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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA29D1 it is the complementary color #25D62E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA29D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA29D1 shade: #DF29CC, #F03BDF, #FF4DF2, #FF5FFF and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA29D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA29D1 shade: #DA29D1, #C917BE, #B805AB, #A70098 and #960085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA29D1 shade: #DA29D1, #DA29A1, #DA2972, #DA2942 and #DA2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA29D1 shade: #DA29D1, #B329DA, #8429DA, #5429DA and #2929DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA29D1 shade matches the following richer shades: #DA29D1 and #EE15E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA29D1 shade: #DA29D1, #C63DBF, #B251AD, #9E659B and #897A89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA29D1 shade: #8529DA, #B429DA, #DA29D1, #DA29A2 and #DA2973

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA29D1 shade: #971991, #BB1FB3, #DA29D1, #E04CD9 and #E66FE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA29D1 shade: #DA29D1, #DA5529 and #29DA9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA29D1 shade: #DA29D1, #D1DA29 and #29D1DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA29D1 shade: #DA29D1, #DA5529, #29DA32 and #29AEDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA29D1 shade: #DA29D1, #DA8A29, #29DA32 and #2979DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 4 / 15

HEX #DA29D1

RGB 218 41 209

HSL 303.05, 0.71%, 0.51%

LAB 53.05, 80.81, -46.91

 

Complementary color

CMYK 83 / 0 / 79 / 16

HEX #25D62E

RGB 37 214 46

HSL 123.05, 0.71%, 0.49%

LAB 75.25, -71.69, 65.19

 

CMYK 0 / 82 / 9 / 13

HEX #DF29CC

RGB 223 41 204

HSL 306.26, 0.74%, 0.52%

LAB 53.64, 81.06, -43.07

 

CMYK 0 / 75 / 7 / 6

HEX #F03BDF

RGB 240 59 223

HSL 305.64, 0.86%, 0.59%

LAB 58.96, 82.73, -45.28

 

CMYK 0 / 70 / 5 / 0

HEX #FF4DF2

RGB 255 77 242

HSL 304.38, 1%, 0.65%

LAB 64.14, 83.28, -47.56

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 81 / 4 / 15

HEX #DA29D1

RGB 218 41 209

HSL 303.05, 0.71%, 0.51%

LAB 53.05, 80.81, -46.91

 

CMYK 0 / 89 / 5 / 21

HEX #C917BE

RGB 201 23 190

HSL 303.71, 0.79%, 0.44%

LAB 47.94, 78.24, -44.23

 

CMYK 0 / 97 / 7 / 28

HEX #B805AB

RGB 184 5 171

HSL 304.36, 0.95%, 0.37%

LAB 43.12, 74.55, -40.89

 

CMYK 0 / 100 / 9 / 35

HEX #A70098

RGB 167 0 152

HSL 305.39, 1%, 0.33%

LAB 38.69, 69.39, -36.69

 

CMYK 0 / 100 / 11 / 41

HEX #960085

RGB 150 0 133

HSL 306.8, 1%, 0.29%

LAB 34.35, 63.64, -32.1

 

CMYK 0 / 81 / 4 / 15

HEX #DA29D1

RGB 218 41 209

HSL 303.05, 0.71%, 0.51%

LAB 53.05, 80.81, -46.91

 

CMYK 0 / 81 / 26 / 15

HEX #DA29A1

RGB 218 41 161

HSL 319.32, 0.71%, 0.51%

LAB 50.76, 74.46, -22.54

 

CMYK 0 / 81 / 48 / 15

HEX #DA2972

RGB 218 41 114

HSL 335.25, 0.71%, 0.51%

LAB 49.14, 69.74, 3.34

 

CMYK 0 / 81 / 70 / 15

HEX #DA2942

RGB 218 41 66

HSL 351.53, 0.71%, 0.51%

LAB 48.11, 66.67, 31.21

 

CMYK 0 / 81 / 81 / 15

HEX #DA2929

RGB 218 41 41

HSL 0, 0.71%, 0.51%

LAB 47.82, 65.76, 45.1

 

CMYK 0 / 81 / 4 / 15

HEX #DA29D1

RGB 218 41 209

HSL 303.05, 0.71%, 0.51%

LAB 53.05, 80.81, -46.91

 

CMYK 18 / 81 / 0 / 15

HEX #B329DA

RGB 179 41 218

HSL 286.78, 0.71%, 0.51%

LAB 47.28, 75.23, -61.67

 

CMYK 39 / 81 / 0 / 15

HEX #8429DA

RGB 132 41 218

HSL 270.85, 0.71%, 0.51%

LAB 40.5, 67.89, -73

 

CMYK 61 / 81 / 0 / 15

HEX #5429DA

RGB 84 41 218

HSL 254.58, 0.71%, 0.51%

LAB 35.07, 62.16, -82.13

 

CMYK 81 / 81 / 0 / 15

HEX #2929DA

RGB 41 41 218

HSL 240, 0.71%, 0.51%

LAB 32.08, 59.09, -87.18

 

CMYK 0 / 81 / 4 / 15

HEX #DA29D1

RGB 218 41 209

HSL 303.05, 0.71%, 0.51%

LAB 53.05, 80.81, -46.91

 

CMYK 0 / 91 / 5 / 7

HEX #EE15E3

RGB 238 21 227

HSL 303.04, 0.86%, 0.51%

LAB 56.35, 90.15, -51.7

 

CMYK 0 / 81 / 4 / 15

HEX #DA29D1

RGB 218 41 209

HSL 303.05, 0.71%, 0.51%

LAB 53.05, 80.81, -46.91

 

