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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA19F0 it is the complementary color #25E60F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA19F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA19F0 shade: #DF19EB, #F02BFE, #FF3DFF, #FF4FFF and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA19F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA19F0 shade: #DA19F0, #C907DD, #B800CA, #A700B7 and #9600A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA19F0 shade: #DA19F0, #F019CC, #F01992, #F01958 and #F0191E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA19F0 shade: #DA19F0, #A019F0, #6619F0, #2C19F0 and #1919F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA19F0 shade matches the following richer shades: #DA19F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA19F0 shade: #DA19F0, #CB2DDD, #BB40C9, #AB54B5 and #9B68A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA19F0 shade: #6419F0, #9E19F0, #D719F0, #F019D0 and #F01997

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA19F0 shade: #9B0BAC, #BE0DD3, #DA19F0, #E040F3 and #E766F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA19F0 shade: #DA19F0, #F02B19 and #19F081

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA19F0 shade: #DA19F0, #F0D719 and #19F0D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA19F0 shade: #DA19F0, #F02B19, #32F019 and #19DEF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA19F0 shade: #DA19F0, #F06B19, #32F019 and #199EF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 90 / 0 / 6

HEX #DA19F0

RGB 218 25 240

HSL 293.86, 0.88%, 0.52%

LAB 53.91, 88.32, -63.1

 

Complementary color

CMYK 84 / 0 / 93 / 10

HEX #25E60F

RGB 37 230 15

HSL 113.86, 0.88%, 0.48%

LAB 80.19, -77.45, 75.85

 

CMYK 5 / 89 / 0 / 8

HEX #DF19EB

RGB 223 25 235

HSL 296.57, 0.84%, 0.51%

LAB 54.43, 88.35, -59.42

 

CMYK 6 / 83 / 0 / 0

HEX #F02BFE

RGB 240 43 254

HSL 296.02, 0.99%, 0.58%

LAB 59.35, 91.08, -61.98

 

CMYK 0 / 76 / 0 / 0

HEX #FF3DFF

RGB 255 61 255

HSL 300, 1%, 0.62%

LAB 63.19, 89.85, -56.26

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 9 / 90 / 0 / 6

HEX #DA19F0

RGB 218 25 240

HSL 293.86, 0.88%, 0.52%

LAB 53.91, 88.32, -63.1

 

CMYK 9 / 97 / 0 / 13

HEX #C907DD

RGB 201 7 221

HSL 294.39, 0.94%, 0.45%

LAB 49.24, 84.58, -60.03

 

CMYK 9 / 100 / 0 / 21

HEX #B800CA

RGB 184 0 202

HSL 294.65, 1%, 0.4%

LAB 44.88, 79.64, -56.29

 

CMYK 9 / 100 / 0 / 28

HEX #A700B7

RGB 167 0 183

HSL 294.75, 1%, 0.36%

LAB 40.63, 74.05, -52.17

 

CMYK 9 / 100 / 0 / 36

HEX #9600A4

RGB 150 0 164

HSL 294.88, 1%, 0.32%

LAB 36.3, 68.35, -47.97

 

CMYK 9 / 90 / 0 / 6

HEX #DA19F0

RGB 218 25 240

HSL 293.86, 0.88%, 0.52%

LAB 53.91, 88.32, -63.1

 

CMYK 0 / 90 / 15 / 6

HEX #F019CC

RGB 240 25 204

HSL 310.05, 0.88%, 0.52%

LAB 55.66, 87, -39.67

 

CMYK 0 / 90 / 39 / 6

HEX #F01992

RGB 240 25 146

HSL 326.23, 0.88%, 0.52%

LAB 53.27, 80.65, -9.42

 

CMYK 0 / 90 / 63 / 6

HEX #F01958

RGB 240 25 88

HSL 342.42, 0.88%, 0.52%

LAB 51.75, 76.45, 23.46

 

CMYK 0 / 90 / 88 / 6

HEX #F0191E

RGB 240 25 30

HSL 358.6, 0.88%, 0.52%

LAB 51.05, 74.47, 54.99

 

CMYK 9 / 90 / 0 / 6

HEX #DA19F0

RGB 218 25 240

HSL 293.86, 0.88%, 0.52%

LAB 53.91, 88.32, -63.1

 

CMYK 33 / 90 / 0 / 6

HEX #A019F0

RGB 160 25 240

HSL 277.67, 0.88%, 0.52%

LAB 44.89, 80.15, -78.18

 

CMYK 58 / 90 / 0 / 6

HEX #6619F0

RGB 102 25 240

HSL 261.49, 0.88%, 0.52%

LAB 37.5, 74.3, -90.6

 

CMYK 82 / 90 / 0 / 6

HEX #2C19F0

RGB 44 25 240

HSL 245.3, 0.88%, 0.52%

LAB 32.97, 71.28, -98.26

 

CMYK 90 / 90 / 0 / 6

HEX #1919F0

RGB 25 25 240

HSL 240, 0.88%, 0.52%

LAB 32.24, 70.85, -99.49

 

CMYK 9 / 90 / 0 / 6

HEX #DA19F0

RGB 218 25 240

HSL 293.86, 0.88%, 0.52%

LAB 53.91, 88.32, -63.1

 

CMYK 9 / 90 / 0 / 6

HEX #DA19F0

RGB 218 25 240

HSL 293.86, 0.88%, 0.52%

LAB 53.91, 88.32, -63.1

 

CMYK 8 / 80 / 0 / 13

HEX #CB2DDD

RGB 203 45 221

HSL 293.86, 0.72%, 0.52%

LAB 51.6, 78.94, -56.21

 

