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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA06DF it is the complementary color #25F920. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA06DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA06DF shade: #DF06DA, #F018ED, #FF2AFF, #FF3CFF and #FF4EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA06DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA06DF shade: #DA06DF, #C900CC, #B800B9, #A700A6 and #960093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA06DF shade: #DB06E0, #E006AA, #E0066F, #E00634 and #E00606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA06DF shade: #DB06E0, #A006E0, #6506E0, #2A06E0 and #0606E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA06DF shade matches the following richer shades: #DB06E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA06DF shade: #DB06E0, #C918CD, #B72BBB, #A63DA8 and #945095

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA06DF shade: #6406E0, #9E06E0, #D806E0, #E006AD and #E00673

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA06DF shade: #8C048F, #B305B8, #DB06E0, #F416F9 and #F63EFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA06DF shade: #DA06DF, #E02A06 and #06E081

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA06DF shade: #DA06DF, #E0D806 and #06E0D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA06DF shade: #DA06DF, #E02A06, #0DE006 and #06BBE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA06DF shade: #DA06DF, #E06B06, #0DE006 and #067AE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 97 / 0 / 13

HEX #DA06DF

RGB 218 6 223

HSL 298.62, 0.95%, 0.45%

LAB 52.25, 87.57, -56.18

 

Complementary color

CMYK 85 / 0 / 87 / 2

HEX #25F920

RGB 37 249 32

HSL 118.62, 0.95%, 0.55%

LAB 86.13, -82.18, 78.37

 

CMYK 0 / 97 / 2 / 13

HEX #DF06DA

RGB 223 6 218

HSL 301.38, 0.95%, 0.45%

LAB 52.82, 87.66, -52.37

 

CMYK 0 / 90 / 1 / 6

HEX #F018ED

RGB 240 24 237

HSL 300.83, 0.88%, 0.52%

LAB 57.36, 91.54, -55.69

 

CMYK 0 / 84 / 0 / 0

HEX #FF2AFF

RGB 255 42 255

HSL 300, 1%, 0.58%

LAB 61.77, 93.98, -58.52

 

CMYK 0 / 76 / 0 / 0

HEX #FF3CFF

RGB 255 60 255

HSL 300, 1%, 0.62%

LAB 63.1, 90.1, -56.4

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 2 / 97 / 0 / 13

HEX #DA06DF

RGB 218 6 223

HSL 298.62, 0.95%, 0.45%

LAB 52.25, 87.57, -56.18

 

CMYK 1 / 100 / 0 / 20

HEX #C900CC

RGB 201 0 204

HSL 299.12, 1%, 0.4%

LAB 47.98, 82.57, -52.3

 

CMYK 1 / 100 / 0 / 27

HEX #B800B9

RGB 184 0 185

HSL 299.68, 1%, 0.36%

LAB 43.79, 77.04, -48.11

 

CMYK 0 / 100 / 1 / 35

HEX #A700A6

RGB 167 0 166

HSL 300.36, 1%, 0.33%

LAB 39.53, 71.42, -43.82

 

CMYK 0 / 100 / 2 / 41

HEX #960093

RGB 150 0 147

HSL 301.2, 1%, 0.29%

LAB 35.18, 65.68, -39.42

 

CMYK 2 / 97 / 0 / 12

HEX #DB06E0

RGB 219 6 224

HSL 298.62, 0.95%, 0.45%

LAB 52.48, 87.88, -56.37

 

CMYK 0 / 97 / 24 / 12

HEX #E006AA

RGB 224 6 170

HSL 314.86, 0.95%, 0.45%

LAB 50.55, 81.7, -28.11

 

CMYK 0 / 97 / 50 / 12

HEX #E0066F

RGB 224 6 111

HSL 331.1, 0.95%, 0.45%

LAB 48.42, 76.14, 4.29

 

CMYK 0 / 97 / 77 / 12

HEX #E00634

RGB 224 6 52

HSL 347.34, 0.95%, 0.45%

LAB 47.27, 73.03, 38.81

 

CMYK 0 / 97 / 97 / 12

HEX #E00606

RGB 224 6 6

HSL 0, 0.95%, 0.45%

LAB 46.96, 72.19, 59.23

 

CMYK 2 / 97 / 0 / 12

HEX #DB06E0

RGB 219 6 224

HSL 298.62, 0.95%, 0.45%

LAB 52.48, 87.88, -56.37

 

CMYK 29 / 97 / 0 / 12

HEX #A006E0

RGB 160 6 224

HSL 282.39, 0.95%, 0.45%

LAB 42.74, 79.56, -72.6

 

CMYK 55 / 97 / 0 / 12

HEX #6506E0

RGB 101 6 224

HSL 266.15, 0.95%, 0.45%

LAB 34.56, 73.85, -86.37

 

CMYK 81 / 97 / 0 / 12

HEX #2A06E0

RGB 42 6 224

HSL 249.91, 0.95%, 0.45%

LAB 29.42, 71.22, -95.05

 

CMYK 97 / 97 / 0 / 12

HEX #0606E0

RGB 6 6 224

HSL 240, 0.95%, 0.45%

LAB 28.25, 70.75, -97.04

 

CMYK 2 / 97 / 0 / 12

HEX #DB06E0

RGB 219 6 224

HSL 298.62, 0.95%, 0.45%

LAB 52.48, 87.88, -56.37

 

CMYK 2 / 97 / 0 / 12

HEX #DB06E0

RGB 219 6 224

HSL 298.62, 0.95%, 0.45%

LAB 52.48, 87.88, -56.37

 

