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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA0147 it is the complementary color #25FEB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA0147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA0147 shade: #DF0142, #F01355, #FF2568, #FF377B and #FF498E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA0147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA0147 shade: #DA0147, #C90034, #B80021, #A7000E and #960000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA0147 shade: #DA0147, #DA010C and #DA0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA0147 shade: #DA0147, #DA0181, #DA01BC, #BD01DA and #8301DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA0147 shade matches the following richer shades: #DA0147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA0147 shade: #DA0147, #C8124D, #B62453, #A4365A and #934860

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA0147 shade: #DA01BD, #DA0183, #DA0149, #DA010F and #DA2C01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA0147 shade: #88002C, #B10039, #DA0147, #FD0656 and #FD2F72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA0147 shade: #DA0147, #DABD01 and #01A0DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA0147 shade: #DA0147, #49DA01 and #0149DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA0147 shade: #DA0147, #DABD01, #01DA91 and #011EDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA0147 shade: #DA0147, #B6DA01, #01DA91 and #2501DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 67 / 15

HEX #DA0147

RGB 218 1 71

HSL 340.65, 0.99%, 0.43%

LAB 46.15, 72.76, 25.74

 

Complementary color

CMYK 85 / 0 / 28 / 0

HEX #25FEB8

RGB 37 254 184

HSL 160.65, 0.99%, 0.57%

LAB 89.27, -64.47, 19.93

 

CMYK 0 / 100 / 70 / 13

HEX #DF0142

RGB 223 1 66

HSL 342.43, 0.99%, 0.44%

LAB 47.11, 73.72, 30.22

 

CMYK 0 / 92 / 65 / 6

HEX #F01355

RGB 240 19 85

HSL 342.08, 0.88%, 0.51%

LAB 51.44, 77.05, 24.86

 

CMYK 0 / 85 / 59 / 0

HEX #FF2568

RGB 255 37 104

HSL 341.56, 1%, 0.57%

LAB 55.67, 79.05, 19.57

 

CMYK 0 / 78 / 52 / 0

HEX #FF377B

RGB 255 55 123

HSL 339.6, 1%, 0.61%

LAB 57.48, 76.33, 10.76

 

CMYK 0 / 71 / 44 / 0

HEX #FF498E

RGB 255 73 142

HSL 337.25, 1%, 0.64%

LAB 59.87, 72.54, 2.97

 

CMYK 0 / 100 / 67 / 15

HEX #DA0147

RGB 218 1 71

HSL 340.65, 0.99%, 0.43%

LAB 46.15, 72.76, 25.74

 

CMYK 0 / 100 / 74 / 21

HEX #C90034

RGB 201 0 52

HSL 344.48, 1%, 0.39%

LAB 42.25, 68.01, 31.85

 

CMYK 0 / 100 / 82 / 28

HEX #B80021

RGB 184 0 33

HSL 349.24, 1%, 0.36%

LAB 38.38, 63.22, 37.9

 

CMYK 0 / 100 / 92 / 35

HEX #A7000E

RGB 167 0 14

HSL 354.97, 1%, 0.33%

LAB 34.49, 58.53, 43.01

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 100 / 67 / 15

HEX #DA0147

RGB 218 1 71

HSL 340.65, 0.99%, 0.43%

LAB 46.15, 72.76, 25.74

 

CMYK 0 / 100 / 94 / 15

HEX #DA010C

RGB 218 1 12

HSL 356.96, 0.99%, 0.43%

LAB 45.57, 71.18, 56.11

 

CMYK 0 / 100 / 100 / 15

HEX #DA0101

RGB 218 1 1

HSL 0, 0.99%, 0.43%

LAB 45.54, 71.09, 59.41

 

CMYK 0 / 100 / 67 / 15

HEX #DA0147

RGB 218 1 71

HSL 340.65, 0.99%, 0.43%

LAB 46.15, 72.76, 25.74

 

CMYK 0 / 100 / 41 / 15

HEX #DA0181

RGB 218 1 129

HSL 324.61, 0.99%, 0.43%

LAB 47.64, 76.71, -8.03

 

CMYK 0 / 100 / 14 / 15

HEX #DA01BC

RGB 218 1 188

HSL 308.29, 0.99%, 0.43%

LAB 50.17, 83.15, -39.35

 

CMYK 13 / 100 / 0 / 15

HEX #BD01DA

RGB 189 1 218

HSL 291.98, 0.99%, 0.43%

LAB 46.85, 82.83, -62.28

 

CMYK 40 / 100 / 0 / 15

HEX #8301DA

RGB 131 1 218

HSL 275.94, 0.99%, 0.43%

LAB 37.68, 75.74, -77.63

 

CMYK 0 / 100 / 67 / 15

HEX #DA0147

RGB 218 1 71

HSL 340.65, 0.99%, 0.43%

LAB 46.15, 72.76, 25.74

 

CMYK 0 / 100 / 67 / 15

HEX #DA0147

RGB 218 1 71

HSL 340.65, 0.99%, 0.43%

LAB 46.15, 72.76, 25.74

 

CMYK 0 / 91 / 62 / 22

HEX #C8124D

RGB 200 18 77

HSL 340.55, 0.83%, 0.43%

LAB 43.13, 67.07, 17.36

 

