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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA1778 it is the complementary color #25E887. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA1778. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA1778 shade: #DF1773, #F02986, #FF3B99, #FF4DAC and #FF5FBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA1778. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA1778 shade: #DA1778, #C90565, #B80052, #A7003F and #96002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA1778 shade: #D91777, #D91743 and #D91717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA1778 shade: #D91777, #D917AC, #D217D9, #9D17D9 and #6917D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA1778 shade matches the following richer shades: #D91777 and #EC0377

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA1778 shade: #D91777, #C62A77, #B23E78, #9F5178 and #8B6478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA1778 shade: #D217D9, #D917AC, #D91778, #D91744 and #D91D17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA1778 shade: #8E0F4E, #B41363, #D91777, #E9308C and #ED55A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA1778 shade: #DA1778, #D99F17 and #17C6D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA1778 shade: #DA1778, #78D917 and #1778D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA1778 shade: #DA1778, #D99F17, #17D978 and #1751D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA1778 shade: #DA1778, #D9D917, #17D978 and #1717D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 45 / 15

HEX #DA1778

RGB 218 23 120

HSL 330.15, 0.81%, 0.47%

LAB 48.1, 73.73, -1.84

 

Complementary color

CMYK 84 / 0 / 42 / 9

HEX #25E887

RGB 37 232 135

HSL 150.15, 0.81%, 0.53%

LAB 81.76, -66.47, 34.64

 

CMYK 0 / 90 / 48 / 13

HEX #DF1773

RGB 223 23 115

HSL 332.4, 0.81%, 0.48%

LAB 48.93, 74.47, 2.55

 

CMYK 0 / 83 / 44 / 6

HEX #F02986

RGB 240 41 134

HSL 331.96, 0.87%, 0.55%

LAB 53.85, 76.82, -1.39

 

CMYK 0 / 77 / 40 / 0

HEX #FF3B99

RGB 255 59 153

HSL 331.22, 1%, 0.62%

LAB 58.68, 77.78, -5.21

 

CMYK 0 / 70 / 33 / 0

HEX #FF4DAC

RGB 255 77 172

HSL 327.98, 1%, 0.65%

LAB 61.26, 74.18, -12.41

 

CMYK 0 / 63 / 25 / 0

HEX #FF5FBF

RGB 255 95 191

HSL 324, 1%, 0.69%

LAB 64.33, 69.75, -18.65

 

CMYK 0 / 89 / 45 / 15

HEX #DA1778

RGB 218 23 120

HSL 330.15, 0.81%, 0.47%

LAB 48.1, 73.73, -1.84

 

CMYK 0 / 98 / 50 / 21

HEX #C90565

RGB 201 5 101

HSL 330.61, 0.95%, 0.4%

LAB 43.46, 70.33, 2.75

 

CMYK 0 / 100 / 55 / 28

HEX #B80052

RGB 184 0 82

HSL 333.26, 1%, 0.36%

LAB 39.24, 65.55, 8.3

 

CMYK 0 / 100 / 62 / 35

HEX #A7003F

RGB 167 0 63

HSL 337.37, 1%, 0.33%

LAB 35.15, 60.31, 14.39

 

CMYK 0 / 100 / 71 / 41

HEX #96002C

RGB 150 0 44

HSL 342.4, 1%, 0.29%

LAB 31.03, 55.1, 20.8

 

CMYK 0 / 89 / 45 / 15

HEX #D91777

RGB 217 23 119

HSL 330.31, 0.81%, 0.47%

LAB 47.88, 73.42, -1.58

 

CMYK 0 / 89 / 69 / 15

HEX #D91743

RGB 217 23 67

HSL 346.39, 0.81%, 0.47%

LAB 46.67, 70.05, 28.8

 

CMYK 0 / 89 / 89 / 15

HEX #D91717

RGB 217 23 23

HSL 0, 0.81%, 0.47%

LAB 46.21, 68.74, 52.33

 

CMYK 0 / 89 / 45 / 15

HEX #D91777

RGB 217 23 119

HSL 330.31, 0.81%, 0.47%

LAB 47.88, 73.42, -1.58

 

CMYK 0 / 89 / 21 / 15

HEX #D917AC

RGB 217 23 172

HSL 313.92, 0.81%, 0.47%

LAB 49.91, 78.9, -30.38

 

CMYK 3 / 89 / 0 / 15

HEX #D217D9

RGB 210 23 217

HSL 297.84, 0.81%, 0.47%

LAB 51.06, 83.77, -54.74

 

CMYK 28 / 89 / 0 / 15

HEX #9D17D9

RGB 157 23 217

HSL 281.44, 0.81%, 0.47%

LAB 42.45, 75.68, -69.09

 

CMYK 52 / 89 / 0 / 15

HEX #6917D9

RGB 105 23 217

HSL 265.36, 0.81%, 0.47%

LAB 35.25, 69.66, -81.17

 

CMYK 0 / 89 / 45 / 15

HEX #D91777

RGB 217 23 119

HSL 330.31, 0.81%, 0.47%

LAB 47.88, 73.42, -1.58

 

CMYK 0 / 99 / 50 / 7

HEX #EC0377

RGB 236 3 119

HSL 330.13, 0.97%, 0.47%

LAB 50.96, 79.6, 3.36

 

CMYK 0 / 89 / 45 / 15

HEX #D91777

RGB 217 23 119

HSL 330.31, 0.81%, 0.47%

LAB 47.88, 73.42, -1.58

 