CMYK 2 / 88 / 0 / 20

HEX #C918CD

RGB 201 24 205

HSL 298.67, 0.79%, 0.45%

LAB 48.86, 80.3, -51.47

 

CMYK 2 / 77 / 0 / 27

HEX #B72BBB

RGB 183 43 187

HSL 298.33, 0.63%, 0.45%

LAB 46.15, 70.1, -45.51

 

CMYK 1 / 64 / 0 / 34

HEX #A63DA8

RGB 166 61 168

HSL 298.88, 0.47%, 0.45%

LAB 44.62, 56.75, -36.92

 

CMYK 1 / 46 / 0 / 42

HEX #945095

RGB 148 80 149

HSL 299.13, 0.3%, 0.45%

LAB 44.52, 39.01, -25.93

 

CMYK 55 / 97 / 0 / 12

HEX #6406E0

RGB 100 6 224

HSL 265.87, 0.95%, 0.45%

LAB 34.44, 73.78, -86.56

 

CMYK 29 / 97 / 0 / 12

HEX #9E06E0

RGB 158 6 224

HSL 281.83, 0.95%, 0.45%

LAB 42.43, 79.32, -73.12

 

CMYK 4 / 97 / 0 / 12

HEX #D806E0

RGB 216 6 224

HSL 297.8, 0.95%, 0.45%

LAB 51.96, 87.41, -57.23

 

CMYK 0 / 97 / 23 / 12

HEX #E006AD

RGB 224 6 173

HSL 314.04, 0.95%, 0.45%

LAB 50.68, 82.05, -29.67

 

CMYK 0 / 97 / 49 / 12

HEX #E00673

RGB 224 6 115

HSL 330, 0.95%, 0.45%

LAB 48.53, 76.44, 1.99

 

CMYK 2 / 97 / 0 / 44

HEX #8C048F

RGB 140 4 143

HSL 298.71, 0.95%, 0.29%

LAB 33.23, 62.81, -40.19

 

CMYK 3 / 97 / 0 / 28

HEX #B305B8

RGB 179 5 184

HSL 298.32, 0.95%, 0.37%

LAB 42.99, 75.6, -48.84

 

CMYK 2 / 97 / 0 / 12

HEX #DB06E0

RGB 219 6 224

HSL 298.62, 0.95%, 0.45%

LAB 52.48, 87.88, -56.37

 

CMYK 2 / 91 / 0 / 2

HEX #F416F9

RGB 244 22 249

HSL 298.68, 0.95%, 0.53%

LAB 58.65, 94.13, -60.3

 

CMYK 2 / 75 / 0 / 2

HEX #F63EFA

RGB 246 62 250

HSL 298.72, 0.95%, 0.61%

LAB 61.6, 87.11, -56.11

 

CMYK 2 / 97 / 0 / 13

HEX #DA06DF

RGB 218 6 223

HSL 298.62, 0.95%, 0.45%

LAB 52.25, 87.57, -56.18

 

CMYK 0 / 81 / 97 / 12

HEX #E02A06

RGB 224 42 6

HSL 9.91, 0.95%, 0.45%

LAB 48.9, 66.63, 60.14

 

CMYK 97 / 0 / 42 / 12

HEX #06E081

RGB 6 224 129

HSL 153.85, 0.95%, 0.45%

LAB 79, -66.46, 34.01

 

CMYK 2 / 97 / 0 / 13

HEX #DA06DF

RGB 218 6 223

HSL 298.62, 0.95%, 0.45%

LAB 52.25, 87.57, -56.18

 

CMYK 0 / 4 / 97 / 12

HEX #E0D806

RGB 224 216 6

HSL 57.8, 0.95%, 0.45%

LAB 84.47, -15.57, 83.6

 

CMYK 97 / 0 / 4 / 12

HEX #06E0D8

RGB 6 224 216

HSL 177.8, 0.95%, 0.45%

LAB 80.91, -45.77, -8.88

 

CMYK 2 / 97 / 0 / 13

HEX #DA06DF

RGB 218 6 223

HSL 298.62, 0.95%, 0.45%

LAB 52.25, 87.57, -56.18

 

CMYK 0 / 81 / 97 / 12

HEX #E02A06

RGB 224 42 6

HSL 9.91, 0.95%, 0.45%

LAB 48.9, 66.63, 60.14

 

CMYK 94 / 0 / 97 / 12

HEX #0DE006

RGB 13 224 6

HSL 118.07, 0.95%, 0.45%

LAB 78.12, -77.58, 74.94

 

CMYK 97 / 17 / 0 / 12

HEX #06BBE0

RGB 6 187 224

HSL 190.18, 0.95%, 0.45%

LAB 70.15, -26.05, -29.48

 

CMYK 2 / 97 / 0 / 13

HEX #DA06DF

RGB 218 6 223

HSL 298.62, 0.95%, 0.45%

LAB 52.25, 87.57, -56.18

 

CMYK 0 / 52 / 97 / 12

HEX #E06B06

RGB 224 107 6

HSL 27.8, 0.95%, 0.45%

LAB 58.39, 41.21, 65.5

 

CMYK 94 / 0 / 97 / 12

HEX #0DE006

RGB 13 224 6

HSL 118.07, 0.95%, 0.45%

LAB 78.12, -77.58, 74.94

 

CMYK 97 / 46 / 0 / 12

HEX #067AE0

RGB 6 122 224

HSL 208.07, 0.95%, 0.45%

LAB 51.08, 10.65, -59.53

 

Description

Color code: HEX #DA06DF | qconv.com Color code: HEX #DA06DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 6 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 6 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 97 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 97% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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