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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA12B9 it is the complementary color #25ED46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA12B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA12B9 shade: #DF12B4, #F024C7, #FF36DA, #FF48ED and #FF5AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA12B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA12B9 shade: #DA12B9, #C900A6, #B80093, #A70080 and #96006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA12B9 shade: #D912B8, #D91282, #D9124D, #D91217 and #D91212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA12B9 shade: #D912B8, #C412D9, #8E12D9, #5912D9 and #2312D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA12B9 shade matches the following richer shades: #D912B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA12B9 shade: #D912B8, #C625AB, #B3389F, #A04B92 and #8D5E85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA12B9 shade: #8D12D9, #C212D9, #D912BB, #D91286 and #D91251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA12B9 shade: #8D0B77, #B30F98, #D912B8, #ED26CD and #F14DD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA12B9 shade: #DA12B9, #D95712 and #12D9A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA12B9 shade: #DA12B9, #BBD912 and #12BBD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA12B9 shade: #DA12B9, #D95712, #12D930 and #1293D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA12B9 shade: #DA12B9, #D99312, #12D930 and #1257D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 15 / 15

HEX #DA12B9

RGB 218 18 185

HSL 309.9, 0.85%, 0.46%

LAB 50.5, 81.34, -37.07

 

Complementary color

CMYK 84 / 0 / 70 / 7

HEX #25ED46

RGB 37 237 70

HSL 129.9, 0.85%, 0.54%

LAB 82.6, -76.59, 64.56

 

CMYK 0 / 92 / 19 / 13

HEX #DF12B4

RGB 223 18 180

HSL 312.59, 0.85%, 0.47%

LAB 51.17, 81.66, -33.03

 

CMYK 0 / 85 / 17 / 6

HEX #F024C7

RGB 240 36 199

HSL 312.06, 0.87%, 0.54%

LAB 56, 84.7, -36.28

 

CMYK 0 / 79 / 15 / 0

HEX #FF36DA

RGB 255 54 218

HSL 311.04, 1%, 0.61%

LAB 60.75, 86.39, -39.47

 

CMYK 0 / 72 / 7 / 0

HEX #FF48ED

RGB 255 72 237

HSL 305.9, 1%, 0.64%

LAB 63.35, 84.12, -46.03

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 92 / 15 / 15

HEX #DA12B9

RGB 218 18 185

HSL 309.9, 0.85%, 0.46%

LAB 50.5, 81.34, -37.07

 

CMYK 0 / 100 / 17 / 21

HEX #C900A6

RGB 201 0 166

HSL 310.45, 1%, 0.39%

LAB 45.87, 77.4, -33.36

 

CMYK 0 / 100 / 20 / 28

HEX #B80093

RGB 184 0 147

HSL 312.07, 1%, 0.36%

LAB 41.68, 71.86, -28.72

 

CMYK 0 / 100 / 23 / 35

HEX #A70080

RGB 167 0 128

HSL 314.01, 1%, 0.33%

LAB 37.43, 66.25, -23.91

 

CMYK 0 / 100 / 27 / 41

HEX #96006D

RGB 150 0 109

HSL 316.4, 1%, 0.29%

LAB 33.11, 60.53, -18.91

 

CMYK 0 / 92 / 15 / 15

HEX #D912B8

RGB 217 18 184

HSL 309.95, 0.85%, 0.46%

LAB 50.27, 81.02, -36.86

 

CMYK 0 / 92 / 40 / 15

HEX #D91282

RGB 217 18 130

HSL 326.23, 0.85%, 0.46%

LAB 48, 75.06, -8.12

 

CMYK 0 / 92 / 65 / 15

HEX #D9124D

RGB 217 18 77

HSL 342.21, 0.85%, 0.46%

LAB 46.61, 71.23, 22.58

 

CMYK 0 / 92 / 89 / 15

HEX #D91217

RGB 217 18 23

HSL 358.49, 0.85%, 0.46%

LAB 45.97, 69.44, 52.16

 

CMYK 0 / 92 / 92 / 15

HEX #D91212

RGB 217 18 18

HSL 0, 0.85%, 0.46%

LAB 45.94, 69.37, 54.15

 

CMYK 0 / 92 / 15 / 15

HEX #D912B8

RGB 217 18 184

HSL 309.95, 0.85%, 0.46%

LAB 50.27, 81.02, -36.86

 

CMYK 10 / 92 / 0 / 15

HEX #C412D9

RGB 196 18 217

HSL 293.67, 0.85%, 0.46%

LAB 48.48, 82.15, -59.01

 

CMYK 35 / 92 / 0 / 15

HEX #8E12D9

RGB 142 18 217

HSL 277.39, 0.85%, 0.46%

LAB 39.9, 74.61, -73.34

 

CMYK 59 / 92 / 0 / 15

HEX #5912D9

RGB 89 18 217

HSL 261.41, 0.85%, 0.46%

LAB 33.06, 69.46, -84.86

 

CMYK 84 / 92 / 0 / 15

HEX #2312D9

RGB 35 18 217

HSL 245.13, 0.85%, 0.46%

LAB 28.9, 66.91, -91.89

 

CMYK 0 / 92 / 15 / 15

HEX #D912B8

RGB 217 18 184

HSL 309.95, 0.85%, 0.46%

LAB 50.27, 81.02, -36.86

 

CMYK 0 / 92 / 15 / 15

HEX #D912B8

RGB 217 18 184

HSL 309.95, 0.85%, 0.46%

LAB 50.27, 81.02, -36.86

 

