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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA21B9 it is the complementary color #25DE46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA21B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA21B9 shade: #DF21B4, #F033C7, #FF45DA, #FF57ED and #FF69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA21B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA21B9 shade: #DA21B9, #C90FA6, #B80093, #A70080 and #96006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA21B9 shade: #D920B8, #D92087, #D92055, #D92023 and #D92020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA21B9 shade: #D920B8, #C920D9, #9720D9, #6520D9 and #3320D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA21B9 shade matches the following richer shades: #D920B8 and #EE0CC5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA21B9 shade: #D920B8, #C535AB, #B1499E, #9D5D91 and #897184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA21B9 shade: #9620D9, #C720D9, #D920BB, #D92089 and #D92058

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA21B9 shade: #92167C, #B61B9A, #D920B8, #E341C6 and #E865D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA21B9 shade: #DA21B9, #D96420 and #20D9AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA21B9 shade: #DA21B9, #BBD920 and #20BBD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA21B9 shade: #DA21B9, #D96420, #20D93F and #2096D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA21B9 shade: #DA21B9, #D99C20, #20D93F and #205ED9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 15 / 15

HEX #DA21B9

RGB 218 33 185

HSL 310.7, 0.74%, 0.49%

LAB 51.26, 79.11, -35.87

 

Complementary color

CMYK 83 / 0 / 68 / 13

HEX #25DE46

RGB 37 222 70

HSL 130.7, 0.74%, 0.51%

LAB 77.92, -72.18, 59.65

 

CMYK 0 / 85 / 19 / 13

HEX #DF21B4

RGB 223 33 180

HSL 313.58, 0.75%, 0.5%

LAB 51.92, 79.48, -31.86

 

CMYK 0 / 79 / 17 / 6

HEX #F033C7

RGB 240 51 199

HSL 313.02, 0.86%, 0.57%

LAB 57.09, 81.53, -34.57

 

CMYK 0 / 73 / 15 / 0

HEX #FF45DA

RGB 255 69 218

HSL 311.94, 1%, 0.64%

LAB 62.15, 82.37, -37.28

 

CMYK 0 / 66 / 7 / 0

HEX #FF57ED

RGB 255 87 237

HSL 306.43, 1%, 0.67%

LAB 65.11, 79.13, -43.26

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 85 / 15 / 15

HEX #DA21B9

RGB 218 33 185

HSL 310.7, 0.74%, 0.49%

LAB 51.26, 79.11, -35.87

 

CMYK 0 / 93 / 17 / 21

HEX #C90FA6

RGB 201 15 166

HSL 311.29, 0.86%, 0.42%

LAB 46.33, 76.04, -32.64

 

CMYK 0 / 100 / 20 / 28

HEX #B80093

RGB 184 0 147

HSL 312.07, 1%, 0.36%

LAB 41.68, 71.86, -28.72

 

CMYK 0 / 100 / 23 / 35

HEX #A70080

RGB 167 0 128

HSL 314.01, 1%, 0.33%

LAB 37.43, 66.25, -23.91

 

CMYK 0 / 100 / 27 / 41

HEX #96006D

RGB 150 0 109

HSL 316.4, 1%, 0.29%

LAB 33.11, 60.53, -18.91

 

CMYK 0 / 85 / 15 / 15

HEX #D920B8

RGB 217 32 184

HSL 310.7, 0.74%, 0.49%

LAB 50.97, 78.96, -35.76

 

CMYK 0 / 85 / 38 / 15

HEX #D92087

RGB 217 32 135

HSL 326.59, 0.74%, 0.49%

LAB 48.93, 73.35, -9.77

 

CMYK 0 / 85 / 61 / 15

HEX #D92055

RGB 217 32 85

HSL 342.81, 0.74%, 0.49%

LAB 47.55, 69.42, 18.89

 

CMYK 0 / 85 / 84 / 15

HEX #D92023

RGB 217 32 35

HSL 359.03, 0.74%, 0.49%

LAB 46.85, 67.37, 47.24

 

CMYK 0 / 85 / 85 / 15

HEX #D92020

RGB 217 32 32

HSL 0, 0.74%, 0.49%

LAB 46.83, 67.31, 48.71

 

CMYK 0 / 85 / 15 / 15

HEX #D920B8

RGB 217 32 184

HSL 310.7, 0.74%, 0.49%

LAB 50.97, 78.96, -35.76

 

CMYK 7 / 85 / 0 / 15

HEX #C920D9

RGB 201 32 217

HSL 294.81, 0.74%, 0.49%

LAB 50.05, 80.81, -56.45

 

CMYK 30 / 85 / 0 / 15

HEX #9720D9

RGB 151 32 217

HSL 278.59, 0.74%, 0.49%

LAB 42.19, 72.94, -69.55

 

CMYK 53 / 85 / 0 / 15

HEX #6520D9

RGB 101 32 217

HSL 262.38, 0.74%, 0.49%

LAB 35.61, 66.81, -80.59

 

CMYK 76 / 85 / 0 / 15

HEX #3320D9

RGB 51 32 217

HSL 246.16, 0.74%, 0.49%

LAB 31.22, 63.04, -88

 

CMYK 0 / 85 / 15 / 15

HEX #D920B8

RGB 217 32 184

HSL 310.7, 0.74%, 0.49%

LAB 50.97, 78.96, -35.76

 

CMYK 0 / 95 / 17 / 7

HEX #EE0CC5

RGB 238 12 197

HSL 310.88, 0.9%, 0.49%

LAB 54.52, 87.07, -37.46

 

CMYK 0 / 85 / 15 / 15

HEX #D920B8

RGB 217 32 184

HSL 310.7, 0.74%, 0.49%

LAB 50.97, 78.96, -35.76

 

