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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA120ACE it is the complementary color #25EDF5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA120ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA120ACE shade: #DF1205CE, #F02418CE, #FF362BCE, #FF483ECE and #FF5A51CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA120ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA120ACE shade: #DA120ACE, #C90000CE, #B80000CE, #A70000CE and #960000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA120ACE shade: #DB120A and #DB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA120ACE shade: #DB120A, #DB4B0A, #DB830A, #DBBB0A and #C3DB0A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA120ACE shade matches the following richer shades: #DB120A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA120ACE shade: #DB120A, #C9241D, #B6352F, #A34642 and #915755

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA120ACE shade: #DB0A73, #DB0A3B, #DB110A, #DB490A and #DB810A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA120ACE shade: #8C0C07, #B40F08, #DB120A, #F4231B and #F64942

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA120ACE shade: #DA120A, #AADB0A and #0A57DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA120ACE shade: #DA120A, #0ADB11 and #110ADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA120ACE shade: #DA120A, #AADB0A, #0AD4DB and #3B0ADB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA120ACE shade: #DA120A, #6CDB0A, #0AD4DB and #7A0ADB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 77 / 12

HEX #DA120ACE

RGBA 218 18 10 0.81

HSLA 2.31, 0.91%, 0.45%, 0.81

LABA 46.12, 69.55, 56.99, 0.81

 

Complementary color

CMYK 69 / 3 / 0 / 3

HEX #25EDF5CE

RGBA 37 237 245 0.81

HSLA 182.31, 0.91%, 0.55%, 0.81

LABA 85.78, -41.86, -16.9, 0.81

 

CMYK 0 / 74 / 79 / 10

HEX #DF1205CE

RGBA 223 18 5 0.81

HSLA 3.58, 0.96%, 0.45%, 0.81

LABA 47.15, 70.78, 59.48, 0.81

 

CMYK 0 / 69 / 73 / 5

HEX #F02418CE

RGBA 240 36 24 0.81

HSLA 3.33, 0.88%, 0.52%, 0.81

LABA 51.67, 72.51, 57.92, 0.81

 

CMYK 0 / 64 / 67 / 0

HEX #FF362BCE

RGBA 255 54 43 0.81

HSLA 3.11, 1%, 0.58%, 0.81

LABA 56.16, 72.79, 54.43, 0.81

 

CMYK 0 / 58 / 61 / 0

HEX #FF483ECE

RGBA 255 72 62 0.81

HSLA 3.11, 1%, 0.62%, 0.81

LABA 58.27, 67.92, 46.87, 0.81

 

CMYK 0 / 52 / 55 / 0

HEX #FF5A51CE

RGBA 255 90 81 0.81

HSLA 3.1, 1%, 0.66%, 0.81

LABA 60.93, 62.06, 39.57, 0.81

 

CMYK 0 / 74 / 77 / 12

HEX #DA120ACE

RGBA 218 18 10 0.81

HSLA 2.31, 0.91%, 0.45%, 0.81

LABA 46.12, 69.55, 56.99, 0.81

 

CMYK 0 / 81 / 81 / 17

HEX #C90000CE

RGBA 201 0 0 0.81

HSLA 0, 1%, 0.39%, 0.81

LABA 41.87, 66.96, 56.19, 0.81

 

CMYK 0 / 81 / 81 / 23

HEX #B80000CE

RGBA 184 0 0 0.81

HSLA 0, 1%, 0.36%, 0.81

LABA 38.18, 62.69, 52.6, 0.81

 

CMYK 0 / 81 / 81 / 28

HEX #A70000CE

RGBA 167 0 0 0.81

HSLA 0, 1%, 0.33%, 0.81

LABA 34.43, 58.35, 48.69, 0.81

 

CMYK 0 / 81 / 81 / 33

HEX #960000CE

RGBA 150 0 0 0.81

HSLA 0, 1%, 0.29%, 0.81

LABA 30.6, 53.92, 44.34, 0.81

 

CMYK 0 / 92 / 95 / 14

HEX #DB120A

RGB 219 18 10

HSL 2.3, 0.91%, 0.45%

LAB 46.33, 69.8, 57.21

 

CMYK 0 / 95 / 95 / 14

HEX #DB0A0A

RGB 219 10 10

HSL 0, 0.91%, 0.45%

LAB 46.04, 70.64, 57.06

 

CMYK 0 / 92 / 95 / 14

HEX #DB120A

RGB 219 18 10

HSL 2.3, 0.91%, 0.45%

LAB 46.33, 69.8, 57.21

 

CMYK 0 / 66 / 95 / 14

HEX #DB4B0A

RGB 219 75 10

HSL 18.66, 0.91%, 0.45%

LAB 51.97, 54.1, 60.38

 

CMYK 0 / 40 / 95 / 14

HEX #DB830A

RGB 219 131 10

HSL 34.74, 0.91%, 0.45%

LAB 62.77, 26.81, 67.39

 

CMYK 0 / 15 / 95 / 14

HEX #DBBB0A

RGB 219 187 10

HSL 50.81, 0.91%, 0.45%

LAB 76.45, -3, 77.12

 

CMYK 11 / 0 / 95 / 14

HEX #C3DB0A

RGB 195 219 10

HSL 66.89, 0.91%, 0.45%

LAB 83.07, -29.13, 81.22

 

CMYK 0 / 92 / 95 / 14

HEX #DB120A

RGB 219 18 10

HSL 2.3, 0.91%, 0.45%

LAB 46.33, 69.8, 57.21

 

CMYK 0 / 92 / 95 / 14

HEX #DB120A

RGB 219 18 10

HSL 2.3, 0.91%, 0.45%

LAB 46.33, 69.8, 57.21

 

