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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA1EDE it is the complementary color #25E121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA1EDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA1EDE shade: #DF1ED9, #F030EC, #FF42FF, #FF54FF and #FF66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA1EDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA1EDE shade: #DA1EDE, #C90CCB, #B800B8, #A700A5 and #960092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA1EDE shade: #D81EDC, #DC1EAD, #DC1E79, #DC1E46 and #DC1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA1EDE shade: #D81EDC, #A51EDC, #721EDC, #3E1EDC and #1E1EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA1EDE shade matches the following richer shades: #D81EDC and #EB0AF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA1EDE shade: #D81EDC, #C532C8, #B146B3, #9E5B9F and #8A6F8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA1EDE shade: #701EDC, #A31EDC, #D61EDC, #DC1EB0 and #DC1E7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA1EDE shade: #911493, #B419B8, #D81EDC, #E13EE5 and #E763EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA1EDE shade: #DA1EDE, #DC3E1E and #1EDC8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA1EDE shade: #DA1EDE, #DCD61E and #1EDCD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA1EDE shade: #DA1EDE, #DC3E1E, #24DC1E and #1EBCDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA1EDE shade: #DA1EDE, #DC771E, #24DC1E and #1E83DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 86 / 0 / 13

HEX #DA1EDE

RGB 218 30 222

HSL 298.75, 0.76%, 0.49%

LAB 53.07, 84.83, -54.3

 

Complementary color

CMYK 84 / 0 / 85 / 12

HEX #25E121

RGB 37 225 33

HSL 118.75, 0.76%, 0.51%

LAB 78.67, -75.5, 71.63

 

CMYK 0 / 87 / 3 / 13

HEX #DF1ED9

RGB 223 30 217

HSL 301.87, 0.76%, 0.5%

LAB 53.63, 84.96, -50.51

 

CMYK 0 / 80 / 2 / 6

HEX #F030EC

RGB 240 48 236

HSL 301.25, 0.86%, 0.56%

LAB 58.69, 87.34, -53.01

 

CMYK 0 / 74 / 0 / 0

HEX #FF42FF

RGB 255 66 255

HSL 300, 1%, 0.63%

LAB 63.65, 88.52, -55.53

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 2 / 86 / 0 / 13

HEX #DA1EDE

RGB 218 30 222

HSL 298.75, 0.76%, 0.49%

LAB 53.07, 84.83, -54.3

 

CMYK 1 / 94 / 0 / 20

HEX #C90CCB

RGB 201 12 203

HSL 299.37, 0.89%, 0.42%

LAB 48.25, 81.44, -51.29

 

CMYK 0 / 100 / 0 / 28

HEX #B800B8

RGB 184 0 184

HSL 300, 1%, 0.36%

LAB 43.73, 76.89, -47.62

 

CMYK 0 / 100 / 1 / 35

HEX #A700A5

RGB 167 0 165

HSL 300.72, 1%, 0.33%

LAB 39.47, 71.27, -43.31

 

CMYK 0 / 100 / 3 / 41

HEX #960092

RGB 150 0 146

HSL 301.6, 1%, 0.29%

LAB 35.12, 65.53, -38.91

 

CMYK 2 / 86 / 0 / 14

HEX #D81EDC

RGB 216 30 220

HSL 298.74, 0.76%, 0.49%

LAB 52.61, 84.18, -53.91

 

CMYK 0 / 86 / 21 / 14

HEX #DC1EAD

RGB 220 30 173

HSL 314.84, 0.76%, 0.49%

LAB 50.88, 78.54, -29.42

 

CMYK 0 / 86 / 45 / 14

HEX #DC1E79

RGB 220 30 121

HSL 331.26, 0.76%, 0.49%

LAB 48.91, 73.14, -1.22

 

CMYK 0 / 86 / 68 / 14

HEX #DC1E46

RGB 220 30 70

HSL 347.37, 0.76%, 0.49%

LAB 47.73, 69.77, 28.43

 

CMYK 0 / 86 / 86 / 14

HEX #DC1E1E

RGB 220 30 30

HSL 0, 0.76%, 0.49%

LAB 47.29, 68.46, 50.29

 

CMYK 2 / 86 / 0 / 14

HEX #D81EDC

RGB 216 30 220

HSL 298.74, 0.76%, 0.49%

LAB 52.61, 84.18, -53.91

 

CMYK 25 / 86 / 0 / 14

HEX #A51EDC

RGB 165 30 220

HSL 282.63, 0.76%, 0.49%

LAB 44.37, 76.01, -67.63

 

CMYK 48 / 86 / 0 / 14

HEX #721EDC

RGB 114 30 220

HSL 266.53, 0.76%, 0.49%

LAB 37.25, 69.46, -79.57

 

CMYK 72 / 86 / 0 / 14

HEX #3E1EDC

RGB 62 30 220

HSL 250.11, 0.76%, 0.49%

LAB 32.08, 65.17, -88.29

 

CMYK 86 / 86 / 0 / 14

HEX #1E1EDC

RGB 30 30 220

HSL 240, 0.76%, 0.49%

LAB 30.33, 63.83, -91.24

 

CMYK 2 / 86 / 0 / 14

HEX #D81EDC

RGB 216 30 220

HSL 298.74, 0.76%, 0.49%

LAB 52.61, 84.18, -53.91

 

CMYK 2 / 96 / 0 / 6

HEX #EB0AF0

RGB 235 10 240

HSL 298.7, 0.92%, 0.49%

LAB 56.26, 92.43, -59.18

 

CMYK 2 / 86 / 0 / 14

HEX #D81EDC

RGB 216 30 220

HSL 298.74, 0.76%, 0.49%

LAB 52.61, 84.18, -53.91

 

