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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA0DFD it is the complementary color #25F202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA0DFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA0DFD shade: #DF0DF8, #F01FFF, #FF31FF, #FF43FF and #FF55FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA0DFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA0DFD shade: #DA0DFD, #C900EA, #B800D7, #A700C4 and #9600B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA0DFD shade: #DA0DFD, #FD0DDF, #FD0D9E, #FD0D5D and #FD0D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA0DFD shade: #DA0DFD, #990DFD, #580DFD, #170DFD and #0D0DFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA0DFD shade matches the following richer shades: #DA0DFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA0DFD shade: #DA0DFD, #CC20E9, #BE34D5, #AF48C1 and #A15CAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA0DFD shade: #590DFD, #990DFD, #D90DFD, #FD0DE1 and #FD0DA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA0DFD shade: #9B02B5, #BE02DE, #DA0DFD, #E035FD and #E65EFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA0DFD shade: #DA0DFD, #FD190D and #0DFD79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA0DFD shade: #DA0DFD, #FDD90D and #0DFDD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA0DFD shade: #DA0DFD, #FD190D, #31FD0D and #0DF1FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA0DFD shade: #DA0DFD, #FD610D, #31FD0D and #0DA9FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 95 / 0 / 1

HEX #DA0DFD

RGB 218 13 253

HSL 291.25, 0.98%, 0.52%

LAB 54.33, 91.65, -69.7

 

Complementary color

CMYK 85 / 0 / 99 / 5

HEX #25F202

RGB 37 242 2

HSL 111.25, 0.98%, 0.48%

LAB 83.91, -80.94, 80.04

 

CMYK 10 / 95 / 0 / 3

HEX #DF0DF8

RGB 223 13 248

HSL 293.62, 0.94%, 0.51%

LAB 54.82, 91.59, -66.08

 

CMYK 6 / 88 / 0 / 0

HEX #F01FFF

RGB 240 31 255

HSL 295.98, 1%, 0.56%

LAB 58.72, 93.26, -63.55

 

CMYK 0 / 81 / 0 / 0

HEX #FF31FF

RGB 255 49 255

HSL 300, 1%, 0.6%

LAB 62.23, 92.63, -57.79

 

CMYK 0 / 74 / 0 / 0

HEX #FF43FF

RGB 255 67 255

HSL 300, 1%, 0.63%

LAB 63.75, 88.24, -55.37

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 14 / 95 / 0 / 1

HEX #DA0DFD

RGB 218 13 253

HSL 291.25, 0.98%, 0.52%

LAB 54.33, 91.65, -69.7

 

CMYK 14 / 100 / 0 / 8

HEX #C900EA

RGB 201 0 234

HSL 291.54, 1%, 0.46%

LAB 49.93, 87.18, -66.3

 

CMYK 14 / 100 / 0 / 16

HEX #B800D7

RGB 184 0 215

HSL 291.35, 1%, 0.42%

LAB 45.77, 81.72, -62.35

 

CMYK 15 / 100 / 0 / 23

HEX #A700C4

RGB 167 0 196

HSL 291.12, 1%, 0.38%

LAB 41.53, 76.17, -58.34

 

CMYK 15 / 100 / 0 / 31

HEX #9600B1

RGB 150 0 177

HSL 290.85, 1%, 0.35%

LAB 37.22, 70.51, -54.26

 

CMYK 14 / 95 / 0 / 1

HEX #DA0DFD

RGB 218 13 253

HSL 291.25, 0.98%, 0.52%

LAB 54.33, 91.65, -69.7

 

CMYK 0 / 95 / 12 / 1

HEX #FD0DDF

RGB 253 13 223

HSL 307.5, 0.98%, 0.52%

LAB 58.51, 92.89, -45.85

 

CMYK 0 / 95 / 38 / 1

HEX #FD0D9E

RGB 253 13 158

HSL 323.75, 0.98%, 0.52%

LAB 55.72, 85.73, -12.61

 

CMYK 0 / 95 / 63 / 1

HEX #FD0D5D

RGB 253 13 93

HSL 340, 0.98%, 0.52%

LAB 53.99, 81.06, 23.86

 

CMYK 0 / 95 / 89 / 1

HEX #FD0D1D

RGB 253 13 29

HSL 356, 0.98%, 0.52%

LAB 53.23, 78.99, 58.22

 

CMYK 14 / 95 / 0 / 1

HEX #DA0DFD

RGB 218 13 253

HSL 291.25, 0.98%, 0.52%

LAB 54.33, 91.65, -69.7

 

CMYK 40 / 95 / 0 / 1

HEX #990DFD

RGB 153 13 253

HSL 275, 0.98%, 0.52%

LAB 44.45, 83.65, -86.23

 

CMYK 65 / 95 / 0 / 1

HEX #580DFD

RGB 88 13 253

HSL 258.75, 0.98%, 0.52%

LAB 36.84, 78.74, -99.05

 

CMYK 91 / 95 / 0 / 1

HEX #170DFD

RGB 23 13 253

HSL 242.5, 0.98%, 0.52%

LAB 33.05, 76.9, -105.48

 

CMYK 95 / 95 / 0 / 1

HEX #0D0DFD

RGB 13 13 253

HSL 240, 0.98%, 0.52%

LAB 32.84, 76.81, -105.83

 

CMYK 14 / 95 / 0 / 1

HEX #DA0DFD

RGB 218 13 253

HSL 291.25, 0.98%, 0.52%

LAB 54.33, 91.65, -69.7

 

CMYK 14 / 95 / 0 / 1

HEX #DA0DFD

RGB 218 13 253

HSL 291.25, 0.98%, 0.52%

LAB 54.33, 91.65, -69.7

 

