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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9FDC9 it is the complementary color #260236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9FDC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9FDC9 shade: #DEFDC4, #EFFFD7, #FFFFEA, #FFFFFD and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9FDC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9FDC9 shade: #D9FDC9, #C8EBB6, #B7D9A3, #A6C790 and #95B57D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9FDC9 shade: #D9FDC9, #E7FDC9, #F5FDC9, #FDF7C9 and #FDE9C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9FDC9 shade: #D9FDC9, #CBFDC9, #C9FDD5, #C9FDE3 and #C9FDF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9FDC9 shade matches the following richer shades: #D9FDC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9FDC9 shade: #D9FDC9, #DBF8CD, #DCF4D2, #DEEFD6 and #E0EBDB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9FDC9 shade: #F5FDC9, #E7FDC9, #D9FDC9, #CBFDC9 and #C9FDD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9FDC9 shade: #A1FA79, #BDFCA1, #D9FDC9, #F5FEF1 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9FDC9 shade: #D9FDC9, #C9FDF7 and #FDC9EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9FDC9 shade: #D9FDC9, #C9D9FD and #FDC9D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9FDC9 shade: #D9FDC9, #C9FDF7, #EDC9FD and #FDC9CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9FDC9 shade: #D9FDC9, #C9F3FD, #EDC9FD and #FDD2C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 21 / 1

HEX #D9FDC9

RGB 217 253 201

HSL 101.54, 0.93%, 0.89%

LAB 95.67, -20.78, 21.11

 

Complementary color

CMYK 30 / 96 / 0 / 79

HEX #260236

RGB 38 2 54

HSL 281.54, 0.93%, 0.11%

LAB 6.52, 27.98, -25.07

 

CMYK 12 / 0 / 23 / 1

HEX #DEFDC4

RGB 222 253 196

HSL 92.63, 0.93%, 0.88%

LAB 95.9, -19.85, 24.02

 

CMYK 6 / 0 / 16 / 0

HEX #EFFFD7

RGB 239 255 215

HSL 84, 1%, 0.92%

LAB 97.94, -12.03, 17.37

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 14 / 0 / 21 / 1

HEX #D9FDC9

RGB 217 253 201

HSL 101.54, 0.93%, 0.89%

LAB 95.67, -20.78, 21.11

 

CMYK 15 / 0 / 23 / 8

HEX #C8EBB6

RGB 200 235 182

HSL 99.62, 0.57%, 0.82%

LAB 89.43, -20.86, 22.03

 

CMYK 16 / 0 / 25 / 15

HEX #B7D9A3

RGB 183 217 163

HSL 97.78, 0.42%, 0.75%

LAB 83.09, -20.95, 22.99

 

CMYK 17 / 0 / 28 / 22

HEX #A6C790

RGB 166 199 144

HSL 96, 0.33%, 0.67%

LAB 76.66, -21.04, 24

 

CMYK 18 / 0 / 31 / 29

HEX #95B57D

RGB 149 181 125

HSL 94.29, 0.27%, 0.6%

LAB 70.12, -21.13, 25.07

 

CMYK 14 / 0 / 21 / 1

HEX #D9FDC9

RGB 217 253 201

HSL 101.54, 0.93%, 0.89%

LAB 95.67, -20.78, 21.11

 

CMYK 9 / 0 / 21 / 1

HEX #E7FDC9

RGB 231 253 201

HSL 85.38, 0.93%, 0.89%

LAB 96.6, -15.97, 22.54

 

CMYK 3 / 0 / 21 / 1

HEX #F5FDC9

RGB 245 253 201

HSL 69.23, 0.93%, 0.89%

LAB 97.58, -11.05, 24.06

 

CMYK 0 / 2 / 21 / 1

HEX #FDF7C9

RGB 253 247 201

HSL 53.08, 0.93%, 0.89%

LAB 96.67, -5.21, 22.88

 

CMYK 0 / 8 / 21 / 1

HEX #FDE9C9

RGB 253 233 201

HSL 36.92, 0.93%, 0.89%

LAB 93.18, 1.86, 18.02

 

CMYK 14 / 0 / 21 / 1

HEX #D9FDC9

RGB 217 253 201

HSL 101.54, 0.93%, 0.89%

LAB 95.67, -20.78, 21.11

 

CMYK 20 / 0 / 21 / 1

HEX #CBFDC9

RGB 203 253 201

HSL 117.69, 0.93%, 0.89%

LAB 94.81, -25.45, 19.78

 

CMYK 21 / 0 / 16 / 1

HEX #C9FDD5

RGB 201 253 213

HSL 133.85, 0.93%, 0.89%

LAB 94.94, -24.03, 13.8

 

CMYK 21 / 0 / 10 / 1

HEX #C9FDE3

RGB 201 253 227

HSL 150, 0.93%, 0.89%

LAB 95.25, -21.47, 7.05

 

CMYK 21 / 0 / 5 / 1

HEX #C9FDF1

RGB 201 253 241

HSL 166.15, 0.93%, 0.89%

LAB 95.59, -18.76, 0.32

 

CMYK 14 / 0 / 21 / 1

HEX #D9FDC9

RGB 217 253 201

HSL 101.54, 0.93%, 0.89%

LAB 95.67, -20.78, 21.11

 

CMYK 14 / 0 / 21 / 1

HEX #D9FDC9

RGB 217 253 201

HSL 101.54, 0.93%, 0.89%

LAB 95.67, -20.78, 21.11

 

