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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA02B2 it is the complementary color #25FD4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA02B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA02B2 shade: #DF02AD, #F014C0, #FF26D3, #FF38E6 and #FF4AF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA02B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA02B2 shade: #DA02B2, #C9009F, #B8008C, #A70079 and #960066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA02B2 shade: #D902B1, #D90277, #D9023D, #D90203 and #D90202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA02B2 shade: #D902B1, #C702D9, #8D02D9, #5302D9 and #1902D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA02B2 shade matches the following richer shades: #D902B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA02B2 shade: #D902B1, #C714A6, #B6269B, #A43790 and #924985

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA02B2 shade: #8E02D9, #C702D9, #D902B2, #D90278 and #D9023F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA02B2 shade: #87016F, #B00290, #D902B1, #FD08CF and #FD31D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA02B2 shade: #DA02B2, #D95502 and #02D9AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA02B2 shade: #DA02B2, #B2D902 and #02B2D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA02B2 shade: #DA02B2, #D95502, #02D92A and #0287D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA02B2 shade: #DA02B2, #D99502, #02D92A and #0246D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 18 / 15

HEX #DA02B2

RGB 218 2 178

HSL 311.11, 0.98%, 0.43%

LAB 49.69, 81.83, -34.24

 

Complementary color

CMYK 85 / 0 / 70 / 1

HEX #25FD4D

RGB 37 253 77

HSL 131.11, 0.98%, 0.57%

LAB 87.57, -80.6, 67.21

 

CMYK 0 / 99 / 22 / 13

HEX #DF02AD

RGB 223 2 173

HSL 313.57, 0.98%, 0.44%

LAB 50.39, 82.16, -30.13

 

CMYK 0 / 92 / 20 / 6

HEX #F014C0

RGB 240 20 192

HSL 313.09, 0.88%, 0.51%

LAB 54.9, 86.11, -33.96

 

CMYK 0 / 85 / 17 / 0

HEX #FF26D3

RGB 255 38 211

HSL 312.17, 1%, 0.57%

LAB 59.3, 88.77, -37.78

 

CMYK 0 / 78 / 10 / 0

HEX #FF38E6

RGB 255 56 230

HSL 307.54, 1%, 0.61%

LAB 61.48, 87.51, -45.07

 

CMYK 0 / 71 / 2 / 0

HEX #FF4AF9

RGB 255 74 249

HSL 301.99, 1%, 0.65%

LAB 64.16, 85.28, -51.41

 

CMYK 0 / 99 / 18 / 15

HEX #DA02B2

RGB 218 2 178

HSL 311.11, 0.98%, 0.43%

LAB 49.69, 81.83, -34.24

 

CMYK 0 / 100 / 21 / 21

HEX #C9009F

RGB 201 0 159

HSL 312.54, 1%, 0.39%

LAB 45.53, 76.54, -29.72

 

CMYK 0 / 100 / 24 / 28

HEX #B8008C

RGB 184 0 140

HSL 314.35, 1%, 0.36%

LAB 41.35, 71.02, -24.97

 

CMYK 0 / 100 / 28 / 35

HEX #A70079

RGB 167 0 121

HSL 316.53, 1%, 0.33%

LAB 37.11, 65.42, -20.04

 

CMYK 0 / 100 / 32 / 41

HEX #960066

RGB 150 0 102

HSL 319.2, 1%, 0.29%

LAB 32.8, 59.73, -14.9

 

CMYK 0 / 99 / 18 / 15

HEX #D902B1

RGB 217 2 177

HSL 311.16, 0.98%, 0.43%

LAB 49.46, 81.52, -34.03

 

CMYK 0 / 99 / 45 / 15

HEX #D90277

RGB 217 2 119

HSL 327.35, 0.98%, 0.43%

LAB 47.14, 75.56, -2.66

 

CMYK 0 / 99 / 72 / 15

HEX #D9023D

RGB 217 2 61

HSL 343.53, 0.98%, 0.43%

LAB 45.81, 72.01, 31.4

 

CMYK 0 / 99 / 99 / 15

HEX #D90203

RGB 217 2 3

HSL 359.72, 0.98%, 0.43%

LAB 45.36, 70.77, 58.58

 

CMYK 0 / 99 / 99 / 15

HEX #D90202

RGB 217 2 2

HSL 0, 0.98%, 0.43%

LAB 45.36, 70.76, 58.89

 

CMYK 0 / 99 / 18 / 15

HEX #D902B1

RGB 217 2 177

HSL 311.16, 0.98%, 0.43%

LAB 49.46, 81.52, -34.03

 

CMYK 8 / 99 / 0 / 15

HEX #C702D9

RGB 199 2 217

HSL 294.98, 0.98%, 0.43%

LAB 48.51, 84.06, -58.95

 

CMYK 35 / 99 / 0 / 15

HEX #8D02D9

RGB 141 2 217

HSL 278.79, 0.98%, 0.43%

LAB 39.1, 76.47, -74.67

 

CMYK 62 / 99 / 0 / 15

HEX #5302D9

RGB 83 2 217

HSL 262.6, 0.98%, 0.43%

LAB 31.56, 71.73, -87.37

 

CMYK 88 / 99 / 0 / 15

HEX #1902D9

RGB 25 2 217

HSL 246.42, 0.98%, 0.43%

LAB 27.46, 69.93, -94.31

 

CMYK 0 / 99 / 18 / 15

HEX #D902B1

RGB 217 2 177

HSL 311.16, 0.98%, 0.43%

LAB 49.46, 81.52, -34.03

 

CMYK 0 / 99 / 18 / 15

HEX #D902B1

RGB 217 2 177

HSL 311.16, 0.98%, 0.43%

LAB 49.46, 81.52, -34.03

 

