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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9F7C8 it is the complementary color #260837. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9F7C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9F7C8 shade: #DEF7C3, #EFFFD6, #FFFFE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9F7C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9F7C8 shade: #D9F7C8, #C8E5B5, #B7D3A2, #A6C18F and #95AF7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9F7C8 shade: #DAF7C9, #E6F7C9, #F2F7C9, #F7EFC9 and #F7E3C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9F7C8 shade: #DAF7C9, #CDF7C9, #C9F7D1, #C9F7DD and #C9F7EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9F7C8 shade matches the following richer shades: #DAF7C9 and #D8FCC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9F7C8 shade: #DAF7C9, #DBF2CE, #DCEDD3, #DEE8D8 and #DFE3DD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9F7C8 shade: #F2F7C9, #E6F7C9, #DAF7C9, #CEF7C9 and #C9F7D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9F7C8 shade: #A8ED81, #C1F2A5, #DAF7C9 and #F2FCED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9F7C8 shade: #D9F7C8, #C9F7EF and #F7C9EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9F7C8 shade: #D9F7C8, #C9DAF7 and #F7C9DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9F7C8 shade: #D9F7C8, #C9F7EF, #E6C9F7 and #F7C9D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9F7C8 shade: #D9F7C8, #C9F1F7, #E6C9F7 and #F7CFC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 19 / 3

HEX #D9F7C8

RGB 217 247 200

HSL 98.3, 0.75%, 0.88%

LAB 94.07, -18.03, 19.4

 

Complementary color

CMYK 31 / 85 / 0 / 78

HEX #260837

RGB 38 8 55

HSL 278.3, 0.75%, 0.12%

LAB 7.78, 24.98, -23.76

 

CMYK 10 / 0 / 21 / 3

HEX #DEF7C3

RGB 222 247 195

HSL 88.85, 0.76%, 0.87%

LAB 94.31, -17.08, 22.33

 

CMYK 6 / 0 / 16 / 0

HEX #EFFFD6

RGB 239 255 214

HSL 83.41, 1%, 0.92%

LAB 97.92, -12.19, 17.85

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 12 / 0 / 19 / 3

HEX #D9F7C8

RGB 217 247 200

HSL 98.3, 0.75%, 0.88%

LAB 94.07, -18.03, 19.4

 

CMYK 13 / 0 / 21 / 10

HEX #C8E5B5

RGB 200 229 181

HSL 96.25, 0.48%, 0.8%

LAB 87.8, -18.08, 20.29

 

CMYK 13 / 0 / 23 / 17

HEX #B7D3A2

RGB 183 211 162

HSL 94.29, 0.36%, 0.73%

LAB 81.44, -18.13, 21.24

 

CMYK 14 / 0 / 26 / 24

HEX #A6C18F

RGB 166 193 143

HSL 92.4, 0.29%, 0.66%

LAB 74.97, -18.19, 22.23

 

CMYK 15 / 0 / 29 / 31

HEX #95AF7C

RGB 149 175 124

HSL 90.59, 0.24%, 0.59%

LAB 68.39, -18.24, 23.28

 

CMYK 12 / 0 / 19 / 3

HEX #DAF7C9

RGB 218 247 201

HSL 97.83, 0.74%, 0.88%

LAB 94.16, -17.53, 19.01

 

CMYK 7 / 0 / 19 / 3

HEX #E6F7C9

RGB 230 247 201

HSL 82.17, 0.74%, 0.88%

LAB 94.98, -13.38, 20.27

 

CMYK 2 / 0 / 19 / 3

HEX #F2F7C9

RGB 242 247 201

HSL 66.52, 0.74%, 0.88%

LAB 95.84, -9.14, 21.6

 

CMYK 0 / 3 / 19 / 3

HEX #F7EFC9

RGB 247 239 201

HSL 49.57, 0.74%, 0.88%

LAB 94.19, -3.35, 19.37

 

CMYK 0 / 8 / 19 / 3

HEX #F7E3C9

RGB 247 227 201

HSL 33.91, 0.74%, 0.88%

LAB 91.2, 2.75, 15.17

 

CMYK 12 / 0 / 19 / 3

HEX #DAF7C9

RGB 218 247 201

HSL 97.83, 0.74%, 0.88%

LAB 94.16, -17.53, 19.01

 

CMYK 17 / 0 / 19 / 3

HEX #CDF7C9

RGB 205 247 201

HSL 114.78, 0.74%, 0.88%

LAB 93.33, -21.91, 17.73

 

CMYK 19 / 0 / 15 / 3

HEX #C9F7D1

RGB 201 247 209

HSL 130.43, 0.74%, 0.88%

LAB 93.25, -21.85, 13.46

 

CMYK 19 / 0 / 11 / 3

HEX #C9F7DD

RGB 201 247 221

HSL 146.09, 0.74%, 0.88%

LAB 93.52, -19.68, 7.65

 

CMYK 19 / 0 / 5 / 3

HEX #C9F7EA

RGB 201 247 234

HSL 163.04, 0.74%, 0.88%

LAB 93.83, -17.2, 1.38

 

CMYK 12 / 0 / 19 / 3

HEX #DAF7C9

RGB 218 247 201

HSL 97.83, 0.74%, 0.88%

LAB 94.16, -17.53, 19.01

 

CMYK 14 / 0 / 22 / 1

HEX #D8FCC4

RGB 216 252 196

HSL 98.57, 0.9%, 0.88%

LAB 95.25, -21.43, 23.06

 

CMYK 12 / 0 / 19 / 3

HEX #DAF7C9

RGB 218 247 201

HSL 97.83, 0.74%, 0.88%

LAB 94.16, -17.53, 19.01

 

