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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA01C0 it is the complementary color #25FE3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA01C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA01C0 shade: #DF01BB, #F013CE, #FF25E1, #FF37F4 and #FF49FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA01C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA01C0 shade: #DA01C0, #C900AD, #B8009A, #A70087 and #960074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA01C0 shade: #DA01C0, #DA0185, #DA014B, #DA0110 and #DA0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA01C0 shade: #DA01C0, #B901DA, #7F01DA, #4401DA and #0A01DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA01C0 shade matches the following richer shades: #DA01C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA01C0 shade: #DA01C0, #C812B2, #B624A5, #A43697 and #93488A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA01C0 shade: #7F01DA, #B901DA, #DA01C0, #DA0186 and #DA014D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA01C0 shade: #880077, #B1009C, #DA01C0, #FD06E0 and #FD2FE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA01C0 shade: #DA01C0, #DA4501 and #01DA9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA01C0 shade: #DA01C0, #C0DA01 and #01C0DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA01C0 shade: #DA01C0, #DA4501, #01DA1A and #0195DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA01C0 shade: #DA01C0, #DA8601, #01DA1A and #0154DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 12 / 15

HEX #DA01C0

RGB 218 1 192

HSL 307.19, 0.99%, 0.43%

LAB 50.37, 83.66, -41.35

 

Complementary color

CMYK 85 / 0 / 75 / 0

HEX #25FE3F

RGB 37 254 63

HSL 127.19, 0.99%, 0.57%

LAB 87.79, -81.97, 72.17

 

CMYK 0 / 100 / 16 / 13

HEX #DF01BB

RGB 223 1 187

HSL 309.73, 0.99%, 0.44%

LAB 51.03, 83.91, -37.34

 

CMYK 0 / 92 / 14 / 6

HEX #F013CE

RGB 240 19 206

HSL 309.23, 0.88%, 0.51%

LAB 55.53, 87.93, -41.03

 

CMYK 0 / 85 / 12 / 0

HEX #FF25E1

RGB 255 37 225

HSL 308.26, 1%, 0.57%

LAB 59.91, 90.71, -44.74

 

CMYK 0 / 78 / 4 / 0

HEX #FF37F4

RGB 255 55 244

HSL 303.3, 1%, 0.61%

LAB 62.1, 89.71, -51.9

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 0 / 100 / 12 / 15

HEX #DA01C0

RGB 218 1 192

HSL 307.19, 0.99%, 0.43%

LAB 50.37, 83.66, -41.35

 

CMYK 0 / 100 / 14 / 21

HEX #C900AD

RGB 201 0 173

HSL 308.36, 1%, 0.39%

LAB 46.22, 78.28, -36.96

 

CMYK 0 / 100 / 16 / 28

HEX #B8009A

RGB 184 0 154

HSL 309.78, 1%, 0.36%

LAB 42.04, 72.75, -32.41

 

CMYK 0 / 100 / 19 / 35

HEX #A70087

RGB 167 0 135

HSL 311.5, 1%, 0.33%

LAB 37.78, 67.11, -27.71

 

CMYK 0 / 100 / 23 / 41

HEX #960074

RGB 150 0 116

HSL 313.6, 1%, 0.29%

LAB 33.45, 61.39, -22.84

 

CMYK 0 / 100 / 12 / 15

HEX #DA01C0

RGB 218 1 192

HSL 307.19, 0.99%, 0.43%

LAB 50.37, 83.66, -41.35

 

CMYK 0 / 100 / 39 / 15

HEX #DA0185

RGB 218 1 133

HSL 323.5, 0.99%, 0.43%

LAB 47.78, 77.07, -10.26

 

CMYK 0 / 100 / 66 / 15

HEX #DA014B

RGB 218 1 75

HSL 339.54, 0.99%, 0.43%

LAB 46.22, 72.96, 23.36

 

CMYK 0 / 100 / 93 / 15

HEX #DA0110

RGB 218 1 16

HSL 355.85, 0.99%, 0.43%

LAB 45.59, 71.22, 54.77

 

CMYK 0 / 100 / 100 / 15

HEX #DA0101

RGB 218 1 1

HSL 0, 0.99%, 0.43%

LAB 45.54, 71.09, 59.41

 

CMYK 0 / 100 / 12 / 15

HEX #DA01C0

RGB 218 1 192

HSL 307.19, 0.99%, 0.43%

LAB 50.37, 83.66, -41.35

 

CMYK 15 / 100 / 0 / 15

HEX #B901DA

RGB 185 1 218

HSL 290.88, 0.99%, 0.43%

LAB 46.17, 82.26, -63.4

 

CMYK 42 / 100 / 0 / 15

HEX #7F01DA

RGB 127 1 218

HSL 274.84, 0.99%, 0.43%

LAB 37.11, 75.36, -78.59

 

CMYK 69 / 100 / 0 / 15

HEX #4401DA

RGB 68 1 218

HSL 258.53, 0.99%, 0.43%

LAB 30.19, 71.41, -90.27

 

CMYK 95 / 100 / 0 / 15

HEX #0A01DA

RGB 10 1 218

HSL 242.49, 0.99%, 0.43%

LAB 27.15, 70.22, -95.41

 

CMYK 0 / 100 / 12 / 15

HEX #DA01C0

RGB 218 1 192

HSL 307.19, 0.99%, 0.43%

LAB 50.37, 83.66, -41.35

 

CMYK 0 / 100 / 12 / 15

HEX #DA01C0

RGB 218 1 192

HSL 307.19, 0.99%, 0.43%

LAB 50.37, 83.66, -41.35

 