CMYK 7 / 68 / 0 / 21

HEX #BB40C9

RGB 187 64 201

HSL 293.87, 0.56%, 0.52%

LAB 50.04, 66.32, -47.42

 

CMYK 6 / 54 / 0 / 29

HEX #AB54B5

RGB 171 84 181

HSL 293.81, 0.4%, 0.52%

LAB 49.9, 49.85, -36.19

 

CMYK 4 / 35 / 0 / 37

HEX #9B68A1

RGB 155 104 161

HSL 293.68, 0.23%, 0.52%

LAB 51.2, 30.28, -22.64

 

CMYK 58 / 90 / 0 / 6

HEX #6419F0

RGB 100 25 240

HSL 260.93, 0.88%, 0.52%

LAB 37.29, 74.15, -90.95

 

CMYK 34 / 90 / 0 / 6

HEX #9E19F0

RGB 158 25 240

HSL 277.12, 0.88%, 0.52%

LAB 44.6, 79.9, -78.66

 

CMYK 10 / 90 / 0 / 6

HEX #D719F0

RGB 215 25 240

HSL 293.02, 0.88%, 0.52%

LAB 53.42, 87.86, -63.92

 

CMYK 0 / 90 / 13 / 6

HEX #F019D0

RGB 240 25 208

HSL 308.93, 0.88%, 0.52%

LAB 55.86, 87.5, -41.65

 

CMYK 0 / 90 / 37 / 6

HEX #F01997

RGB 240 25 151

HSL 324.84, 0.88%, 0.52%

LAB 53.44, 81.11, -12.14

 

CMYK 10 / 94 / 0 / 33

HEX #9B0BAC

RGB 155 11 172

HSL 293.66, 0.88%, 0.36%

LAB 38.18, 69.16, -49.7

 

CMYK 10 / 94 / 0 / 17

HEX #BE0DD3

RGB 190 13 211

HSL 293.64, 0.88%, 0.44%

LAB 46.89, 80.82, -58.18

 

CMYK 9 / 90 / 0 / 6

HEX #DA19F0

RGB 218 25 240

HSL 293.86, 0.88%, 0.52%

LAB 53.91, 88.32, -63.1

 

CMYK 8 / 74 / 0 / 5

HEX #E040F3

RGB 224 64 243

HSL 293.63, 0.88%, 0.6%

LAB 58.02, 81.18, -58.13

 

CMYK 6 / 58 / 0 / 4

HEX #E766F5

RGB 231 102 245

HSL 294.13, 0.88%, 0.68%

LAB 64.23, 68.78, -49.31

 

CMYK 9 / 90 / 0 / 6

HEX #DA19F0

RGB 218 25 240

HSL 293.86, 0.88%, 0.52%

LAB 53.91, 88.32, -63.1

 

CMYK 0 / 82 / 90 / 6

HEX #F02B19

RGB 240 43 25

HSL 5.02, 0.88%, 0.52%

LAB 52.2, 71.03, 57.9

 

CMYK 90 / 0 / 46 / 6

HEX #19F081

RGB 25 240 129

HSL 149.02, 0.88%, 0.52%

LAB 84.02, -70.98, 40.5

 

CMYK 9 / 90 / 0 / 6

HEX #DA19F0

RGB 218 25 240

HSL 293.86, 0.88%, 0.52%

LAB 53.91, 88.32, -63.1

 

CMYK 0 / 10 / 90 / 6

HEX #F0D719

RGB 240 215 25

HSL 53.02, 0.88%, 0.52%

LAB 85.6, -8.05, 82.87

 

CMYK 90 / 0 / 10 / 6

HEX #19F0D7

RGB 25 240 215

HSL 173.02, 0.88%, 0.52%

LAB 85.72, -52.18, -1.24

 

CMYK 9 / 90 / 0 / 6

HEX #DA19F0

RGB 218 25 240

HSL 293.86, 0.88%, 0.52%

LAB 53.91, 88.32, -63.1

 

CMYK 0 / 82 / 90 / 6

HEX #F02B19

RGB 240 43 25

HSL 5.02, 0.88%, 0.52%

LAB 52.2, 71.03, 57.9

 

CMYK 79 / 0 / 90 / 6

HEX #32F019

RGB 50 240 25

HSL 113.02, 0.88%, 0.52%

LAB 83.48, -78.61, 77.33

 

CMYK 90 / 8 / 0 / 6

HEX #19DEF0

RGB 25 222 240

HSL 185.02, 0.88%, 0.52%

LAB 81.15, -37.15, -21.27

 

CMYK 9 / 90 / 0 / 6

HEX #DA19F0

RGB 218 25 240

HSL 293.86, 0.88%, 0.52%

LAB 53.91, 88.32, -63.1

 

CMYK 0 / 55 / 90 / 6

HEX #F06B19

RGB 240 107 25

HSL 22.88, 0.88%, 0.52%

LAB 60.88, 47.54, 64.14

 

CMYK 79 / 0 / 90 / 6

HEX #32F019

RGB 50 240 25

HSL 113.02, 0.88%, 0.52%

LAB 83.48, -78.61, 77.33

 

CMYK 90 / 34 / 0 / 6

HEX #199EF0

RGB 25 158 240

HSL 202.88, 0.88%, 0.52%

LAB 62.47, -4.12, -50.24

 

Description

Color code: HEX #DA19F0 | qconv.com Color code: HEX #DA19F0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 25 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 25 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 90 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 90% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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