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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9FE07 it is the complementary color #2601F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9FE07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9FE07 shade: #DEFE02, #EFFF15, #FFFF28, #FFFF3B and #FFFF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9FE07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9FE07 shade: #D9FE07, #C8EC00, #B7DA00, #A6C800 and #95B600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9FE07 shade: #D9FE06, #FEE006, #FE9D06, #FE5B06 and #FE1806

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9FE07 shade: #D9FE06, #96FE06, #53FE06, #11FE06 and #06FE3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9FE07 shade matches the following richer shades: #D9FE06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9FE07 shade: #D9FE06, #CBEA1B, #BCD52F, #AEC143 and #A0AD57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9FE07 shade: #FE9B06, #FEDD06, #DDFE06, #9BFE06 and #59FE06

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9FE07 shade: #96B101, #B9DA01, #D9FE06, #DFFE2F and #E5FE58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9FE07 shade: #D9FE07, #06FE59 and #BC06FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9FE07 shade: #D9FE07, #06DDFE and #FE06DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9FE07 shade: #D9FE07, #06FE59, #2706FE and #FE06AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9FE07 shade: #D9FE07, #06FEA3, #2706FE and #FE0661

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 97 / 0

HEX #D9FE07

RGB 217 254 7

HSL 68.99, 0.99%, 0.51%

LAB 94.16, -36.38, 90.57

 

Complementary color

CMYK 85 / 100 / 0 / 3

HEX #2601F8

RGB 38 1 248

HSL 248.99, 0.99%, 0.49%

LAB 32.28, 77.7, -103.94

 

CMYK 13 / 0 / 99 / 0

HEX #DEFE02

RGB 222 254 2

HSL 67.62, 0.99%, 0.5%

LAB 94.49, -34.44, 91.31

 

CMYK 6 / 0 / 92 / 0

HEX #EFFF15

RGB 239 255 21

HSL 64.1, 1%, 0.54%

LAB 95.97, -27.89, 91.39

 

CMYK 0 / 0 / 84 / 0

HEX #FFFF28

RGB 255 255 40

HSL 60, 1%, 0.58%

LAB 97.2, -21.05, 89.93

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3B

RGB 255 255 59

HSL 60, 1%, 0.62%

LAB 97.27, -20.52, 85.51

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 15 / 0 / 97 / 0

HEX #D9FE07

RGB 217 254 7

HSL 68.99, 0.99%, 0.51%

LAB 94.16, -36.38, 90.57

 

CMYK 15 / 0 / 100 / 7

HEX #C8EC00

RGB 200 236 0

HSL 69.15, 1%, 0.46%

LAB 88.1, -35.06, 86.01

 

CMYK 16 / 0 / 100 / 15

HEX #B7DA00

RGB 183 218 0

HSL 69.63, 1%, 0.43%

LAB 81.95, -33.67, 80.9

 

CMYK 17 / 0 / 100 / 22

HEX #A6C800

RGB 166 200 0

HSL 70.2, 1%, 0.39%

LAB 75.71, -32.27, 75.7

 

CMYK 18 / 0 / 100 / 29

HEX #95B600

RGB 149 182 0

HSL 70.88, 1%, 0.36%

LAB 69.36, -30.85, 70.41

 

CMYK 15 / 0 / 98 / 0

HEX #D9FE06

RGB 217 254 6

HSL 68.95, 0.99%, 0.51%

LAB 94.16, -36.39, 90.64

 

CMYK 0 / 12 / 98 / 0

HEX #FEE006

RGB 254 224 6

HSL 52.74, 0.99%, 0.51%

LAB 89.11, -6.83, 88.16

 

CMYK 0 / 38 / 98 / 0

HEX #FE9D06

RGB 254 157 6

HSL 36.53, 0.99%, 0.51%

LAB 73.02, 27.73, 76.94

 

CMYK 0 / 64 / 98 / 0

HEX #FE5B06

RGB 254 91 6

HSL 20.56, 0.99%, 0.51%

LAB 60.4, 59.38, 69.16

 

CMYK 0 / 91 / 98 / 0

HEX #FE1806

RGB 254 24 6

HSL 4.35, 0.99%, 0.51%

LAB 53.75, 77.87, 65.82

 

CMYK 15 / 0 / 98 / 0

HEX #D9FE06

RGB 217 254 6

HSL 68.95, 0.99%, 0.51%

LAB 94.16, -36.39, 90.64

 

CMYK 41 / 0 / 98 / 0

HEX #96FE06

RGB 150 254 6

HSL 85.16, 0.99%, 0.51%

LAB 90.5, -60.72, 86.22

 

CMYK 67 / 0 / 98 / 0

HEX #53FE06

RGB 83 254 6

HSL 101.37, 0.99%, 0.51%

LAB 88.32, -77.98, 83.57

 

CMYK 93 / 0 / 98 / 0

HEX #11FE06

RGB 17 254 6

HSL 117.34, 0.99%, 0.51%

LAB 87.49, -85.31, 82.55

 

CMYK 98 / 0 / 75 / 0

HEX #06FE3F

RGB 6 254 63

HSL 133.79, 0.99%, 0.51%

LAB 87.62, -83.5, 71.94

 

CMYK 15 / 0 / 98 / 0

HEX #D9FE06

RGB 217 254 6

HSL 68.95, 0.99%, 0.51%

LAB 94.16, -36.39, 90.64

 

CMYK 15 / 0 / 98 / 0

HEX #D9FE06

RGB 217 254 6

HSL 68.95, 0.99%, 0.51%

LAB 94.16, -36.39, 90.64

 

