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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA06C4 it is the complementary color #25F93B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA06C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA06C4 shade: #DF06BF, #F018D2, #FF2AE5, #FF3CF8 and #FF4EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA06C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA06C4 shade: #DA06C4, #C900B1, #B8009E, #A7008B and #960078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA06C4 shade: #DA05C4, #DA058B, #DA0551, #DA0518 and #DA0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA06C4 shade: #DA05C4, #B705DA, #7D05DA, #4405DA and #0A05DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA06C4 shade matches the following richer shades: #DA05C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA06C4 shade: #DA05C4, #C817B6, #B629A7, #A43C99 and #924E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA06C4 shade: #7E05DA, #B705DA, #DA05C5, #DA058C and #DA0553

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA06C4 shade: #8A037C, #B204A0, #DA05C4, #F810E0 and #F938E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA06C4 shade: #DA06C4, #DA4505 and #05DA9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA06C4 shade: #DA06C4, #C5DA05 and #05C5DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA06C4 shade: #DA06C4, #DA4505, #05DA1A and #059ADA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA06C4 shade: #DA06C4, #DA8505, #05DA1A and #055ADA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 10 / 15

HEX #DA06C4

RGB 218 6 196

HSL 306.23, 0.95%, 0.44%

LAB 50.71, 83.81, -43.14

 

Complementary color

CMYK 85 / 0 / 76 / 2

HEX #25F93B

RGB 37 249 59

HSL 126.23, 0.95%, 0.56%

LAB 86.24, -80.84, 71.87

 

CMYK 0 / 97 / 14 / 13

HEX #DF06BF

RGB 223 6 191

HSL 308.85, 0.95%, 0.45%

LAB 51.36, 84.04, -39.15

 

CMYK 0 / 90 / 13 / 6

HEX #F018D2

RGB 240 24 210

HSL 308.33, 0.88%, 0.52%

LAB 55.92, 87.89, -42.7

 

CMYK 0 / 84 / 10 / 0

HEX #FF2AE5

RGB 255 42 229

HSL 307.32, 1%, 0.58%

LAB 60.4, 90.37, -46.21

 

CMYK 0 / 76 / 3 / 0

HEX #FF3CF8

RGB 255 60 248

HSL 302.15, 1%, 0.62%

LAB 62.73, 89.07, -53.12

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 97 / 10 / 15

HEX #DA06C4

RGB 218 6 196

HSL 306.23, 0.95%, 0.44%

LAB 50.71, 83.81, -43.14

 

CMYK 0 / 100 / 12 / 21

HEX #C900B1

RGB 201 0 177

HSL 307.16, 1%, 0.39%

LAB 46.43, 78.81, -38.99

 

CMYK 0 / 100 / 14 / 28

HEX #B8009E

RGB 184 0 158

HSL 308.48, 1%, 0.36%

LAB 42.24, 73.26, -34.49

 

CMYK 0 / 100 / 17 / 35

HEX #A7008B

RGB 167 0 139

HSL 310.06, 1%, 0.33%

LAB 37.98, 67.63, -29.86

 

CMYK 0 / 100 / 20 / 41

HEX #960078

RGB 150 0 120

HSL 312, 1%, 0.29%

LAB 33.65, 61.89, -25.06

 

CMYK 0 / 98 / 10 / 15

HEX #DA05C4

RGB 218 5 196

HSL 306.2, 0.96%, 0.44%

LAB 50.69, 83.89, -43.18

 

CMYK 0 / 98 / 36 / 15

HEX #DA058B

RGB 218 5 139

HSL 322.25, 0.96%, 0.44%

LAB 48.11, 77.32, -13.41

 

CMYK 0 / 98 / 63 / 15

HEX #DA0551

RGB 218 5 81

HSL 338.59, 0.96%, 0.44%

LAB 46.46, 72.93, 19.95

 

CMYK 0 / 98 / 89 / 15

HEX #DA0518

RGB 218 5 24

HSL 354.65, 0.96%, 0.44%

LAB 45.74, 70.98, 51.66

 

CMYK 0 / 98 / 98 / 15

HEX #DA0505

RGB 218 5 5

HSL 0, 0.96%, 0.44%

LAB 45.67, 70.78, 58.22

 

CMYK 0 / 98 / 10 / 15

HEX #DA05C4

RGB 218 5 196

HSL 306.2, 0.96%, 0.44%

LAB 50.69, 83.89, -43.18

 

CMYK 16 / 98 / 0 / 15

HEX #B705DA

RGB 183 5 218

HSL 290.14, 0.96%, 0.44%

LAB 45.96, 81.63, -63.77

 

CMYK 43 / 98 / 0 / 15

HEX #7D05DA

RGB 125 5 218

HSL 273.8, 0.96%, 0.44%

LAB 36.99, 74.68, -78.8

 

CMYK 69 / 98 / 0 / 15

HEX #4405DA

RGB 68 5 218

HSL 257.75, 0.96%, 0.44%

LAB 30.4, 70.76, -89.92

 

CMYK 95 / 98 / 0 / 15

HEX #0A05DA

RGB 10 5 218

HSL 241.41, 0.96%, 0.44%

LAB 27.39, 69.47, -95.01

 

CMYK 0 / 98 / 10 / 15

HEX #DA05C4

RGB 218 5 196

HSL 306.2, 0.96%, 0.44%

LAB 50.69, 83.89, -43.18

 

CMYK 0 / 98 / 10 / 15

HEX #DA05C4

RGB 218 5 196

HSL 306.2, 0.96%, 0.44%

LAB 50.69, 83.89, -43.18

 

