 15

HEX #DA2E6B

RGB 218 46 107

HSL 338.72, 0.7%, 0.52%

LAB 49.4, 67.9, 7.99

 

CMYK 0 / 79 / 72 / 15

HEX #DA2E3D

RGB 218 46 61

HSL 354.77, 0.7%, 0.52%

LAB 48.51, 65.14, 34.63

 

CMYK 0 / 79 / 79 / 15

HEX #DA2E2E

RGB 218 46 46

HSL 0, 0.7%, 0.52%

LAB 48.33, 64.59, 42.94

 

CMYK 0 / 79 / 8 / 15

HEX #DA2EC8

RGB 218 46 200

HSL 306.28, 0.7%, 0.52%

LAB 52.98, 78.34, -41.86

 

CMYK 13 / 79 / 0 / 15

HEX #BE2EDA

RGB 190 46 218

HSL 290.23, 0.7%, 0.52%

LAB 49.45, 75.81, -58.07

 

CMYK 34 / 79 / 0 / 15

HEX #8F2EDA

RGB 143 46 218

HSL 273.84, 0.7%, 0.52%

LAB 42.54, 67.84, -69.59

 

CMYK 56 / 79 / 0 / 15

HEX #612EDA

RGB 97 46 218

HSL 257.79, 0.7%, 0.52%

LAB 37.04, 61.48, -78.84

 

CMYK 77 / 79 / 0 / 15

HEX #332EDA

RGB 51 46 218

HSL 241.74, 0.7%, 0.52%

LAB 33.39, 57.29, -84.98

 

CMYK 0 / 79 / 8 / 15

HEX #DA2EC8

RGB 218 46 200

HSL 306.28, 0.7%, 0.52%

LAB 52.98, 78.34, -41.86

 

CMYK 0 / 89 / 10 / 7

HEX #EE1BD7

RGB 238 27 215

HSL 306.54, 0.86%, 0.52%

LAB 55.95, 87.79, -45.52

 

CMYK 0 / 79 / 8 / 15

HEX #DA2EC8

RGB 218 46 200

HSL 306.28, 0.7%, 0.52%

LAB 52.98, 78.34, -41.86

 

CMYK 0 / 67 / 7 / 22

HEX #C642B8

RGB 198 66 184

HSL 306.36, 0.54%, 0.52%

LAB 51.11, 65.28, -35.76

 

CMYK 0 / 52 / 6 / 30

HEX #B256A8

RGB 178 86 168

HSL 306.52, 0.37%, 0.52%

LAB 50.63, 48.48, -27.39

 

CMYK 0 / 33 / 3 / 38

HEX #9E6A99

RGB 158 106 153

HSL 305.77, 0.21%, 0.52%

LAB 51.7, 28.58, -17.15

 

CMYK 0 / 9 / 1 / 45

HEX #8B7E89

RGB 139 126 137

HSL 309.23, 0.05%, 0.52%

LAB 54.26, 7.04, -4.15

 

CMYK 34 / 79 / 0 / 15

HEX #902EDA

RGB 144 46 218

HSL 274.19, 0.7%, 0.52%

LAB 42.68, 67.99, -69.36

 

CMYK 13 / 79 / 0 / 15

HEX #BD2EDA

RGB 189 46 218

HSL 289.88, 0.7%, 0.52%

LAB 49.3, 75.63, -58.33

 

CMYK 0 / 79 / 8 / 15

HEX #DA2EC9

RGB 218 46 201

HSL 305.93, 0.7%, 0.52%

LAB 53.03, 78.49, -42.35

 

CMYK 0 / 79 / 29 / 15

HEX #DA2E9B

RGB 218 46 155

HSL 321.98, 0.7%, 0.52%

LAB 50.95, 72.54, -18.69

 

CMYK 0 / 79 / 50 / 15

HEX #DA2E6D

RGB 218 46 109

HSL 338.02, 0.7%, 0.52%

LAB 49.45, 68.06, 6.84

 

