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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA18B7 it is the complementary color #25E748. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA18B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA18B7 shade: #DF18B2, #F02AC5, #FF3CD8, #FF4EEB and #FF60FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA18B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA18B7 shade: #DA18B7, #C906A4, #B80091, #A7007E and #96006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA18B7 shade: #D818B5, #D81881, #D8184E, #D8181A and #D81818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA18B7 shade: #D818B5, #C718D8, #9318D8, #5F18D8 and #2B18D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA18B7 shade matches the following richer shades: #D818B5 and #EB05C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA18B7 shade: #D818B5, #C42BA9, #B13F9C, #9E5290 and #8A6684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA18B7 shade: #9118D8, #C518D8, #D818B8, #D81885 and #D81851

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA18B7 shade: #8D1077, #B31496, #D818B5, #E831C7 and #EC56D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA18B7 shade: #DA18B7, #D85E18 and #18D8AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA18B7 shade: #DA18B7, #B8D818 and #18B8D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA18B7 shade: #DA18B7, #D85E18, #18D838 and #1891D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA18B7 shade: #DA18B7, #D89818, #18D838 and #1858D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 16 / 15

HEX #DA18B7

RGB 218 24 183

HSL 310.82, 0.8%, 0.47%

LAB 50.66, 80.32, -35.65

 

Complementary color

CMYK 84 / 0 / 69 / 9

HEX #25E748

RGB 37 231 72

HSL 130.82, 0.8%, 0.53%

LAB 80.75, -74.66, 61.88

 

CMYK 0 / 89 / 20 / 13

HEX #DF18B2

RGB 223 24 178

HSL 313.57, 0.81%, 0.48%

LAB 51.33, 80.67, -31.61

 

CMYK 0 / 83 / 18 / 6

HEX #F02AC5

RGB 240 42 197

HSL 313.03, 0.87%, 0.55%

LAB 56.3, 83.3, -34.65

 

CMYK 0 / 76 / 15 / 0

HEX #FF3CD8

RGB 255 60 216

HSL 312, 1%, 0.62%

LAB 61.18, 84.63, -37.67

 

CMYK 0 / 69 / 8 / 0

HEX #FF4EEB

RGB 255 78 235

HSL 306.78, 1%, 0.65%

LAB 63.92, 81.93, -44.02

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FE

RGB 255 96 254

HSL 300.38, 1%, 0.69%

LAB 67.11, 78.43, -49.49

 

CMYK 0 / 89 / 16 / 15

HEX #DA18B7

RGB 218 24 183

HSL 310.82, 0.8%, 0.47%

LAB 50.66, 80.32, -35.65

 

CMYK 0 / 97 / 18 / 21

HEX #C906A4

RGB 201 6 164

HSL 311.38, 0.94%, 0.41%

LAB 45.95, 76.63, -32.05

 

CMYK 0 / 100 / 21 / 28

HEX #B80091

RGB 184 0 145

HSL 312.72, 1%, 0.36%

LAB 41.59, 71.62, -27.65

 

CMYK 0 / 100 / 25 / 35

HEX #A7007E

RGB 167 0 126

HSL 314.73, 1%, 0.33%

LAB 37.34, 66, -22.81

 

CMYK 0 / 100 / 29 / 41

HEX #96006B

RGB 150 0 107

HSL 317.2, 1%, 0.29%

LAB 33.02, 60.3, -17.77

 

CMYK 0 / 89 / 16 / 15

HEX #D818B5

RGB 216 24 181

HSL 310.94, 0.8%, 0.47%

LAB 50.2, 79.68, -35.22

 

CMYK 0 / 89 / 40 / 15

HEX #D81881

RGB 216 24 129

HSL 327.19, 0.8%, 0.47%

LAB 48.05, 73.93, -7.45

 

CMYK 0 / 89 / 64 / 15

HEX #D8184E

RGB 216 24 78

HSL 343.13, 0.8%, 0.47%

LAB 46.71, 70.19, 22.07

 

CMYK 0 / 89 / 88 / 15

HEX #D8181A

RGB 216 24 26

HSL 359.38, 0.8%, 0.47%

LAB 46.08, 68.38, 50.83

 

CMYK 0 / 89 / 89 / 15

HEX #D81818

RGB 216 24 24

HSL 0, 0.8%, 0.47%

LAB 46.07, 68.34, 51.71

 

CMYK 0 / 89 / 16 / 15

HEX #D818B5

RGB 216 24 181

HSL 310.94, 0.8%, 0.47%

LAB 50.2, 79.68, -35.22

 

CMYK 8 / 89 / 0 / 15

HEX #C718D8

RGB 199 24 216

HSL 294.69, 0.8%, 0.47%

LAB 49.2, 81.67, -57.27

 

CMYK 32 / 89 / 0 / 15

HEX #9318D8

RGB 147 24 216

HSL 278.44, 0.8%, 0.47%

LAB 40.92, 73.96, -71.07

 

CMYK 56 / 89 / 0 / 15

HEX #5F18D8

RGB 95 24 216

HSL 262.19, 0.8%, 0.47%

LAB 34.07, 68.29, -82.58

 

CMYK 80 / 89 / 0 / 15

HEX #2B18D8

RGB 43 24 216

HSL 245.94, 0.8%, 0.47%

LAB 29.72, 65.18, -89.93

 

CMYK 0 / 89 / 16 / 15

HEX #D818B5

RGB 216 24 181

HSL 310.94, 0.8%, 0.47%

LAB 50.2, 79.68, -35.22

 

CMYK 0 / 98 / 17 / 8

HEX #EB05C2

RGB 235 5 194

HSL 310.7, 0.96%, 0.47%

LAB 53.67, 86.64, -37.1

 

