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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA2748 it is the complementary color #25D8B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA2748. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA2748 shade: #DF2743, #F03956, #FF4B69, #FF5D7C and #FF6F8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA2748. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA2748 shade: #DA2748, #C91535, #B80322, #A7000F and #960000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA2748 shade: #DA2546 and #DA2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA2748 shade: #DA2546, #DA2577, #DA25A8, #DA25D9 and #AA25DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA2748 shade matches the following richer shades: #DA2546 and #EF1039

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA2748 shade: #DA2546, #C53A53, #B14E60, #9C636D and #88777A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA2748 shade: #DA25AA, #DA2579, #DA2549, #DA3125 and #DA6125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA2748 shade: #931930, #B71F3B, #DA2546, #E04864 and #E66C82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA2748 shade: #DA2748, #DADA25 and #2592DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA2748 shade: #DA2748, #49DA25 and #2549DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA2748 shade: #DA2748, #DADA25, #25DAB6 and #2525DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA2748 shade: #DA2748, #A4DA25, #25DAB6 and #5B25DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 67 / 15

HEX #DA2748

RGB 218 39 72

HSL 348.94, 0.71%, 0.5%

LAB 48.04, 67.44, 27.51

 

Complementary color

CMYK 83 / 0 / 15 / 15

HEX #25D8B7

RGB 37 216 183

HSL 168.94, 0.71%, 0.5%

LAB 77.83, -49.97, 4.22

 

CMYK 0 / 83 / 70 / 13

HEX #DF2743

RGB 223 39 67

HSL 350.87, 0.74%, 0.51%

LAB 48.94, 68.54, 31.84

 

CMYK 0 / 76 / 64 / 6

HEX #F03956

RGB 240 57 86

HSL 350.49, 0.86%, 0.58%

LAB 54.16, 69.39, 27.77

 

CMYK 0 / 71 / 59 / 0

HEX #FF4B69

RGB 255 75 105

HSL 350, 1%, 0.65%

LAB 59.26, 69.03, 23.79

 

CMYK 0 / 64 / 51 / 0

HEX #FF5D7C

RGB 255 93 124

HSL 348.52, 1%, 0.68%

LAB 62.12, 63.62, 16.64

 

CMYK 0 / 56 / 44 / 0

HEX #FF6F8F

RGB 255 111 143

HSL 346.67, 1%, 0.72%

LAB 65.45, 57.57, 10.38

 

CMYK 0 / 82 / 67 / 15

HEX #DA2748

RGB 218 39 72

HSL 348.94, 0.71%, 0.5%

LAB 48.04, 67.44, 27.51

 

CMYK 0 / 90 / 74 / 21

HEX #C91535

RGB 201 21 53

HSL 349.33, 0.81%, 0.44%

LAB 43.08, 65.7, 32.2

 

CMYK 0 / 98 / 82 / 28

HEX #B80322

RGB 184 3 34

HSL 349.72, 0.97%, 0.37%

LAB 38.5, 62.92, 37.45

 

CMYK 0 / 100 / 91 / 35

HEX #A7000F

RGB 167 0 15

HSL 354.61, 1%, 0.33%

LAB 34.5, 58.54, 42.56

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 83 / 68 / 15

HEX #DA2546

RGB 218 37 70

HSL 349.06, 0.71%, 0.5%

LAB 47.84, 67.8, 28.47

 

CMYK 0 / 83 / 83 / 15

HEX #DA2525

RGB 218 37 37

HSL 0, 0.71%, 0.5%

LAB 47.45, 66.61, 46.83

 

CMYK 0 / 83 / 68 / 15

HEX #DA2546

RGB 218 37 70

HSL 349.06, 0.71%, 0.5%

LAB 47.84, 67.8, 28.47

 

CMYK 0 / 83 / 45 / 15

HEX #DA2577

RGB 218 37 119

HSL 332.82, 0.71%, 0.5%

LAB 48.96, 71.09, 0.02

 

CMYK 0 / 83 / 23 / 15

HEX #DA25A8

RGB 218 37 168

HSL 316.57, 0.71%, 0.5%

LAB 50.75, 76.18, -26.69

 

CMYK 0 / 83 / 0 / 15

HEX #DA25D9

RGB 218 37 217

HSL 300.33, 0.71%, 0.5%

LAB 53.21, 82.82, -51.23

 

CMYK 22 / 83 / 0 / 15

HEX #AA25DA

RGB 170 37 218

HSL 284.09, 0.71%, 0.5%

LAB 45.54, 74.77, -64.55

 

CMYK 0 / 83 / 68 / 15

HEX #DA2546

RGB 218 37 70

HSL 349.06, 0.71%, 0.5%

LAB 47.84, 67.8, 28.47

 

CMYK 0 / 93 / 76 / 6

HEX #EF1039

RGB 239 16 57

HSL 348.97, 0.87%, 0.5%

LAB 50.71, 75.97, 40.56

 

CMYK 0 / 83 / 68 / 15

HEX #DA2546

RGB 218 37 70

HSL 349.06, 0.71%, 0.5%

LAB 47.84, 67.8, 28.47

 

CMYK 0 / 71 / 58 / 23

HEX #C53A53

RGB 197 58 83

HSL 349.21, 0.55%, 0.5%

LAB 46.34, 56.29, 17.84

 