CMYK 0 / 69 / 4 / 22

HEX #C63DBF

RGB 198 61 191

HSL 303.07, 0.55%, 0.51%

LAB 50.81, 68.22, -40.3

 

CMYK 0 / 54 / 3 / 30

HEX #B251AD

RGB 178 81 173

HSL 303.09, 0.39%, 0.51%

LAB 49.94, 51.79, -31.39

 

CMYK 0 / 36 / 2 / 38

HEX #9E659B

RGB 158 101 155

HSL 303.16, 0.23%, 0.51%

LAB 50.62, 31.79, -19.98

 

CMYK 0 / 11 / 0 / 46

HEX #897A89

RGB 137 122 137

HSL 300, 0.06%, 0.51%

LAB 53, 8.62, -6.04

 

CMYK 39 / 81 / 0 / 15

HEX #8529DA

RGB 133 41 218

HSL 271.19, 0.71%, 0.51%

LAB 40.63, 68.03, -72.78

 

CMYK 17 / 81 / 0 / 15

HEX #B429DA

RGB 180 41 218

HSL 287.12, 0.71%, 0.51%

LAB 47.43, 75.4, -61.41

 

CMYK 0 / 81 / 4 / 15

HEX #DA29D1

RGB 218 41 209

HSL 303.05, 0.71%, 0.51%

LAB 53.05, 80.81, -46.91

 

CMYK 0 / 81 / 26 / 15

HEX #DA29A2

RGB 218 41 162

HSL 318.98, 0.71%, 0.51%

LAB 50.8, 74.58, -23.07

 

CMYK 0 / 81 / 47 / 15

HEX #DA2973

RGB 218 41 115

HSL 334.92, 0.71%, 0.51%

LAB 49.17, 69.83, 2.77

 

CMYK 0 / 83 / 4 / 41

HEX #971991

RGB 151 25 145

HSL 302.86, 0.72%, 0.35%

LAB 36.59, 61.62, -35.94

 

CMYK 0 / 83 / 4 / 27

HEX #BB1FB3

RGB 187 31 179

HSL 303.08, 0.72%, 0.43%

LAB 45.36, 72.6, -42.04

 

CMYK 0 / 81 / 4 / 15

HEX #DA29D1

RGB 218 41 209

HSL 303.05, 0.71%, 0.51%

LAB 53.05, 80.81, -46.91

 

CMYK 0 / 66 / 3 / 12

HEX #E04CD9

RGB 224 76 217

HSL 302.84, 0.7%, 0.59%

LAB 58.06, 72.9, -43.47

 

CMYK 0 / 52 / 3 / 10

HEX #E66FE0

RGB 230 111 224

HSL 303.03, 0.7%, 0.67%

LAB 64.62, 60.83, -37.05

 

CMYK 0 / 81 / 4 / 15

HEX #DA29D1

RGB 218 41 209

HSL 303.05, 0.71%, 0.51%

LAB 53.05, 80.81, -46.91

 

CMYK 0 / 61 / 81 / 15

HEX #DA5529

RGB 218 85 41

HSL 14.92, 0.71%, 0.51%

LAB 53.56, 50.03, 50.56

 

CMYK 81 / 0 / 28 / 15

HEX #29DA9C

RGB 41 218 156

HSL 158.98, 0.71%, 0.51%

LAB 77.88, -56.88, 18.63

 

CMYK 0 / 81 / 4 / 15

HEX #DA29D1

RGB 218 41 209

HSL 303.05, 0.71%, 0.51%

LAB 53.05, 80.81, -46.91

 

CMYK 4 / 0 / 81 / 15

HEX #D1DA29

RGB 209 218 41

HSL 63.05, 0.71%, 0.51%

LAB 83.89, -22.24, 77.16

 

CMYK 81 / 4 / 0 / 15

HEX #29D1DA

RGB 41 209 218

HSL 183.05, 0.71%, 0.51%

LAB 76.76, -36.83, -16.13

 

CMYK 0 / 81 / 4 / 15

HEX #DA29D1

RGB 218 41 209

HSL 303.05, 0.71%, 0.51%

LAB 53.05, 80.81, -46.91

 

CMYK 0 / 61 / 81 / 15

HEX #DA5529

RGB 218 85 41

HSL 14.92, 0.71%, 0.51%

LAB 53.56, 50.03, 50.56

 

CMYK 81 / 0 / 77 / 15

HEX #29DA32

RGB 41 218 50

HSL 123.05, 0.71%, 0.51%

LAB 76.58, -72.18, 65.28

 

CMYK 81 / 20 / 0 / 15

HEX #29AEDA

RGB 41 174 218

HSL 194.92, 0.71%, 0.51%

LAB 66.37, -19.58, -32

 

CMYK 0 / 81 / 4 / 15

HEX #DA29D1

RGB 218 41 209

HSL 303.05, 0.71%, 0.51%

LAB 53.05, 80.81, -46.91

 

CMYK 0 / 37 / 81 / 15

HEX #DA8A29

RGB 218 138 41

HSL 32.88, 0.71%, 0.51%

LAB 64.36, 23.27, 60.42

 

CMYK 81 / 0 / 77 / 15

HEX #29DA32

RGB 41 218 50

HSL 123.05, 0.71%, 0.51%

LAB 76.58, -72.18, 65.28

 

CMYK 81 / 44 / 0 / 15

HEX #2979DA

RGB 41 121 218

HSL 212.88, 0.71%, 0.51%

LAB 50.93, 10.91, -56.36

 

Description

Color code: HEX #DA29D1 | qconv.com Color code: HEX #DA29D1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 41 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 41 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 4 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 4% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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