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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA06D1 it is the complementary color #25F92E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA06D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA06D1 shade: #DF06CC, #F018DF, #FF2AF2, #FF3CFF and #FF4EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA06D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA06D1 shade: #DA06D1, #C900BE, #B800AB, #A70098 and #960085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA06D1 shade: #DB06D2, #DB0698, #DB065F, #DB0625 and #DB0606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA06D1 shade: #DB06D2, #AA06DB, #7106DB, #3706DB and #0606DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA06D1 shade matches the following richer shades: #DB06D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA06D1 shade: #DB06D2, #C918C1, #B62AB1, #A43CA0 and #924E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA06D1 shade: #7006DB, #A906DB, #DB06D4, #DB069B and #DB0662

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA06D1 shade: #8A0485, #B305AB, #DB06D2, #F911EF and #FA39F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA06D1 shade: #DA06D1, #DB3706 and #06DB8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA06D1 shade: #DA06D1, #D4DB06 and #06D4DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA06D1 shade: #DA06D1, #DB3706, #06DB0D and #06A9DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA06D1 shade: #DA06D1, #DB7706, #06DB0D and #0669DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 4 / 15

HEX #DA06D1

RGB 218 6 209

HSL 302.55, 0.95%, 0.44%

LAB 51.43, 85.58, -49.5

 

Complementary color

CMYK 85 / 0 / 82 / 2

HEX #25F92E

RGB 37 249 46

HSL 122.55, 0.95%, 0.56%

LAB 86.18, -81.59, 75.4

 

CMYK 0 / 97 / 9 / 13

HEX #DF06CC

RGB 223 6 204

HSL 305.25, 0.95%, 0.45%

LAB 52.04, 85.74, -45.6

 

CMYK 0 / 90 / 7 / 6

HEX #F018DF

RGB 240 24 223

HSL 304.72, 0.88%, 0.52%

LAB 56.59, 89.6, -49.03

 

CMYK 0 / 84 / 5 / 0

HEX #FF2AF2

RGB 255 42 242

HSL 303.66, 1%, 0.58%

LAB 61.07, 92.14, -52.43

 

CMYK 0 / 76 / 0 / 0

HEX #FF3CFF

RGB 255 60 255

HSL 300, 1%, 0.62%

LAB 63.1, 90.1, -56.4

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 97 / 4 / 15

HEX #DA06D1

RGB 218 6 209

HSL 302.55, 0.95%, 0.44%

LAB 51.43, 85.58, -49.5

 

CMYK 0 / 100 / 5 / 21

HEX #C900BE

RGB 201 0 190

HSL 303.28, 1%, 0.39%

LAB 47.15, 80.57, -45.49

 

CMYK 0 / 100 / 7 / 28

HEX #B800AB

RGB 184 0 171

HSL 304.24, 1%, 0.36%

LAB 42.96, 75.03, -41.15

 

CMYK 0 / 100 / 9 / 35

HEX #A70098

RGB 167 0 152

HSL 305.39, 1%, 0.33%

LAB 38.69, 69.39, -36.69

 

CMYK 0 / 100 / 11 / 41

HEX #960085

RGB 150 0 133

HSL 306.8, 1%, 0.29%

LAB 34.35, 63.64, -32.1

 

CMYK 0 / 97 / 4 / 14

HEX #DB06D2

RGB 219 6 210

HSL 302.54, 0.95%, 0.44%

LAB 51.66, 85.88, -49.69

 

CMYK 0 / 97 / 31 / 14

HEX #DB0698

RGB 219 6 152

HSL 318.87, 0.95%, 0.44%

LAB 48.83, 78.75, -20.12

 

CMYK 0 / 97 / 57 / 14

HEX #DB065F

RGB 219 6 95

HSL 334.93, 0.95%, 0.44%

LAB 47, 73.91, 12.02

 

CMYK 0 / 97 / 83 / 14

HEX #DB0625

RGB 219 6 37

HSL 351.27, 0.95%, 0.44%

LAB 46.07, 71.4, 45.65

 

CMYK 0 / 97 / 97 / 14

HEX #DB0606

RGB 219 6 6

HSL 0, 0.95%, 0.44%

LAB 45.91, 70.95, 58.15

 

CMYK 0 / 97 / 4 / 14

HEX #DB06D2

RGB 219 6 210

HSL 302.54, 0.95%, 0.44%

LAB 51.66, 85.88, -49.69

 

CMYK 22 / 97 / 0 / 14

HEX #AA06DB

RGB 170 6 219

HSL 286.2, 0.95%, 0.44%

LAB 43.93, 79.93, -67.73

 

CMYK 48 / 97 / 0 / 14

HEX #7106DB

RGB 113 6 219

HSL 270.14, 0.95%, 0.44%

LAB 35.51, 73.69, -81.87

 

CMYK 75 / 97 / 0 / 14

HEX #3706DB

RGB 55 6 219

HSL 253.8, 0.95%, 0.44%

LAB 29.56, 70.35, -91.93

 

CMYK 97 / 97 / 0 / 14

HEX #0606DB

RGB 6 6 219

HSL 240, 0.95%, 0.44%

LAB 27.53, 69.51, -95.37

 

CMYK 0 / 97 / 4 / 14

HEX #DB06D2

RGB 219 6 210

HSL 302.54, 0.95%, 0.44%

LAB 51.66, 85.88, -49.69

 

CMYK 0 / 97 / 4 / 14

HEX #DB06D2

RGB 219 6 210

HSL 302.54, 0.95%, 0.44%

LAB 51.66, 85.88, -49.69

 

