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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA19E2 it is the complementary color #25E61D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA19E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA19E2 shade: #DF19DD, #F02BF0, #FF3DFF, #FF4FFF and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA19E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA19E2 shade: #DA19E2, #C907CF, #B800BC, #A700A9 and #960096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA19E2 shade: #D919E1, #E119B3, #E1197D, #E11947 and #E11919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA19E2 shade: #D919E1, #A319E1, #6D19E1, #3719E1 and #1919E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA19E2 shade matches the following richer shades: #D919E1 and #EC05F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA19E2 shade: #D919E1, #C62DCD, #B441B8, #A156A4 and #8F6A90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA19E2 shade: #6C19E1, #A219E1, #D719E1, #E119B6 and #E11980

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA19E2 shade: #911197, #B515BC, #D919E1, #E23AE9 and #E85FED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA19E2 shade: #DA19E2, #E13719 and #19E187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA19E2 shade: #DA19E2, #E1D719 and #19E1D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA19E2 shade: #DA19E2, #E13719, #23E119 and #19C3E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA19E2 shade: #DA19E2, #E17319, #23E119 and #1987E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 89 / 0 / 11

HEX #DA19E2

RGB 218 25 226

HSL 297.61, 0.8%, 0.49%

LAB 53.05, 86.17, -56.6

 

Complementary color

CMYK 84 / 0 / 87 / 10

HEX #25E61D

RGB 37 230 29

HSL 117.61, 0.8%, 0.51%

LAB 80.22, -77.06, 73.79

 

CMYK 0 / 89 / 1 / 13

HEX #DF19DD

RGB 223 25 221

HSL 300.61, 0.8%, 0.49%

LAB 53.6, 86.27, -52.83

 

CMYK 0 / 82 / 0 / 6

HEX #F02BF0

RGB 240 43 240

HSL 300, 0.87%, 0.55%

LAB 58.55, 88.98, -55.47

 

CMYK 0 / 76 / 0 / 0

HEX #FF3DFF

RGB 255 61 255

HSL 300, 1%, 0.62%

LAB 63.19, 89.85, -56.26

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 4 / 89 / 0 / 11

HEX #DA19E2

RGB 218 25 226

HSL 297.61, 0.8%, 0.49%

LAB 53.05, 86.17, -56.6

 

CMYK 3 / 97 / 0 / 19

HEX #C907CF

RGB 201 7 207

HSL 298.2, 0.93%, 0.42%

LAB 48.35, 82.44, -53.43

 

CMYK 2 / 100 / 0 / 26

HEX #B800BC

RGB 184 0 188

HSL 298.72, 1%, 0.37%

LAB 43.98, 77.49, -49.57

 

CMYK 1 / 100 / 0 / 34

HEX #A700A9

RGB 167 0 169

HSL 299.29, 1%, 0.33%

LAB 39.71, 71.87, -45.31

 

CMYK 0 / 100 / 0 / 41

HEX #960096

RGB 150 0 150

HSL 300, 1%, 0.29%

LAB 35.37, 66.14, -40.95

 

CMYK 4 / 89 / 0 / 12

HEX #D919E1

RGB 217 25 225

HSL 297.6, 0.8%, 0.49%

LAB 52.82, 85.86, -56.41

 

CMYK 0 / 89 / 20 / 12

HEX #E119B3

RGB 225 25 179

HSL 313.8, 0.8%, 0.49%

LAB 51.79, 81.04, -31.45

 

CMYK 0 / 89 / 44 / 12

HEX #E1197D

RGB 225 25 125

HSL 330, 0.8%, 0.49%

LAB 49.72, 75.46, -2.36

 

CMYK 0 / 89 / 68 / 12

HEX #E11947

RGB 225 25 71

HSL 346.2, 0.8%, 0.49%

LAB 48.46, 71.93, 28.94

 

CMYK 0 / 89 / 89 / 12

HEX #E11919

RGB 225 25 25

HSL 0, 0.8%, 0.49%

LAB 47.97, 70.54, 53.51

 

CMYK 4 / 89 / 0 / 12

HEX #D919E1

RGB 217 25 225

HSL 297.6, 0.8%, 0.49%

LAB 52.82, 85.86, -56.41

 

CMYK 28 / 89 / 0 / 12

HEX #A319E1

RGB 163 25 225

HSL 281.4, 0.8%, 0.49%

LAB 44.12, 77.65, -70.91

 

CMYK 52 / 89 / 0 / 12

HEX #6D19E1

RGB 109 25 225

HSL 265.2, 0.8%, 0.49%

LAB 36.71, 71.4, -83.34

 

CMYK 76 / 89 / 0 / 12

HEX #3719E1

RGB 55 25 225

HSL 249, 0.8%, 0.49%

LAB 31.68, 67.74, -91.84

 

CMYK 89 / 89 / 0 / 12

HEX #1919E1

RGB 25 25 225

HSL 240, 0.8%, 0.49%

LAB 30.25, 66.82, -94.26

 

CMYK 4 / 89 / 0 / 12

HEX #D919E1

RGB 217 25 225

HSL 297.6, 0.8%, 0.49%

LAB 52.82, 85.86, -56.41

 

CMYK 4 / 98 / 0 / 4

HEX #EC05F5

RGB 236 5 245

HSL 297.75, 0.96%, 0.49%

LAB 56.62, 93.63, -61.39

 

CMYK 4 / 89 / 0 / 12

HEX #D919E1

RGB 217 25 225

HSL 297.6, 0.8%, 0.49%

LAB 52.82, 85.86, -56.41

 

