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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA29CD it is the complementary color #25D632. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA29CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA29CD shade: #DF29C8, #F03BDB, #FF4DEE, #FF5FFF and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA29CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA29CD shade: #DA29CD, #C917BA, #B805A7, #A70094 and #960081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA29CD shade: #DA29CD, #DA299D, #DA296E, #DA293E and #DA2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA29CD shade: #DA29CD, #B729DA, #8829DA, #5829DA and #2929DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA29CD shade matches the following richer shades: #DA29CD and #EE15DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA29CD shade: #DA29CD, #C63DBC, #B251AB, #9E6599 and #897A88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA29CD shade: #8729DA, #B729DA, #DA29CE, #DA299F and #DA2970

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA29CD shade: #97198E, #BB1FAF, #DA29CD, #E04CD5 and #E66FDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA29CD shade: #DA29CD, #DA5829 and #29DA9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA29CD shade: #DA29CD, #CEDA29 and #29CEDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA29CD shade: #DA29CD, #DA5829, #29DA35 and #29ABDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA29CD shade: #DA29CD, #DA8D29, #29DA35 and #2976DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 6 / 15

HEX #DA29CD

RGB 218 41 205

HSL 304.41, 0.71%, 0.51%

LAB 52.84, 80.23, -44.96

 

Complementary color

CMYK 83 / 0 / 77 / 16

HEX #25D632

RGB 37 214 50

HSL 124.41, 0.71%, 0.49%

LAB 75.27, -71.43, 63.99

 

CMYK 0 / 82 / 10 / 13

HEX #DF29C8

RGB 223 41 200

HSL 307.58, 0.74%, 0.52%

LAB 53.43, 80.5, -41.09

 

CMYK 0 / 75 / 9 / 6

HEX #F03BDB

RGB 240 59 219

HSL 306.96, 0.86%, 0.59%

LAB 58.76, 82.16, -43.34

 

CMYK 0 / 70 / 7 / 0

HEX #FF4DEE

RGB 255 77 238

HSL 305.73, 1%, 0.65%

LAB 63.95, 82.69, -45.64

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 81 / 6 / 15

HEX #DA29CD

RGB 218 41 205

HSL 304.41, 0.71%, 0.51%

LAB 52.84, 80.23, -44.96

 

CMYK 0 / 89 / 7 / 21

HEX #C917BA

RGB 201 23 186

HSL 305.06, 0.79%, 0.44%

LAB 47.72, 77.67, -42.25

 

CMYK 0 / 97 / 9 / 28

HEX #B805A7

RGB 184 5 167

HSL 305.7, 0.95%, 0.37%

LAB 42.9, 73.99, -38.86

 

CMYK 0 / 100 / 11 / 35

HEX #A70094

RGB 167 0 148

HSL 306.83, 1%, 0.33%

LAB 38.47, 68.83, -34.61

 

CMYK 0 / 100 / 14 / 41

HEX #960081

RGB 150 0 129

HSL 308.4, 1%, 0.29%

LAB 34.13, 63.09, -29.96

 

CMYK 0 / 81 / 6 / 15

HEX #DA29CD

RGB 218 41 205

HSL 304.41, 0.71%, 0.51%

LAB 52.84, 80.23, -44.96

 

CMYK 0 / 81 / 28 / 15

HEX #DA299D

RGB 218 41 157

HSL 320.68, 0.71%, 0.51%

LAB 50.6, 74, -20.41

 

CMYK 0 / 81 / 50 / 15

HEX #DA296E

RGB 218 41 110

HSL 336.61, 0.71%, 0.51%

LAB 49.03, 69.42, 5.62

 

CMYK 0 / 81 / 72 / 15

HEX #DA293E

RGB 218 41 62

HSL 352.88, 0.71%, 0.51%

LAB 48.06, 66.49, 33.51

 

CMYK 0 / 81 / 81 / 15

HEX #DA2929

RGB 218 41 41

HSL 0, 0.71%, 0.51%

LAB 47.82, 65.76, 45.1

 

CMYK 0 / 81 / 6 / 15

HEX #DA29CD

RGB 218 41 205

HSL 304.41, 0.71%, 0.51%

LAB 52.84, 80.23, -44.96

 

CMYK 16 / 81 / 0 / 15

HEX #B729DA

RGB 183 41 218

HSL 288.14, 0.71%, 0.51%

LAB 47.9, 75.91, -60.63

 

CMYK 38 / 81 / 0 / 15

HEX #8829DA

RGB 136 41 218

HSL 272.2, 0.71%, 0.51%

LAB 41.03, 68.46, -72.11

 

CMYK 60 / 81 / 0 / 15

HEX #5829DA

RGB 88 41 218

HSL 255.93, 0.71%, 0.51%

LAB 35.44, 62.55, -81.49

 

CMYK 81 / 81 / 0 / 15

HEX #2929DA

RGB 41 41 218

HSL 240, 0.71%, 0.51%

LAB 32.08, 59.09, -87.18

 

CMYK 0 / 81 / 6 / 15

HEX #DA29CD

RGB 218 41 205

HSL 304.41, 0.71%, 0.51%

LAB 52.84, 80.23, -44.96

 

CMYK 0 / 91 / 7 / 7

HEX #EE15DE

RGB 238 21 222

HSL 304.42, 0.86%, 0.51%

LAB 56.08, 89.46, -49.3

 

CMYK 0 / 81 / 6 / 15

HEX #DA29CD

RGB 218 41 205

HSL 304.41, 0.71%, 0.51%

LAB 52.84, 80.23, -44.96

 