CMYK 0 / 73 / 13 / 23

HEX #C535AB

RGB 197 53 171

HSL 310.83, 0.58%, 0.49%

LAB 48.71, 67.65, -31.93

 

CMYK 0 / 59 / 11 / 31

HEX #B1499E

RGB 177 73 158

HSL 310.96, 0.42%, 0.49%

LAB 47.73, 52.72, -26

 

CMYK 0 / 41 / 8 / 38

HEX #9D5D91

RGB 157 93 145

HSL 311.25, 0.26%, 0.49%

LAB 48.31, 34.05, -17.6

 

CMYK 0 / 18 / 4 / 46

HEX #897184

RGB 137 113 132

HSL 312.5, 0.1%, 0.49%

LAB 50.45, 12.89, -6.89

 

CMYK 31 / 85 / 0 / 15

HEX #9620D9

RGB 150 32 217

HSL 278.27, 0.74%, 0.49%

LAB 42.04, 72.8, -69.8

 

CMYK 8 / 85 / 0 / 15

HEX #C720D9

RGB 199 32 217

HSL 294.16, 0.74%, 0.49%

LAB 49.72, 80.47, -56.99

 

CMYK 0 / 85 / 14 / 15

HEX #D920BB

RGB 217 32 187

HSL 309.73, 0.74%, 0.49%

LAB 51.12, 79.36, -37.27

 

CMYK 0 / 85 / 37 / 15

HEX #D92089

RGB 217 32 137

HSL 325.95, 0.74%, 0.49%

LAB 49, 73.55, -10.88

 

CMYK 0 / 85 / 59 / 15

HEX #D92058

RGB 217 32 88

HSL 341.84, 0.74%, 0.49%

LAB 47.61, 69.6, 17.13

 

CMYK 0 / 85 / 15 / 43

HEX #92167C

RGB 146 22 124

HSL 310.65, 0.74%, 0.33%

LAB 34.27, 58.11, -26.65

 

CMYK 0 / 85 / 15 / 29

HEX #B61B9A

RGB 182 27 154

HSL 310.84, 0.74%, 0.41%

LAB 42.86, 68.86, -31.15

 

CMYK 0 / 85 / 15 / 15

HEX #D920B8

RGB 217 32 184

HSL 310.7, 0.74%, 0.49%

LAB 50.97, 78.96, -35.76

 

CMYK 0 / 71 / 13 / 11

HEX #E341C6

RGB 227 65 198

HSL 310.74, 0.74%, 0.57%

LAB 56.28, 74.56, -35.42

 

CMYK 0 / 56 / 10 / 9

HEX #E865D0

RGB 232 101 208

HSL 310.99, 0.74%, 0.65%

LAB 62.52, 63.32, -31.33

 

CMYK 0 / 85 / 15 / 15

HEX #DA21B9

RGB 218 33 185

HSL 310.7, 0.74%, 0.49%

LAB 51.26, 79.11, -35.87

 

CMYK 0 / 54 / 85 / 15

HEX #D96420

RGB 217 100 32

HSL 22.05, 0.74%, 0.49%

LAB 56.06, 42.36, 56.5

 

CMYK 85 / 0 / 20 / 15

HEX #20D9AE

RGB 32 217 174

HSL 166.05, 0.74%, 0.49%

LAB 77.87, -53.01, 9.07

 

CMYK 0 / 85 / 15 / 15

HEX #DA21B9

RGB 218 33 185

HSL 310.7, 0.74%, 0.49%

LAB 51.26, 79.11, -35.87

 

CMYK 14 / 0 / 85 / 15

HEX #BBD920

RGB 187 217 32

HSL 69.73, 0.74%, 0.49%

LAB 82, -31.08, 76.95

 

CMYK 85 / 14 / 0 / 15

HEX #20BBD9

RGB 32 187 217

HSL 189.73, 0.74%, 0.49%

LAB 70.08, -27.25, -25.76

 

CMYK 0 / 85 / 15 / 15

HEX #DA21B9

RGB 218 33 185

HSL 310.7, 0.74%, 0.49%

LAB 51.26, 79.11, -35.87

 

CMYK 0 / 54 / 85 / 15

HEX #D96420

RGB 217 100 32

HSL 22.05, 0.74%, 0.49%

LAB 56.06, 42.36, 56.5

 

CMYK 85 / 0 / 71 / 15

HEX #20D93F

RGB 32 217 63

HSL 130.05, 0.74%, 0.49%

LAB 76.25, -71.78, 60.51

 

CMYK 85 / 31 / 0 / 15

HEX #2096D9

RGB 32 150 217

HSL 201.73, 0.74%, 0.49%

LAB 59.09, -7.54, -42.83

 

CMYK 0 / 85 / 15 / 15

HEX #DA21B9

RGB 218 33 185

HSL 310.7, 0.74%, 0.49%

LAB 51.26, 79.11, -35.87

 

CMYK 0 / 28 / 85 / 15

HEX #D99C20

RGB 217 156 32

HSL 40.22, 0.74%, 0.49%

LAB 68.48, 12.91, 66.8

 

CMYK 85 / 0 / 71 / 15

HEX #20D93F

RGB 32 217 63

HSL 130.05, 0.74%, 0.49%

LAB 76.25, -71.78, 60.51

 

CMYK 85 / 57 / 0 / 15

HEX #205ED9

RGB 32 94 217

HSL 219.89, 0.74%, 0.49%

LAB 43.24, 27.02, -68.23

 

Description

Color code: HEX #DA21B9 | qconv.com Color code: HEX #DA21B9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 33 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 33 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 15 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 15% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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