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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA0FD2 it is the complementary color #25F02D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA0FD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA0FD2 shade: #DF0FCD, #F021E0, #FF33F3, #FF45FF and #FF57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA0FD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA0FD2 shade: #DA0FD2, #C900BF, #B800AC, #A70099 and #960086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA0FD2 shade: #DB0FD3, #DB0F9C, #DB0F65, #DB0F2E and #DB0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA0FD2 shade: #DB0FD3, #AC0FDB, #750FDB, #3E0FDB and #0F0FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA0FD2 shade matches the following richer shades: #DB0FD3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA0FD2 shade: #DB0FD3, #C822C2, #B535B0, #A2489F and #8F5B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA0FD2 shade: #750FDB, #AC0FDB, #DB0FD5, #DB0F9E and #DB0F68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA0FD2 shade: #8E0A89, #B50DAE, #DB0FD3, #F024E8 and #F24BEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA0FD2 shade: #DA0FD2, #DB3F0F and #0FDB91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA0FD2 shade: #DA0FD2, #D5DB0F and #0FD5DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA0FD2 shade: #DA0FD2, #DB3F0F, #0FDB16 and #0FACDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA0FD2 shade: #DA0FD2, #DB7C0F, #0FDB16 and #0F6EDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 4 / 15

HEX #DA0FD2

RGB 218 15 210

HSL 302.36, 0.87%, 0.46%

LAB 51.72, 85.01, -49.6

 

Complementary color

CMYK 85 / 0 / 81 / 6

HEX #25F02D

RGB 37 240 45

HSL 122.36, 0.87%, 0.54%

LAB 83.39, -79.14, 73.09

 

CMYK 0 / 93 / 8 / 13

HEX #DF0FCD

RGB 223 15 205

HSL 305.19, 0.87%, 0.47%

LAB 52.33, 85.17, -45.71

 

CMYK 0 / 86 / 7 / 6

HEX #F021E0

RGB 240 33 224

HSL 304.64, 0.87%, 0.54%

LAB 57.07, 88.49, -48.83

 

CMYK 0 / 80 / 5 / 0

HEX #FF33F3

RGB 255 51 243

HSL 303.53, 1%, 0.6%

LAB 61.74, 90.48, -51.92

 

CMYK 0 / 73 / 0 / 0

HEX #FF45FF

RGB 255 69 255

HSL 300, 1%, 0.64%

LAB 63.95, 87.67, -55.06

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 93 / 4 / 15

HEX #DA0FD2

RGB 218 15 210

HSL 302.36, 0.87%, 0.46%

LAB 51.72, 85.01, -49.6

 

CMYK 0 / 100 / 5 / 21

HEX #C900BF

RGB 201 0 191

HSL 302.99, 1%, 0.39%

LAB 47.21, 80.71, -45.98

 

CMYK 0 / 100 / 7 / 28

HEX #B800AC

RGB 184 0 172

HSL 303.91, 1%, 0.36%

LAB 43.02, 75.17, -41.65

 

CMYK 0 / 100 / 8 / 35

HEX #A70099

RGB 167 0 153

HSL 305.03, 1%, 0.33%

LAB 38.75, 69.53, -37.21

 

CMYK 0 / 100 / 11 / 41

HEX #960086

RGB 150 0 134

HSL 306.4, 1%, 0.29%

LAB 34.41, 63.78, -32.63

 

CMYK 0 / 93 / 4 / 14

HEX #DB0FD3

RGB 219 15 211

HSL 302.35, 0.87%, 0.46%

LAB 51.96, 85.32, -49.79

 

CMYK 0 / 93 / 29 / 14

HEX #DB0F9C

RGB 219 15 156

HSL 318.53, 0.87%, 0.46%

LAB 49.26, 78.42, -21.87

 

CMYK 0 / 93 / 54 / 14

HEX #DB0F65

RGB 219 15 101

HSL 334.71, 0.87%, 0.46%

LAB 47.42, 73.51, 8.9

 

CMYK 0 / 93 / 79 / 14

HEX #DB0F2E

RGB 219 15 46

HSL 350.88, 0.87%, 0.46%

LAB 46.44, 70.81, 41.06

 

CMYK 0 / 93 / 93 / 14

HEX #DB0F0F

RGB 219 15 15

HSL 0, 0.87%, 0.46%

LAB 46.23, 70.2, 55.61

 

CMYK 0 / 93 / 4 / 14

HEX #DB0FD3

RGB 219 15 211

HSL 302.35, 0.87%, 0.46%

LAB 51.96, 85.32, -49.79

 

CMYK 21 / 93 / 0 / 14

HEX #AC0FDB

RGB 172 15 219

HSL 286.18, 0.87%, 0.46%

LAB 44.56, 79.3, -66.7

 

CMYK 47 / 93 / 0 / 14

HEX #750FDB

RGB 117 15 219

HSL 270, 0.87%, 0.46%

LAB 36.44, 72.81, -80.32

 

CMYK 72 / 93 / 0 / 14

HEX #3E0FDB

RGB 62 15 219

HSL 253.82, 0.87%, 0.46%

LAB 30.59, 69.03, -90.19

 

CMYK 93 / 93 / 0 / 14

HEX #0F0FDB

RGB 15 15 219

HSL 240, 0.87%, 0.46%

LAB 28.27, 67.82, -94.12

 

CMYK 0 / 93 / 4 / 14

HEX #DB0FD3

RGB 219 15 211

HSL 302.35, 0.87%, 0.46%

LAB 51.96, 85.32, -49.79

 

CMYK 0 / 93 / 4 / 14

HEX #DB0FD3

RGB 219 15 211

HSL 302.35, 0.87%, 0.46%

LAB 51.96, 85.32, -49.79

 

