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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA0AE6 it is the complementary color #25F519. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA0AE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA0AE6 shade: #DF0AE1, #F01CF4, #FF2EFF, #FF40FF and #FF52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA0AE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA0AE6 shade: #DA0AE6, #C900D3, #B800C0, #A700AD and #96009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA0AE6 shade: #DA0AE6, #E60AB7, #E60A7B, #E60A40 and #E60A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA0AE6 shade: #DA0AE6, #9F0AE6, #630AE6, #280AE6 and #0A0AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA0AE6 shade matches the following richer shades: #DA0AE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA0AE6 shade: #DA0AE6, #C91DD3, #B830BF, #A644AC and #955799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA0AE6 shade: #620AE6, #9D0AE6, #D70AE6, #E60ABA and #E60A7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA0AE6 shade: #8F0697, #B508BF, #DA0AE6, #EA23F6 and #EE4BF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA0AE6 shade: #DA0AE6, #E6270A and #0AE67F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA0AE6 shade: #DA0AE6, #E6D70A and #0AE6D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA0AE6 shade: #DA0AE6, #E6270A, #18E60A and #0AC9E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA0AE6 shade: #DA0AE6, #E6690A, #18E60A and #0A87E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 96 / 0 / 10

HEX #DA0AE6

RGB 218 10 230

HSL 296.73, 0.92%, 0.47%

LAB 52.77, 88.32, -59.31

 

Complementary color

CMYK 85 / 0 / 90 / 4

HEX #25F519

RGB 37 245 25

HSL 116.73, 0.92%, 0.53%

LAB 84.88, -81.31, 78.46

 

CMYK 1 / 96 / 0 / 12

HEX #DF0AE1

RGB 223 10 225

HSL 299.44, 0.91%, 0.46%

LAB 53.32, 88.37, -55.55

 

CMYK 2 / 89 / 0 / 4

HEX #F01CF4

RGB 240 28 244

HSL 298.89, 0.91%, 0.53%

LAB 57.93, 92.05, -58.7

 

CMYK 0 / 82 / 0 / 0

HEX #FF2EFF

RGB 255 46 255

HSL 300, 1%, 0.59%

LAB 62.03, 93.23, -58.12

 

CMYK 0 / 75 / 0 / 0

HEX #FF40FF

RGB 255 64 255

HSL 300, 1%, 0.63%

LAB 63.46, 89.06, -55.83

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 5 / 96 / 0 / 10

HEX #DA0AE6

RGB 218 10 230

HSL 296.73, 0.92%, 0.47%

LAB 52.77, 88.32, -59.31

 

CMYK 5 / 100 / 0 / 17

HEX #C900D3

RGB 201 0 211

HSL 297.16, 1%, 0.41%

LAB 48.41, 83.61, -55.64

 

CMYK 4 / 100 / 0 / 25

HEX #B800C0

RGB 184 0 192

HSL 297.5, 1%, 0.38%

LAB 44.23, 78.09, -51.51

 

CMYK 3 / 100 / 0 / 32

HEX #A700AD

RGB 167 0 173

HSL 297.92, 1%, 0.34%

LAB 39.97, 72.48, -47.29

 

CMYK 3 / 100 / 0 / 40

HEX #96009A

RGB 150 0 154

HSL 298.44, 1%, 0.3%

LAB 35.63, 66.76, -42.98

 

CMYK 5 / 96 / 0 / 10

HEX #DA0AE6

RGB 218 10 230

HSL 296.73, 0.92%, 0.47%

LAB 52.77, 88.32, -59.31

 

CMYK 0 / 96 / 20 / 10

HEX #E60AB7

RGB 230 10 183

HSL 312.82, 0.92%, 0.47%

LAB 52.35, 84.05, -32.84

 

CMYK 0 / 96 / 47 / 10

HEX #E60A7B

RGB 230 10 123

HSL 329.18, 0.92%, 0.47%

LAB 50.06, 78.07, -0.52

 

CMYK 0 / 96 / 72 / 10

HEX #E60A40

RGB 230 10 64

HSL 345.27, 0.92%, 0.47%

LAB 48.77, 74.58, 33.77

 

CMYK 0 / 96 / 96 / 10

HEX #E60A0A

RGB 230 10 10

HSL 0, 0.92%, 0.47%

LAB 48.34, 73.38, 59.49

 

CMYK 5 / 96 / 0 / 10

HEX #DA0AE6

RGB 218 10 230

HSL 296.73, 0.92%, 0.47%

LAB 52.77, 88.32, -59.31

 

CMYK 31 / 96 / 0 / 10

HEX #9F0AE6

RGB 159 10 230

HSL 280.64, 0.92%, 0.47%

LAB 43.21, 80.17, -75.26

 

CMYK 57 / 96 / 0 / 10

HEX #630AE6

RGB 99 10 230

HSL 264.27, 0.92%, 0.47%

LAB 35.17, 74.53, -88.79

 

CMYK 83 / 96 / 0 / 10

HEX #280AE6

RGB 40 10 230

HSL 248.18, 0.92%, 0.47%

LAB 30.35, 71.99, -96.93

 

CMYK 96 / 96 / 0 / 10

HEX #0A0AE6

RGB 10 10 230

HSL 240, 0.92%, 0.47%

LAB 29.4, 71.58, -98.55

 

CMYK 5 / 96 / 0 / 10

HEX #DA0AE6

RGB 218 10 230

HSL 296.73, 0.92%, 0.47%

LAB 52.77, 88.32, -59.31

 

CMYK 5 / 96 / 0 / 10

HEX #DA0AE6

RGB 218 10 230

HSL 296.73, 0.92%, 0.47%

LAB 52.77, 88.32, -59.31

 