CMYK 0 / 81 / 14 / 22

HEX #C625AB

RGB 198 37 171

HSL 310.06, 0.69%, 0.46%

LAB 47.33, 72.33, -34.08

 

CMYK 0 / 69 / 11 / 30

HEX #B3389F

RGB 179 56 159

HSL 309.76, 0.52%, 0.46%

LAB 45.52, 60.5, -30.01

 

CMYK 0 / 53 / 9 / 37

HEX #A04B92

RGB 160 75 146

HSL 309.88, 0.36%, 0.46%

LAB 45.05, 44.76, -23.17

 

CMYK 0 / 33 / 6 / 45

HEX #8D5E85

RGB 141 94 133

HSL 310.21, 0.2%, 0.46%

LAB 46.13, 25.7, -13.94

 

CMYK 35 / 92 / 0 / 15

HEX #8D12D9

RGB 141 18 217

HSL 277.09, 0.85%, 0.46%

LAB 39.76, 74.49, -73.59

 

CMYK 11 / 92 / 0 / 15

HEX #C212D9

RGB 194 18 217

HSL 293.07, 0.85%, 0.46%

LAB 48.15, 81.84, -59.57

 

CMYK 0 / 92 / 14 / 15

HEX #D912BB

RGB 217 18 187

HSL 309.05, 0.85%, 0.46%

LAB 50.42, 81.41, -38.38

 

CMYK 0 / 92 / 38 / 15

HEX #D91286

RGB 217 18 134

HSL 325.03, 0.85%, 0.46%

LAB 48.14, 75.43, -10.34

 

CMYK 0 / 92 / 63 / 15

HEX #D91251

RGB 217 18 81

HSL 341.01, 0.85%, 0.46%

LAB 46.68, 71.44, 20.21

 

CMYK 0 / 92 / 16 / 45

HEX #8D0B77

RGB 141 11 119

HSL 310.15, 0.86%, 0.3%

LAB 32.33, 58.42, -26.61

 

CMYK 0 / 92 / 15 / 30

HEX #B30F98

RGB 179 15 152

HSL 309.88, 0.85%, 0.38%

LAB 41.52, 69.97, -32.08

 

CMYK 0 / 92 / 15 / 15

HEX #D912B8

RGB 217 18 184

HSL 309.95, 0.85%, 0.46%

LAB 50.27, 81.02, -36.86

 

CMYK 0 / 84 / 14 / 7

HEX #ED26CD

RGB 237 38 205

HSL 309.65, 0.85%, 0.54%

LAB 55.89, 84.52, -39.93

 

CMYK 0 / 68 / 12 / 5

HEX #F14DD5

RGB 241 77 213

HSL 310.24, 0.85%, 0.62%

LAB 60.62, 75.9, -37.02

 

CMYK 0 / 92 / 15 / 15

HEX #DA12B9

RGB 218 18 185

HSL 309.9, 0.85%, 0.46%

LAB 50.5, 81.34, -37.07

 

CMYK 0 / 60 / 92 / 15

HEX #D95712

RGB 217 87 18

HSL 20.8, 0.85%, 0.46%

LAB 53.61, 48.26, 59.28

 

CMYK 92 / 0 / 23 / 15

HEX #12D9A7

RGB 18 217 167

HSL 164.92, 0.85%, 0.46%

LAB 77.61, -55.5, 12.4

 

CMYK 0 / 92 / 15 / 15

HEX #DA12B9

RGB 218 18 185

HSL 309.9, 0.85%, 0.46%

LAB 50.5, 81.34, -37.07

 

CMYK 14 / 0 / 92 / 15

HEX #BBD912

RGB 187 217 18

HSL 69.05, 0.85%, 0.46%

LAB 81.97, -31.37, 79.26

 

CMYK 92 / 14 / 0 / 15

HEX #12BBD9

RGB 18 187 217

HSL 189.05, 0.85%, 0.46%

LAB 69.95, -28, -25.96

 

CMYK 0 / 92 / 15 / 15

HEX #DA12B9

RGB 218 18 185

HSL 309.9, 0.85%, 0.46%

LAB 50.5, 81.34, -37.07

 

CMYK 0 / 60 / 92 / 15

HEX #D95712

RGB 217 87 18

HSL 20.8, 0.85%, 0.46%

LAB 53.61, 48.26, 59.28

 

CMYK 92 / 0 / 78 / 15

HEX #12D930

RGB 18 217 48

HSL 129.05, 0.85%, 0.46%

LAB 76.05, -73.88, 65.3

 

CMYK 92 / 32 / 0 / 15

HEX #1293D9

RGB 18 147 217

HSL 201.11, 0.85%, 0.46%

LAB 58.04, -6.64, -44.49

 

CMYK 0 / 92 / 15 / 15

HEX #DA12B9

RGB 218 18 185

HSL 309.9, 0.85%, 0.46%

LAB 50.5, 81.34, -37.07

 

CMYK 0 / 32 / 92 / 15

HEX #D99312

RGB 217 147 18

HSL 38.89, 0.85%, 0.46%

LAB 66.26, 17.47, 68.39

 

CMYK 92 / 0 / 78 / 15

HEX #12D930

RGB 18 217 48

HSL 129.05, 0.85%, 0.46%

LAB 76.05, -73.88, 65.3

 

CMYK 92 / 60 / 0 / 15

HEX #1257D9

RGB 18 87 217

HSL 219.2, 0.85%, 0.46%

LAB 41.14, 30.81, -71.67

 

Description

Color code: HEX #DA12B9 | qconv.com Color code: HEX #DA12B9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 18 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 18 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 15 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 15% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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