CMYK 0 / 83 / 9 / 39

HEX #9B1B8D

RGB 155 27 141

HSL 306.56, 0.7%, 0.36%

LAB 37.25, 61.35, -32.39

 

CMYK 0 / 83 / 9 / 25

HEX #BE21AD

RGB 190 33 173

HSL 306.5, 0.7%, 0.44%

LAB 45.71, 71.88, -37.91

 

CMYK 0 / 79 / 8 / 15

HEX #DA2EC8

RGB 218 46 200

HSL 306.28, 0.7%, 0.52%

LAB 52.98, 78.34, -41.86

 

CMYK 0 / 64 / 7 / 12

HEX #E051D1

RGB 224 81 209

HSL 306.29, 0.7%, 0.6%

LAB 58.35, 69.76, -38.48

 

CMYK 0 / 49 / 5 / 10

HEX #E675DA

RGB 230 117 218

HSL 306.37, 0.69%, 0.68%

LAB 65.44, 56.97, -32.43

 

CMYK 0 / 78 / 8 / 15

HEX #DA2FC8

RGB 218 47 200

HSL 306.32, 0.7%, 0.52%

LAB 53.07, 78.09, -41.72

 

CMYK 0 / 55 / 79 / 15

HEX #DA622E

RGB 218 98 46

HSL 18.14, 0.7%, 0.52%

LAB 55.93, 44.13, 50.5

 

CMYK 79 / 0 / 24 / 15

HEX #2EDAA6

RGB 46 218 166

HSL 161.86, 0.7%, 0.52%

LAB 78.16, -54.13, 13.74

 

CMYK 0 / 78 / 8 / 15

HEX #DA2FC8

RGB 218 47 200

HSL 306.32, 0.7%, 0.52%

LAB 53.07, 78.09, -41.72

 

CMYK 8 / 0 / 79 / 15

HEX #C9DA2E

RGB 201 218 46

HSL 65.93, 0.7%, 0.52%

LAB 83.31, -25.39, 75.13

 

CMYK 79 / 8 / 0 / 15

HEX #2EC9DA

RGB 46 201 218

HSL 185.93, 0.7%, 0.52%

LAB 74.46, -32.65, -19.61

 

CMYK 0 / 78 / 8 / 15

HEX #DA2FC8

RGB 218 47 200

HSL 306.32, 0.7%, 0.52%

LAB 53.07, 78.09, -41.72

 

CMYK 0 / 55 / 79 / 15

HEX #DA622E

RGB 218 98 46

HSL 18.14, 0.7%, 0.52%

LAB 55.93, 44.13, 50.5

 

CMYK 79 / 0 / 71 / 15

HEX #2EDA40

RGB 46 218 64

HSL 126.28, 0.7%, 0.52%

LAB 76.74, -70.54, 60.7

 

CMYK 79 / 24 / 0 / 15

HEX #2EA6DA

RGB 46 166 218

HSL 198.14, 0.7%, 0.52%

LAB 64.09, -14.85, -35.54

 

CMYK 0 / 78 / 8 / 15

HEX #DA2FC8

RGB 218 47 200

HSL 306.32, 0.7%, 0.52%

LAB 53.07, 78.09, -41.72

 

CMYK 0 / 32 / 79 / 15

HEX #DA952E

RGB 218 149 46

HSL 35.93, 0.7%, 0.52%

LAB 66.97, 17.53, 60.96

 

CMYK 79 / 0 / 71 / 15

HEX #2EDA40

RGB 46 218 64

HSL 126.28, 0.7%, 0.52%

LAB 76.74, -70.54, 60.7

 

CMYK 79 / 47 / 0 / 15

HEX #2E73DA

RGB 46 115 218

HSL 215.93, 0.7%, 0.52%

LAB 49.38, 15.15, -58.84

 

Description

Color code: HEX #DA2FC8 | qconv.com Color code: HEX #DA2FC8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 47 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 47 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 8 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 8% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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