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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA2684 it is the complementary color #25D97B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA2684. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA2684 shade: #DF267F, #F03892, #FF4AA5, #FF5CB8 and #FF6ECB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA2684. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA2684 shade: #DA2684, #C91471, #B8025E, #A7004B and #960038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA2684 shade: #DA2584, #DA2553 and #DA2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA2684 shade: #DA2584, #DA25B4, #CF25DA, #9E25DA and #6D25DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA2684 shade matches the following richer shades: #DA2584 and #EF1084

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA2684 shade: #DA2584, #C53A83, #B14E82, #9C6381 and #887780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA2684 shade: #CE25DA, #DA25B6, #DA2586, #DA2555 and #DA2525

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA2684 shade: #931959, #B71F6E, #DA2584, #E04897 and #E66CAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA2684 shade: #DA2684, #DA9E25 and #25CEDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA2684 shade: #DA2684, #86DA25 and #2586DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA2684 shade: #DA2684, #DA9E25, #25DA79 and #2561DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA2684 shade: #DA2684, #DAD425, #25DA79 and #252BDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 39 / 15

HEX #DA2684

RGB 218 38 132

HSL 328.67, 0.71%, 0.5%

LAB 49.44, 72.05, -7.16

 

Complementary color

CMYK 83 / 0 / 43 / 15

HEX #25D97B

RGB 37 217 123

HSL 148.67, 0.71%, 0.5%

LAB 76.95, -63.46, 34.4

 

CMYK 0 / 83 / 43 / 13

HEX #DF267F

RGB 223 38 127

HSL 331.14, 0.74%, 0.51%

LAB 50.22, 72.78, -2.87

 

CMYK 0 / 77 / 39 / 6

HEX #F03892

RGB 240 56 146

HSL 330.65, 0.86%, 0.58%

LAB 55.51, 74.22, -6.08

 

CMYK 0 / 71 / 35 / 0

HEX #FF4AA5

RGB 255 74 165

HSL 329.83, 1%, 0.65%

LAB 60.67, 74.44, -9.25

 

CMYK 0 / 64 / 28 / 0

HEX #FF5CB8

RGB 255 92 184

HSL 326.13, 1%, 0.68%

LAB 63.65, 70.07, -15.69

 

CMYK 0 / 57 / 20 / 0

HEX #FF6ECB

RGB 255 110 203

HSL 321.52, 1%, 0.72%

LAB 67.07, 65.05, -21.25

 

CMYK 0 / 83 / 39 / 15

HEX #DA2684

RGB 218 38 132

HSL 328.67, 0.71%, 0.5%

LAB 49.44, 72.05, -7.16

 

CMYK 0 / 90 / 44 / 21

HEX #C91471

RGB 201 20 113

HSL 329.17, 0.82%, 0.43%

LAB 44.39, 69.67, -3.38

 

CMYK 0 / 99 / 49 / 28

HEX #B8025E

RGB 184 2 94

HSL 329.67, 0.98%, 0.36%

LAB 39.65, 66.23, 1.22

 

CMYK 0 / 100 / 55 / 35

HEX #A7004B

RGB 167 0 75

HSL 333.05, 1%, 0.33%

LAB 35.45, 61.1, 6.96

 

CMYK 0 / 100 / 63 / 41

HEX #960038

RGB 150 0 56

HSL 337.6, 1%, 0.29%

LAB 31.28, 55.75, 13.15

 

CMYK 0 / 83 / 39 / 15

HEX #DA2584

RGB 218 37 132

HSL 328.51, 0.71%, 0.5%

LAB 49.37, 72.27, -7.27

 

CMYK 0 / 83 / 62 / 15

HEX #DA2553

RGB 218 37 83

HSL 344.75, 0.71%, 0.5%

LAB 48.07, 68.49, 20.86

 

CMYK 0 / 83 / 83 / 15

HEX #DA2525

RGB 218 37 37

HSL 0, 0.71%, 0.5%

LAB 47.45, 66.61, 46.83

 

CMYK 0 / 83 / 39 / 15

HEX #DA2584

RGB 218 37 132

HSL 328.51, 0.71%, 0.5%

LAB 49.37, 72.27, -7.27

 

CMYK 0 / 83 / 17 / 15

HEX #DA25B4

RGB 218 37 180

HSL 312.6, 0.71%, 0.5%

LAB 51.29, 77.68, -32.9

 

CMYK 5 / 83 / 0 / 15

HEX #CF25DA

RGB 207 37 218

HSL 296.35, 0.71%, 0.5%

LAB 51.44, 81.01, -54.73

 

CMYK 28 / 83 / 0 / 15

HEX #9E25DA

RGB 158 37 218

HSL 280.11, 0.71%, 0.5%

LAB 43.73, 72.9, -67.56

 

CMYK 50 / 83 / 0 / 15

HEX #6D25DA

RGB 109 37 218

HSL 263.87, 0.71%, 0.5%

LAB 37.18, 66.28, -78.55

 

CMYK 0 / 83 / 39 / 15

HEX #DA2584

RGB 218 37 132

HSL 328.51, 0.71%, 0.5%

LAB 49.37, 72.27, -7.27

 

CMYK 0 / 93 / 45 / 6

HEX #EF1084

RGB 239 16 132

HSL 328.79, 0.87%, 0.5%

LAB 52.27, 80.25, -2.53

 

CMYK 0 / 83 / 39 / 15

HEX #DA2584

RGB 218 37 132

HSL 328.51, 0.71%, 0.5%

LAB 49.37, 72.27, -7.27

 