CMYK 0 / 79 / 40 / 22

HEX #C62A77

RGB 198 42 119

HSL 330.38, 0.65%, 0.47%

LAB 45.63, 64.86, -5.32

 

CMYK 0 / 65 / 33 / 30

HEX #B23E78

RGB 178 62 120

HSL 330, 0.48%, 0.47%

LAB 44.61, 52.44, -7.82

 

CMYK 0 / 49 / 25 / 38

HEX #9F5178

RGB 159 81 120

HSL 330, 0.33%, 0.47%

LAB 45.1, 37.14, -7.4

 

CMYK 0 / 28 / 14 / 45

HEX #8B6478

RGB 139 100 120

HSL 329.23, 0.16%, 0.47%

LAB 46.92, 19.05, -4.96

 

CMYK 3 / 89 / 0 / 15

HEX #D217D9

RGB 210 23 217

HSL 297.84, 0.81%, 0.47%

LAB 51.06, 83.77, -54.74

 

CMYK 0 / 89 / 21 / 15

HEX #D917AC

RGB 217 23 172

HSL 313.92, 0.81%, 0.47%

LAB 49.91, 78.9, -30.38

 

CMYK 0 / 89 / 45 / 15

HEX #D91778

RGB 217 23 120

HSL 330, 0.81%, 0.47%

LAB 47.91, 73.5, -2.15

 

CMYK 0 / 89 / 69 / 15

HEX #D91744

RGB 217 23 68

HSL 346.08, 0.81%, 0.47%

LAB 46.69, 70.1, 28.21

 

CMYK 0 / 87 / 89 / 15

HEX #D91D17

RGB 217 29 23

HSL 1.86, 0.81%, 0.47%

LAB 46.57, 67.72, 52.59

 

CMYK 0 / 89 / 45 / 44

HEX #8E0F4E

RGB 142 15 78

HSL 330.24, 0.81%, 0.31%

LAB 30.98, 53.13, -2.14

 

CMYK 0 / 89 / 45 / 29

HEX #B41363

RGB 180 19 99

HSL 330.19, 0.81%, 0.39%

LAB 39.7, 63.66, -1.99

 

CMYK 0 / 89 / 45 / 15

HEX #D91777

RGB 217 23 119

HSL 330.31, 0.81%, 0.47%

LAB 47.88, 73.42, -1.58

 

CMYK 0 / 79 / 40 / 9

HEX #E9308C

RGB 233 48 140

HSL 330.16, 0.81%, 0.55%

LAB 53.31, 74.05, -5.92

 

CMYK 0 / 64 / 32 / 7

HEX #ED55A1

RGB 237 85 161

HSL 330, 0.81%, 0.63%

LAB 59.04, 65.1, -9.67

 

CMYK 0 / 89 / 45 / 15

HEX #DA1778

RGB 218 23 120

HSL 330.15, 0.81%, 0.47%

LAB 48.1, 73.73, -1.84

 

CMYK 0 / 27 / 89 / 15

HEX #D99F17

RGB 217 159 23

HSL 42.06, 0.81%, 0.47%

LAB 69.19, 11.11, 69.58

 

CMYK 89 / 9 / 0 / 15

HEX #17C6D9

RGB 23 198 217

HSL 185.88, 0.81%, 0.47%

LAB 73.27, -33.12, -20.89

 

CMYK 0 / 89 / 45 / 15

HEX #DA1778

RGB 218 23 120

HSL 330.15, 0.81%, 0.47%

LAB 48.1, 73.73, -1.84

 

CMYK 45 / 0 / 89 / 15

HEX #78D917

RGB 120 217 23

HSL 90, 0.81%, 0.47%

LAB 78.28, -55.96, 74

 

CMYK 89 / 45 / 0 / 15

HEX #1778D9

RGB 23 120 217

HSL 210, 0.81%, 0.47%

LAB 50.25, 9.83, -56.91

 

CMYK 0 / 89 / 45 / 15

HEX #DA1778

RGB 218 23 120

HSL 330.15, 0.81%, 0.47%

LAB 48.1, 73.73, -1.84

 

CMYK 0 / 27 / 89 / 15

HEX #D99F17

RGB 217 159 23

HSL 42.06, 0.81%, 0.47%

LAB 69.19, 11.11, 69.58

 

CMYK 89 / 0 / 45 / 15

HEX #17D978

RGB 23 217 120

HSL 150, 0.81%, 0.47%

LAB 76.78, -65.02, 35.66

 

CMYK 89 / 63 / 0 / 15

HEX #1751D9

RGB 23 81 217

HSL 222.06, 0.81%, 0.47%

LAB 39.71, 34.91, -74.02

 

CMYK 0 / 89 / 45 / 15

HEX #DA1778

RGB 218 23 120

HSL 330.15, 0.81%, 0.47%

LAB 48.1, 73.73, -1.84

 

CMYK 0 / 0 / 89 / 15

HEX #D9D917

RGB 217 217 23

HSL 60, 0.81%, 0.47%

LAB 84.19, -18.82, 81.25

 

CMYK 89 / 0 / 45 / 15

HEX #17D978

RGB 23 217 120

HSL 150, 0.81%, 0.47%

LAB 76.78, -65.02, 35.66

 

CMYK 89 / 89 / 0 / 15

HEX #1717D9

RGB 23 23 217

HSL 240, 0.81%, 0.47%

LAB 28.91, 65.23, -91.88

 

Description

Color code: HEX #DA1778 | qconv.com Color code: HEX #DA1778 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 23 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 23 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 45 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 45% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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