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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA02AD it is the complementary color #25FD52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA02AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA02AD shade: #DF02A8, #F014BB, #FF26CE, #FF38E1 and #FF4AF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA02AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA02AD shade: #DA02AD, #C9009A, #B80087, #A70074 and #960061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA02AD shade: #D902AC, #D90272, #D90238 and #D90202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA02AD shade: #D902AC, #CC02D9, #9202D9, #5802D9 and #1E02D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA02AD shade matches the following richer shades: #D902AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA02AD shade: #D902AC, #C714A2, #B62698, #A4378D and #924983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA02AD shade: #9102D9, #CB02D9, #D902AE, #D90275 and #D9023C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA02AD shade: #87016B, #B0028C, #D902AC, #FD08CA and #FD31D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA02AD shade: #DA02AD, #D95802 and #02D9AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA02AD shade: #DA02AD, #AED902 and #02AED9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA02AD shade: #DA02AD, #D95802, #02D92D and #0283D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA02AD shade: #DA02AD, #D99902, #02D92D and #0243D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 21 / 15

HEX #DA02AD

RGB 218 2 173

HSL 312.5, 0.98%, 0.43%

LAB 49.45, 81.22, -31.66

 

Complementary color

CMYK 85 / 0 / 68 / 1

HEX #25FD52

RGB 37 253 82

HSL 132.5, 0.98%, 0.57%

LAB 87.61, -80.16, 65.39

 

CMYK 0 / 99 / 25 / 13

HEX #DF02A8

RGB 223 2 168

HSL 314.93, 0.98%, 0.44%

LAB 50.17, 81.59, -27.53

 

CMYK 0 / 92 / 22 / 6

HEX #F014BB

RGB 240 20 187

HSL 314.45, 0.88%, 0.51%

LAB 54.67, 85.52, -31.42

 

CMYK 0 / 85 / 19 / 0

HEX #FF26CE

RGB 255 38 206

HSL 313.55, 1%, 0.57%

LAB 59.07, 88.16, -35.29

 

CMYK 0 / 78 / 12 / 0

HEX #FF38E1

RGB 255 56 225

HSL 309.05, 1%, 0.61%

LAB 61.24, 86.84, -42.64

 

CMYK 0 / 71 / 4 / 0

HEX #FF4AF4

RGB 255 74 244

HSL 303.65, 1%, 0.65%

LAB 63.91, 84.53, -49.04

 

CMYK 0 / 99 / 21 / 15

HEX #DA02AD

RGB 218 2 173

HSL 312.5, 0.98%, 0.43%

LAB 49.45, 81.22, -31.66

 

CMYK 0 / 100 / 23 / 21

HEX #C9009A

RGB 201 0 154

HSL 314.03, 1%, 0.39%

LAB 45.29, 75.95, -27.08

 

CMYK 0 / 100 / 27 / 28

HEX #B80087

RGB 184 0 135

HSL 315.98, 1%, 0.36%

LAB 41.12, 70.44, -22.25

 

CMYK 0 / 100 / 31 / 35

HEX #A70074

RGB 167 0 116

HSL 318.32, 1%, 0.33%

LAB 36.89, 64.85, -17.24

 

CMYK 0 / 100 / 35 / 41

HEX #960061

RGB 150 0 97

HSL 321.2, 1%, 0.29%

LAB 32.58, 59.19, -11.99

 

CMYK 0 / 99 / 21 / 15

HEX #D902AC

RGB 217 2 172

HSL 312.56, 0.98%, 0.43%

LAB 49.22, 80.92, -31.45

 

CMYK 0 / 99 / 47 / 15

HEX #D90272

RGB 217 2 114

HSL 328.74, 0.98%, 0.43%

LAB 46.99, 75.15, 0.19

 

CMYK 0 / 99 / 74 / 15

HEX #D90238

RGB 217 2 56

HSL 344.93, 0.98%, 0.43%

LAB 45.74, 71.82, 34.34

 

CMYK 0 / 99 / 99 / 15

HEX #D90202

RGB 217 2 2

HSL 0, 0.98%, 0.43%

LAB 45.36, 70.76, 58.89

 

CMYK 0 / 99 / 21 / 15

HEX #D902AC

RGB 217 2 172

HSL 312.56, 0.98%, 0.43%

LAB 49.22, 80.92, -31.45

 

CMYK 6 / 99 / 0 / 15

HEX #CC02D9

RGB 204 2 217

HSL 296.37, 0.98%, 0.43%

LAB 49.36, 84.81, -57.52

 

CMYK 33 / 99 / 0 / 15

HEX #9202D9

RGB 146 2 217

HSL 280.19, 0.98%, 0.43%

LAB 39.86, 77.02, -73.4

 

CMYK 59 / 99 / 0 / 15

HEX #5802D9

RGB 88 2 217

HSL 264, 0.98%, 0.43%

LAB 32.1, 72.01, -86.46

 

CMYK 86 / 99 / 0 / 15

HEX #1E02D9

RGB 30 2 217

HSL 247.81, 0.98%, 0.43%

LAB 27.65, 69.99, -93.99

 

CMYK 0 / 99 / 21 / 15

HEX #D902AC

RGB 217 2 172

HSL 312.56, 0.98%, 0.43%

LAB 49.22, 80.92, -31.45

 

CMYK 0 / 99 / 21 / 15

HEX #D902AC

RGB 217 2 172

HSL 312.56, 0.98%, 0.43%

LAB 49.22, 80.92, -31.45

 

