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Color name
HEX #DA256E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA256E it is the complementary color #25DA91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA256E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA256E shade: #DF2569, #F0377C, #FF498F, #FF5BA2 and #FF6DB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA256E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA256E shade: #DA256E, #C9135B, #B80148, #A70035 and #960022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA256E shade: #DA256E, #DA253D and #DA2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA256E shade: #DA256E, #DA259F, #DA25D0, #B425DA and #8325DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA256E shade matches the following richer shades: #DA256E and #EF106A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA256E shade: #DA256E, #C53A72, #B14E76, #9C637A and #88777E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA256E shade: #DA25D1, #DA25A1, #DA2570, #DA2540 and #DA3A25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA256E shade: #93194A, #B71F5C, #DA256E, #E04885 and #E66C9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA256E shade: #DA256E, #DAB325 and #25B9DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA256E shade: #DA256E, #70DA25 and #2570DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA256E shade: #DA256E, #DAB325, #25DA8F and #254CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA256E shade: #DA256E, #CBDA25, #25DA8F and #3425DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 50 / 15

HEX #DA256E

RGB 218 37 110

HSL 335.8, 0.71%, 0.5%

LAB 48.7, 70.35, 5.16

 

Complementary color

CMYK 83 / 0 / 33 / 15

HEX #25DA91

RGB 37 218 145

HSL 155.8, 0.71%, 0.5%

LAB 77.63, -59.59, 24.02

 

CMYK 0 / 83 / 53 / 13

HEX #DF2569

RGB 223 37 105

HSL 338.06, 0.74%, 0.51%

LAB 49.53, 71.22, 9.53

 

CMYK 0 / 77 / 48 / 6

HEX #F0377C

RGB 240 55 124

HSL 337.62, 0.86%, 0.58%

LAB 54.78, 72.54, 5.93

 

CMYK 0 / 71 / 44 / 0

HEX #FF498F

RGB 255 73 143

HSL 336.92, 1%, 0.64%

LAB 59.9, 72.63, 2.42

 

CMYK 0 / 64 / 36 / 0

HEX #FF5BA2

RGB 255 91 162

HSL 334.02, 1%, 0.68%

LAB 62.8, 67.96, -4.35

 

CMYK 0 / 57 / 29 / 0

HEX #FF6DB5

RGB 255 109 181

HSL 330.41, 1%, 0.71%

LAB 66.16, 62.63, -10.21

 

CMYK 0 / 83 / 50 / 15

HEX #DA256E

RGB 218 37 110

HSL 335.8, 0.71%, 0.5%

LAB 48.7, 70.35, 5.16

 

CMYK 0 / 91 / 55 / 21

HEX #C9135B

RGB 201 19 91

HSL 336.26, 0.83%, 0.43%

LAB 43.71, 68.07, 9.38

 

CMYK 0 / 99 / 61 / 28

HEX #B80148

RGB 184 1 72

HSL 336.72, 0.99%, 0.36%

LAB 39.04, 64.8, 14.43

 

CMYK 0 / 100 / 68 / 35

HEX #A70035

RGB 167 0 53

HSL 340.96, 1%, 0.33%

LAB 34.95, 59.76, 20.64

 

CMYK 0 / 100 / 77 / 41

HEX #960022

RGB 150 0 34

HSL 346.4, 1%, 0.29%

LAB 30.88, 54.67, 27.11

 

CMYK 0 / 83 / 50 / 15

HEX #DA256E

RGB 218 37 110

HSL 335.8, 0.71%, 0.5%

LAB 48.7, 70.35, 5.16

 

CMYK 0 / 83 / 72 / 15

HEX #DA253D

RGB 218 37 61

HSL 352.04, 0.71%, 0.5%

LAB 47.71, 67.4, 33.69

 

CMYK 0 / 83 / 83 / 15

HEX #DA2525

RGB 218 37 37

HSL 0, 0.71%, 0.5%

LAB 47.45, 66.61, 46.83

 

CMYK 0 / 83 / 50 / 15

HEX #DA256E

RGB 218 37 110

HSL 335.8, 0.71%, 0.5%

LAB 48.7, 70.35, 5.16

 

CMYK 0 / 83 / 27 / 15

HEX #DA259F

RGB 218 37 159

HSL 319.56, 0.71%, 0.5%

LAB 50.37, 75.12, -21.95

 

CMYK 0 / 83 / 5 / 15

HEX #DA25D0

RGB 218 37 208

HSL 303.31, 0.71%, 0.5%

LAB 52.71, 81.5, -46.88

 

CMYK 17 / 83 / 0 / 15

HEX #B425DA

RGB 180 37 218

HSL 287.4, 0.71%, 0.5%

LAB 47.09, 76.4, -61.96

 

CMYK 40 / 83 / 0 / 15

HEX #8325DA

RGB 131 37 218

HSL 271.16, 0.71%, 0.5%

LAB 39.93, 69.02, -73.93

 

CMYK 0 / 83 / 50 / 15

HEX #DA256E

RGB 218 37 110

HSL 335.8, 0.71%, 0.5%

LAB 48.7, 70.35, 5.16

 

CMYK 0 / 93 / 56 / 6

HEX #EF106A

RGB 239 16 106

HSL 335.78, 0.87%, 0.5%

LAB 51.57, 78.34, 12.23

 

CMYK 0 / 83 / 50 / 15

HEX #DA256E

RGB 218 37 110

HSL 335.8, 0.71%, 0.5%

LAB 48.7, 70.35, 5.16

 

