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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA21C2 it is the complementary color #25DE3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA21C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA21C2 shade: #DF21BD, #F033D0, #FF45E3, #FF57F6 and #FF69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA21C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA21C2 shade: #DA21C2, #C90FAF, #B8009C, #A70089 and #960076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA21C2 shade: #D920C1, #D92090, #D9205E, #D9202C and #D92020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA21C2 shade: #D920C1, #C020D9, #8E20D9, #5C20D9 and #2A20D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA21C2 shade matches the following richer shades: #D920C1 and #EE0CD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA21C2 shade: #D920C1, #C535B2, #B149A3, #9D5D95 and #897186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA21C2 shade: #8C20D9, #BE20D9, #D920C4, #D92093 and #D92061

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA21C2 shade: #921682, #B61BA1, #D920C1, #E341CE and #E865D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA21C2 shade: #DA21C2, #D95B20 and #20D9A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA21C2 shade: #DA21C2, #C4D920 and #20C4D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA21C2 shade: #DA21C2, #D95B20, #20D936 and #209FD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA21C2 shade: #DA21C2, #D99320, #20D936 and #2067D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 11 / 15

HEX #DA21C2

RGB 218 33 194

HSL 307.78, 0.74%, 0.49%

LAB 51.71, 80.31, -40.4

 

Complementary color

CMYK 83 / 0 / 73 / 13

HEX #25DE3D

RGB 37 222 61

HSL 127.78, 0.74%, 0.51%

LAB 77.86, -72.96, 62.9

 

CMYK 0 / 85 / 15 / 13

HEX #DF21BD

RGB 223 33 189

HSL 310.74, 0.75%, 0.5%

LAB 52.34, 80.62, -36.44

 

CMYK 0 / 79 / 13 / 6

HEX #F033D0

RGB 240 51 208

HSL 310.16, 0.86%, 0.57%

LAB 57.51, 82.72, -39.06

 

CMYK 0 / 73 / 11 / 0

HEX #FF45E3

RGB 255 69 227

HSL 309.03, 1%, 0.64%

LAB 62.56, 83.6, -41.69

 

CMYK 0 / 66 / 4 / 0

HEX #FF57F6

RGB 255 87 246

HSL 303.21, 1%, 0.67%

LAB 65.54, 80.5, -47.57

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 85 / 11 / 15

HEX #DA21C2

RGB 218 33 194

HSL 307.78, 0.74%, 0.49%

LAB 51.71, 80.31, -40.4

 

CMYK 0 / 93 / 13 / 21

HEX #C90FAF

RGB 201 15 175

HSL 308.39, 0.86%, 0.42%

LAB 46.78, 77.21, -37.26

 

CMYK 0 / 100 / 15 / 28

HEX #B8009C

RGB 184 0 156

HSL 309.13, 1%, 0.36%

LAB 42.14, 73, -33.45

 

CMYK 0 / 100 / 18 / 35

HEX #A70089

RGB 167 0 137

HSL 310.78, 1%, 0.33%

LAB 37.88, 67.37, -28.79

 

CMYK 0 / 100 / 21 / 41

HEX #960076

RGB 150 0 118

HSL 312.8, 1%, 0.29%

LAB 33.55, 61.64, -23.95

 

CMYK 0 / 85 / 11 / 15

HEX #D920C1

RGB 217 32 193

HSL 307.78, 0.74%, 0.49%

LAB 51.42, 80.16, -40.29

 

CMYK 0 / 85 / 34 / 15

HEX #D92090

RGB 217 32 144

HSL 323.68, 0.74%, 0.49%

LAB 49.25, 74.26, -14.71

 

CMYK 0 / 85 / 57 / 15

HEX #D9205E

RGB 217 32 94

HSL 339.89, 0.74%, 0.49%

LAB 47.74, 69.98, 13.61

 

CMYK 0 / 85 / 80 / 15

HEX #D9202C

RGB 217 32 44

HSL 356.11, 0.74%, 0.49%

LAB 46.93, 67.61, 42.54

 

CMYK 0 / 85 / 85 / 15

HEX #D92020

RGB 217 32 32

HSL 0, 0.74%, 0.49%

LAB 46.83, 67.31, 48.71

 

CMYK 0 / 85 / 11 / 15

HEX #D920C1

RGB 217 32 193

HSL 307.78, 0.74%, 0.49%

LAB 51.42, 80.16, -40.29

 

CMYK 12 / 85 / 0 / 15

HEX #C020D9

RGB 192 32 217

HSL 291.89, 0.74%, 0.49%

LAB 48.57, 79.3, -58.9

 

CMYK 35 / 85 / 0 / 15

HEX #8E20D9

RGB 142 32 217

HSL 275.68, 0.74%, 0.49%

LAB 40.89, 71.69, -71.73

 

CMYK 58 / 85 / 0 / 15

HEX #5C20D9

RGB 92 32 217

HSL 259.46, 0.74%, 0.49%

LAB 34.64, 65.94, -82.24

 

CMYK 81 / 85 / 0 / 15

HEX #2A20D9

RGB 42 32 217

HSL 243.24, 0.74%, 0.49%

LAB 30.72, 62.63, -88.85

 

CMYK 0 / 85 / 11 / 15

HEX #D920C1

RGB 217 32 193

HSL 307.78, 0.74%, 0.49%

LAB 51.42, 80.16, -40.29

 

CMYK 0 / 95 / 13 / 7

HEX #EE0CD0

RGB 238 12 208

HSL 307.96, 0.9%, 0.49%

LAB 55.07, 88.44, -42.93

 

CMYK 0 / 85 / 11 / 15

HEX #D920C1

RGB 217 32 193

HSL 307.78, 0.74%, 0.49%

LAB 51.42, 80.16, -40.29

 

