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Color name
HEX #DA232B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA232B it is the complementary color #25DCD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA232B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA232B shade: #DF2326, #F03539, #FF474C, #FF595F and #FF6B72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA232B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA232B shade: #DA232B, #C91118, #B80005, #A70000 and #960000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA232B shade: #DB242C and #DB2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA232B shade: #DB242C, #DB245D, #DB248F, #DB24C0 and #C524DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA232B shade matches the following richer shades: #DB242C and #F00F19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA232B shade: #DB242C, #C7383F, #B24D51, #9D6264 and #897677

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA232B shade: #DB248F, #DB245E, #DB242D, #DB4B24 and #DB7C24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA232B shade: #94181E, #B81E25, #DB242C, #E1474E and #E76B70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA232B shade: #DA232B, #C0DB24 and #2476DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA232B shade: #DA232B, #2DDB24 and #242DDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA232B shade: #DA232B, #C0DB24, #24DBD2 and #3F24DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA232B shade: #DA232B, #89DB24, #24DBD2 and #7624DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 80 / 15

HEX #DA232B

RGB 218 35 43

HSL 357.38, 0.72%, 0.5%

LAB 47.34, 67.22, 43.57

 

Complementary color

CMYK 83 / 0 / 4 / 14

HEX #25DCD4

RGB 37 220 212

HSL 177.38, 0.72%, 0.5%

LAB 79.8, -43.83, -8.37

 

CMYK 0 / 84 / 83 / 13

HEX #DF2326

RGB 223 35 38

HSL 359.04, 0.75%, 0.51%

LAB 48.3, 68.44, 47.47

 

CMYK 0 / 78 / 76 / 6

HEX #F03539

RGB 240 53 57

HSL 358.72, 0.86%, 0.57%

LAB 53.35, 69.25, 43.48

 

CMYK 0 / 72 / 70 / 0

HEX #FF474C

RGB 255 71 76

HSL 358.37, 1%, 0.64%

LAB 58.31, 68.81, 39.26

 

CMYK 0 / 65 / 63 / 0

HEX #FF595F

RGB 255 89 95

HSL 357.83, 1%, 0.67%

LAB 60.98, 63.21, 31.79

 

CMYK 0 / 58 / 55 / 0

HEX #FF6B72

RGB 255 107 114

HSL 357.16, 1%, 0.71%

LAB 64.15, 56.88, 25.12

 

CMYK 0 / 84 / 80 / 15

HEX #DA232B

RGB 218 35 43

HSL 357.38, 0.72%, 0.5%

LAB 47.34, 67.22, 43.57

 

CMYK 0 / 92 / 88 / 21

HEX #C91118

RGB 201 17 24

HSL 357.72, 0.84%, 0.43%

LAB 42.59, 65.47, 47.7

 

CMYK 0 / 100 / 97 / 28

HEX #B80005

RGB 184 0 5

HSL 358.37, 1%, 0.36%

LAB 38.2, 62.75, 50.62

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 84 / 80 / 14

HEX #DB242C

RGB 219 36 44

HSL 357.38, 0.72%, 0.5%

LAB 47.63, 67.3, 43.38

 

CMYK 0 / 84 / 84 / 14

HEX #DB2424

RGB 219 36 36

HSL 0, 0.72%, 0.5%

LAB 47.56, 67.09, 47.52

 

CMYK 0 / 84 / 80 / 14

HEX #DB242C

RGB 219 36 44

HSL 357.38, 0.72%, 0.5%

LAB 47.63, 67.3, 43.38

 

CMYK 0 / 84 / 58 / 14

HEX #DB245D

RGB 219 36 93

HSL 341.31, 0.72%, 0.5%

LAB 48.4, 69.59, 15.2

 

CMYK 0 / 84 / 35 / 14

HEX #DB248F

RGB 219 36 143

HSL 324.92, 0.72%, 0.5%

LAB 49.86, 73.81, -13.15

 

CMYK 0 / 84 / 12 / 14

HEX #DB24C0

RGB 219 36 192

HSL 308.85, 0.72%, 0.5%

LAB 51.98, 79.66, -38.8

 

CMYK 10 / 84 / 0 / 14

HEX #C524DB

RGB 197 36 219

HSL 292.79, 0.72%, 0.5%

LAB 49.79, 79.65, -58.03

 

CMYK 0 / 84 / 80 / 14

HEX #DB242C

RGB 219 36 44

HSL 357.38, 0.72%, 0.5%

LAB 47.63, 67.3, 43.38

 

CMYK 0 / 94 / 90 / 6

HEX #F00F19

RGB 240 15 25

HSL 357.33, 0.88%, 0.5%

LAB 50.61, 75.58, 56.8

 

CMYK 0 / 84 / 80 / 14

HEX #DB242C

RGB 219 36 44

HSL 357.38, 0.72%, 0.5%

LAB 47.63, 67.3, 43.38

 

CMYK 0 / 72 / 68 / 22

HEX #C7383F

RGB 199 56 63

HSL 357.06, 0.56%, 0.5%

LAB 46.08, 56.42, 29.69

 

CMYK 0 / 57 / 54 / 30

HEX #B24D51

RGB 178 77 81

HSL 357.62, 0.4%, 0.5%

LAB 46.13, 41.49, 18.22

 

