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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA13C2 it is the complementary color #25EC3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA13C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA13C2 shade: #DF13BD, #F025D0, #FF37E3, #FF49F6 and #FF5BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA13C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA13C2 shade: #DA13C2, #C901AF, #B8009C, #A70089 and #960076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA13C2 shade: #D813C0, #D8138B, #D81356, #D81321 and #D81313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA13C2 shade: #D813C0, #BA13D8, #8513D8, #5013D8 and #1B13D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA13C2 shade matches the following richer shades: #D813C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA13C2 shade: #D813C0, #C526B2, #B239A3, #9F4C95 and #8C5F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA13C2 shade: #8613D8, #BA13D8, #D813C1, #D8138C and #D81358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA13C2 shade: #8C0C7D, #B20F9E, #D813C0, #EC28D5 and #F04EDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA13C2 shade: #DA13C2, #D85113 and #13D8A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA13C2 shade: #DA13C2, #C1D813 and #13C1D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA13C2 shade: #DA13C2, #D85113, #13D82A and #1399D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA13C2 shade: #DA13C2, #D88C13, #13D82A and #135ED8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 11 / 15

HEX #DA13C2

RGB 218 19 194

HSL 307.24, 0.84%, 0.46%

LAB 51, 82.4, -41.52

 

Complementary color

CMYK 84 / 0 / 74 / 7

HEX #25EC3D

RGB 37 236 61

HSL 127.24, 0.84%, 0.54%

LAB 82.23, -77.02, 67.3

 

CMYK 0 / 91 / 15 / 13

HEX #DF13BD

RGB 223 19 189

HSL 310, 0.84%, 0.47%

LAB 51.64, 82.66, -37.54

 

CMYK 0 / 85 / 13 / 6

HEX #F025D0

RGB 240 37 208

HSL 309.46, 0.87%, 0.54%

LAB 56.49, 85.67, -40.66

 

CMYK 0 / 78 / 11 / 0

HEX #FF37E3

RGB 255 55 227

HSL 308.4, 1%, 0.61%

LAB 61.25, 87.35, -43.75

 

CMYK 0 / 71 / 4 / 0

HEX #FF49F6

RGB 255 73 246

HSL 302.97, 1%, 0.64%

LAB 63.9, 85.13, -50.16

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 91 / 11 / 15

HEX #DA13C2

RGB 218 19 194

HSL 307.24, 0.84%, 0.46%

LAB 51, 82.4, -41.52

 

CMYK 0 / 100 / 13 / 21

HEX #C901AF

RGB 201 1 175

HSL 307.8, 0.99%, 0.4%

LAB 46.36, 78.46, -37.93

 

CMYK 0 / 100 / 15 / 28

HEX #B8009C

RGB 184 0 156

HSL 309.13, 1%, 0.36%

LAB 42.14, 73, -33.45

 

CMYK 0 / 100 / 18 / 35

HEX #A70089

RGB 167 0 137

HSL 310.78, 1%, 0.33%

LAB 37.88, 67.37, -28.79

 

CMYK 0 / 100 / 21 / 41

HEX #960076

RGB 150 0 118

HSL 312.8, 1%, 0.29%

LAB 33.55, 61.64, -23.95

 

CMYK 0 / 91 / 11 / 15

HEX #D813C0

RGB 216 19 192

HSL 307.31, 0.84%, 0.46%

LAB 50.54, 81.77, -41.12

 

CMYK 0 / 91 / 36 / 15

HEX #D8138B

RGB 216 19 139

HSL 323.45, 0.84%, 0.46%

LAB 48.17, 75.58, -13.35

 

CMYK 0 / 91 / 60 / 15

HEX #D81356

RGB 216 19 86

HSL 339.59, 0.84%, 0.46%

LAB 46.63, 71.36, 17

 

CMYK 0 / 91 / 85 / 15

HEX #D81321

RGB 216 19 33

HSL 355.74, 0.84%, 0.46%

LAB 45.87, 69.24, 47.3

 

CMYK 0 / 91 / 91 / 15

HEX #D81313

RGB 216 19 19

HSL 0, 0.84%, 0.46%

LAB 45.79, 69, 53.57

 

CMYK 0 / 91 / 11 / 15

HEX #D813C0

RGB 216 19 192

HSL 307.31, 0.84%, 0.46%

LAB 50.54, 81.77, -41.12

 

CMYK 14 / 91 / 0 / 15

HEX #BA13D8

RGB 186 19 216

HSL 290.86, 0.84%, 0.46%

LAB 46.79, 80.32, -61.25

 

CMYK 38 / 91 / 0 / 15

HEX #8513D8

RGB 133 19 216

HSL 274.72, 0.84%, 0.46%

LAB 38.57, 73.18, -75.01

 

CMYK 63 / 91 / 0 / 15

HEX #5013D8

RGB 80 19 216

HSL 258.58, 0.84%, 0.46%

LAB 32.1, 68.38, -85.91

 

CMYK 88 / 91 / 0 / 15

HEX #1B13D8

RGB 27 19 216

HSL 242.44, 0.84%, 0.46%

LAB 28.53, 66.2, -91.95

 

CMYK 0 / 91 / 11 / 15

HEX #D813C0

RGB 216 19 192

HSL 307.31, 0.84%, 0.46%

LAB 50.54, 81.77, -41.12

 

CMYK 0 / 91 / 11 / 15

HEX #D813C0

RGB 216 19 192

HSL 307.31, 0.84%, 0.46%

LAB 50.54, 81.77, -41.12

 