CMYK 0 / 90 / 17 / 22

HEX #C714A6

RGB 199 20 166

HSL 311.06, 0.82%, 0.43%

LAB 46.17, 75.03, -32.91

 

CMYK 0 / 79 / 15 / 29

HEX #B6269B

RGB 182 38 155

HSL 311.25, 0.65%, 0.43%

LAB 43.8, 66.42, -30.27

 

CMYK 0 / 66 / 12 / 36

HEX #A43790

RGB 164 55 144

HSL 311.01, 0.5%, 0.43%

LAB 42.21, 54.72, -26.33

 

CMYK 0 / 50 / 9 / 43

HEX #924985

RGB 146 73 133

HSL 310.68, 0.33%, 0.43%

LAB 42.11, 39.15, -20.03

 

CMYK 35 / 99 / 0 / 15

HEX #8E02D9

RGB 142 2 217

HSL 279.07, 0.98%, 0.43%

LAB 39.25, 76.57, -74.42

 

CMYK 8 / 99 / 0 / 15

HEX #C702D9

RGB 199 2 217

HSL 294.98, 0.98%, 0.43%

LAB 48.51, 84.06, -58.95

 

CMYK 0 / 99 / 18 / 15

HEX #D902B2

RGB 217 2 178

HSL 310.88, 0.98%, 0.43%

LAB 49.51, 81.64, -34.54

 

CMYK 0 / 99 / 45 / 15

HEX #D90278

RGB 217 2 120

HSL 327.07, 0.98%, 0.43%

LAB 47.17, 75.64, -3.23

 

CMYK 0 / 99 / 71 / 15

HEX #D9023F

RGB 217 2 63

HSL 342.98, 0.98%, 0.43%

LAB 45.84, 72.09, 30.22

 

CMYK 0 / 99 / 18 / 47

HEX #87016F

RGB 135 1 111

HSL 310.75, 0.99%, 0.27%

LAB 30.21, 57.6, -24.94

 

CMYK 0 / 99 / 18 / 31

HEX #B00290

RGB 176 2 144

HSL 311.03, 0.98%, 0.35%

LAB 40.06, 69.76, -29.54

 

CMYK 0 / 99 / 18 / 15

HEX #D902B1

RGB 217 2 177

HSL 311.16, 0.98%, 0.43%

LAB 49.46, 81.52, -34.03

 

CMYK 0 / 97 / 18 / 1

HEX #FD08CF

RGB 253 8 207

HSL 311.27, 0.98%, 0.51%

LAB 57.62, 91.24, -38.16

 

CMYK 0 / 81 / 15 / 1

HEX #FD31D7

RGB 253 49 215

HSL 311.18, 0.98%, 0.59%

LAB 59.88, 86.74, -39.17

 

CMYK 0 / 99 / 18 / 15

HEX #DA02B2

RGB 218 2 178

HSL 311.11, 0.98%, 0.43%

LAB 49.69, 81.83, -34.24

 

CMYK 0 / 61 / 99 / 15

HEX #D95502

RGB 217 85 2

HSL 23.16, 0.98%, 0.43%

LAB 53.23, 49, 62.66

 

CMYK 99 / 0 / 21 / 15

HEX #02D9AB

RGB 2 217 171

HSL 167.16, 0.98%, 0.43%

LAB 77.63, -55.04, 10.29

 

CMYK 0 / 99 / 18 / 15

HEX #DA02B2

RGB 218 2 178

HSL 311.11, 0.98%, 0.43%

LAB 49.69, 81.83, -34.24

 

CMYK 18 / 0 / 99 / 15

HEX #B2D902

RGB 178 217 2

HSL 70.88, 0.98%, 0.43%

LAB 81.34, -35.2, 80.11

 

CMYK 99 / 18 / 0 / 15

HEX #02B2D9

RGB 2 178 217

HSL 190.88, 0.98%, 0.43%

LAB 67.17, -23.97, -30.24

 

CMYK 0 / 99 / 18 / 15

HEX #DA02B2

RGB 218 2 178

HSL 311.11, 0.98%, 0.43%

LAB 49.69, 81.83, -34.24

 

CMYK 0 / 61 / 99 / 15

HEX #D95502

RGB 217 85 2

HSL 23.16, 0.98%, 0.43%

LAB 53.23, 49, 62.66

 

CMYK 99 / 0 / 81 / 15

HEX #02D92A

RGB 2 217 42

HSL 131.16, 0.98%, 0.43%

LAB 75.95, -74.89, 66.9

 

CMYK 99 / 38 / 0 / 15

HEX #0287D9

RGB 2 135 217

HSL 202.88, 0.98%, 0.43%

LAB 54.4, -0.14, -50.28

 

CMYK 0 / 99 / 18 / 15

HEX #DA02B2

RGB 218 2 178

HSL 311.11, 0.98%, 0.43%

LAB 49.69, 81.83, -34.24

 

CMYK 0 / 31 / 99 / 15

HEX #D99502

RGB 217 149 2

HSL 41.02, 0.98%, 0.43%

LAB 66.71, 16.21, 71.08

 

CMYK 99 / 0 / 81 / 15

HEX #02D92A

RGB 2 217 42

HSL 131.16, 0.98%, 0.43%

LAB 75.95, -74.89, 66.9

 

CMYK 99 / 68 / 0 / 15

HEX #0246D9

RGB 2 70 217

HSL 221.02, 0.98%, 0.43%

LAB 36.75, 41.26, -78.9

 

Description

Color code: HEX #DA02B2 | qconv.com Color code: HEX #DA02B2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 2 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 2 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 18 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 18% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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