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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9ECE3 it is the complementary color #26131C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9ECE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9ECE3 shade: #DEECDE, #EFFEF1 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9ECE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9ECE3 shade: #D9ECE3, #C8DAD0, #B7C8BD, #A6B6AA and #95A497

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9ECE3 shade: #DAECE3, #DAECDE, #DAECDA, #DFECDA and #E4ECDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9ECE3 shade: #DAECE3, #DAECE8, #DAEBEC, #DAE6EC and #DAE1EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9ECE3 shade matches the following richer shades: #DAECE3, #D5F1E4, #D1F5E4, #CCFAE4 and #C8FEE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9ECE3 shade: #DAECE3, #DEE8E3, #E3E3E3, #E7DFE3 and #ECDAE2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9ECE3 shade: #DAECDA, #DAECDE, #DAECE3, #DAECE8 and #DAEBEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9ECE3 shade: #A3D1BB, #BEDECF, #DAECE3, #F5FAF8 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9ECE3 shade: #D9ECE3, #DADFEC and #ECDCDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9ECE3 shade: #D9ECE3, #E3DAEC and #ECE3DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9ECE3 shade: #D9ECE3, #DADFEC, #ECDAE3 and #ECE7DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9ECE3 shade: #D9ECE3, #DADAEC, #ECDAE3 and #ECECDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 4 / 7

HEX #D9ECE3

RGB 217 236 227

HSL 151.58, 0.33%, 0.89%

LAB 91.81, -7.92, 2.2

 

Complementary color

CMYK 0 / 50 / 26 / 85

HEX #26131C

RGB 38 19 28

HSL 331.58, 0.33%, 0.11%

LAB 8.67, 11.44, -2.21

 

CMYK 6 / 0 / 6 / 7

HEX #DEECDE

RGB 222 236 222

HSL 120, 0.27%, 0.9%

LAB 92.04, -7.16, 5.18

 

CMYK 6 / 0 / 5 / 0

HEX #EFFEF1

RGB 239 254 241

HSL 128, 0.88%, 0.97%

LAB 98.27, -7.22, 4.51

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 8 / 0 / 4 / 7

HEX #D9ECE3

RGB 217 236 227

HSL 151.58, 0.33%, 0.89%

LAB 91.81, -7.92, 2.2

 

CMYK 8 / 0 / 5 / 15

HEX #C8DAD0

RGB 200 218 208

HSL 146.67, 0.2%, 0.82%

LAB 85.49, -7.89, 2.85

 

CMYK 9 / 0 / 5 / 22

HEX #B7C8BD

RGB 183 200 189

HSL 141.18, 0.13%, 0.75%

LAB 79.07, -7.87, 3.51

 

CMYK 9 / 0 / 7 / 29

HEX #A6B6AA

RGB 166 182 170

HSL 135, 0.1%, 0.68%

LAB 72.54, -7.85, 4.21

 

CMYK 9 / 0 / 8 / 36

HEX #95A497

RGB 149 164 151

HSL 128, 0.08%, 0.61%

LAB 65.88, -7.83, 4.94

 

CMYK 8 / 0 / 4 / 7

HEX #DAECE3

RGB 218 236 227

HSL 150, 0.32%, 0.89%

LAB 91.88, -7.59, 2.31

 

CMYK 8 / 0 / 6 / 7

HEX #DAECDE

RGB 218 236 222

HSL 133.33, 0.32%, 0.89%

LAB 91.76, -8.5, 4.74

 

CMYK 8 / 0 / 8 / 7

HEX #DAECDA

RGB 218 236 218

HSL 120, 0.32%, 0.89%

LAB 91.67, -9.21, 6.68

 

CMYK 6 / 0 / 8 / 7

HEX #DFECDA

RGB 223 236 218

HSL 103.33, 0.32%, 0.89%

LAB 92.02, -7.52, 7.23

 

CMYK 3 / 0 / 8 / 7

HEX #E4ECDA

RGB 228 236 218

HSL 86.67, 0.32%, 0.89%

LAB 92.37, -5.82, 7.79

 

CMYK 8 / 0 / 4 / 7

HEX #DAECE3

RGB 218 236 227

HSL 150, 0.32%, 0.89%

LAB 91.88, -7.59, 2.31

 

CMYK 8 / 0 / 2 / 7

HEX #DAECE8

RGB 218 236 232

HSL 166.67, 0.32%, 0.89%

LAB 92.01, -6.67, -0.11

 

CMYK 8 / 0 / 0 / 7

HEX #DAEBEC

RGB 218 235 236

HSL 183.33, 0.32%, 0.89%

LAB 91.85, -5.41, -2.42

 

CMYK 8 / 3 / 0 / 7

HEX #DAE6EC

RGB 218 230 236

HSL 200, 0.32%, 0.89%

LAB 90.58, -2.85, -4.3

 

CMYK 8 / 5 / 0 / 7

HEX #DAE1EC

RGB 218 225 236

HSL 216.67, 0.32%, 0.89%

LAB 89.3, -0.27, -6.18

 

CMYK 8 / 0 / 4 / 7

HEX #DAECE3

RGB 218 236 227

HSL 150, 0.32%, 0.89%

LAB 91.88, -7.59, 2.31

 

CMYK 12 / 0 / 5 / 5

HEX #D5F1E4

RGB 213 241 228

HSL 152.14, 0.5%, 0.89%

LAB 92.86, -11.56, 3.17

 

