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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9F340 it is the complementary color #260CBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9F340. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9F340 shade: #DEF33B, #EFFF4E, #FFFF61, #FFFF74 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9F340. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9F340 shade: #D9F340, #C8E12D, #B7CF1A, #A6BD07 and #95AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9F340 shade: #D9F33F, #F3DC3F, #F3AC3F, #F37C3F and #F34B3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9F340 shade: #D9F33F, #A8F33F, #78F33F, #47F33F and #3FF367

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9F340 shade matches the following richer shades: #D9F33F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9F340 shade: #D9F33F, #CDE250, #C1D260, #B6C171 and #AAB181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9F340 shade: #F3AB3F, #F3DB3F, #DBF33F, #ABF33F and #7BF33F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9F340 shade: #B5D20D, #D1F018, #D9F33F, #E0F566 and #E8F88D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9F340 shade: #D9F340, #3FF37B and #C33FF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9F340 shade: #D9F340, #3FDBF3 and #F33FDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9F340 shade: #D9F340, #3FF37B, #573FF3 and #F33FB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9F340 shade: #D9F340, #3FF3B1, #573FF3 and #F33F81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 74 / 5

HEX #D9F340

RGB 217 243 64

HSL 68.72, 0.88%, 0.6%

LAB 91.34, -29.97, 77.59

 

Complementary color

CMYK 80 / 94 / 0 / 25

HEX #260CBF

RGB 38 12 191

HSL 248.72, 0.88%, 0.4%

LAB 25.07, 61.64, -83.09

 

CMYK 9 / 0 / 76 / 5

HEX #DEF33B

RGB 222 243 59

HSL 66.85, 0.88%, 0.59%

LAB 91.66, -28.19, 79.53

 

CMYK 6 / 0 / 69 / 0

HEX #EFFF4E

RGB 239 255 78

HSL 65.42, 1%, 0.65%

LAB 96.17, -26.16, 78.16

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 11 / 0 / 74 / 5

HEX #D9F340

RGB 217 243 64

HSL 68.72, 0.88%, 0.6%

LAB 91.34, -29.97, 77.59

 

CMYK 11 / 0 / 80 / 12

HEX #C8E12D

RGB 200 225 45

HSL 68.33, 0.75%, 0.53%

LAB 85.16, -29.15, 76.99

 

CMYK 12 / 0 / 87 / 19

HEX #B7CF1A

RGB 183 207 26

HSL 67.96, 0.78%, 0.46%

LAB 78.91, -28.16, 75.45

 

CMYK 12 / 0 / 96 / 26

HEX #A6BD07

RGB 166 189 7

HSL 67.58, 0.93%, 0.38%

LAB 72.57, -26.98, 72.58

 

CMYK 13 / 0 / 100 / 33

HEX #95AB00

RGB 149 171 0

HSL 67.72, 1%, 0.34%

LAB 66.15, -25.58, 68

 

CMYK 11 / 0 / 74 / 5

HEX #D9F33F

RGB 217 243 63

HSL 68.67, 0.88%, 0.6%

LAB 91.33, -30.02, 77.89

 

CMYK 0 / 9 / 74 / 5

HEX #F3DC3F

RGB 243 220 63

HSL 52.33, 0.88%, 0.6%

LAB 87.29, -8.22, 74.83

 

CMYK 0 / 29 / 74 / 5

HEX #F3AC3F

RGB 243 172 63

HSL 36.33, 0.88%, 0.6%

LAB 75.4, 16.57, 63.4

 

CMYK 0 / 49 / 74 / 5

HEX #F37C3F

RGB 243 124 63

HSL 20.33, 0.88%, 0.6%

LAB 64.83, 41.5, 52.7

 

CMYK 0 / 69 / 74 / 5

HEX #F34B3F

RGB 243 75 63

HSL 4, 0.88%, 0.6%

LAB 56.53, 63.23, 43.83

 

CMYK 11 / 0 / 74 / 5

HEX #D9F33F

RGB 217 243 63

HSL 68.67, 0.88%, 0.6%

LAB 91.33, -30.02, 77.89

 

CMYK 31 / 0 / 74 / 5

HEX #A8F33F

RGB 168 243 63

HSL 85, 0.88%, 0.6%

LAB 88.35, -48.58, 74.01

 

CMYK 51 / 0 / 74 / 5

HEX #78F33F

RGB 120 243 63

HSL 101, 0.88%, 0.6%

LAB 86.23, -63.81, 71.23

 

CMYK 71 / 0 / 74 / 5

HEX #47F33F

RGB 71 243 63

HSL 117.33, 0.88%, 0.6%

LAB 84.89, -74.65, 69.46

 

CMYK 74 / 0 / 58 / 5

HEX #3FF367

RGB 63 243 103

HSL 133.33, 0.88%, 0.6%

LAB 85.07, -72.04, 53.99

 

CMYK 11 / 0 / 74 / 5

HEX #D9F33F

RGB 217 243 63

HSL 68.67, 0.88%, 0.6%

LAB 91.33, -30.02, 77.89

 

CMYK 11 / 0 / 74 / 5

HEX #D9F33F

RGB 217 243 63

HSL 68.67, 0.88%, 0.6%

LAB 91.33, -30.02, 77.89

 

CMYK 9 / 0 / 65 / 11

HEX #CDE250

RGB 205 226 80

HSL 68.63, 0.72%, 0.6%

LAB 85.98, -25.92, 66.33

 