CMYK 0 / 56 / 46 / 31

HEX #B14E60

RGB 177 78 96

HSL 349.09, 0.39%, 0.5%

LAB 46.5, 42.04, 9.59

 

CMYK 0 / 37 / 30 / 39

HEX #9C636D

RGB 156 99 109

HSL 349.47, 0.22%, 0.5%

LAB 48.38, 24.45, 4.02

 

CMYK 0 / 13 / 10 / 47

HEX #88777A

RGB 136 119 122

HSL 349.41, 0.07%, 0.5%

LAB 51.65, 7.11, 0.77

 

CMYK 0 / 83 / 22 / 15

HEX #DA25AA

RGB 218 37 170

HSL 315.91, 0.71%, 0.5%

LAB 50.84, 76.42, -27.74

 

CMYK 0 / 83 / 44 / 15

HEX #DA2579

RGB 218 37 121

HSL 332.15, 0.71%, 0.5%

LAB 49.02, 71.26, -1.11

 

CMYK 0 / 83 / 67 / 15

HEX #DA2549

RGB 218 37 73

HSL 348.07, 0.71%, 0.5%

LAB 47.89, 67.95, 26.72

 

CMYK 0 / 78 / 83 / 15

HEX #DA3125

RGB 218 49 37

HSL 3.98, 0.71%, 0.5%

LAB 48.56, 63.48, 47.85

 

CMYK 0 / 56 / 83 / 15

HEX #DA6125

RGB 218 97 37

HSL 19.89, 0.71%, 0.5%

LAB 55.67, 44.33, 54.24

 

CMYK 0 / 83 / 67 / 42

HEX #931930

RGB 147 25 48

HSL 348.69, 0.71%, 0.34%

LAB 32.06, 49.89, 19.34

 

CMYK 0 / 83 / 68 / 28

HEX #B71F3B

RGB 183 31 59

HSL 348.95, 0.71%, 0.42%

LAB 40.19, 59.17, 24.15

 

CMYK 0 / 83 / 68 / 15

HEX #DA2546

RGB 218 37 70

HSL 349.06, 0.71%, 0.5%

LAB 47.84, 67.8, 28.47

 

CMYK 0 / 68 / 55 / 12

HEX #E04864

RGB 224 72 100

HSL 348.95, 0.71%, 0.58%

LAB 53.39, 60.52, 17.91

 

CMYK 0 / 53 / 43 / 10

HEX #E66C82

RGB 230 108 130

HSL 349.18, 0.71%, 0.66%

LAB 60.92, 49.35, 10.92

 

CMYK 0 / 82 / 67 / 15

HEX #DA2748

RGB 218 39 72

HSL 348.94, 0.71%, 0.5%

LAB 48.04, 67.44, 27.51

 

CMYK 0 / 0 / 83 / 15

HEX #DADA25

RGB 218 218 37

HSL 60, 0.71%, 0.5%

LAB 84.58, -18.59, 78.96

 

CMYK 83 / 33 / 0 / 15

HEX #2592DA

RGB 37 146 218

HSL 203.87, 0.71%, 0.5%

LAB 58.05, -4.49, -45.03

 

CMYK 0 / 82 / 67 / 15

HEX #DA2748

RGB 218 39 72

HSL 348.94, 0.71%, 0.5%

LAB 48.04, 67.44, 27.51

 

CMYK 67 / 0 / 83 / 15

HEX #49DA25

RGB 73 218 37

HSL 108.07, 0.71%, 0.5%

LAB 77.1, -67.98, 69.55

 

CMYK 83 / 67 / 0 / 15

HEX #2549DA

RGB 37 73 218

HSL 228.07, 0.71%, 0.5%

LAB 38.24, 41.15, -77

 

CMYK 0 / 82 / 67 / 15

HEX #DA2748

RGB 218 39 72

HSL 348.94, 0.71%, 0.5%

LAB 48.04, 67.44, 27.51

 

CMYK 0 / 0 / 83 / 15

HEX #DADA25

RGB 218 218 37

HSL 60, 0.71%, 0.5%

LAB 84.58, -18.59, 78.96

 

CMYK 83 / 0 / 17 / 15

HEX #25DAB6

RGB 37 218 182

HSL 168.07, 0.71%, 0.5%

LAB 78.41, -51.04, 5.59

 

CMYK 83 / 83 / 0 / 15

HEX #2525DA

RGB 37 37 218

HSL 240, 0.71%, 0.5%

LAB 31.3, 60.69, -88.48

 

CMYK 0 / 82 / 67 / 15

HEX #DA2748

RGB 218 39 72

HSL 348.94, 0.71%, 0.5%

LAB 48.04, 67.44, 27.51

 

CMYK 25 / 0 / 83 / 15

HEX #A4DA25

RGB 164 218 37

HSL 77.9, 0.71%, 0.5%

LAB 80.83, -40.47, 74.28

 

CMYK 83 / 0 / 17 / 15

HEX #25DAB6

RGB 37 218 182

HSL 168.07, 0.71%, 0.5%

LAB 78.41, -51.04, 5.59

 

CMYK 58 / 83 / 0 / 15

HEX #5B25DA

RGB 91 37 218

HSL 257.9, 0.71%, 0.5%

LAB 35.22, 64.38, -81.85

 

Description

Color code: HEX #DA2748 | qconv.com Color code: HEX #DA2748 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 39 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 39 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 67% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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