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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9F438 it is the complementary color #260BC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9F438. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9F438 shade: #DEF433, #EFFF46, #FFFF59, #FFFF6C and #FFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9F438. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9F438 shade: #D9F438, #C8E225, #B7D012, #A6BE00 and #95AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9F438 shade: #D9F438, #F4DC38, #F4AA38, #F47738 and #F44438

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9F438 shade: #D9F438, #A6F438, #74F438, #41F438 and #38F462

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9F438 shade matches the following richer shades: #D9F438

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9F438 shade: #D9F438, #CDE349, #C1D25A, #B5C16B and #A9B07C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9F438 shade: #F4A938, #F4DB38, #DBF438, #A9F438 and #77F438

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9F438 shade: #B3CF0A, #D2F211, #D9F438, #E0F65F and #E8F886

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9F438 shade: #D9F438, #38F477 and #C238F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9F438 shade: #D9F438, #38DBF4 and #F438DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9F438 shade: #D9F438, #38F477, #5138F4 and #F438B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9F438 shade: #D9F438, #38F4AF, #5138F4 and #F4387D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 77 / 4

HEX #D9F438

RGB 217 244 56

HSL 68.62, 0.9%, 0.59%

LAB 91.57, -30.77, 80.18

 

Complementary color

CMYK 81 / 94 / 0 / 22

HEX #260BC7

RGB 38 11 199

HSL 248.62, 0.9%, 0.41%

LAB 26.08, 63.94, -86.11

 

CMYK 9 / 0 / 79 / 4

HEX #DEF433

RGB 222 244 51

HSL 66.84, 0.9%, 0.58%

LAB 91.9, -28.95, 81.96

 

CMYK 6 / 0 / 73 / 0

HEX #EFFF46

RGB 239 255 70

HSL 65.19, 1%, 0.64%

LAB 96.13, -26.54, 80.77

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 11 / 0 / 77 / 4

HEX #D9F438

RGB 217 244 56

HSL 68.62, 0.9%, 0.59%

LAB 91.57, -30.77, 80.18

 

CMYK 12 / 0 / 84 / 11

HEX #C8E225

RGB 200 226 37

HSL 68.25, 0.77%, 0.52%

LAB 85.41, -29.87, 79.11

 

CMYK 12 / 0 / 91 / 18

HEX #B7D012

RGB 183 208 18

HSL 67.89, 0.84%, 0.44%

LAB 79.17, -28.79, 76.94

 

CMYK 13 / 0 / 100 / 25

HEX #A6BE00

RGB 166 190 0

HSL 67.58, 1%, 0.37%

LAB 72.85, -27.55, 73.55

 

CMYK 13 / 0 / 100 / 33

HEX #95AC00

RGB 149 172 0

HSL 68.02, 1%, 0.34%

LAB 66.44, -26.06, 68.22

 

CMYK 11 / 0 / 77 / 4

HEX #D9F438

RGB 217 244 56

HSL 68.62, 0.9%, 0.59%

LAB 91.57, -30.77, 80.18

 

CMYK 0 / 10 / 77 / 4

HEX #F4DC38

RGB 244 220 56

HSL 52.34, 0.9%, 0.59%

LAB 87.34, -8.07, 77.14

 

CMYK 0 / 30 / 77 / 4

HEX #F4AA38

RGB 244 170 56

HSL 36.38, 0.9%, 0.59%

LAB 74.99, 17.76, 65.77

 

CMYK 0 / 51 / 77 / 4

HEX #F47738

RGB 244 119 56

HSL 20.11, 0.9%, 0.59%

LAB 63.93, 44.08, 55.09

 

CMYK 0 / 72 / 77 / 4

HEX #F44438

RGB 244 68 56

HSL 3.83, 0.9%, 0.59%

LAB 55.74, 65.75, 46.77

 

CMYK 11 / 0 / 77 / 4

HEX #D9F438

RGB 217 244 56

HSL 68.62, 0.9%, 0.59%

LAB 91.57, -30.77, 80.18

 

CMYK 32 / 0 / 77 / 4

HEX #A6F438

RGB 166 244 56

HSL 84.89, 0.9%, 0.59%

LAB 88.49, -50.05, 76.23

 

CMYK 52 / 0 / 77 / 4

HEX #74F438

RGB 116 244 56

HSL 100.85, 0.9%, 0.59%

LAB 86.36, -65.66, 73.46

 

CMYK 73 / 0 / 77 / 4

HEX #41F438

RGB 65 244 56

HSL 117.13, 0.9%, 0.59%

LAB 85.05, -76.36, 71.76

 

CMYK 77 / 0 / 60 / 4

HEX #38F462

RGB 56 244 98

HSL 133.4, 0.9%, 0.59%

LAB 85.21, -73.87, 56.32

 

CMYK 11 / 0 / 77 / 4

HEX #D9F438

RGB 217 244 56

HSL 68.62, 0.9%, 0.59%

LAB 91.57, -30.77, 80.18

 

CMYK 11 / 0 / 77 / 4

HEX #D9F438

RGB 217 244 56

HSL 68.62, 0.9%, 0.59%

LAB 91.57, -30.77, 80.18

 

CMYK 10 / 0 / 68 / 11

HEX #CDE349

RGB 205 227 73

HSL 68.57, 0.73%, 0.59%

LAB 86.21, -26.81, 69.23

 