CMYK 1 / 75 / 0 / 22

HEX #C532C8

RGB 197 50 200

HSL 298.8, 0.6%, 0.49%

LAB 49.88, 73, -46.99

 

CMYK 1 / 61 / 0 / 30

HEX #B146B3

RGB 177 70 179

HSL 298.9, 0.44%, 0.49%

LAB 48.24, 57.61, -37.58

 

CMYK 1 / 43 / 0 / 38

HEX #9E5B9F

RGB 158 91 159

HSL 299.12, 0.27%, 0.49%

LAB 48.58, 38.11, -25.48

 

CMYK 1 / 20 / 0 / 45

HEX #8A6F8B

RGB 138 111 139

HSL 297.86, 0.11%, 0.49%

LAB 50.26, 15.83, -11.3

 

CMYK 49 / 86 / 0 / 14

HEX #701EDC

RGB 112 30 220

HSL 265.89, 0.76%, 0.49%

LAB 37, 69.25, -79.98

 

CMYK 26 / 86 / 0 / 14

HEX #A31EDC

RGB 163 30 220

HSL 282, 0.76%, 0.49%

LAB 44.06, 75.71, -68.14

 

CMYK 3 / 86 / 0 / 14

HEX #D61EDC

RGB 214 30 220

HSL 298.11, 0.76%, 0.49%

LAB 52.28, 83.84, -54.46

 

CMYK 0 / 86 / 20 / 14

HEX #DC1EB0

RGB 220 30 176

HSL 313.89, 0.76%, 0.49%

LAB 51.01, 78.9, -30.97

 

CMYK 0 / 86 / 43 / 14

HEX #DC1E7D

RGB 220 30 125

HSL 330, 0.76%, 0.49%

LAB 49.04, 73.49, -3.47

 

CMYK 1 / 86 / 0 / 42

HEX #911493

RGB 145 20 147

HSL 299.06, 0.76%, 0.33%

LAB 35.26, 61.85, -39.36

 

CMYK 2 / 86 / 0 / 28

HEX #B419B8

RGB 180 25 184

HSL 298.49, 0.76%, 0.41%

LAB 44.03, 73.23, -47.17

 

CMYK 2 / 86 / 0 / 14

HEX #D81EDC

RGB 216 30 220

HSL 298.74, 0.76%, 0.49%

LAB 52.61, 84.18, -53.91

 

CMYK 2 / 73 / 0 / 10

HEX #E13EE5

RGB 225 62 229

HSL 298.56, 0.76%, 0.57%

LAB 57.18, 79.71, -51.62

 

CMYK 1 / 58 / 0 / 8

HEX #E763EA

RGB 231 99 234

HSL 298.67, 0.76%, 0.65%

LAB 63.22, 68.17, -44.81

 

CMYK 2 / 86 / 0 / 13

HEX #DA1EDE

RGB 218 30 222

HSL 298.75, 0.76%, 0.49%

LAB 53.07, 84.83, -54.3

 

CMYK 0 / 72 / 86 / 14

HEX #DC3E1E

RGB 220 62 30

HSL 10.11, 0.76%, 0.49%

LAB 50.4, 59.71, 52.83

 

CMYK 86 / 0 / 37 / 14

HEX #1EDC8A

RGB 30 220 138

HSL 154.11, 0.76%, 0.49%

LAB 78.05, -62.27, 28.2

 

CMYK 2 / 86 / 0 / 13

HEX #DA1EDE

RGB 218 30 222

HSL 298.75, 0.76%, 0.49%

LAB 53.07, 84.83, -54.3

 

CMYK 0 / 3 / 86 / 14

HEX #DCD61E

RGB 220 214 30

HSL 58.11, 0.76%, 0.49%

LAB 83.65, -15.95, 79.72

 

CMYK 86 / 0 / 3 / 14

HEX #1EDCD6

RGB 30 220 214

HSL 178.11, 0.76%, 0.49%

LAB 79.79, -43.71, -9.46

 

CMYK 2 / 86 / 0 / 13

HEX #DA1EDE

RGB 218 30 222

HSL 298.75, 0.76%, 0.49%

LAB 53.07, 84.83, -54.3

 

CMYK 0 / 72 / 86 / 14

HEX #DC3E1E

RGB 220 62 30

HSL 10.11, 0.76%, 0.49%

LAB 50.4, 59.71, 52.83

 

CMYK 84 / 0 / 86 / 14

HEX #24DC1E

RGB 36 220 30

HSL 118.11, 0.76%, 0.49%

LAB 77.07, -74.31, 70.85

 

CMYK 86 / 15 / 0 / 14

HEX #1EBCDC

RGB 30 188 220

HSL 190.11, 0.76%, 0.49%

LAB 70.46, -26.9, -26.81

 

CMYK 2 / 86 / 0 / 13

HEX #DA1EDE

RGB 218 30 222

HSL 298.75, 0.76%, 0.49%

LAB 53.07, 84.83, -54.3

 

CMYK 0 / 46 / 86 / 14

HEX #DC771E

RGB 220 119 30

HSL 28.11, 0.76%, 0.49%

LAB 60.34, 33.87, 60.9

 

CMYK 84 / 0 / 86 / 14

HEX #24DC1E

RGB 36 220 30

HSL 118.11, 0.76%, 0.49%

LAB 77.07, -74.31, 70.85

 

CMYK 86 / 40 / 0 / 14

HEX #1E83DC

RGB 30 131 220

HSL 208.11, 0.76%, 0.49%

LAB 53.68, 4.63, -53.09

 

Description

Color code: HEX #DA1EDE | qconv.com Color code: HEX #DA1EDE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 30 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 30 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 86 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 86% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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