CMYK 0 / 88 / 4 / 21

HEX #C918C1

RGB 201 24 193

HSL 302.71, 0.79%, 0.44%

LAB 48.16, 78.52, -45.63

 

CMYK 0 / 77 / 3 / 29

HEX #B62AB1

RGB 182 42 177

HSL 302.14, 0.63%, 0.44%

LAB 45.32, 68.58, -40.97

 

CMYK 0 / 63 / 2 / 36

HEX #A43CA0

RGB 164 60 160

HSL 302.31, 0.46%, 0.44%

LAB 43.74, 55.28, -33.56

 

CMYK 0 / 47 / 2 / 43

HEX #924E8F

RGB 146 78 143

HSL 302.65, 0.3%, 0.44%

LAB 43.57, 38.31, -23.82

 

CMYK 49 / 97 / 0 / 14

HEX #7006DB

RGB 112 6 219

HSL 269.86, 0.95%, 0.44%

LAB 35.38, 73.6, -82.09

 

CMYK 23 / 97 / 0 / 14

HEX #A906DB

RGB 169 6 219

HSL 285.92, 0.95%, 0.44%

LAB 43.77, 79.8, -68

 

CMYK 0 / 97 / 3 / 14

HEX #DB06D4

RGB 219 6 212

HSL 301.97, 0.95%, 0.44%

LAB 51.77, 86.16, -50.65

 

CMYK 0 / 97 / 29 / 14

HEX #DB069B

RGB 219 6 155

HSL 318.03, 0.95%, 0.44%

LAB 48.95, 79.07, -21.73

 

CMYK 0 / 97 / 55 / 14

HEX #DB0662

RGB 219 6 98

HSL 334.08, 0.95%, 0.44%

LAB 47.07, 74.1, 10.26

 

CMYK 0 / 97 / 4 / 46

HEX #8A0485

RGB 138 4 133

HSL 302.24, 0.94%, 0.28%

LAB 32.22, 60.89, -35.62

 

CMYK 0 / 97 / 4 / 30

HEX #B305AB

RGB 179 5 171

HSL 302.76, 0.95%, 0.36%

LAB 42.2, 73.68, -42.4

 

CMYK 0 / 97 / 4 / 14

HEX #DB06D2

RGB 219 6 210

HSL 302.54, 0.95%, 0.44%

LAB 51.66, 85.88, -49.69

 

CMYK 0 / 93 / 4 / 2

HEX #F911EF

RGB 249 17 239

HSL 302.59, 0.95%, 0.52%

LAB 58.76, 94.02, -54.48

 

CMYK 0 / 77 / 3 / 2

HEX #FA39F2

RGB 250 57 242

HSL 302.49, 0.95%, 0.6%

LAB 61.36, 87.98, -52.02

 

CMYK 0 / 97 / 4 / 15

HEX #DA06D1

RGB 218 6 209

HSL 302.55, 0.95%, 0.44%

LAB 51.43, 85.58, -49.5

 

CMYK 0 / 75 / 97 / 14

HEX #DB3706

RGB 219 55 6

HSL 13.8, 0.95%, 0.44%

LAB 49.26, 61.44, 59.78

 

CMYK 97 / 0 / 36 / 14

HEX #06DB8D

RGB 6 219 141

HSL 158.03, 0.95%, 0.44%

LAB 77.65, -62.44, 26.1

 

CMYK 0 / 97 / 4 / 15

HEX #DA06D1

RGB 218 6 209

HSL 302.55, 0.95%, 0.44%

LAB 51.43, 85.58, -49.5

 

CMYK 3 / 0 / 97 / 14

HEX #D4DB06

RGB 212 219 6

HSL 61.97, 0.95%, 0.44%

LAB 84.32, -22.11, 83.06

 

CMYK 97 / 3 / 0 / 14

HEX #06D4DB

RGB 6 212 219

HSL 181.97, 0.95%, 0.44%

LAB 77.42, -39.58, -15.7

 

CMYK 0 / 97 / 4 / 15

HEX #DA06D1

RGB 218 6 209

HSL 302.55, 0.95%, 0.44%

LAB 51.43, 85.58, -49.5

 

CMYK 0 / 75 / 97 / 14

HEX #DB3706

RGB 219 55 6

HSL 13.8, 0.95%, 0.44%

LAB 49.26, 61.44, 59.78

 

CMYK 97 / 0 / 94 / 14

HEX #06DB0D

RGB 6 219 13

HSL 121.97, 0.95%, 0.44%

LAB 76.52, -76.38, 72.94

 

CMYK 97 / 23 / 0 / 14

HEX #06A9DB

RGB 6 169 219

HSL 194.08, 0.95%, 0.44%

LAB 64.59, -18.47, -35.35

 

CMYK 0 / 97 / 4 / 15

HEX #DA06D1

RGB 218 6 209

HSL 302.55, 0.95%, 0.44%

LAB 51.43, 85.58, -49.5

 

CMYK 0 / 46 / 97 / 14

HEX #DB7706

RGB 219 119 6

HSL 31.83, 0.95%, 0.44%

LAB 60.13, 33.09, 66.25

 

CMYK 97 / 0 / 94 / 14

HEX #06DB0D

RGB 6 219 13

HSL 121.97, 0.95%, 0.44%

LAB 76.52, -76.38, 72.94

 

CMYK 97 / 52 / 0 / 14

HEX #0669DB

RGB 6 105 219

HSL 212.11, 0.95%, 0.44%

LAB 45.98, 19.5, -64.94

 

Description

Color code: HEX #DA06D1 | qconv.com Color code: HEX #DA06D1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 6 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 6 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 4 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 4% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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