CMYK 0 / 89 / 16 / 15

HEX #D818B5

RGB 216 24 181

HSL 310.94, 0.8%, 0.47%

LAB 50.2, 79.68, -35.22

 

CMYK 0 / 78 / 14 / 23

HEX #C42BA9

RGB 196 43 169

HSL 310.59, 0.64%, 0.47%

LAB 47.4, 70.11, -32.8

 

CMYK 0 / 64 / 12 / 31

HEX #B13F9C

RGB 177 63 156

HSL 311.05, 0.48%, 0.47%

LAB 46.05, 56.76, -27.42

 

CMYK 0 / 48 / 9 / 38

HEX #9E5290

RGB 158 82 144

HSL 311.05, 0.32%, 0.47%

LAB 46.07, 40.18, -20.44

 

CMYK 0 / 26 / 4 / 46

HEX #8A6684

RGB 138 102 132

HSL 310, 0.15%, 0.47%

LAB 47.72, 19.74, -10.97

 

CMYK 33 / 89 / 0 / 15

HEX #9118D8

RGB 145 24 216

HSL 277.81, 0.8%, 0.47%

LAB 40.62, 73.7, -71.57

 

CMYK 9 / 89 / 0 / 15

HEX #C518D8

RGB 197 24 216

HSL 294.06, 0.8%, 0.47%

LAB 48.86, 81.34, -57.82

 

CMYK 0 / 89 / 15 / 15

HEX #D818B8

RGB 216 24 184

HSL 310, 0.8%, 0.47%

LAB 50.35, 80.07, -36.75

 

CMYK 0 / 89 / 38 / 15

HEX #D81885

RGB 216 24 133

HSL 325.94, 0.8%, 0.47%

LAB 48.19, 74.3, -9.68

 

CMYK 0 / 89 / 63 / 15

HEX #D81851

RGB 216 24 81

HSL 342.19, 0.8%, 0.47%

LAB 46.77, 70.36, 20.29

 

CMYK 0 / 89 / 16 / 45

HEX #8D1077

RGB 141 16 119

HSL 310.56, 0.8%, 0.31%

LAB 32.62, 57.58, -26.15

 

CMYK 0 / 89 / 16 / 30

HEX #B31496

RGB 179 20 150

HSL 310.94, 0.8%, 0.39%

LAB 41.67, 68.97, -30.63

 

CMYK 0 / 89 / 16 / 15

HEX #D818B5

RGB 216 24 181

HSL 310.94, 0.8%, 0.47%

LAB 50.2, 79.68, -35.22

 

CMYK 0 / 79 / 14 / 9

HEX #E831C7

RGB 232 49 199

HSL 310.82, 0.8%, 0.55%

LAB 55.56, 80.34, -37.06

 

CMYK 0 / 64 / 11 / 7

HEX #EC56D1

RGB 236 86 209

HSL 310.8, 0.8%, 0.63%

LAB 60.86, 70.78, -34.43

 

CMYK 0 / 89 / 16 / 15

HEX #DA18B7

RGB 218 24 183

HSL 310.82, 0.8%, 0.47%

LAB 50.66, 80.32, -35.65

 

CMYK 0 / 56 / 89 / 15

HEX #D85E18

RGB 216 94 24

HSL 21.88, 0.8%, 0.47%

LAB 54.73, 44.71, 58.19

 

CMYK 89 / 0 / 21 / 15

HEX #18D8AB

RGB 24 216 171

HSL 165.94, 0.8%, 0.47%

LAB 77.43, -53.85, 10.03

 

CMYK 0 / 89 / 16 / 15

HEX #DA18B7

RGB 218 24 183

HSL 310.82, 0.8%, 0.47%

LAB 50.66, 80.32, -35.65

 

CMYK 15 / 0 / 89 / 15

HEX #B8D818

RGB 184 216 24

HSL 70, 0.8%, 0.47%

LAB 81.49, -32.02, 77.92

 

CMYK 89 / 15 / 0 / 15

HEX #18B8D8

RGB 24 184 216

HSL 190, 0.8%, 0.47%

LAB 69.06, -26.56, -26.77

 

CMYK 0 / 89 / 16 / 15

HEX #DA18B7

RGB 218 24 183

HSL 310.82, 0.8%, 0.47%

LAB 50.66, 80.32, -35.65

 

CMYK 0 / 56 / 89 / 15

HEX #D85E18

RGB 216 94 24

HSL 21.88, 0.8%, 0.47%

LAB 54.73, 44.71, 58.19

 

CMYK 89 / 0 / 74 / 15

HEX #18D838

RGB 24 216 56

HSL 130, 0.8%, 0.47%

LAB 75.82, -72.67, 62.52

 

CMYK 89 / 33 / 0 / 15

HEX #1891D8

RGB 24 145 216

HSL 202.19, 0.8%, 0.47%

LAB 57.47, -5.55, -44.84

 

CMYK 0 / 89 / 16 / 15

HEX #DA18B7

RGB 218 24 183

HSL 310.82, 0.8%, 0.47%

LAB 50.66, 80.32, -35.65

 

CMYK 0 / 30 / 89 / 15

HEX #D89818

RGB 216 152 24

HSL 40, 0.8%, 0.47%

LAB 67.37, 14.45, 67.9

 

CMYK 89 / 0 / 74 / 15

HEX #18D838

RGB 24 216 56

HSL 130, 0.8%, 0.47%

LAB 75.82, -72.67, 62.52

 

CMYK 89 / 59 / 0 / 15

HEX #1858D8

RGB 24 88 216

HSL 220, 0.8%, 0.47%

LAB 41.42, 30.05, -70.64

 

Description

Color code: HEX #DA18B7 | qconv.com Color code: HEX #DA18B7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 24 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 24 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 16 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 16% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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