CMYK 3 / 78 / 0 / 20

HEX #C62DCD

RGB 198 45 205

HSL 297.38, 0.64%, 0.49%

LAB 49.85, 75.4, -49.92

 

CMYK 2 / 65 / 0 / 28

HEX #B441B8

RGB 180 65 184

HSL 297.98, 0.48%, 0.49%

LAB 48.19, 61.33, -40.55

 

CMYK 2 / 48 / 0 / 36

HEX #A156A4

RGB 161 86 164

HSL 297.69, 0.31%, 0.49%

LAB 48.15, 42.68, -29.07

 

CMYK 1 / 26 / 0 / 44

HEX #8F6A90

RGB 143 106 144

HSL 298.42, 0.15%, 0.49%

LAB 49.69, 21.57, -15.06

 

CMYK 52 / 89 / 0 / 12

HEX #6C19E1

RGB 108 25 225

HSL 264.9, 0.8%, 0.49%

LAB 36.59, 71.31, -83.54

 

CMYK 28 / 89 / 0 / 12

HEX #A219E1

RGB 162 25 225

HSL 281.1, 0.8%, 0.49%

LAB 43.96, 77.52, -71.16

 

CMYK 4 / 89 / 0 / 12

HEX #D719E1

RGB 215 25 225

HSL 297, 0.8%, 0.49%

LAB 52.49, 85.53, -56.96

 

CMYK 0 / 89 / 19 / 12

HEX #E119B6

RGB 225 25 182

HSL 312.9, 0.8%, 0.49%

LAB 51.93, 81.41, -32.99

 

CMYK 0 / 89 / 43 / 12

HEX #E11980

RGB 225 25 128

HSL 329.1, 0.8%, 0.49%

LAB 49.81, 75.72, -4.04

 

CMYK 4 / 89 / 0 / 41

HEX #911197

RGB 145 17 151

HSL 297.31, 0.8%, 0.33%

LAB 35.31, 63.08, -41.71

 

CMYK 4 / 89 / 0 / 26

HEX #B515BC

RGB 181 21 188

HSL 297.49, 0.8%, 0.41%

LAB 44.22, 74.71, -49.21

 

CMYK 4 / 89 / 0 / 12

HEX #D919E1

RGB 217 25 225

HSL 297.6, 0.8%, 0.49%

LAB 52.82, 85.86, -56.41

 

CMYK 3 / 75 / 0 / 9

HEX #E23AE9

RGB 226 58 233

HSL 297.6, 0.8%, 0.57%

LAB 57.15, 81.71, -53.91

 

CMYK 2 / 60 / 0 / 7

HEX #E85FED

RGB 232 95 237

HSL 297.89, 0.8%, 0.65%

LAB 62.89, 70.61, -46.99

 

CMYK 4 / 89 / 0 / 11

HEX #DA19E2

RGB 218 25 226

HSL 297.61, 0.8%, 0.49%

LAB 53.05, 86.17, -56.6

 

CMYK 0 / 76 / 89 / 12

HEX #E13719

RGB 225 55 25

HSL 9, 0.8%, 0.49%

LAB 50.46, 63.49, 55.33

 

CMYK 89 / 0 / 40 / 12

HEX #19E187

RGB 25 225 135

HSL 153, 0.8%, 0.49%

LAB 79.5, -64.91, 31.66

 

CMYK 4 / 89 / 0 / 11

HEX #DA19E2

RGB 218 25 226

HSL 297.61, 0.8%, 0.49%

LAB 53.05, 86.17, -56.6

 

CMYK 0 / 4 / 89 / 12

HEX #E1D719

RGB 225 215 25

HSL 57, 0.8%, 0.49%

LAB 84.32, -14.42, 81.31

 

CMYK 89 / 0 / 4 / 12

HEX #19E1D7

RGB 25 225 215

HSL 177, 0.8%, 0.49%

LAB 81.27, -45.86, -7.8

 

CMYK 4 / 89 / 0 / 11

HEX #DA19E2

RGB 218 25 226

HSL 297.61, 0.8%, 0.49%

LAB 53.05, 86.17, -56.6

 

CMYK 0 / 76 / 89 / 12

HEX #E13719

RGB 225 55 25

HSL 9, 0.8%, 0.49%

LAB 50.46, 63.49, 55.33

 

CMYK 84 / 0 / 89 / 12

HEX #23E119

RGB 35 225 25

HSL 117, 0.8%, 0.49%

LAB 78.62, -75.99, 73.12

 

CMYK 89 / 13 / 0 / 12

HEX #19C3E1

RGB 25 195 225

HSL 189, 0.8%, 0.49%

LAB 72.68, -29.01, -26.13

 

CMYK 4 / 89 / 0 / 11

HEX #DA19E2

RGB 218 25 226

HSL 297.61, 0.8%, 0.49%

LAB 53.05, 86.17, -56.6

 

CMYK 0 / 49 / 89 / 12

HEX #E17319

RGB 225 115 25

HSL 27, 0.8%, 0.49%

LAB 60.19, 37.83, 62.63

 

CMYK 84 / 0 / 89 / 12

HEX #23E119

RGB 35 225 25

HSL 117, 0.8%, 0.49%

LAB 78.62, -75.99, 73.12

 

CMYK 89 / 40 / 0 / 12

HEX #1987E1

RGB 25 135 225

HSL 207, 0.8%, 0.49%

LAB 55.04, 3.8, -53.73

 

Description

Color code: HEX #DA19E2 | qconv.com Color code: HEX #DA19E2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 25 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 25 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 89 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 89% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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