CMYK 0 / 83 / 3 / 22

HEX #C822C2

RGB 200 34 194

HSL 302.17, 0.71%, 0.46%

LAB 48.66, 76.68, -45.43

 

CMYK 0 / 71 / 3 / 29

HEX #B535B0

RGB 181 53 176

HSL 302.34, 0.55%, 0.46%

LAB 46.32, 64.74, -38.81

 

CMYK 0 / 56 / 2 / 36

HEX #A2489F

RGB 162 72 159

HSL 302, 0.38%, 0.46%

LAB 45.39, 49.12, -30.41

 

CMYK 0 / 36 / 1 / 44

HEX #8F5B8D

RGB 143 91 141

HSL 302.31, 0.22%, 0.46%

LAB 45.97, 29.68, -18.96

 

CMYK 47 / 93 / 0 / 14

HEX #750FDB

RGB 117 15 219

HSL 270, 0.87%, 0.46%

LAB 36.44, 72.81, -80.32

 

CMYK 21 / 93 / 0 / 14

HEX #AC0FDB

RGB 172 15 219

HSL 286.18, 0.87%, 0.46%

LAB 44.56, 79.3, -66.7

 

CMYK 0 / 93 / 3 / 14

HEX #DB0FD5

RGB 219 15 213

HSL 301.76, 0.87%, 0.46%

LAB 52.07, 85.6, -50.76

 

CMYK 0 / 93 / 28 / 14

HEX #DB0F9E

RGB 219 15 158

HSL 317.94, 0.87%, 0.46%

LAB 49.34, 78.64, -22.93

 

CMYK 0 / 93 / 53 / 14

HEX #DB0F68

RGB 219 15 104

HSL 333.82, 0.87%, 0.46%

LAB 47.5, 73.72, 7.15

 

CMYK 0 / 93 / 4 / 44

HEX #8E0A89

RGB 142 10 137

HSL 302.27, 0.87%, 0.3%

LAB 33.51, 61.41, -36.02

 

CMYK 0 / 93 / 4 / 29

HEX #B50DAE

RGB 181 13 174

HSL 302.5, 0.87%, 0.38%

LAB 43.01, 73.66, -42.87

 

CMYK 0 / 93 / 4 / 14

HEX #DB0FD3

RGB 219 15 211

HSL 302.35, 0.87%, 0.46%

LAB 51.96, 85.32, -49.79

 

CMYK 0 / 85 / 3 / 6

HEX #F024E8

RGB 240 36 232

HSL 302.35, 0.87%, 0.54%

LAB 57.67, 89.11, -52.39

 

CMYK 0 / 69 / 2 / 5

HEX #F24BEC

RGB 242 75 236

HSL 302.16, 0.87%, 0.62%

LAB 61.62, 80.23, -48.33

 

CMYK 0 / 93 / 4 / 15

HEX #DA0FD2

RGB 218 15 210

HSL 302.36, 0.87%, 0.46%

LAB 51.72, 85.01, -49.6

 

CMYK 0 / 71 / 93 / 14

HEX #DB3F0F

RGB 219 63 15

HSL 14.12, 0.87%, 0.46%

LAB 50.27, 58.79, 58.08

 

CMYK 93 / 0 / 34 / 14

HEX #0FDB91

RGB 15 219 145

HSL 158.24, 0.87%, 0.46%

LAB 77.76, -61.31, 24.18

 

CMYK 0 / 93 / 4 / 15

HEX #DA0FD2

RGB 218 15 210

HSL 302.36, 0.87%, 0.46%

LAB 51.72, 85.01, -49.6

 

CMYK 3 / 0 / 93 / 14

HEX #D5DB0F

RGB 213 219 15

HSL 61.76, 0.87%, 0.46%

LAB 84.4, -21.6, 82.33

 

CMYK 93 / 3 / 0 / 14

HEX #0FD5DB

RGB 15 213 219

HSL 181.76, 0.87%, 0.46%

LAB 77.76, -39.79, -15.19

 

CMYK 0 / 93 / 4 / 15

HEX #DA0FD2

RGB 218 15 210

HSL 302.36, 0.87%, 0.46%

LAB 51.72, 85.01, -49.6

 

CMYK 0 / 71 / 93 / 14

HEX #DB3F0F

RGB 219 63 15

HSL 14.12, 0.87%, 0.46%

LAB 50.27, 58.79, 58.08

 

CMYK 93 / 0 / 90 / 14

HEX #0FDB16

RGB 15 219 22

HSL 122.06, 0.87%, 0.46%

LAB 76.57, -75.8, 71.79

 

CMYK 93 / 21 / 0 / 14

HEX #0FACDB

RGB 15 172 219

HSL 193.82, 0.87%, 0.46%

LAB 65.53, -19.78, -33.88

 

CMYK 0 / 93 / 4 / 15

HEX #DA0FD2

RGB 218 15 210

HSL 302.36, 0.87%, 0.46%

LAB 51.72, 85.01, -49.6

 

CMYK 0 / 43 / 93 / 14

HEX #DB7C0F

RGB 219 124 15

HSL 32.06, 0.87%, 0.46%

LAB 61.23, 30.57, 65.45

 

CMYK 93 / 0 / 90 / 14

HEX #0FDB16

RGB 15 219 22

HSL 122.06, 0.87%, 0.46%

LAB 76.57, -75.8, 71.79

 

CMYK 93 / 50 / 0 / 14

HEX #0F6EDB

RGB 15 110 219

HSL 212.06, 0.87%, 0.46%

LAB 47.45, 16.57, -62.55

 

Description

Color code: HEX #DA0FD2 | qconv.com Color code: HEX #DA0FD2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 15 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 15 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 4 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 4% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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