CMYK 0 / 80 / 54 / 29

HEX #B62453

RGB 182 36 83

HSL 340.68, 0.67%, 0.43%

LAB 40.95, 59.11, 10

 

CMYK 0 / 67 / 45 / 36

HEX #A4365A

RGB 164 54 90

HSL 340.36, 0.5%, 0.43%

LAB 40.03, 48.12, 3.81

 

CMYK 0 / 51 / 35 / 42

HEX #934860

RGB 147 72 96

HSL 340.8, 0.34%, 0.43%

LAB 40.71, 34.28, 0.69

 

CMYK 0 / 100 / 13 / 15

HEX #DA01BD

RGB 218 1 189

HSL 308.02, 0.99%, 0.43%

LAB 50.22, 83.28, -39.85

 

CMYK 0 / 100 / 40 / 15

HEX #DA0183

RGB 218 1 131

HSL 324.06, 0.99%, 0.43%

LAB 47.71, 76.89, -9.15

 

CMYK 0 / 100 / 67 / 15

HEX #DA0149

RGB 218 1 73

HSL 340.09, 0.99%, 0.43%

LAB 46.19, 72.86, 24.55

 

CMYK 0 / 100 / 93 / 15

HEX #DA010F

RGB 218 1 15

HSL 356.13, 0.99%, 0.43%

LAB 45.58, 71.21, 55.12

 

CMYK 0 / 80 / 100 / 15

HEX #DA2C01

RGB 218 44 1

HSL 11.89, 0.99%, 0.43%

LAB 47.89, 64.36, 60.35

 

CMYK 0 / 100 / 68 / 47

HEX #88002C

RGB 136 0 44

HSL 340.59, 1%, 0.27%

LAB 27.89, 51.56, 16.15

 

CMYK 0 / 100 / 68 / 31

HEX #B10039

RGB 177 0 57

HSL 340.68, 1%, 0.35%

LAB 37.19, 62.4, 21.37

 

CMYK 0 / 100 / 67 / 15

HEX #DA0147

RGB 218 1 71

HSL 340.65, 0.99%, 0.43%

LAB 46.15, 72.76, 25.74

 

CMYK 0 / 98 / 66 / 1

HEX #FD0656

RGB 253 6 86

HSL 340.57, 0.98%, 0.51%

LAB 53.69, 81.21, 27.68

 

CMYK 0 / 81 / 55 / 1

HEX #FD2F72

RGB 253 47 114

HSL 340.49, 0.98%, 0.59%

LAB 56.22, 77.14, 14.29

 

CMYK 0 / 100 / 67 / 15

HEX #DA0147

RGB 218 1 71

HSL 340.65, 0.99%, 0.43%

LAB 46.15, 72.76, 25.74

 

CMYK 0 / 13 / 100 / 15

HEX #DABD01

RGB 218 189 1

HSL 51.98, 0.99%, 0.43%

LAB 76.86, -4.55, 78.31

 

CMYK 100 / 27 / 0 / 15

HEX #01A0DA

RGB 1 160 218

HSL 196.04, 0.99%, 0.43%

LAB 61.84, -14.12, -39.1

 

CMYK 0 / 100 / 67 / 15

HEX #DA0147

RGB 218 1 71

HSL 340.65, 0.99%, 0.43%

LAB 46.15, 72.76, 25.74

 

CMYK 67 / 0 / 100 / 15

HEX #49DA01

RGB 73 218 1

HSL 100.09, 0.99%, 0.43%

LAB 77.02, -68.94, 74.85

 

CMYK 100 / 67 / 0 / 15

HEX #0149DA

RGB 1 73 218

HSL 220.09, 0.99%, 0.43%

LAB 37.54, 39.72, -78.17

 

CMYK 0 / 100 / 67 / 15

HEX #DA0147

RGB 218 1 71

HSL 340.65, 0.99%, 0.43%

LAB 46.15, 72.76, 25.74

 

CMYK 0 / 13 / 100 / 15

HEX #DABD01

RGB 218 189 1

HSL 51.98, 0.99%, 0.43%

LAB 76.86, -4.55, 78.31

 

CMYK 100 / 0 / 33 / 15

HEX #01DA91

RGB 1 218 145

HSL 159.82, 0.99%, 0.43%

LAB 77.4, -61.4, 23.67

 

CMYK 100 / 86 / 0 / 15

HEX #011EDA

RGB 1 30 218

HSL 231.98, 0.99%, 0.43%

LAB 29.4, 62.77, -91.65

 

CMYK 0 / 100 / 67 / 15

HEX #DA0147

RGB 218 1 71

HSL 340.65, 0.99%, 0.43%

LAB 46.15, 72.76, 25.74

 

CMYK 17 / 0 / 100 / 15

HEX #B6DA01

RGB 182 218 1

HSL 69.95, 0.99%, 0.43%

LAB 81.89, -34.06, 80.73

 

CMYK 100 / 0 / 33 / 15

HEX #01DA91

RGB 1 218 145

HSL 159.82, 0.99%, 0.43%

LAB 77.4, -61.4, 23.67

 

CMYK 83 / 100 / 0 / 15

HEX #2501DA

RGB 37 1 218

HSL 249.95, 0.99%, 0.43%

LAB 28.05, 70.53, -93.89

 

Description

Color code: HEX #DA0147 | qconv.com Color code: HEX #DA0147 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 1 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 1 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 67% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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