CMYK 5 / 86 / 0 / 17

HEX #C91DD3

RGB 201 29 211

HSL 296.7, 0.76%, 0.47%

LAB 49.5, 80.41, -53.9

 

CMYK 4 / 75 / 0 / 25

HEX #B830BF

RGB 184 48 191

HSL 297.06, 0.6%, 0.47%

LAB 47.06, 69.48, -46.39

 

CMYK 3 / 60 / 0 / 33

HEX #A644AC

RGB 166 68 172

HSL 296.54, 0.43%, 0.47%

LAB 45.93, 54.42, -37.21

 

CMYK 3 / 43 / 0 / 40

HEX #955799

RGB 149 87 153

HSL 296.36, 0.28%, 0.47%

LAB 46.32, 36.28, -25.52

 

CMYK 57 / 96 / 0 / 10

HEX #620AE6

RGB 98 10 230

HSL 264, 0.92%, 0.47%

LAB 35.06, 74.46, -88.98

 

CMYK 32 / 96 / 0 / 10

HEX #9D0AE6

RGB 157 10 230

HSL 280.09, 0.92%, 0.47%

LAB 42.91, 79.93, -75.76

 

CMYK 7 / 96 / 0 / 10

HEX #D70AE6

RGB 215 10 230

HSL 295.91, 0.92%, 0.47%

LAB 52.26, 87.86, -60.15

 

CMYK 0 / 96 / 19 / 10

HEX #E60ABA

RGB 230 10 186

HSL 312, 0.92%, 0.47%

LAB 52.49, 84.41, -34.37

 

CMYK 0 / 96 / 45 / 10

HEX #E60A7F

RGB 230 10 127

HSL 328.09, 0.92%, 0.47%

LAB 50.18, 78.4, -2.78

 

CMYK 5 / 96 / 0 / 41

HEX #8F0697

RGB 143 6 151

HSL 296.69, 0.92%, 0.31%

LAB 34.4, 64.33, -43.19

 

CMYK 5 / 96 / 0 / 25

HEX #B508BF

RGB 181 8 191

HSL 296.72, 0.92%, 0.39%

LAB 43.89, 76.72, -51.5

 

CMYK 5 / 96 / 0 / 10

HEX #DA0AE6

RGB 218 10 230

HSL 296.73, 0.92%, 0.47%

LAB 52.77, 88.32, -59.31

 

CMYK 5 / 86 / 0 / 4

HEX #EA23F6

RGB 234 35 246

HSL 296.59, 0.92%, 0.55%

LAB 57.41, 90.31, -60.69

 

CMYK 4 / 70 / 0 / 3

HEX #EE4BF7

RGB 238 75 247

HSL 296.86, 0.91%, 0.63%

LAB 61.59, 81.12, -54.54

 

CMYK 5 / 96 / 0 / 10

HEX #DA0AE6

RGB 218 10 230

HSL 296.73, 0.92%, 0.47%

LAB 52.77, 88.32, -59.31

 

CMYK 0 / 83 / 96 / 10

HEX #E6270A

RGB 230 39 10

HSL 7.91, 0.92%, 0.47%

LAB 49.85, 69.03, 60.27

 

CMYK 96 / 0 / 45 / 10

HEX #0AE67F

RGB 10 230 127

HSL 151.91, 0.92%, 0.47%

LAB 80.84, -68.68, 37.4

 

CMYK 5 / 96 / 0 / 10

HEX #DA0AE6

RGB 218 10 230

HSL 296.73, 0.92%, 0.47%

LAB 52.77, 88.32, -59.31

 

CMYK 0 / 7 / 96 / 10

HEX #E6D70A

RGB 230 215 10

HSL 55.91, 0.92%, 0.47%

LAB 84.71, -12.49, 83.66

 

CMYK 96 / 0 / 7 / 10

HEX #0AE6D7

RGB 10 230 215

HSL 175.91, 0.92%, 0.47%

LAB 82.68, -48.52, -5.72

 

CMYK 5 / 96 / 0 / 10

HEX #DA0AE6

RGB 218 10 230

HSL 296.73, 0.92%, 0.47%

LAB 52.77, 88.32, -59.31

 

CMYK 0 / 83 / 96 / 10

HEX #E6270A

RGB 230 39 10

HSL 7.91, 0.92%, 0.47%

LAB 49.85, 69.03, 60.27

 

CMYK 90 / 0 / 96 / 10

HEX #18E60A

RGB 24 230 10

HSL 116.18, 0.92%, 0.47%

LAB 80.07, -78.55, 76.2

 

CMYK 96 / 13 / 0 / 10

HEX #0AC9E6

RGB 10 201 230

HSL 187.91, 0.92%, 0.47%

LAB 74.54, -30.88, -25.99

 

CMYK 5 / 96 / 0 / 10

HEX #DA0AE6

RGB 218 10 230

HSL 296.73, 0.92%, 0.47%

LAB 52.77, 88.32, -59.31

 

CMYK 0 / 54 / 96 / 10

HEX #E6690A

RGB 230 105 10

HSL 25.91, 0.92%, 0.47%

LAB 58.93, 44.54, 65.59

 

CMYK 90 / 0 / 96 / 10

HEX #18E60A

RGB 24 230 10

HSL 116.18, 0.92%, 0.47%

LAB 80.07, -78.55, 76.2

 

CMYK 96 / 41 / 0 / 10

HEX #0A87E6

RGB 10 135 230

HSL 205.91, 0.92%, 0.47%

LAB 55.18, 5.09, -56.31

 

Description

Color code: HEX #DA0AE6 | qconv.com Color code: HEX #DA0AE6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 10 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 10 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 96 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 96% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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