CMYK 13 / 0 / 88 / 8

HEX #CBEA1B

RGB 203 234 27

HSL 68.99, 0.83%, 0.51%

LAB 87.79, -32.6, 83.05

 

CMYK 12 / 0 / 78 / 16

HEX #BCD52F

RGB 188 213 47

HSL 69.04, 0.66%, 0.51%

LAB 81.01, -28.31, 72.43

 

CMYK 10 / 0 / 65 / 24

HEX #AEC143

RGB 174 193 67

HSL 69.05, 0.5%, 0.51%

LAB 74.54, -23.4, 58.87

 

CMYK 8 / 0 / 50 / 32

HEX #A0AD57

RGB 160 173 87

HSL 69.07, 0.34%, 0.51%

LAB 68.06, -17.54, 42.28

 

CMYK 0 / 39 / 98 / 0

HEX #FE9B06

RGB 254 155 6

HSL 36.05, 0.99%, 0.51%

LAB 72.58, 28.77, 76.64

 

CMYK 0 / 13 / 98 / 0

HEX #FEDD06

RGB 254 221 6

HSL 52.02, 0.99%, 0.51%

LAB 88.35, -5.33, 87.61

 

CMYK 13 / 0 / 98 / 0

HEX #DDFE06

RGB 221 254 6

HSL 67.98, 0.99%, 0.51%

LAB 94.43, -34.8, 90.95

 

CMYK 39 / 0 / 98 / 0

HEX #9BFE06

RGB 155 254 6

HSL 83.95, 0.99%, 0.51%

LAB 90.72, -59.1, 86.49

 

CMYK 65 / 0 / 98 / 0

HEX #59FE06

RGB 89 254 6

HSL 99.92, 0.99%, 0.51%

LAB 88.46, -76.82, 83.73

 

CMYK 15 / 0 / 99 / 31

HEX #96B101

RGB 150 177 1

HSL 69.2, 0.99%, 0.35%

LAB 67.97, -28.04, 69.27

 

CMYK 15 / 0 / 100 / 15

HEX #B9DA01

RGB 185 218 1

HSL 69.12, 0.99%, 0.43%

LAB 82.09, -32.85, 80.97

 

CMYK 15 / 0 / 98 / 0

HEX #D9FE06

RGB 217 254 6

HSL 68.95, 0.99%, 0.51%

LAB 94.16, -36.39, 90.64

 

CMYK 12 / 0 / 81 / 0

HEX #DFFE2F

RGB 223 254 47

HSL 68.99, 0.99%, 0.59%

LAB 94.64, -33.29, 85.36

 

CMYK 10 / 0 / 65 / 0

HEX #E5FE58

RGB 229 254 88

HSL 69.04, 0.99%, 0.67%

LAB 95.26, -29.1, 73.42

 

CMYK 15 / 0 / 97 / 0

HEX #D9FE07

RGB 217 254 7

HSL 68.99, 0.99%, 0.51%

LAB 94.16, -36.38, 90.57

 

CMYK 98 / 0 / 65 / 0

HEX #06FE59

RGB 6 254 89

HSL 140.08, 0.99%, 0.51%

LAB 87.8, -81.27, 62.84

 

CMYK 26 / 98 / 0 / 0

HEX #BC06FE

RGB 188 6 254

HSL 284.03, 0.99%, 0.51%

LAB 49.47, 88.38, -78.37

 

CMYK 15 / 0 / 97 / 0

HEX #D9FE07

RGB 217 254 7

HSL 68.99, 0.99%, 0.51%

LAB 94.16, -36.38, 90.57

 

CMYK 98 / 13 / 0 / 0

HEX #06DDFE

RGB 6 221 254

HSL 187.98, 0.99%, 0.51%

LAB 81.24, -32.88, -28.56

 

CMYK 0 / 98 / 13 / 0

HEX #FE06DD

RGB 254 6 221

HSL 307.98, 0.99%, 0.51%

LAB 58.44, 93.25, -44.82

 

CMYK 15 / 0 / 97 / 0

HEX #D9FE07

RGB 217 254 7

HSL 68.99, 0.99%, 0.51%

LAB 94.16, -36.38, 90.57

 

CMYK 98 / 0 / 65 / 0

HEX #06FE59

RGB 6 254 89

HSL 140.08, 0.99%, 0.51%

LAB 87.8, -81.27, 62.84

 

CMYK 85 / 98 / 0 / 0

HEX #2706FE

RGB 39 6 254

HSL 247.98, 0.99%, 0.51%

LAB 33.39, 78.4, -105.47

 

CMYK 0 / 98 / 33 / 0

HEX #FE06AB

RGB 254 6 171

HSL 320.08, 0.99%, 0.51%

LAB 56.23, 87.64, -19.47

 

CMYK 15 / 0 / 97 / 0

HEX #D9FE07

RGB 217 254 7

HSL 68.99, 0.99%, 0.51%

LAB 94.16, -36.38, 90.57

 

CMYK 98 / 0 / 36 / 0

HEX #06FEA3

RGB 6 254 163

HSL 157.98, 0.99%, 0.51%

LAB 88.72, -70.14, 29.79

 

CMYK 85 / 98 / 0 / 0

HEX #2706FE

RGB 39 6 254

HSL 247.98, 0.99%, 0.51%

LAB 33.39, 78.4, -105.47

 

CMYK 0 / 98 / 62 / 0

HEX #FE0661

RGB 254 6 97

HSL 337.98, 0.99%, 0.51%

LAB 54.1, 81.99, 21.63

 

Description

Color code: HEX #D9FE07 | qconv.com Color code: HEX #D9FE07 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 254 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 254 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 97 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 97% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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