CMYK 12 / 86 / 0 / 9

HEX #CC20E9

RGB 204 32 233

HSL 291.34, 0.82%, 0.52%

LAB 51.56, 83.89, -63.08

 

CMYK 11 / 76 / 0 / 16

HEX #BE34D5

RGB 190 52 213

HSL 291.43, 0.66%, 0.52%

LAB 49.75, 73.19, -54.74

 

CMYK 9 / 63 / 0 / 24

HEX #AF48C1

RGB 175 72 193

HSL 291.07, 0.49%, 0.52%

LAB 49.01, 58.8, -44.54

 

CMYK 7 / 47 / 0 / 32

HEX #A15CAD

RGB 161 92 173

HSL 291.11, 0.33%, 0.52%

LAB 49.8, 41.25, -31.78

 

CMYK 65 / 95 / 0 / 1

HEX #590DFD

RGB 89 13 253

HSL 259, 0.98%, 0.52%

LAB 36.94, 78.79, -98.9

 

CMYK 40 / 95 / 0 / 1

HEX #990DFD

RGB 153 13 253

HSL 275, 0.98%, 0.52%

LAB 44.45, 83.65, -86.23

 

CMYK 14 / 95 / 0 / 1

HEX #D90DFD

RGB 217 13 253

HSL 291, 0.98%, 0.52%

LAB 54.17, 91.51, -69.97

 

CMYK 0 / 95 / 11 / 1

HEX #FD0DE1

RGB 253 13 225

HSL 307, 0.98%, 0.52%

LAB 58.61, 93.15, -46.82

 

CMYK 0 / 95 / 36 / 1

HEX #FD0DA1

RGB 253 13 161

HSL 323, 0.98%, 0.52%

LAB 55.83, 86.01, -14.22

 

CMYK 14 / 99 / 0 / 29

HEX #9B02B5

RGB 155 2 181

HSL 291.28, 0.98%, 0.36%

LAB 38.46, 71.69, -54.59

 

CMYK 14 / 99 / 0 / 13

HEX #BE02DE

RGB 190 2 222

HSL 291.27, 0.98%, 0.44%

LAB 47.32, 83.54, -63.8

 

CMYK 14 / 95 / 0 / 1

HEX #DA0DFD

RGB 218 13 253

HSL 291.25, 0.98%, 0.52%

LAB 54.33, 91.65, -69.7

 

CMYK 11 / 79 / 0 / 1

HEX #E035FD

RGB 224 53 253

HSL 291.3, 0.98%, 0.6%

LAB 57.55, 85.93, -64.46

 

CMYK 9 / 63 / 0 / 1

HEX #E65EFD

RGB 230 94 253

HSL 291.32, 0.98%, 0.68%

LAB 63.28, 73.34, -55.24

 

CMYK 14 / 95 / 0 / 1

HEX #DA0DFD

RGB 218 13 253

HSL 291.25, 0.98%, 0.52%

LAB 54.33, 91.65, -69.7

 

CMYK 0 / 90 / 95 / 1

HEX #FD190D

RGB 253 25 13

HSL 3, 0.98%, 0.52%

LAB 53.61, 77.54, 63.98

 

CMYK 95 / 0 / 52 / 1

HEX #0DFD79

RGB 13 253 121

HSL 147, 0.98%, 0.52%

LAB 87.83, -76.83, 49.04

 

CMYK 14 / 95 / 0 / 1

HEX #DA0DFD

RGB 218 13 253

HSL 291.25, 0.98%, 0.52%

LAB 54.33, 91.65, -69.7

 

CMYK 0 / 14 / 95 / 1

HEX #FDD90D

RGB 253 217 13

HSL 51, 0.98%, 0.52%

LAB 87.26, -3.68, 86.18

 

CMYK 95 / 0 / 14 / 1

HEX #0DFDD9

RGB 13 253 217

HSL 171, 0.98%, 0.52%

LAB 89.55, -57.32, 3.29

 

CMYK 14 / 95 / 0 / 1

HEX #DA0DFD

RGB 218 13 253

HSL 291.25, 0.98%, 0.52%

LAB 54.33, 91.65, -69.7

 

CMYK 0 / 90 / 95 / 1

HEX #FD190D

RGB 253 25 13

HSL 3, 0.98%, 0.52%

LAB 53.61, 77.54, 63.98

 

CMYK 81 / 0 / 95 / 1

HEX #31FD0D

RGB 49 253 13

HSL 111, 0.98%, 0.52%

LAB 87.45, -82.6, 82.08

 

CMYK 95 / 5 / 0 / 1

HEX #0DF1FD

RGB 13 241 253

HSL 183, 0.98%, 0.52%

LAB 87.04, -42.26, -19.22

 

CMYK 14 / 95 / 0 / 1

HEX #DA0DFD

RGB 218 13 253

HSL 291.25, 0.98%, 0.52%

LAB 54.33, 91.65, -69.7

 

CMYK 0 / 62 / 95 / 1

HEX #FD610D

RGB 253 97 13

HSL 21, 0.98%, 0.52%

LAB 61.19, 56.58, 68.28

 

CMYK 81 / 0 / 95 / 1

HEX #31FD0D

RGB 49 253 13

HSL 111, 0.98%, 0.52%

LAB 87.45, -82.6, 82.08

 

CMYK 95 / 33 / 0 / 1

HEX #0DA9FD

RGB 13 169 253

HSL 201, 0.98%, 0.52%

LAB 66.18, -6.07, -51.48

 

Description

Color code: HEX #DA0DFD | qconv.com Color code: HEX #DA0DFD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 13 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 13 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 95 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 95% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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