CMYK 10 / 0 / 15 / 5

HEX #DBF2CE

RGB 219 242 206

HSL 98.33, 0.58%, 0.88%

LAB 93.02, -13.91, 14.85

 

CMYK 7 / 0 / 11 / 7

HEX #DCEDD3

RGB 220 237 211

HSL 99.23, 0.42%, 0.88%

LAB 91.9, -10.24, 10.68

 

CMYK 4 / 0 / 7 / 9

HEX #DEE8D8

RGB 222 232 216

HSL 97.5, 0.26%, 0.88%

LAB 90.87, -6.18, 6.62

 

CMYK 2 / 0 / 3 / 11

HEX #DFE3DD

RGB 223 227 221

HSL 100, 0.1%, 0.88%

LAB 89.79, -2.41, 2.45

 

CMYK 2 / 0 / 19 / 3

HEX #F2F7C9

RGB 242 247 201

HSL 66.52, 0.74%, 0.88%

LAB 95.84, -9.14, 21.6

 

CMYK 7 / 0 / 19 / 3

HEX #E6F7C9

RGB 230 247 201

HSL 82.17, 0.74%, 0.88%

LAB 94.98, -13.38, 20.27

 

CMYK 12 / 0 / 19 / 3

HEX #DAF7C9

RGB 218 247 201

HSL 97.83, 0.74%, 0.88%

LAB 94.16, -17.53, 19.01

 

CMYK 17 / 0 / 19 / 3

HEX #CEF7C9

RGB 206 247 201

HSL 113.48, 0.74%, 0.88%

LAB 93.39, -21.58, 17.82

 

CMYK 19 / 0 / 15 / 3

HEX #C9F7D1

RGB 201 247 209

HSL 130.43, 0.74%, 0.88%

LAB 93.25, -21.85, 13.46

 

CMYK 29 / 0 / 46 / 7

HEX #A8ED81

RGB 168 237 129

HSL 98.33, 0.75%, 0.72%

LAB 87.23, -40.27, 45.41

 

CMYK 20 / 0 / 32 / 5

HEX #C1F2A5

RGB 193 242 165

HSL 98.18, 0.75%, 0.8%

LAB 90.58, -29.2, 32.2

 

CMYK 12 / 0 / 19 / 3

HEX #DAF7C9

RGB 218 247 201

HSL 97.83, 0.74%, 0.88%

LAB 94.16, -17.53, 19.01

 

CMYK 4 / 0 / 6 / 1

HEX #F2FCED

RGB 242 252 237

HSL 100, 0.71%, 0.96%

LAB 97.88, -5.91, 6.03

 

CMYK 12 / 0 / 19 / 3

HEX #D9F7C8

RGB 217 247 200

HSL 98.3, 0.75%, 0.88%

LAB 94.07, -18.03, 19.4

 

CMYK 19 / 0 / 3 / 3

HEX #C9F7EF

RGB 201 247 239

HSL 169.57, 0.74%, 0.88%

LAB 93.96, -16.21, -1.03

 

CMYK 0 / 19 / 4 / 3

HEX #F7C9EC

RGB 247 201 236

HSL 314.35, 0.74%, 0.88%

LAB 85.81, 21.94, -11.11

 

CMYK 12 / 0 / 19 / 3

HEX #D9F7C8

RGB 217 247 200

HSL 98.3, 0.75%, 0.88%

LAB 94.07, -18.03, 19.4

 

CMYK 19 / 12 / 0 / 3

HEX #C9DAF7

RGB 201 218 247

HSL 217.83, 0.74%, 0.88%

LAB 86.64, 0.23, -16.06

 

CMYK 0 / 19 / 12 / 3

HEX #F7C9DA

RGB 247 201 218

HSL 337.83, 0.74%, 0.88%

LAB 85.31, 18.92, -2.27

 

CMYK 12 / 0 / 19 / 3

HEX #D9F7C8

RGB 217 247 200

HSL 98.3, 0.75%, 0.88%

LAB 94.07, -18.03, 19.4

 

CMYK 19 / 0 / 3 / 3

HEX #C9F7EF

RGB 201 247 239

HSL 169.57, 0.74%, 0.88%

LAB 93.96, -16.21, -1.03

 

CMYK 7 / 19 / 0 / 3

HEX #E6C9F7

RGB 230 201 247

HSL 277.83, 0.74%, 0.88%

LAB 84.64, 18.38, -18.85

 

CMYK 0 / 19 / 15 / 3

HEX #F7C9D1

RGB 247 201 209

HSL 349.57, 0.74%, 0.88%

LAB 85.07, 17.49, 2.18

 

CMYK 12 / 0 / 19 / 3

HEX #D9F7C8

RGB 217 247 200

HSL 98.3, 0.75%, 0.88%

LAB 94.07, -18.03, 19.4

 

CMYK 19 / 2 / 0 / 3

HEX #C9F1F7

RGB 201 241 247

HSL 187.83, 0.74%, 0.88%

LAB 92.59, -11.59, -7.19

 

CMYK 7 / 19 / 0 / 3

HEX #E6C9F7

RGB 230 201 247

HSL 277.83, 0.74%, 0.88%

LAB 84.64, 18.38, -18.85

 

CMYK 0 / 16 / 19 / 3

HEX #F7CFC9

RGB 247 207 201

HSL 7.83, 0.74%, 0.88%

LAB 86.31, 13.12, 8.22

 

Description

Color code: HEX #D9F7C8 | qconv.com Color code: HEX #D9F7C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 247 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 247 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 19 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 19% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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