CMYK 0 / 90 / 19 / 22

HEX #C714A2

RGB 199 20 162

HSL 312.4, 0.82%, 0.43%

LAB 45.98, 74.52, -30.83

 

CMYK 0 / 79 / 16 / 29

HEX #B62698

RGB 182 38 152

HSL 312.5, 0.65%, 0.43%

LAB 43.65, 66, -28.69

 

CMYK 0 / 66 / 14 / 36

HEX #A4378D

RGB 164 55 141

HSL 312.66, 0.5%, 0.43%

LAB 42.07, 54.26, -24.73

 

CMYK 0 / 50 / 10 / 43

HEX #924983

RGB 146 73 131

HSL 312.33, 0.33%, 0.43%

LAB 42.02, 38.8, -18.94

 

CMYK 33 / 99 / 0 / 15

HEX #9102D9

RGB 145 2 217

HSL 279.91, 0.98%, 0.43%

LAB 39.7, 76.91, -73.65

 

CMYK 6 / 99 / 0 / 15

HEX #CB02D9

RGB 203 2 217

HSL 296.09, 0.98%, 0.43%

LAB 49.19, 84.66, -57.81

 

CMYK 0 / 99 / 20 / 15

HEX #D902AE

RGB 217 2 174

HSL 312, 0.98%, 0.43%

LAB 49.32, 81.16, -32.49

 

CMYK 0 / 99 / 46 / 15

HEX #D90275

RGB 217 2 117

HSL 327.91, 0.98%, 0.43%

LAB 47.08, 75.39, -1.53

 

CMYK 0 / 99 / 72 / 15

HEX #D9023C

RGB 217 2 60

HSL 343.81, 0.98%, 0.43%

LAB 45.8, 71.97, 31.99

 

CMYK 0 / 99 / 21 / 47

HEX #87016B

RGB 135 1 107

HSL 312.54, 0.99%, 0.27%

LAB 30, 57.07, -22.7

 

CMYK 0 / 99 / 20 / 31

HEX #B0028C

RGB 176 2 140

HSL 312.41, 0.98%, 0.35%

LAB 39.86, 69.26, -27.41

 

CMYK 0 / 99 / 21 / 15

HEX #D902AC

RGB 217 2 172

HSL 312.56, 0.98%, 0.43%

LAB 49.22, 80.92, -31.45

 

CMYK 0 / 97 / 20 / 1

HEX #FD08CA

RGB 253 8 202

HSL 312.49, 0.98%, 0.51%

LAB 57.39, 90.66, -35.66

 

CMYK 0 / 81 / 17 / 1

HEX #FD31D2

RGB 253 49 210

HSL 312.65, 0.98%, 0.59%

LAB 59.65, 86.1, -36.69

 

CMYK 0 / 99 / 21 / 15

HEX #DA02AD

RGB 218 2 173

HSL 312.5, 0.98%, 0.43%

LAB 49.45, 81.22, -31.66

 

CMYK 0 / 59 / 99 / 15

HEX #D95802

RGB 217 88 2

HSL 24, 0.98%, 0.43%

LAB 53.75, 47.63, 62.95

 

CMYK 99 / 0 / 20 / 15

HEX #02D9AE

RGB 2 217 174

HSL 168, 0.98%, 0.43%

LAB 77.69, -54.3, 8.8

 

CMYK 0 / 99 / 21 / 15

HEX #DA02AD

RGB 218 2 173

HSL 312.5, 0.98%, 0.43%

LAB 49.45, 81.22, -31.66

 

CMYK 20 / 0 / 99 / 15

HEX #AED902

RGB 174 217 2

HSL 72, 0.98%, 0.43%

LAB 81.09, -36.8, 79.8

 

CMYK 99 / 20 / 0 / 15

HEX #02AED9

RGB 2 174 217

HSL 192, 0.98%, 0.43%

LAB 65.98, -21.91, -32.09

 

CMYK 0 / 99 / 21 / 15

HEX #DA02AD

RGB 218 2 173

HSL 312.5, 0.98%, 0.43%

LAB 49.45, 81.22, -31.66

 

CMYK 0 / 59 / 99 / 15

HEX #D95802

RGB 217 88 2

HSL 24, 0.98%, 0.43%

LAB 53.75, 47.63, 62.95

 

CMYK 99 / 0 / 79 / 15

HEX #02D92D

RGB 2 217 45

HSL 132, 0.98%, 0.43%

LAB 75.96, -74.71, 66.07

 

CMYK 99 / 40 / 0 / 15

HEX #0283D9

RGB 2 131 217

HSL 204, 0.98%, 0.43%

LAB 53.23, 2.26, -52.15

 

CMYK 0 / 99 / 21 / 15

HEX #DA02AD

RGB 218 2 173

HSL 312.5, 0.98%, 0.43%

LAB 49.45, 81.22, -31.66

 

CMYK 0 / 29 / 99 / 15

HEX #D99902

RGB 217 153 2

HSL 42.14, 0.98%, 0.43%

LAB 67.68, 14.06, 71.74

 

CMYK 99 / 0 / 79 / 15

HEX #02D92D

RGB 2 217 45

HSL 132, 0.98%, 0.43%

LAB 75.96, -74.71, 66.07

 

CMYK 99 / 69 / 0 / 15

HEX #0243D9

RGB 2 67 217

HSL 221.86, 0.98%, 0.43%

LAB 36.06, 43.14, -80.04

 

Description

Color code: HEX #DA02AD | qconv.com Color code: HEX #DA02AD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 2 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 2 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 21 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 21% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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