CMYK 12 / 0 / 17 / 3

HEX #DBF8CD

RGB 219 248 205

HSL 100.47, 0.75%, 0.89%

LAB 94.57, -17.03, 17.54

 

CMYK 10 / 0 / 14 / 4

HEX #DCF4D2

RGB 220 244 210

HSL 102.35, 0.61%, 0.89%

LAB 93.7, -13.9, 13.75

 

CMYK 7 / 0 / 10 / 6

HEX #DEEFD6

RGB 222 239 214

HSL 100.8, 0.44%, 0.89%

LAB 92.63, -10.06, 10.18

 

CMYK 5 / 0 / 7 / 8

HEX #E0EBDB

RGB 224 235 219

HSL 101.25, 0.29%, 0.89%

LAB 91.85, -6.5, 6.49

 

CMYK 3 / 0 / 21 / 1

HEX #F5FDC9

RGB 245 253 201

HSL 69.23, 0.93%, 0.89%

LAB 97.58, -11.05, 24.06

 

CMYK 9 / 0 / 21 / 1

HEX #E7FDC9

RGB 231 253 201

HSL 85.38, 0.93%, 0.89%

LAB 96.6, -15.97, 22.54

 

CMYK 14 / 0 / 21 / 1

HEX #D9FDC9

RGB 217 253 201

HSL 101.54, 0.93%, 0.89%

LAB 95.67, -20.78, 21.11

 

CMYK 20 / 0 / 21 / 1

HEX #CBFDC9

RGB 203 253 201

HSL 117.69, 0.93%, 0.89%

LAB 94.81, -25.45, 19.78

 

CMYK 21 / 0 / 16 / 1

HEX #C9FDD4

RGB 201 253 212

HSL 132.69, 0.93%, 0.89%

LAB 94.92, -24.21, 14.28

 

CMYK 36 / 0 / 52 / 2

HEX #A1FA79

RGB 161 250 121

HSL 101.4, 0.93%, 0.73%

LAB 90.47, -49.12, 53.06

 

CMYK 25 / 0 / 36 / 1

HEX #BDFCA1

RGB 189 252 161

HSL 101.54, 0.94%, 0.81%

LAB 93.02, -35.75, 37.39

 

CMYK 14 / 0 / 21 / 1

HEX #D9FDC9

RGB 217 253 201

HSL 101.54, 0.93%, 0.89%

LAB 95.67, -20.78, 21.11

 

CMYK 4 / 0 / 5 / 0

HEX #F5FEF1

RGB 245 254 241

HSL 101.54, 0.87%, 0.97%

LAB 98.69, -5.23, 5.18

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 14 / 0 / 21 / 1

HEX #D9FDC9

RGB 217 253 201

HSL 101.54, 0.93%, 0.89%

LAB 95.67, -20.78, 21.11

 

CMYK 21 / 0 / 2 / 1

HEX #C9FDF7

RGB 201 253 247

HSL 173.08, 0.93%, 0.89%

LAB 95.74, -17.56, -2.55

 

CMYK 0 / 21 / 6 / 1

HEX #FDC9EE

RGB 253 201 238

HSL 317.31, 0.93%, 0.89%

LAB 86.42, 24.3, -11.2

 

CMYK 14 / 0 / 21 / 1

HEX #D9FDC9

RGB 217 253 201

HSL 101.54, 0.93%, 0.89%

LAB 95.67, -20.78, 21.11

 

CMYK 21 / 14 / 0 / 1

HEX #C9D9FD

RGB 201 217 253

HSL 221.54, 0.93%, 0.89%

LAB 86.57, 2.05, -19.33

 

CMYK 0 / 21 / 14 / 1

HEX #FDC9D9

RGB 253 201 217

HSL 341.54, 0.93%, 0.89%

LAB 85.84, 20.85, -0.9

 

CMYK 14 / 0 / 21 / 1

HEX #D9FDC9

RGB 217 253 201

HSL 101.54, 0.93%, 0.89%

LAB 95.67, -20.78, 21.11

 

CMYK 21 / 0 / 2 / 1

HEX #C9FDF7

RGB 201 253 247

HSL 173.08, 0.93%, 0.89%

LAB 95.74, -17.56, -2.55

 

CMYK 6 / 21 / 0 / 1

HEX #EDC9FD

RGB 237 201 253

HSL 281.54, 0.93%, 0.89%

LAB 85.44, 21.79, -20.77

 

CMYK 0 / 21 / 18 / 1

HEX #FDC9CF

RGB 253 201 207

HSL 353.08, 0.93%, 0.89%

LAB 85.59, 19.31, 4.05

 

CMYK 14 / 0 / 21 / 1

HEX #D9FDC9

RGB 217 253 201

HSL 101.54, 0.93%, 0.89%

LAB 95.67, -20.78, 21.11

 

CMYK 21 / 4 / 0 / 1

HEX #C9F3FD

RGB 201 243 253

HSL 191.54, 0.93%, 0.89%

LAB 93.28, -11.34, -9.29

 

CMYK 6 / 21 / 0 / 1

HEX #EDC9FD

RGB 237 201 253

HSL 281.54, 0.93%, 0.89%

LAB 85.44, 21.79, -20.77

 

CMYK 0 / 17 / 21 / 1

HEX #FDD2C9

RGB 253 210 201

HSL 10.38, 0.93%, 0.89%

LAB 87.58, 13.72, 10.1

 

Description

Color code: HEX #D9FDC9 | qconv.com Color code: HEX #D9FDC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 253 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 253 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 21 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 21% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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