CMYK 0 / 81 / 10 / 23

HEX #C526B2

RGB 197 38 178

HSL 307.17, 0.68%, 0.46%

LAB 47.59, 72.87, -37.81

 

CMYK 0 / 68 / 8 / 30

HEX #B239A3

RGB 178 57 163

HSL 307.44, 0.51%, 0.46%

LAB 45.68, 60.5, -32.15

 

CMYK 0 / 52 / 6 / 38

HEX #9F4C95

RGB 159 76 149

HSL 307.23, 0.35%, 0.46%

LAB 45.23, 44.48, -24.71

 

CMYK 0 / 32 / 4 / 45

HEX #8C5F86

RGB 140 95 134

HSL 308, 0.19%, 0.46%

LAB 46.29, 24.95, -14.31

 

CMYK 38 / 91 / 0 / 15

HEX #8613D8

RGB 134 19 216

HSL 275.03, 0.84%, 0.46%

LAB 38.71, 73.29, -74.77

 

CMYK 14 / 91 / 0 / 15

HEX #BA13D8

RGB 186 19 216

HSL 290.86, 0.84%, 0.46%

LAB 46.79, 80.32, -61.25

 

CMYK 0 / 91 / 11 / 15

HEX #D813C1

RGB 216 19 193

HSL 307.01, 0.84%, 0.46%

LAB 50.59, 81.9, -41.62

 

CMYK 0 / 91 / 35 / 15

HEX #D8138C

RGB 216 19 140

HSL 323.15, 0.84%, 0.46%

LAB 48.21, 75.68, -13.9

 

CMYK 0 / 91 / 59 / 15

HEX #D81358

RGB 216 19 88

HSL 338.98, 0.84%, 0.46%

LAB 46.67, 71.48, 15.82

 

CMYK 0 / 91 / 11 / 45

HEX #8C0C7D

RGB 140 12 125

HSL 307.03, 0.84%, 0.3%

LAB 32.52, 58.92, -30.11

 

CMYK 0 / 92 / 11 / 30

HEX #B20F9E

RGB 178 15 158

HSL 307.36, 0.84%, 0.38%

LAB 41.65, 70.59, -35.51

 

CMYK 0 / 91 / 11 / 15

HEX #D813C0

RGB 216 19 192

HSL 307.31, 0.84%, 0.46%

LAB 50.54, 81.77, -41.12

 

CMYK 0 / 83 / 10 / 7

HEX #EC28D5

RGB 236 40 213

HSL 307.04, 0.84%, 0.54%

LAB 56.24, 85.01, -43.95

 

CMYK 0 / 68 / 8 / 6

HEX #F04EDC

RGB 240 78 220

HSL 307.41, 0.84%, 0.62%

LAB 60.91, 76.34, -40.52

 

CMYK 0 / 91 / 11 / 15

HEX #DA13C2

RGB 218 19 194

HSL 307.24, 0.84%, 0.46%

LAB 51, 82.4, -41.52

 

CMYK 0 / 63 / 91 / 15

HEX #D85113

RGB 216 81 19

HSL 18.88, 0.84%, 0.46%

LAB 52.43, 50.6, 58.09

 

CMYK 91 / 0 / 26 / 15

HEX #13D8A0

RGB 19 216 160

HSL 162.94, 0.84%, 0.46%

LAB 77.15, -56.73, 15.47

 

CMYK 0 / 91 / 11 / 15

HEX #DA13C2

RGB 218 19 194

HSL 307.24, 0.84%, 0.46%

LAB 51, 82.4, -41.52

 

CMYK 11 / 0 / 91 / 15

HEX #C1D813

RGB 193 216 19

HSL 67.01, 0.84%, 0.46%

LAB 82.11, -28.43, 79.42

 

CMYK 91 / 11 / 0 / 15

HEX #13C1D8

RGB 19 193 216

HSL 187.01, 0.84%, 0.46%

LAB 71.72, -31.22, -22.72

 

CMYK 0 / 91 / 11 / 15

HEX #DA13C2

RGB 218 19 194

HSL 307.24, 0.84%, 0.46%

LAB 51, 82.4, -41.52

 

CMYK 0 / 63 / 91 / 15

HEX #D85113

RGB 216 81 19

HSL 18.88, 0.84%, 0.46%

LAB 52.43, 50.6, 58.09

 

CMYK 91 / 0 / 81 / 15

HEX #13D82A

RGB 19 216 42

HSL 127.01, 0.84%, 0.46%

LAB 75.71, -73.91, 66.7

 

CMYK 91 / 29 / 0 / 15

HEX #1399D8

RGB 19 153 216

HSL 199.19, 0.84%, 0.46%

LAB 59.78, -10.37, -41.2

 

CMYK 0 / 91 / 11 / 15

HEX #DA13C2

RGB 218 19 194

HSL 307.24, 0.84%, 0.46%

LAB 51, 82.4, -41.52

 

CMYK 0 / 35 / 91 / 15

HEX #D88C13

RGB 216 140 19

HSL 36.85, 0.84%, 0.46%

LAB 64.49, 20.82, 66.81

 

CMYK 91 / 0 / 81 / 15

HEX #13D82A

RGB 19 216 42

HSL 127.01, 0.84%, 0.46%

LAB 75.71, -73.91, 66.7

 

CMYK 91 / 56 / 0 / 15

HEX #135ED8

RGB 19 94 216

HSL 217.16, 0.84%, 0.46%

LAB 42.92, 25.91, -68.21

 

Description

Color code: HEX #DA13C2 | qconv.com Color code: HEX #DA13C2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 19 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 19 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 11 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 11% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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