CMYK 0 / 38 / 36 / 38

HEX #9D6264

RGB 157 98 100

HSL 357.97, 0.23%, 0.5%

LAB 48.04, 24.19, 8.94

 

CMYK 0 / 14 / 13 / 46

HEX #897677

RGB 137 118 119

HSL 356.84, 0.07%, 0.5%

LAB 51.39, 7.54, 2.17

 

CMYK 0 / 84 / 35 / 14

HEX #DB248F

RGB 219 36 143

HSL 324.92, 0.72%, 0.5%

LAB 49.86, 73.81, -13.15

 

CMYK 0 / 84 / 57 / 14

HEX #DB245E

RGB 219 36 94

HSL 340.98, 0.72%, 0.5%

LAB 48.42, 69.66, 14.61

 

CMYK 0 / 84 / 79 / 14

HEX #DB242D

RGB 219 36 45

HSL 357.05, 0.72%, 0.5%

LAB 47.64, 67.33, 42.84

 

CMYK 0 / 66 / 84 / 14

HEX #DB4B24

RGB 219 75 36

HSL 12.79, 0.72%, 0.5%

LAB 52.08, 54.54, 51.56

 

CMYK 0 / 43 / 84 / 14

HEX #DB7C24

RGB 219 124 36

HSL 28.85, 0.72%, 0.5%

LAB 61.31, 30.99, 59.6

 

CMYK 0 / 84 / 80 / 42

HEX #94181E

RGB 148 24 30

HSL 357.1, 0.72%, 0.34%

LAB 31.9, 49.63, 30.59

 

CMYK 0 / 84 / 80 / 28

HEX #B81E25

RGB 184 30 37

HSL 357.27, 0.72%, 0.42%

LAB 40, 58.78, 37.25

 

CMYK 0 / 84 / 80 / 14

HEX #DB242C

RGB 219 36 44

HSL 357.38, 0.72%, 0.5%

LAB 47.63, 67.3, 43.38

 

CMYK 0 / 68 / 65 / 12

HEX #E1474E

RGB 225 71 78

HSL 357.27, 0.72%, 0.58%

LAB 53.02, 59.79, 30.46

 

CMYK 0 / 54 / 52 / 9

HEX #E76B70

RGB 231 107 112

HSL 357.58, 0.72%, 0.66%

LAB 60.49, 48.5, 20.72

 

CMYK 0 / 84 / 80 / 15

HEX #DA232B

RGB 218 35 43

HSL 357.38, 0.72%, 0.5%

LAB 47.34, 67.22, 43.57

 

CMYK 12 / 0 / 84 / 14

HEX #C0DB24

RGB 192 219 36

HSL 68.85, 0.72%, 0.5%

LAB 82.91, -29.87, 77

 

CMYK 84 / 46 / 0 / 14

HEX #2476DB

RGB 36 118 219

HSL 213.11, 0.72%, 0.5%

LAB 50.03, 12.73, -58.37

 

CMYK 0 / 84 / 80 / 15

HEX #DA232B

RGB 218 35 43

HSL 357.38, 0.72%, 0.5%

LAB 47.34, 67.22, 43.57

 

CMYK 79 / 0 / 84 / 14

HEX #2DDB24

RGB 45 219 36

HSL 117.05, 0.72%, 0.5%

LAB 76.89, -72.79, 69.41

 

CMYK 84 / 79 / 0 / 14

HEX #242DDB

RGB 36 45 219

HSL 237.05, 0.72%, 0.5%

LAB 32.63, 57.27, -86.84

 

CMYK 0 / 84 / 80 / 15

HEX #DA232B

RGB 218 35 43

HSL 357.38, 0.72%, 0.5%

LAB 47.34, 67.22, 43.57

 

CMYK 12 / 0 / 84 / 14

HEX #C0DB24

RGB 192 219 36

HSL 68.85, 0.72%, 0.5%

LAB 82.91, -29.87, 77

 

CMYK 84 / 0 / 4 / 14

HEX #24DBD2

RGB 36 219 210

HSL 177.05, 0.72%, 0.5%

LAB 79.44, -44.03, -7.85

 

CMYK 71 / 84 / 0 / 14

HEX #3F24DB

RGB 63 36 219

HSL 248.85, 0.72%, 0.5%

LAB 32.77, 62.75, -86.56

 

CMYK 0 / 84 / 80 / 15

HEX #DA232B

RGB 218 35 43

HSL 357.38, 0.72%, 0.5%

LAB 47.34, 67.22, 43.57

 

CMYK 37 / 0 / 84 / 14

HEX #89DB24

RGB 137 219 36

HSL 86.89, 0.72%, 0.5%

LAB 79.68, -50.74, 72.94

 

CMYK 84 / 0 / 4 / 14

HEX #24DBD2

RGB 36 219 210

HSL 177.05, 0.72%, 0.5%

LAB 79.44, -44.03, -7.85

 

CMYK 46 / 84 / 0 / 14

HEX #7624DB

RGB 118 36 219

HSL 266.89, 0.72%, 0.5%

LAB 38.25, 67.91, -77.33

 

Description

Color code: HEX #DA232B | qconv.com Color code: HEX #DA232B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 35 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 35 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 80 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 80% 15% C M Y K

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Provide designers and agencies with accurate color values.

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