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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9F90B it is the complementary color #2606F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9F90B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9F90B shade: #DEF906, #EFFF19, #FFFF2C, #FFFF3F and #FFFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9F90B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9F90B shade: #D9F90B, #C8E700, #B7D500, #A6C300 and #95B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9F90B shade: #D9F90B, #F9D90B, #F9990B, #F9590B and #F9190B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9F90B shade: #D9F90B, #99F90B, #59F90B, #19F90B and #0BF93E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9F90B shade matches the following richer shades: #D9F90B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9F90B shade: #D9F90B, #CAE520, #BBD034, #ACBC48 and #9EA85C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9F90B shade: #F99A0B, #F9D90B, #D9F90B, #9AF90B and #5AF90B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9F90B shade: #96AD04, #B9D505, #D9F90B, #DFFA34 and #E5FB5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9F90B shade: #D9F90B, #0BF95A and #B90BF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9F90B shade: #D9F90B, #0BD9F9 and #F90BD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9F90B shade: #D9F90B, #0BF95A, #2B0BF9 and #F90BAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9F90B shade: #D9F90B, #0BF9A2, #2B0BF9 and #F90B62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 96 / 2

HEX #D9F90B

RGB 217 249 11

HSL 68.07, 0.95%, 0.51%

LAB 92.81, -34.08, 89.24

 

Complementary color

CMYK 84 / 98 / 0 / 4

HEX #2606F4

RGB 38 6 244

HSL 248.07, 0.95%, 0.49%

LAB 31.97, 75.99, -102.19

 

CMYK 11 / 0 / 98 / 2

HEX #DEF906

RGB 222 249 6

HSL 66.67, 0.95%, 0.5%

LAB 93.14, -32.12, 90.01

 

CMYK 6 / 0 / 90 / 0

HEX #EFFF19

RGB 239 255 25

HSL 64.17, 1%, 0.55%

LAB 95.97, -27.84, 90.9

 

CMYK 0 / 0 / 83 / 0

HEX #FFFF2C

RGB 255 255 44

HSL 60, 1%, 0.59%

LAB 97.21, -20.96, 89.12

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF3F

RGB 255 255 63

HSL 60, 1%, 0.62%

LAB 97.28, -20.38, 84.4

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 13 / 0 / 96 / 2

HEX #D9F90B

RGB 217 249 11

HSL 68.07, 0.95%, 0.51%

LAB 92.81, -34.08, 89.24

 

CMYK 13 / 0 / 100 / 9

HEX #C8E700

RGB 200 231 0

HSL 68.05, 1%, 0.45%

LAB 86.72, -32.77, 84.98

 

CMYK 14 / 0 / 100 / 16

HEX #B7D500

RGB 183 213 0

HSL 68.45, 1%, 0.42%

LAB 80.55, -31.36, 79.84

 

CMYK 15 / 0 / 100 / 24

HEX #A6C300

RGB 166 195 0

HSL 68.92, 1%, 0.38%

LAB 74.28, -29.92, 74.62

 

CMYK 16 / 0 / 100 / 31

HEX #95B100

RGB 149 177 0

HSL 69.49, 1%, 0.35%

LAB 67.9, -28.48, 69.31

 

CMYK 13 / 0 / 96 / 2

HEX #D9F90B

RGB 217 249 11

HSL 68.07, 0.95%, 0.51%

LAB 92.81, -34.08, 89.24

 

CMYK 0 / 13 / 96 / 2

HEX #F9D90B

RGB 249 217 11

HSL 51.93, 0.95%, 0.51%

LAB 86.89, -5.4, 85.93

 

CMYK 0 / 39 / 96 / 2

HEX #F9990B

RGB 249 153 11

HSL 35.8, 0.95%, 0.51%

LAB 71.52, 27.78, 75.03

 

CMYK 0 / 64 / 96 / 2

HEX #F9590B

RGB 249 89 11

HSL 19.66, 0.95%, 0.51%

LAB 59.26, 58.55, 67.17

 

CMYK 0 / 90 / 96 / 2

HEX #F9190B

RGB 249 25 11

HSL 3.53, 0.95%, 0.51%

LAB 52.8, 76.52, 63.63

 

CMYK 13 / 0 / 96 / 2

HEX #D9F90B

RGB 217 249 11

HSL 68.07, 0.95%, 0.51%

LAB 92.81, -34.08, 89.24

 

CMYK 39 / 0 / 96 / 2

HEX #99F90B

RGB 153 249 11

HSL 84.2, 0.95%, 0.51%

LAB 89.18, -57.77, 84.86

 

CMYK 64 / 0 / 96 / 2

HEX #59F90B

RGB 89 249 11

HSL 100.34, 0.95%, 0.51%

LAB 86.95, -75.22, 82.13

 

CMYK 90 / 0 / 96 / 2

HEX #19F90B

RGB 25 249 11

HSL 116.47, 0.95%, 0.51%

LAB 86, -83.54, 80.97

 

CMYK 96 / 0 / 75 / 2

HEX #0BF93E

RGB 11 249 62

HSL 132.86, 0.95%, 0.51%

LAB 86.09, -82.07, 70.75

 

CMYK 13 / 0 / 96 / 2

HEX #D9F90B

RGB 217 249 11

HSL 68.07, 0.95%, 0.51%

LAB 92.81, -34.08, 89.24

 

CMYK 13 / 0 / 96 / 2

HEX #D9F90B

RGB 217 249 11

HSL 68.07, 0.95%, 0.51%

LAB 92.81, -34.08, 89.24

 