CMYK 0 / 69 / 5 / 22

HEX #C63DBC

RGB 198 61 188

HSL 304.38, 0.55%, 0.51%

LAB 50.66, 67.74, -38.8

 

CMYK 0 / 54 / 4 / 30

HEX #B251AB

RGB 178 81 171

HSL 304.33, 0.39%, 0.51%

LAB 49.85, 51.44, -30.36

 

CMYK 0 / 36 / 3 / 38

HEX #9E6599

RGB 158 101 153

HSL 305.26, 0.23%, 0.51%

LAB 50.54, 31.41, -18.92

 

CMYK 0 / 11 / 1 / 46

HEX #897A88

RGB 137 122 136

HSL 304, 0.06%, 0.51%

LAB 52.97, 8.42, -5.5

 

CMYK 38 / 81 / 0 / 15

HEX #8729DA

RGB 135 41 218

HSL 271.86, 0.71%, 0.51%

LAB 40.89, 68.32, -72.33

 

CMYK 16 / 81 / 0 / 15

HEX #B729DA

RGB 183 41 218

HSL 288.14, 0.71%, 0.51%

LAB 47.9, 75.91, -60.63

 

CMYK 0 / 81 / 6 / 15

HEX #DA29CE

RGB 218 41 206

HSL 304.07, 0.71%, 0.51%

LAB 52.89, 80.37, -45.45

 

CMYK 0 / 81 / 27 / 15

HEX #DA299F

RGB 218 41 159

HSL 320, 0.71%, 0.51%

LAB 50.68, 74.23, -21.48

 

CMYK 0 / 81 / 49 / 15

HEX #DA2970

RGB 218 41 112

HSL 335.93, 0.71%, 0.51%

LAB 49.08, 69.58, 4.48

 

CMYK 0 / 83 / 6 / 41

HEX #97198E

RGB 151 25 142

HSL 304.29, 0.72%, 0.35%

LAB 36.42, 61.15, -34.37

 

CMYK 0 / 83 / 6 / 27

HEX #BB1FAF

RGB 187 31 175

HSL 304.62, 0.72%, 0.43%

LAB 45.14, 72, -40.03

 

CMYK 0 / 81 / 6 / 15

HEX #DA29CD

RGB 218 41 205

HSL 304.41, 0.71%, 0.51%

LAB 52.84, 80.23, -44.96

 

CMYK 0 / 66 / 5 / 12

HEX #E04CD5

RGB 224 76 213

HSL 304.46, 0.7%, 0.59%

LAB 57.87, 72.27, -41.52

 

CMYK 0 / 52 / 4 / 10

HEX #E66FDD

RGB 230 111 221

HSL 304.54, 0.7%, 0.67%

LAB 64.49, 60.32, -35.58

 

CMYK 0 / 81 / 6 / 15

HEX #DA29CD

RGB 218 41 205

HSL 304.41, 0.71%, 0.51%

LAB 52.84, 80.23, -44.96

 

CMYK 0 / 60 / 81 / 15

HEX #DA5829

RGB 218 88 41

HSL 15.93, 0.71%, 0.51%

LAB 54.07, 48.68, 51.04

 

CMYK 81 / 0 / 27 / 15

HEX #29DA9F

RGB 41 218 159

HSL 160, 0.71%, 0.51%

LAB 77.94, -56.22, 17.13

 

CMYK 0 / 81 / 6 / 15

HEX #DA29CD

RGB 218 41 205

HSL 304.41, 0.71%, 0.51%

LAB 52.84, 80.23, -44.96

 

CMYK 6 / 0 / 81 / 15

HEX #CEDA29

RGB 206 218 41

HSL 64.07, 0.71%, 0.51%

LAB 83.67, -23.49, 76.87

 

CMYK 81 / 6 / 0 / 15

HEX #29CEDA

RGB 41 206 218

HSL 184.07, 0.71%, 0.51%

LAB 75.87, -35.44, -17.48

 

CMYK 0 / 81 / 6 / 15

HEX #DA29CD

RGB 218 41 205

HSL 304.41, 0.71%, 0.51%

LAB 52.84, 80.23, -44.96

 

CMYK 0 / 60 / 81 / 15

HEX #DA5829

RGB 218 88 41

HSL 15.93, 0.71%, 0.51%

LAB 54.07, 48.68, 51.04

 

CMYK 81 / 0 / 76 / 15

HEX #29DA35

RGB 41 218 53

HSL 124.07, 0.71%, 0.51%

LAB 76.6, -71.97, 64.35

 

CMYK 81 / 22 / 0 / 15

HEX #29ABDA

RGB 41 171 218

HSL 195.93, 0.71%, 0.51%

LAB 65.48, -18, -33.38

 

CMYK 0 / 81 / 6 / 15

HEX #DA29CD

RGB 218 41 205

HSL 304.41, 0.71%, 0.51%

LAB 52.84, 80.23, -44.96

 

CMYK 0 / 35 / 81 / 15

HEX #DA8D29

RGB 218 141 41

HSL 33.9, 0.71%, 0.51%

LAB 65.05, 21.66, 61.04

 

CMYK 81 / 0 / 76 / 15

HEX #29DA35

RGB 41 218 53

HSL 124.07, 0.71%, 0.51%

LAB 76.6, -71.97, 64.35

 

CMYK 81 / 46 / 0 / 15

HEX #2976DA

RGB 41 118 218

HSL 213.9, 0.71%, 0.51%

LAB 50.09, 12.78, -57.72

 

Description

Color code: HEX #DA29CD | qconv.com Color code: HEX #DA29CD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 41 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 41 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 6 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 6% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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