CMYK 8 / 0 / 54 / 18

HEX #C1D260

RGB 193 210 96

HSL 68.95, 0.56%, 0.6%

LAB 80.89, -21.83, 53.69

 

CMYK 6 / 0 / 41 / 24

HEX #B6C171

RGB 182 193 113

HSL 68.25, 0.39%, 0.6%

LAB 75.62, -16.09, 38.94

 

CMYK 4 / 0 / 27 / 31

HEX #AAB181

RGB 170 177 129

HSL 68.75, 0.24%, 0.6%

LAB 70.58, -10.54, 23.8

 

CMYK 0 / 30 / 74 / 5

HEX #F3AB3F

RGB 243 171 63

HSL 36, 0.88%, 0.6%

LAB 75.16, 17.1, 63.17

 

CMYK 0 / 10 / 74 / 5

HEX #F3DB3F

RGB 243 219 63

HSL 52, 0.88%, 0.6%

LAB 87.03, -7.72, 74.59

 

CMYK 10 / 0 / 74 / 5

HEX #DBF33F

RGB 219 243 63

HSL 68, 0.88%, 0.6%

LAB 91.47, -29.22, 78.07

 

CMYK 30 / 0 / 74 / 5

HEX #ABF33F

RGB 171 243 63

HSL 84, 0.88%, 0.6%

LAB 88.5, -47.52, 74.21

 

CMYK 49 / 0 / 74 / 5

HEX #7BF33F

RGB 123 243 63

HSL 100, 0.88%, 0.6%

LAB 86.34, -62.98, 71.37

 

CMYK 14 / 0 / 94 / 18

HEX #B5D20D

RGB 181 210 13

HSL 68.83, 0.88%, 0.44%

LAB 79.58, -30.63, 77.82

 

CMYK 13 / 0 / 90 / 6

HEX #D1F018

RGB 209 240 24

HSL 68.61, 0.88%, 0.52%

LAB 89.83, -33, 85.3

 

CMYK 11 / 0 / 74 / 5

HEX #D9F33F

RGB 217 243 63

HSL 68.67, 0.88%, 0.6%

LAB 91.33, -30.02, 77.89

 

CMYK 9 / 0 / 58 / 4

HEX #E0F566

RGB 224 245 102

HSL 68.81, 0.88%, 0.68%

LAB 92.62, -25.91, 64.89

 

CMYK 6 / 0 / 43 / 3

HEX #E8F88D

RGB 232 248 141

HSL 68.97, 0.88%, 0.76%

LAB 94.4, -20.82, 49.46

 

CMYK 11 / 0 / 74 / 5

HEX #D9F340

RGB 217 243 64

HSL 68.72, 0.88%, 0.6%

LAB 91.34, -29.97, 77.59

 

CMYK 74 / 0 / 49 / 5

HEX #3FF37B

RGB 63 243 123

HSL 140, 0.88%, 0.6%

LAB 85.3, -69.33, 45.08

 

CMYK 20 / 74 / 0 / 5

HEX #C33FF3

RGB 195 63 243

HSL 284, 0.88%, 0.6%

LAB 53.63, 76, -65.42

 

CMYK 11 / 0 / 74 / 5

HEX #D9F340

RGB 217 243 64

HSL 68.72, 0.88%, 0.6%

LAB 91.34, -29.97, 77.59

 

CMYK 74 / 10 / 0 / 5

HEX #3FDBF3

RGB 63 219 243

HSL 188, 0.88%, 0.6%

LAB 80.84, -31.94, -23.28

 

CMYK 0 / 74 / 10 / 5

HEX #F33FDB

RGB 243 63 219

HSL 308, 0.88%, 0.6%

LAB 59.64, 81.66, -41.92

 

CMYK 11 / 0 / 74 / 5

HEX #D9F340

RGB 217 243 64

HSL 68.72, 0.88%, 0.6%

LAB 91.34, -29.97, 77.59

 

CMYK 74 / 0 / 49 / 5

HEX #3FF37B

RGB 63 243 123

HSL 140, 0.88%, 0.6%

LAB 85.3, -69.33, 45.08

 

CMYK 64 / 74 / 0 / 5

HEX #573FF3

RGB 87 63 243

HSL 248, 0.88%, 0.6%

LAB 41.3, 59.48, -86.06

 

CMYK 0 / 74 / 25 / 5

HEX #F33FB7

RGB 243 63 183

HSL 320, 0.88%, 0.6%

LAB 58.06, 76.95, -23.81

 

CMYK 11 / 0 / 74 / 5

HEX #D9F340

RGB 217 243 64

HSL 68.72, 0.88%, 0.6%

LAB 91.34, -29.97, 77.59

 

CMYK 74 / 0 / 27 / 5

HEX #3FF3B1

RGB 63 243 177

HSL 158, 0.88%, 0.6%

LAB 86.17, -59.45, 19.26

 

CMYK 64 / 74 / 0 / 5

HEX #573FF3

RGB 87 63 243

HSL 248, 0.88%, 0.6%

LAB 41.3, 59.48, -86.06

 

CMYK 0 / 74 / 47 / 5

HEX #F33F81

RGB 243 63 129

HSL 338, 0.88%, 0.6%

LAB 56.28, 71.39, 5.19

 

Description

Color code: HEX #D9F340 | qconv.com Color code: HEX #D9F340 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 243 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 243 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 74 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 74% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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