CMYK 0 / 82 / 86 / 21

HEX #C9241D

RGB 201 36 29

HSL 2.44, 0.75%, 0.45%

LAB 43.9, 61.92, 46.39

 

CMYK 0 / 71 / 74 / 29

HEX #B6352F

RGB 182 53 47

HSL 2.67, 0.59%, 0.45%

LAB 42.3, 51.34, 33.87

 

CMYK 0 / 57 / 60 / 36

HEX #A34642

RGB 163 70 66

HSL 2.47, 0.42%, 0.45%

LAB 42.09, 38.2, 21.54

 

CMYK 0 / 40 / 41 / 43

HEX #915755

RGB 145 87 85

HSL 2, 0.26%, 0.45%

LAB 43.5, 23.74, 11.4

 

CMYK 0 / 95 / 47 / 14

HEX #DB0A73

RGB 219 10 115

HSL 329.86, 0.91%, 0.45%

LAB 47.64, 75.01, 0.58

 

CMYK 0 / 95 / 73 / 14

HEX #DB0A3B

RGB 219 10 59

HSL 345.93, 0.91%, 0.45%

LAB 46.44, 71.73, 33.45

 

CMYK 0 / 92 / 95 / 14

HEX #DB110A

RGB 219 17 10

HSL 2.01, 0.91%, 0.45%

LAB 46.29, 69.93, 57.19

 

CMYK 0 / 67 / 95 / 14

HEX #DB490A

RGB 219 73 10

HSL 18.09, 0.91%, 0.45%

LAB 51.66, 54.91, 60.2

 

CMYK 0 / 41 / 95 / 14

HEX #DB810A

RGB 219 129 10

HSL 34.16, 0.91%, 0.45%

LAB 62.32, 27.87, 67.08

 

CMYK 0 / 91 / 95 / 45

HEX #8C0C07

RGB 140 12 7

HSL 2.26, 0.9%, 0.29%

LAB 29.04, 49.41, 39.31

 

CMYK 0 / 92 / 96 / 29

HEX #B40F08

RGB 180 15 8

HSL 2.44, 0.91%, 0.37%

LAB 37.95, 59.98, 48.91

 

CMYK 0 / 92 / 95 / 14

HEX #DB120A

RGB 219 18 10

HSL 2.3, 0.91%, 0.45%

LAB 46.33, 69.8, 57.21

 

CMYK 0 / 86 / 89 / 4

HEX #F4231B

RGB 244 35 27

HSL 2.21, 0.91%, 0.53%

LAB 52.41, 73.8, 57.63

 

CMYK 0 / 70 / 73 / 4

HEX #F64942

RGB 246 73 66

HSL 2.33, 0.91%, 0.61%

LAB 56.83, 65, 42.68

 

CMYK 0 / 92 / 95 / 15

HEX #DA120A

RGB 218 18 10

HSL 2.31, 0.91%, 0.45%

LAB 46.12, 69.55, 56.99

 

CMYK 22 / 0 / 95 / 14

HEX #AADB0A

RGB 170 219 10

HSL 74.07, 0.91%, 0.45%

LAB 81.42, -39.18, 79.23

 

CMYK 95 / 60 / 0 / 14

HEX #0A57DB

RGB 10 87 219

HSL 217.89, 0.91%, 0.45%

LAB 41.21, 31.31, -72.71

 

CMYK 0 / 92 / 95 / 15

HEX #DA120A

RGB 218 18 10

HSL 2.31, 0.91%, 0.45%

LAB 46.12, 69.55, 56.99

 

CMYK 95 / 0 / 92 / 14

HEX #0ADB11

RGB 10 219 17

HSL 122.01, 0.91%, 0.45%

LAB 76.54, -76.15, 72.48

 

CMYK 92 / 95 / 0 / 14

HEX #110ADB

RGB 17 10 219

HSL 242.01, 0.91%, 0.45%

LAB 27.98, 68.87, -94.6

 

CMYK 0 / 92 / 95 / 15

HEX #DA120A

RGB 218 18 10

HSL 2.31, 0.91%, 0.45%

LAB 46.12, 69.55, 56.99

 

CMYK 22 / 0 / 95 / 14

HEX #AADB0A

RGB 170 219 10

HSL 74.07, 0.91%, 0.45%

LAB 81.42, -39.18, 79.23

 

CMYK 95 / 3 / 0 / 14

HEX #0AD4DB

RGB 10 212 219

HSL 182.01, 0.91%, 0.45%

LAB 77.44, -39.48, -15.67

 

CMYK 73 / 95 / 0 / 14

HEX #3B0ADB

RGB 59 10 219

HSL 254.07, 0.91%, 0.45%

LAB 30.06, 69.83, -91.08

 

CMYK 0 / 92 / 95 / 15

HEX #DA120A

RGB 218 18 10

HSL 2.31, 0.91%, 0.45%

LAB 46.12, 69.55, 56.99

 

CMYK 51 / 0 / 95 / 14

HEX #6CDB0A

RGB 108 219 10

HSL 91.87, 0.91%, 0.45%

LAB 78.39, -60.57, 75.55

 

CMYK 95 / 3 / 0 / 14

HEX #0AD4DB

RGB 10 212 219

HSL 182.01, 0.91%, 0.45%

LAB 77.44, -39.48, -15.67

 

CMYK 44 / 95 / 0 / 14

HEX #7A0ADB

RGB 122 10 219

HSL 272.15, 0.91%, 0.45%

LAB 36.87, 73.99, -79.58

 

Description

Color code: HEX #DA120ACE | qconv.com Color code: HEX #DA120ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 18 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 18 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 77 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 77% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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