CMYK 0 / 89 / 9 / 22

HEX #C817B6

RGB 200 23 182

HSL 306.1, 0.79%, 0.44%

LAB 47.33, 76.93, -40.54

 

CMYK 0 / 77 / 8 / 29

HEX #B629A7

RGB 182 41 167

HSL 306.38, 0.63%, 0.44%

LAB 44.69, 67.33, -36.05

 

CMYK 0 / 63 / 7 / 36

HEX #A43C99

RGB 164 60 153

HSL 306.35, 0.46%, 0.44%

LAB 43.4, 54.09, -29.92

 

CMYK 0 / 47 / 5 / 43

HEX #924E8B

RGB 146 78 139

HSL 306.18, 0.3%, 0.44%

LAB 43.4, 37.56, -21.68

 

CMYK 42 / 98 / 0 / 15

HEX #7E05DA

RGB 126 5 218

HSL 274.08, 0.96%, 0.44%

LAB 37.13, 74.78, -78.57

 

CMYK 16 / 98 / 0 / 15

HEX #B705DA

RGB 183 5 218

HSL 290.14, 0.96%, 0.44%

LAB 45.96, 81.63, -63.77

 

CMYK 0 / 98 / 10 / 15

HEX #DA05C5

RGB 218 5 197

HSL 305.92, 0.96%, 0.44%

LAB 50.74, 84.02, -43.67

 

CMYK 0 / 98 / 36 / 15

HEX #DA058C

RGB 218 5 140

HSL 321.97, 0.96%, 0.44%

LAB 48.14, 77.41, -13.96

 

CMYK 0 / 98 / 62 / 15

HEX #DA0553

RGB 218 5 83

HSL 338.03, 0.96%, 0.44%

LAB 46.5, 73.04, 18.76

 

CMYK 0 / 98 / 10 / 46

HEX #8A037C

RGB 138 3 124

HSL 306.22, 0.96%, 0.28%

LAB 31.63, 59.7, -30.92

 

CMYK 0 / 98 / 10 / 30

HEX #B204A0

RGB 178 4 160

HSL 306.21, 0.96%, 0.36%

LAB 41.36, 72.05, -37.17

 

CMYK 0 / 98 / 10 / 15

HEX #DA05C4

RGB 218 5 196

HSL 306.2, 0.96%, 0.44%

LAB 50.69, 83.89, -43.18

 

CMYK 0 / 94 / 10 / 3

HEX #F810E0

RGB 248 16 224

HSL 306.21, 0.94%, 0.52%

LAB 57.76, 91.93, -47.65

 

CMYK 0 / 78 / 8 / 2

HEX #F938E5

RGB 249 56 229

HSL 306.22, 0.94%, 0.6%

LAB 60.45, 86.18, -46.2

 

CMYK 0 / 97 / 10 / 15

HEX #DA06C4

RGB 218 6 196

HSL 306.23, 0.95%, 0.44%

LAB 50.71, 83.81, -43.14

 

CMYK 0 / 68 / 98 / 15

HEX #DA4505

RGB 218 69 5

HSL 18.03, 0.96%, 0.44%

LAB 50.89, 56.12, 60.8

 

CMYK 98 / 0 / 29 / 15

HEX #05DA9A

RGB 5 218 154

HSL 161.97, 0.96%, 0.44%

LAB 77.58, -59.33, 19.22

 

CMYK 0 / 97 / 10 / 15

HEX #DA06C4

RGB 218 6 196

HSL 306.23, 0.95%, 0.44%

LAB 50.71, 83.81, -43.14

 

CMYK 10 / 0 / 98 / 15

HEX #C5DA05

RGB 197 218 5

HSL 65.92, 0.96%, 0.44%

LAB 82.93, -27.89, 81.61

 

CMYK 98 / 10 / 0 / 15

HEX #05C5DA

RGB 5 197 218

HSL 185.92, 0.96%, 0.44%

LAB 72.91, -32.94, -21.99

 

CMYK 0 / 97 / 10 / 15

HEX #DA06C4

RGB 218 6 196

HSL 306.23, 0.95%, 0.44%

LAB 50.71, 83.81, -43.14

 

CMYK 0 / 68 / 98 / 15

HEX #DA4505

RGB 218 69 5

HSL 18.03, 0.96%, 0.44%

LAB 50.89, 56.12, 60.8

 

CMYK 98 / 0 / 88 / 15

HEX #05DA1A

RGB 5 218 26

HSL 125.92, 0.96%, 0.44%

LAB 76.22, -75.79, 70.79

 

CMYK 98 / 29 / 0 / 15

HEX #059ADA

RGB 5 154 218

HSL 198.03, 0.96%, 0.44%

LAB 60.07, -10.68, -41.86

 

CMYK 0 / 97 / 10 / 15

HEX #DA06C4

RGB 218 6 196

HSL 306.23, 0.95%, 0.44%

LAB 50.71, 83.81, -43.14

 

CMYK 0 / 39 / 98 / 15

HEX #DA8505

RGB 218 133 5

HSL 36.06, 0.96%, 0.44%

LAB 63.09, 25.27, 68.28

 

CMYK 98 / 0 / 88 / 15

HEX #05DA1A

RGB 5 218 26

HSL 125.92, 0.96%, 0.44%

LAB 76.22, -75.79, 70.79

 

CMYK 98 / 59 / 0 / 15

HEX #055ADA

RGB 5 90 218

HSL 216.06, 0.96%, 0.44%

LAB 41.86, 28.83, -71.09

 

Description

Color code: HEX #DA06C4 | qconv.com Color code: HEX #DA06C4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 6 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 6 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 10 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 10% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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