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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA292D it is the complementary color #25D6D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA292D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA292D shade: #DF2928, #F03B3B, #FF4D4E, #FF5F61 and #FF7174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA292D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA292D shade: #DA292D, #C9171A, #B80507, #A70000 and #960000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA292D shade: #DB292D and #DB2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA292D shade: #DB292D, #DB295D, #DB298D, #DB29BD and #C929DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA292D shade matches the following richer shades: #DB292D and #EF151A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA292D shade: #DB292D, #C73E41, #B25254, #9E6667 and #8A7A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA292D shade: #DB298E, #DB295F, #DB292F, #DB5329 and #DB8229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA292D shade: #981A1D, #BB2023, #DB292D, #E14D50 and #E77073

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA292D shade: #DA292D, #BDDB29 and #2976DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA292D shade: #DA292D, #2FDB29 and #292FDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA292D shade: #DA292D, #BDDB29, #29DBD5 and #4729DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA292D shade: #DA292D, #88DB29, #29DBD5 and #7C29DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 79 / 15

HEX #DA292D

RGB 218 41 45

HSL 358.64, 0.71%, 0.51%

LAB 47.86, 65.87, 43

 

Complementary color

CMYK 83 / 0 / 2 / 16

HEX #25D6D2

RGB 37 214 210

HSL 178.64, 0.71%, 0.49%

LAB 77.96, -41.75, -10.05

 

CMYK 0 / 82 / 82 / 13

HEX #DF2928

RGB 223 41 40

HSL 0.33, 0.74%, 0.52%

LAB 48.79, 67.12, 46.9

 

CMYK 0 / 75 / 75 / 6

HEX #F03B3B

RGB 240 59 59

HSL 0, 0.86%, 0.59%

LAB 53.99, 67.57, 43.08

 

CMYK 0 / 70 / 69 / 0

HEX #FF4D4E

RGB 255 77 78

HSL 359.66, 1%, 0.65%

LAB 59.08, 66.84, 39.05

 

CMYK 0 / 63 / 62 / 0

HEX #FF5F61

RGB 255 95 97

HSL 359.25, 1%, 0.69%

LAB 61.92, 60.9, 31.84

 

CMYK 0 / 56 / 55 / 0

HEX #FF7174

RGB 255 113 116

HSL 358.73, 1%, 0.72%

LAB 65.22, 54.32, 25.42

 

CMYK 0 / 81 / 79 / 15

HEX #DA292D

RGB 218 41 45

HSL 358.64, 0.71%, 0.51%

LAB 47.86, 65.87, 43

 

CMYK 0 / 89 / 87 / 21

HEX #C9171A

RGB 201 23 26

HSL 358.99, 0.79%, 0.44%

LAB 42.92, 64.59, 47.02

 

CMYK 0 / 97 / 96 / 28

HEX #B80507

RGB 184 5 7

HSL 359.33, 0.95%, 0.37%

LAB 38.4, 62.21, 49.98

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 81 / 79 / 14

HEX #DB292D

RGB 219 41 45

HSL 358.65, 0.71%, 0.51%

LAB 48.05, 66.15, 43.26

 

CMYK 0 / 81 / 81 / 14

HEX #DB2929

RGB 219 41 41

HSL 0, 0.71%, 0.51%

LAB 48.01, 66.04, 45.36

 

CMYK 0 / 81 / 79 / 14

HEX #DB292D

RGB 219 41 45

HSL 358.65, 0.71%, 0.51%

LAB 48.05, 66.15, 43.26

 

CMYK 0 / 81 / 58 / 14

HEX #DB295D

RGB 219 41 93

HSL 342.47, 0.71%, 0.51%

LAB 48.81, 68.44, 15.75

 

CMYK 0 / 81 / 36 / 14

HEX #DB298D

RGB 219 41 141

HSL 326.29, 0.71%, 0.51%

LAB 50.18, 72.49, -11.47

 

CMYK 0 / 81 / 14 / 14

HEX #DB29BD

RGB 219 41 189

HSL 310.11, 0.71%, 0.51%

LAB 52.2, 78.2, -36.72

 

CMYK 8 / 81 / 0 / 14

HEX #C929DB

RGB 201 41 219

HSL 293.93, 0.71%, 0.51%

LAB 50.82, 79.22, -56.34

 

CMYK 0 / 81 / 79 / 14

HEX #DB292D

RGB 219 41 45

HSL 358.65, 0.71%, 0.51%

LAB 48.05, 66.15, 43.26

 

CMYK 0 / 91 / 89 / 6

HEX #EF151A

RGB 239 21 26

HSL 358.62, 0.87%, 0.51%

LAB 50.64, 74.68, 56.31

 

CMYK 0 / 81 / 79 / 14

HEX #DB292D

RGB 219 41 45

HSL 358.65, 0.71%, 0.51%

LAB 48.05, 66.15, 43.26

 

CMYK 0 / 69 / 67 / 22

HEX #C73E41

RGB 199 62 65

HSL 358.69, 0.55%, 0.51%

LAB 46.93, 54.26, 29.54

 

CMYK 0 / 54 / 53 / 30

HEX #B25254

RGB 178 82 84

HSL 358.75, 0.38%, 0.51%

LAB 47.16, 39.25, 17.79

 