CMYK 0 / 71 / 34 / 23

HEX #C53A83

RGB 197 58 131

HSL 328.49, 0.55%, 0.5%

LAB 47.67, 60.76, -9.6

 

CMYK 0 / 56 / 27 / 31

HEX #B14E82

RGB 177 78 130

HSL 328.48, 0.39%, 0.5%

LAB 47.5, 46.14, -9.58

 

CMYK 0 / 37 / 17 / 39

HEX #9C6381

RGB 156 99 129

HSL 328.42, 0.22%, 0.5%

LAB 48.98, 27.54, -7.07

 

CMYK 0 / 13 / 6 / 47

HEX #887780

RGB 136 119 128

HSL 328.24, 0.07%, 0.5%

LAB 51.82, 8.23, -2.51

 

CMYK 6 / 83 / 0 / 15

HEX #CE25DA

RGB 206 37 218

HSL 296.02, 0.71%, 0.5%

LAB 51.28, 80.84, -55.01

 

CMYK 0 / 83 / 17 / 15

HEX #DA25B6

RGB 218 37 182

HSL 311.93, 0.71%, 0.5%

LAB 51.39, 77.93, -33.92

 

CMYK 0 / 83 / 39 / 15

HEX #DA2586

RGB 218 37 134

HSL 327.85, 0.71%, 0.5%

LAB 49.44, 72.46, -8.38

 

CMYK 0 / 83 / 61 / 15

HEX #DA2555

RGB 218 37 85

HSL 344.09, 0.71%, 0.5%

LAB 48.11, 68.61, 19.68

 

CMYK 0 / 83 / 83 / 15

HEX #DA2525

RGB 218 37 37

HSL 0, 0.71%, 0.5%

LAB 47.45, 66.61, 46.83

 

CMYK 0 / 83 / 39 / 42

HEX #931959

RGB 147 25 89

HSL 328.52, 0.71%, 0.34%

LAB 33.18, 53.23, -5.97

 

CMYK 0 / 83 / 40 / 28

HEX #B71F6E

RGB 183 31 110

HSL 328.82, 0.71%, 0.42%

LAB 41.49, 63.02, -6.19

 

CMYK 0 / 83 / 39 / 15

HEX #DA2584

RGB 218 37 132

HSL 328.51, 0.71%, 0.5%

LAB 49.37, 72.27, -7.27

 

CMYK 0 / 68 / 33 / 12

HEX #E04897

RGB 224 72 151

HSL 328.82, 0.71%, 0.58%

LAB 54.78, 65.33, -10.42

 

CMYK 0 / 53 / 26 / 10

HEX #E66CAB

RGB 230 108 171

HSL 329.02, 0.71%, 0.66%

LAB 62.07, 54.17, -11.01

 

CMYK 0 / 83 / 39 / 15

HEX #DA2684

RGB 218 38 132

HSL 328.67, 0.71%, 0.5%

LAB 49.44, 72.05, -7.16

 

CMYK 0 / 28 / 83 / 15

HEX #DA9E25

RGB 218 158 37

HSL 40.11, 0.71%, 0.5%

LAB 69.11, 12.4, 65.91

 

CMYK 83 / 6 / 0 / 15

HEX #25CEDA

RGB 37 206 218

HSL 183.98, 0.71%, 0.5%

LAB 75.82, -35.74, -17.55

 

CMYK 0 / 83 / 39 / 15

HEX #DA2684

RGB 218 38 132

HSL 328.67, 0.71%, 0.5%

LAB 49.44, 72.05, -7.16

 

CMYK 39 / 0 / 83 / 15

HEX #86DA25

RGB 134 218 37

HSL 87.85, 0.71%, 0.5%

LAB 79.24, -51.33, 72.27

 

CMYK 83 / 39 / 0 / 15

HEX #2586DA

RGB 37 134 218

HSL 207.85, 0.71%, 0.5%

LAB 54.56, 2.59, -50.56

 

CMYK 0 / 83 / 39 / 15

HEX #DA2684

RGB 218 38 132

HSL 328.67, 0.71%, 0.5%

LAB 49.44, 72.05, -7.16

 

CMYK 0 / 28 / 83 / 15

HEX #DA9E25

RGB 218 158 37

HSL 40.11, 0.71%, 0.5%

LAB 69.11, 12.4, 65.91

 

CMYK 83 / 0 / 44 / 15

HEX #25DA79

RGB 37 218 121

HSL 147.85, 0.71%, 0.5%

LAB 77.23, -64.15, 35.77

 

CMYK 83 / 56 / 0 / 15

HEX #2561DA

RGB 37 97 218

HSL 220.11, 0.71%, 0.5%

LAB 44.24, 25.83, -67.18

 

CMYK 0 / 83 / 39 / 15

HEX #DA2684

RGB 218 38 132

HSL 328.67, 0.71%, 0.5%

LAB 49.44, 72.05, -7.16

 

CMYK 0 / 3 / 83 / 15

HEX #DAD425

RGB 218 212 37

HSL 58.01, 0.71%, 0.5%

LAB 82.98, -15.64, 77.62

 

CMYK 83 / 0 / 44 / 15

HEX #25DA79

RGB 37 218 121

HSL 147.85, 0.71%, 0.5%

LAB 77.23, -64.15, 35.77

 

CMYK 83 / 80 / 0 / 15

HEX #252BDA

RGB 37 43 218

HSL 238.01, 0.71%, 0.5%

LAB 32.22, 57.97, -86.94

 

Description

Color code: HEX #DA2684 | qconv.com Color code: HEX #DA2684 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 38 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 38 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 39 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 39% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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