CMYK 0 / 73 / 10 / 23

HEX #C535B2

RGB 197 53 178

HSL 307.92, 0.58%, 0.49%

LAB 49.05, 68.68, -35.51

 

CMYK 0 / 59 / 8 / 31

HEX #B149A3

RGB 177 73 163

HSL 308.08, 0.42%, 0.49%

LAB 47.95, 53.54, -28.61

 

CMYK 0 / 41 / 5 / 38

HEX #9D5D95

RGB 157 93 149

HSL 307.5, 0.26%, 0.49%

LAB 48.47, 34.79, -19.74

 

CMYK 0 / 18 / 2 / 46

HEX #897186

RGB 137 113 134

HSL 307.5, 0.1%, 0.49%

LAB 50.51, 13.29, -7.97

 

CMYK 35 / 85 / 0 / 15

HEX #8C20D9

RGB 140 32 217

HSL 275.03, 0.74%, 0.49%

LAB 40.6, 71.42, -72.21

 

CMYK 12 / 85 / 0 / 15

HEX #BE20D9

RGB 190 32 217

HSL 291.24, 0.74%, 0.49%

LAB 48.25, 78.97, -59.44

 

CMYK 0 / 85 / 10 / 15

HEX #D920C4

RGB 217 32 196

HSL 306.81, 0.74%, 0.49%

LAB 51.58, 80.57, -41.78

 

CMYK 0 / 85 / 32 / 15

HEX #D92093

RGB 217 32 147

HSL 322.7, 0.74%, 0.49%

LAB 49.36, 74.58, -16.34

 

CMYK 0 / 85 / 55 / 15

HEX #D92061

RGB 217 32 97

HSL 338.92, 0.74%, 0.49%

LAB 47.81, 70.18, 11.86

 

CMYK 0 / 85 / 11 / 43

HEX #921682

RGB 146 22 130

HSL 307.74, 0.74%, 0.33%

LAB 34.59, 58.98, -29.9

 

CMYK 0 / 85 / 12 / 29

HEX #B61BA1

RGB 182 27 161

HSL 308.13, 0.74%, 0.41%

LAB 43.22, 69.82, -34.79

 

CMYK 0 / 85 / 11 / 15

HEX #D920C1

RGB 217 32 193

HSL 307.78, 0.74%, 0.49%

LAB 51.42, 80.16, -40.29

 

CMYK 0 / 71 / 9 / 11

HEX #E341CE

RGB 227 65 206

HSL 307.78, 0.74%, 0.57%

LAB 56.65, 75.7, -39.41

 

CMYK 0 / 56 / 7 / 9

HEX #E865D7

RGB 232 101 215

HSL 307.79, 0.74%, 0.65%

LAB 62.82, 64.43, -34.81

 

CMYK 0 / 85 / 11 / 15

HEX #DA21C2

RGB 218 33 194

HSL 307.78, 0.74%, 0.49%

LAB 51.71, 80.31, -40.4

 

CMYK 0 / 58 / 85 / 15

HEX #D95B20

RGB 217 91 32

HSL 19.14, 0.74%, 0.49%

LAB 54.38, 46.68, 55.09

 

CMYK 85 / 0 / 24 / 15

HEX #20D9A5

RGB 32 217 165

HSL 163.14, 0.74%, 0.49%

LAB 77.67, -55.18, 13.56

 

CMYK 0 / 85 / 11 / 15

HEX #DA21C2

RGB 218 33 194

HSL 307.78, 0.74%, 0.49%

LAB 51.71, 80.31, -40.4

 

CMYK 10 / 0 / 85 / 15

HEX #C4D920

RGB 196 217 32

HSL 66.81, 0.74%, 0.49%

LAB 82.63, -27.4, 77.73

 

CMYK 85 / 10 / 0 / 15

HEX #20C4D9

RGB 32 196 217

HSL 186.81, 0.74%, 0.49%

LAB 72.76, -31.65, -21.66

 

CMYK 0 / 85 / 11 / 15

HEX #DA21C2

RGB 218 33 194

HSL 307.78, 0.74%, 0.49%

LAB 51.71, 80.31, -40.4

 

CMYK 0 / 58 / 85 / 15

HEX #D95B20

RGB 217 91 32

HSL 19.14, 0.74%, 0.49%

LAB 54.38, 46.68, 55.09

 

CMYK 85 / 0 / 75 / 15

HEX #20D936

RGB 32 217 54

HSL 127.14, 0.74%, 0.49%

LAB 76.19, -72.49, 63.58

 

CMYK 85 / 27 / 0 / 15

HEX #209FD9

RGB 32 159 217

HSL 198.81, 0.74%, 0.49%

LAB 61.75, -12.58, -38.65

 

CMYK 0 / 85 / 11 / 15

HEX #DA21C2

RGB 218 33 194

HSL 307.78, 0.74%, 0.49%

LAB 51.71, 80.31, -40.4

 

CMYK 0 / 32 / 85 / 15

HEX #D99320

RGB 217 147 32

HSL 37.3, 0.74%, 0.49%

LAB 66.31, 17.75, 65.01

 

CMYK 85 / 0 / 75 / 15

HEX #20D936

RGB 32 217 54

HSL 127.14, 0.74%, 0.49%

LAB 76.19, -72.49, 63.58

 

CMYK 85 / 53 / 0 / 15

HEX #2067D9

RGB 32 103 217

HSL 216.97, 0.74%, 0.49%

LAB 45.66, 21.21, -64.31

 

Description

Color code: HEX #DA21C2 | qconv.com Color code: HEX #DA21C2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 33 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 33 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 11 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 11% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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