CMYK 0 / 35 / 35 / 38

HEX #9E6667

RGB 158 102 103

HSL 358.93, 0.22%, 0.51%

LAB 49.19, 22.7, 8.8

 

CMYK 0 / 12 / 11 / 46

HEX #8A7A7B

RGB 138 122 123

HSL 356.25, 0.06%, 0.51%

LAB 52.68, 6.32, 1.7

 

CMYK 0 / 81 / 35 / 14

HEX #DB298E

RGB 219 41 142

HSL 325.96, 0.71%, 0.51%

LAB 50.21, 72.59, -12.02

 

CMYK 0 / 81 / 57 / 14

HEX #DB295F

RGB 219 41 95

HSL 341.8, 0.71%, 0.51%

LAB 48.85, 68.57, 14.58

 

CMYK 0 / 81 / 79 / 14

HEX #DB292F

RGB 219 41 47

HSL 357.98, 0.71%, 0.51%

LAB 48.07, 66.21, 42.18

 

CMYK 0 / 62 / 81 / 14

HEX #DB5329

RGB 219 83 41

HSL 14.16, 0.71%, 0.51%

LAB 53.39, 51.28, 50.46

 

CMYK 0 / 41 / 81 / 14

HEX #DB8229

RGB 219 130 41

HSL 30, 0.71%, 0.51%

LAB 62.66, 27.97, 58.95

 

CMYK 0 / 83 / 81 / 40

HEX #981A1D

RGB 152 26 29

HSL 358.57, 0.71%, 0.35%

LAB 32.93, 50.25, 32.51

 

CMYK 0 / 83 / 81 / 27

HEX #BB2023

RGB 187 32 35

HSL 358.84, 0.71%, 0.43%

LAB 40.77, 59.09, 39.34

 

CMYK 0 / 81 / 79 / 14

HEX #DB292D

RGB 219 41 45

HSL 358.65, 0.71%, 0.51%

LAB 48.05, 66.15, 43.26

 

CMYK 0 / 66 / 64 / 12

HEX #E14D50

RGB 225 77 80

HSL 358.78, 0.71%, 0.59%

LAB 53.91, 57.55, 30.42

 

CMYK 0 / 52 / 50 / 9

HEX #E77073

RGB 231 112 115

HSL 358.49, 0.71%, 0.67%

LAB 61.49, 46.34, 20.36

 

CMYK 0 / 81 / 79 / 15

HEX #DA292D

RGB 218 41 45

HSL 358.64, 0.71%, 0.51%

LAB 47.86, 65.87, 43

 

CMYK 14 / 0 / 81 / 14

HEX #BDDB29

RGB 189 219 41

HSL 70.11, 0.71%, 0.51%

LAB 82.72, -30.93, 75.58

 

CMYK 81 / 46 / 0 / 14

HEX #2976DB

RGB 41 118 219

HSL 214.04, 0.71%, 0.51%

LAB 50.15, 13.16, -58.18

 

CMYK 0 / 81 / 79 / 15

HEX #DA292D

RGB 218 41 45

HSL 358.64, 0.71%, 0.51%

LAB 47.86, 65.87, 43

 

CMYK 79 / 0 / 81 / 14

HEX #2FDB29

RGB 47 219 41

HSL 117.98, 0.71%, 0.51%

LAB 76.94, -72.3, 68.21

 

CMYK 81 / 79 / 0 / 14

HEX #292FDB

RGB 41 47 219

HSL 237.98, 0.71%, 0.51%

LAB 33.18, 56.53, -85.93

 

CMYK 0 / 81 / 79 / 15

HEX #DA292D

RGB 218 41 45

HSL 358.64, 0.71%, 0.51%

LAB 47.86, 65.87, 43

 

CMYK 14 / 0 / 81 / 14

HEX #BDDB29

RGB 189 219 41

HSL 70.11, 0.71%, 0.51%

LAB 82.72, -30.93, 75.58

 

CMYK 81 / 0 / 3 / 14

HEX #29DBD5

RGB 41 219 213

HSL 177.98, 0.71%, 0.51%

LAB 79.58, -42.81, -9.23

 

CMYK 68 / 81 / 0 / 14

HEX #4729DB

RGB 71 41 219

HSL 250.11, 0.71%, 0.51%

LAB 34.07, 61.29, -84.4

 

CMYK 0 / 81 / 79 / 15

HEX #DA292D

RGB 218 41 45

HSL 358.64, 0.71%, 0.51%

LAB 47.86, 65.87, 43

 

CMYK 38 / 0 / 81 / 14

HEX #88DB29

RGB 136 219 41

HSL 87.98, 0.71%, 0.51%

LAB 79.65, -50.89, 71.68

 

CMYK 81 / 0 / 3 / 14

HEX #29DBD5

RGB 41 219 213

HSL 177.98, 0.71%, 0.51%

LAB 79.58, -42.81, -9.23

 

CMYK 43 / 81 / 0 / 14

HEX #7C29DB

RGB 124 41 219

HSL 267.98, 0.71%, 0.51%

LAB 39.56, 67.02, -75.16

 

Description

Color code: HEX #DA292D | qconv.com Color code: HEX #DA292D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 41 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 41 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 79 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 79% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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