CMYK 0 / 91 / 11 / 22

HEX #C812B2

RGB 200 18 178

HSL 307.25, 0.83%, 0.43%

LAB 46.88, 77.07, -38.9

 

CMYK 0 / 80 / 9 / 29

HEX #B624A5

RGB 182 36 165

HSL 306.99, 0.67%, 0.43%

LAB 44.12, 68.37, -35.75

 

CMYK 0 / 67 / 8 / 36

HEX #A43697

RGB 164 54 151

HSL 307.09, 0.5%, 0.43%

LAB 42.41, 56.24, -30.26

 

CMYK 0 / 51 / 6 / 42

HEX #93488A

RGB 147 72 138

HSL 307.2, 0.34%, 0.43%

LAB 42.27, 40.89, -22.81

 

CMYK 42 / 100 / 0 / 15

HEX #7F01DA

RGB 127 1 218

HSL 274.84, 0.99%, 0.43%

LAB 37.11, 75.36, -78.59

 

CMYK 15 / 100 / 0 / 15

HEX #B901DA

RGB 185 1 218

HSL 290.88, 0.99%, 0.43%

LAB 46.17, 82.26, -63.4

 

CMYK 0 / 100 / 12 / 15

HEX #DA01C0

RGB 218 1 192

HSL 307.19, 0.99%, 0.43%

LAB 50.37, 83.66, -41.35

 

CMYK 0 / 100 / 39 / 15

HEX #DA0186

RGB 218 1 134

HSL 323.23, 0.99%, 0.43%

LAB 47.81, 77.17, -10.82

 

CMYK 0 / 100 / 65 / 15

HEX #DA014D

RGB 218 1 77

HSL 338.99, 0.99%, 0.43%

LAB 46.26, 73.06, 22.17

 

CMYK 0 / 100 / 13 / 47

HEX #880077

RGB 136 0 119

HSL 307.5, 1%, 0.27%

LAB 30.8, 59.05, -29.1

 

CMYK 0 / 100 / 12 / 31

HEX #B1009C

RGB 177 0 156

HSL 307.12, 1%, 0.35%

LAB 40.81, 71.73, -35.64

 

CMYK 0 / 100 / 12 / 15

HEX #DA01C0

RGB 218 1 192

HSL 307.19, 0.99%, 0.43%

LAB 50.37, 83.66, -41.35

 

CMYK 0 / 98 / 11 / 1

HEX #FD06E0

RGB 253 6 224

HSL 307.04, 0.98%, 0.51%

LAB 58.41, 93.45, -46.57

 

CMYK 0 / 81 / 9 / 1

HEX #FD2FE5

RGB 253 47 229

HSL 306.99, 0.98%, 0.59%

LAB 60.4, 89.01, -46.23

 

CMYK 0 / 100 / 12 / 15

HEX #DA01C0

RGB 218 1 192

HSL 307.19, 0.99%, 0.43%

LAB 50.37, 83.66, -41.35

 

CMYK 0 / 68 / 100 / 15

HEX #DA4501

RGB 218 69 1

HSL 18.8, 0.99%, 0.43%

LAB 50.88, 56.08, 61.75

 

CMYK 100 / 0 / 28 / 15

HEX #01DA9C

RGB 1 218 156

HSL 162.86, 0.99%, 0.43%

LAB 77.61, -59, 18.21

 

CMYK 0 / 100 / 12 / 15

HEX #DA01C0

RGB 218 1 192

HSL 307.19, 0.99%, 0.43%

LAB 50.37, 83.66, -41.35

 

CMYK 12 / 0 / 100 / 15

HEX #C0DA01

RGB 192 218 1

HSL 67.19, 0.99%, 0.43%

LAB 82.57, -29.99, 81.54

 

CMYK 100 / 12 / 0 / 15

HEX #01C0DA

RGB 1 192 218

HSL 187.19, 0.99%, 0.43%

LAB 71.4, -30.63, -24.3

 

CMYK 0 / 100 / 12 / 15

HEX #DA01C0

RGB 218 1 192

HSL 307.19, 0.99%, 0.43%

LAB 50.37, 83.66, -41.35

 

CMYK 0 / 68 / 100 / 15

HEX #DA4501

RGB 218 69 1

HSL 18.8, 0.99%, 0.43%

LAB 50.88, 56.08, 61.75

 

CMYK 100 / 0 / 88 / 15

HEX #01DA1A

RGB 1 218 26

HSL 126.91, 0.99%, 0.43%

LAB 76.21, -75.93, 70.77

 

CMYK 100 / 32 / 0 / 15

HEX #0195DA

RGB 1 149 218

HSL 199.08, 0.99%, 0.43%

LAB 58.57, -7.97, -44.23

 

CMYK 0 / 100 / 12 / 15

HEX #DA01C0

RGB 218 1 192

HSL 307.19, 0.99%, 0.43%

LAB 50.37, 83.66, -41.35

 

CMYK 0 / 39 / 100 / 15

HEX #DA8601

RGB 218 134 1

HSL 36.77, 0.99%, 0.43%

LAB 63.31, 24.69, 69.04

 

CMYK 100 / 0 / 88 / 15

HEX #01DA1A

RGB 1 218 26

HSL 126.91, 0.99%, 0.43%

LAB 76.21, -75.93, 70.77

 

CMYK 100 / 61 / 0 / 15

HEX #0154DA

RGB 1 84 218

HSL 217.05, 0.99%, 0.43%

LAB 40.26, 32.64, -73.7

 

Description

Color code: HEX #DA01C0 | qconv.com Color code: HEX #DA01C0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 1 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 1 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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