CMYK 12 / 0 / 86 / 10

HEX #CAE520

RGB 202 229 32

HSL 68.22, 0.79%, 0.51%

LAB 86.36, -30.58, 80.98

 

CMYK 10 / 0 / 75 / 18

HEX #BBD034

RGB 187 208 52

HSL 68.08, 0.62%, 0.51%

LAB 79.57, -26.13, 69.58

 

CMYK 9 / 0 / 62 / 26

HEX #ACBC48

RGB 172 188 72

HSL 68.28, 0.46%, 0.51%

LAB 73.03, -21.42, 55.14

 

CMYK 6 / 0 / 45 / 34

HEX #9EA85C

RGB 158 168 92

HSL 67.89, 0.3%, 0.51%

LAB 66.56, -15.28, 37.91

 

CMYK 0 / 38 / 96 / 2

HEX #F99A0B

RGB 249 154 11

HSL 36.05, 0.95%, 0.51%

LAB 71.74, 27.26, 75.18

 

CMYK 0 / 13 / 96 / 2

HEX #F9D90B

RGB 249 217 11

HSL 51.93, 0.95%, 0.51%

LAB 86.89, -5.4, 85.93

 

CMYK 13 / 0 / 96 / 2

HEX #D9F90B

RGB 217 249 11

HSL 68.07, 0.95%, 0.51%

LAB 92.81, -34.08, 89.24

 

CMYK 38 / 0 / 96 / 2

HEX #9AF90B

RGB 154 249 11

HSL 83.95, 0.95%, 0.51%

LAB 89.23, -57.44, 84.92

 

CMYK 64 / 0 / 96 / 2

HEX #5AF90B

RGB 90 249 11

HSL 100.08, 0.95%, 0.51%

LAB 86.97, -75.01, 82.16

 

CMYK 13 / 0 / 98 / 32

HEX #96AD04

RGB 150 173 4

HSL 68.17, 0.95%, 0.35%

LAB 66.81, -26.06, 68.02

 

CMYK 13 / 0 / 98 / 16

HEX #B9D505

RGB 185 213 5

HSL 68.08, 0.95%, 0.43%

LAB 80.69, -30.48, 79.55

 

CMYK 13 / 0 / 96 / 2

HEX #D9F90B

RGB 217 249 11

HSL 68.07, 0.95%, 0.51%

LAB 92.81, -34.08, 89.24

 

CMYK 11 / 0 / 79 / 2

HEX #DFFA34

RGB 223 250 52

HSL 68.18, 0.95%, 0.59%

LAB 93.58, -31.29, 83.21

 

CMYK 9 / 0 / 63 / 2

HEX #E5FB5C

RGB 229 251 92

HSL 68.3, 0.95%, 0.67%

LAB 94.49, -27.45, 71.08

 

CMYK 13 / 0 / 96 / 2

HEX #D9F90B

RGB 217 249 11

HSL 68.07, 0.95%, 0.51%

LAB 92.81, -34.08, 89.24

 

CMYK 96 / 0 / 64 / 2

HEX #0BF95A

RGB 11 249 90

HSL 139.92, 0.95%, 0.51%

LAB 86.29, -79.6, 60.77

 

CMYK 26 / 96 / 0 / 2

HEX #B90BF9

RGB 185 11 249

HSL 283.87, 0.95%, 0.51%

LAB 48.75, 86.72, -76.76

 

CMYK 13 / 0 / 96 / 2

HEX #D9F90B

RGB 217 249 11

HSL 68.07, 0.95%, 0.51%

LAB 92.81, -34.08, 89.24

 

CMYK 96 / 13 / 0 / 2

HEX #0BD9F9

RGB 11 217 249

HSL 188.07, 0.95%, 0.51%

LAB 79.92, -32.45, -27.93

 

CMYK 0 / 96 / 13 / 2

HEX #F90BD9

RGB 249 11 217

HSL 308.07, 0.95%, 0.51%

LAB 57.45, 91.57, -44.16

 

CMYK 13 / 0 / 96 / 2

HEX #D9F90B

RGB 217 249 11

HSL 68.07, 0.95%, 0.51%

LAB 92.81, -34.08, 89.24

 

CMYK 96 / 0 / 64 / 2

HEX #0BF95A

RGB 11 249 90

HSL 139.92, 0.95%, 0.51%

LAB 86.29, -79.6, 60.77

 

CMYK 83 / 96 / 0 / 2

HEX #2B0BF9

RGB 43 11 249

HSL 248.07, 0.95%, 0.51%

LAB 33.12, 76.55, -103.1

 

CMYK 0 / 96 / 32 / 2

HEX #F90BAA

RGB 249 11 170

HSL 319.92, 0.95%, 0.51%

LAB 55.36, 86.23, -20.29

 

CMYK 13 / 0 / 96 / 2

HEX #D9F90B

RGB 217 249 11

HSL 68.07, 0.95%, 0.51%

LAB 92.81, -34.08, 89.24

 

CMYK 96 / 0 / 35 / 2

HEX #0BF9A2

RGB 11 249 162

HSL 158.07, 0.95%, 0.51%

LAB 87.21, -68.5, 28.27

 

CMYK 83 / 96 / 0 / 2

HEX #2B0BF9

RGB 43 11 249

HSL 248.07, 0.95%, 0.51%

LAB 33.12, 76.55, -103.1

 

CMYK 0 / 96 / 61 / 2

HEX #F90B62

RGB 249 11 98

HSL 338.07, 0.95%, 0.51%

LAB 53.23, 80.57, 19.7

 

Description

Color code: HEX #D9F90B | qconv.com Color code: HEX #D9F90B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 249 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 249 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 96 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 96% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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