CMYK 8 / 0 / 57 / 18

HEX #C1D25A

RGB 193 210 90

HSL 68.5, 0.57%, 0.59%

LAB 80.83, -22.32, 56.32

 

CMYK 6 / 0 / 45 / 24

HEX #B5C16B

RGB 181 193 107

HSL 68.37, 0.41%, 0.59%

LAB 75.47, -17.14, 41.74

 

CMYK 4 / 0 / 30 / 31

HEX #A9B07C

RGB 169 176 124

HSL 68.08, 0.25%, 0.59%

LAB 70.13, -11.1, 25.88

 

CMYK 0 / 31 / 77 / 4

HEX #F4A938

RGB 244 169 56

HSL 36.06, 0.9%, 0.59%

LAB 74.76, 18.29, 65.55

 

CMYK 0 / 10 / 77 / 4

HEX #F4DB38

RGB 244 219 56

HSL 52.02, 0.9%, 0.59%

LAB 87.09, -7.57, 76.91

 

CMYK 10 / 0 / 77 / 4

HEX #DBF438

RGB 219 244 56

HSL 67.98, 0.9%, 0.59%

LAB 91.71, -29.97, 80.36

 

CMYK 31 / 0 / 77 / 4

HEX #A9F438

RGB 169 244 56

HSL 83.94, 0.9%, 0.59%

LAB 88.65, -48.99, 76.43

 

CMYK 51 / 0 / 77 / 4

HEX #77F438

RGB 119 244 56

HSL 99.89, 0.9%, 0.59%

LAB 86.46, -64.85, 73.59

 

CMYK 14 / 0 / 95 / 19

HEX #B3CF0A

RGB 179 207 10

HSL 68.53, 0.91%, 0.43%

LAB 78.6, -30.08, 77.3

 

CMYK 13 / 0 / 93 / 5

HEX #D2F211

RGB 210 242 17

HSL 68.53, 0.9%, 0.51%

LAB 90.43, -33.62, 86.67

 

CMYK 11 / 0 / 77 / 4

HEX #D9F438

RGB 217 244 56

HSL 68.62, 0.9%, 0.59%

LAB 91.57, -30.77, 80.18

 

CMYK 9 / 0 / 61 / 4

HEX #E0F65F

RGB 224 246 95

HSL 68.74, 0.89%, 0.67%

LAB 92.83, -26.88, 68.01

 

CMYK 6 / 0 / 46 / 3

HEX #E8F886

RGB 232 248 134

HSL 68.42, 0.89%, 0.75%

LAB 94.32, -21.52, 52.67

 

CMYK 11 / 0 / 77 / 4

HEX #D9F438

RGB 217 244 56

HSL 68.62, 0.9%, 0.59%

LAB 91.57, -30.77, 80.18

 

CMYK 77 / 0 / 51 / 4

HEX #38F477

RGB 56 244 119

HSL 140.11, 0.9%, 0.59%

LAB 85.44, -71.14, 47.12

 

CMYK 20 / 77 / 0 / 4

HEX #C238F4

RGB 194 56 244

HSL 284.04, 0.9%, 0.59%

LAB 52.76, 78.28, -67.39

 

CMYK 11 / 0 / 77 / 4

HEX #D9F438

RGB 217 244 56

HSL 68.62, 0.9%, 0.59%

LAB 91.57, -30.77, 80.18

 

CMYK 77 / 10 / 0 / 4

HEX #38DBF4

RGB 56 219 244

HSL 187.98, 0.9%, 0.59%

LAB 80.76, -32.36, -23.96

 

CMYK 0 / 77 / 10 / 4

HEX #F438DB

RGB 244 56 219

HSL 307.98, 0.9%, 0.59%

LAB 59.14, 83.78, -42.7

 

CMYK 11 / 0 / 77 / 4

HEX #D9F438

RGB 217 244 56

HSL 68.62, 0.9%, 0.59%

LAB 91.57, -30.77, 80.18

 

CMYK 77 / 0 / 51 / 4

HEX #38F477

RGB 56 244 119

HSL 140.11, 0.9%, 0.59%

LAB 85.44, -71.14, 47.12

 

CMYK 67 / 77 / 0 / 4

HEX #5138F4

RGB 81 56 244

HSL 247.98, 0.9%, 0.59%

LAB 39.76, 62.56, -89.17

 

CMYK 0 / 77 / 26 / 4

HEX #F438B5

RGB 244 56 181

HSL 320.11, 0.9%, 0.59%

LAB 57.46, 78.92, -23.56

 

CMYK 11 / 0 / 77 / 4

HEX #D9F438

RGB 217 244 56

HSL 68.62, 0.9%, 0.59%

LAB 91.57, -30.77, 80.18

 

CMYK 77 / 0 / 28 / 4

HEX #38F4AF

RGB 56 244 175

HSL 157.98, 0.9%, 0.59%

LAB 86.32, -61.06, 20.49

 

CMYK 67 / 77 / 0 / 4

HEX #5138F4

RGB 81 56 244

HSL 247.98, 0.9%, 0.59%

LAB 39.76, 62.56, -89.17

 

CMYK 0 / 77 / 49 / 4

HEX #F4387D

RGB 244 56 125

HSL 337.98, 0.9%, 0.59%

LAB 55.63, 73.38, 6.65

 

Description

Color code: HEX #D9F438 | qconv.com Color code: HEX #D9F438 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 244 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 244 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 77 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 77% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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