CMYK 0 / 71 / 42 / 23

HEX #C53A72

RGB 197 58 114

HSL 335.83, 0.55%, 0.5%

LAB 47.12, 58.94, -0.07

 

CMYK 0 / 56 / 33 / 31

HEX #B14E76

RGB 177 78 118

HSL 335.76, 0.39%, 0.5%

LAB 47.11, 44.55, -2.9

 

CMYK 0 / 37 / 22 / 39

HEX #9C637A

RGB 156 99 122

HSL 335.79, 0.22%, 0.5%

LAB 48.76, 26.4, -3.22

 

CMYK 0 / 13 / 7 / 47

HEX #88777E

RGB 136 119 126

HSL 335.29, 0.07%, 0.5%

LAB 51.76, 7.85, -1.42

 

CMYK 0 / 83 / 4 / 15

HEX #DA25D1

RGB 218 37 209

HSL 302.98, 0.71%, 0.5%

LAB 52.77, 81.65, -47.37

 

CMYK 0 / 83 / 26 / 15

HEX #DA25A1

RGB 218 37 161

HSL 318.9, 0.71%, 0.5%

LAB 50.45, 75.35, -23.01

 

CMYK 0 / 83 / 49 / 15

HEX #DA2570

RGB 218 37 112

HSL 335.14, 0.71%, 0.5%

LAB 48.76, 70.51, 4.01

 

CMYK 0 / 83 / 71 / 15

HEX #DA2540

RGB 218 37 64

HSL 351.05, 0.71%, 0.5%

LAB 47.75, 67.53, 31.96

 

CMYK 0 / 73 / 83 / 15

HEX #DA3A25

RGB 218 58 37

HSL 6.96, 0.71%, 0.5%

LAB 49.57, 60.63, 48.77

 

CMYK 0 / 83 / 50 / 42

HEX #93194A

RGB 147 25 74

HSL 335.9, 0.71%, 0.34%

LAB 32.68, 51.78, 3.11

 

CMYK 0 / 83 / 50 / 28

HEX #B71F5C

RGB 183 31 92

HSL 335.92, 0.71%, 0.42%

LAB 40.93, 61.38, 4.3

 

CMYK 0 / 83 / 50 / 15

HEX #DA256E

RGB 218 37 110

HSL 335.8, 0.71%, 0.5%

LAB 48.7, 70.35, 5.16

 

CMYK 0 / 68 / 41 / 12

HEX #E04885

RGB 224 72 133

HSL 335.92, 0.71%, 0.58%

LAB 54.21, 63.4, -0.6

 

CMYK 0 / 53 / 32 / 10

HEX #E66C9D

RGB 230 108 157

HSL 335.9, 0.71%, 0.66%

LAB 61.64, 52.38, -3.61

 

CMYK 0 / 83 / 50 / 15

HEX #DA256E

RGB 218 37 110

HSL 335.8, 0.71%, 0.5%

LAB 48.7, 70.35, 5.16

 

CMYK 0 / 18 / 83 / 15

HEX #DAB325

RGB 218 179 37

HSL 47.07, 0.71%, 0.5%

LAB 74.37, 1.24, 70.38

 

CMYK 83 / 15 / 0 / 15

HEX #25B9DA

RGB 37 185 218

HSL 190.94, 0.71%, 0.5%

LAB 69.58, -25.56, -27.06

 

CMYK 0 / 83 / 50 / 15

HEX #DA256E

RGB 218 37 110

HSL 335.8, 0.71%, 0.5%

LAB 48.7, 70.35, 5.16

 

CMYK 49 / 0 / 83 / 15

HEX #70DA25

RGB 112 218 37

HSL 95.14, 0.71%, 0.5%

LAB 78.3, -58.31, 71.08

 

CMYK 83 / 49 / 0 / 15

HEX #2570DA

RGB 37 112 218

HSL 215.14, 0.71%, 0.5%

LAB 48.31, 16.22, -60.57

 

CMYK 0 / 83 / 50 / 15

HEX #DA256E

RGB 218 37 110

HSL 335.8, 0.71%, 0.5%

LAB 48.7, 70.35, 5.16

 

CMYK 0 / 18 / 83 / 15

HEX #DAB325

RGB 218 179 37

HSL 47.07, 0.71%, 0.5%

LAB 74.37, 1.24, 70.38

 

CMYK 83 / 0 / 34 / 15

HEX #25DA8F

RGB 37 218 143

HSL 155.14, 0.71%, 0.5%

LAB 77.59, -60, 25.01

 

CMYK 83 / 65 / 0 / 15

HEX #254CDA

RGB 37 76 218

HSL 227.07, 0.71%, 0.5%

LAB 38.94, 39.28, -75.84

 

CMYK 0 / 83 / 50 / 15

HEX #DA256E

RGB 218 37 110

HSL 335.8, 0.71%, 0.5%

LAB 48.7, 70.35, 5.16

 

CMYK 7 / 0 / 83 / 15

HEX #CBDA25

RGB 203 218 37

HSL 64.97, 0.71%, 0.5%

LAB 83.43, -24.85, 77.53

 

CMYK 83 / 0 / 34 / 15

HEX #25DA8F

RGB 37 218 143

HSL 155.14, 0.71%, 0.5%

LAB 77.59, -60, 25.01

 

CMYK 76 / 83 / 0 / 15

HEX #3425DA

RGB 52 37 218

HSL 244.97, 0.71%, 0.5%

LAB 32.07, 61.4, -87.17

 

Description

Color code: HEX #DA256E | qconv.com Color code: HEX #DA256E | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 37 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 37 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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