CMYK 15 / 0 / 7 / 4

HEX #D1F5E4

RGB 209 245 228

HSL 151.67, 0.64%, 0.89%

LAB 93.65, -14.84, 4.28

 

CMYK 18 / 0 / 9 / 2

HEX #CCFAE4

RGB 204 250 228

HSL 151.3, 0.82%, 0.89%

LAB 94.66, -18.89, 5.7

 

CMYK 21 / 0 / 10 / 0

HEX #C8FEE4

RGB 200 254 228

HSL 151.11, 0.96%, 0.89%

LAB 95.48, -22.08, 6.86

 

CMYK 8 / 0 / 4 / 7

HEX #DAECE3

RGB 218 236 227

HSL 150, 0.32%, 0.89%

LAB 91.88, -7.59, 2.31

 

CMYK 4 / 0 / 2 / 9

HEX #DEE8E3

RGB 222 232 227

HSL 150, 0.18%, 0.89%

LAB 91.14, -4.23, 1.26

 

CMYK 0 / 0 / 0 / 11

HEX #E3E3E3

RGB 227 227 227

HSL 0, 0%, 0.89%

LAB 90.24, 0, -0.01

 

CMYK 0 / 3 / 2 / 9

HEX #E7DFE3

RGB 231 223 227

HSL 330, 0.14%, 0.89%

LAB 89.54, 3.42, -0.99

 

CMYK 0 / 8 / 4 / 7

HEX #ECDAE2

RGB 236 218 226

HSL 333.33, 0.32%, 0.89%

LAB 88.67, 7.55, -1.69

 

CMYK 8 / 0 / 8 / 7

HEX #DAECDA

RGB 218 236 218

HSL 120, 0.32%, 0.89%

LAB 91.67, -9.21, 6.68

 

CMYK 8 / 0 / 6 / 7

HEX #DAECDE

RGB 218 236 222

HSL 133.33, 0.32%, 0.89%

LAB 91.76, -8.5, 4.74

 

CMYK 8 / 0 / 4 / 7

HEX #DAECE3

RGB 218 236 227

HSL 150, 0.32%, 0.89%

LAB 91.88, -7.59, 2.31

 

CMYK 8 / 0 / 2 / 7

HEX #DAECE8

RGB 218 236 232

HSL 166.67, 0.32%, 0.89%

LAB 92.01, -6.67, -0.11

 

CMYK 8 / 0 / 0 / 7

HEX #DAEBEC

RGB 218 235 236

HSL 183.33, 0.32%, 0.89%

LAB 91.85, -5.41, -2.42

 

CMYK 22 / 0 / 11 / 18

HEX #A3D1BB

RGB 163 209 187

HSL 151.3, 0.33%, 0.73%

LAB 80.17, -19.47, 6

 

CMYK 14 / 0 / 7 / 13

HEX #BEDECF

RGB 190 222 207

HSL 151.88, 0.33%, 0.81%

LAB 85.85, -13.42, 3.81

 

CMYK 8 / 0 / 4 / 7

HEX #DAECE3

RGB 218 236 227

HSL 150, 0.32%, 0.89%

LAB 91.88, -7.59, 2.31

 

CMYK 2 / 0 / 1 / 2

HEX #F5FAF8

RGB 245 250 248

HSL 156, 0.33%, 0.97%

LAB 97.86, -2, 0.37

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 8 / 0 / 4 / 7

HEX #D9ECE3

RGB 217 236 227

HSL 151.58, 0.33%, 0.89%

LAB 91.81, -7.92, 2.2

 

CMYK 8 / 6 / 0 / 7

HEX #DADFEC

RGB 218 223 236

HSL 223.33, 0.32%, 0.89%

LAB 88.8, 0.77, -6.93

 

CMYK 0 / 7 / 8 / 7

HEX #ECDCDA

RGB 236 220 218

HSL 6.67, 0.32%, 0.89%

LAB 88.96, 5.14, 2.94

 

CMYK 8 / 0 / 4 / 7

HEX #D9ECE3

RGB 217 236 227

HSL 151.58, 0.33%, 0.89%

LAB 91.81, -7.92, 2.2

 

CMYK 4 / 8 / 0 / 7

HEX #E3DAEC

RGB 227 218 236

HSL 270, 0.32%, 0.89%

LAB 88.22, 6.32, -7.7

 

CMYK 0 / 4 / 8 / 7

HEX #ECE3DA

RGB 236 227 218

HSL 30, 0.32%, 0.89%

LAB 90.7, 1.52, 5.47

 

CMYK 8 / 0 / 4 / 7

HEX #D9ECE3

RGB 217 236 227

HSL 151.58, 0.33%, 0.89%

LAB 91.81, -7.92, 2.2

 

CMYK 8 / 6 / 0 / 7

HEX #DADFEC

RGB 218 223 236

HSL 223.33, 0.32%, 0.89%

LAB 88.8, 0.77, -6.93

 

CMYK 0 / 8 / 4 / 7

HEX #ECDAE3

RGB 236 218 227

HSL 330, 0.32%, 0.89%

LAB 88.7, 7.72, -2.18

HEX #ECDAE3

CMYK 0 / 2 / 8 / 7

HEX #ECE7DA

RGB 236 231 218

HSL 43.33, 0.32%, 0.89%

LAB 91.71, -0.53, 6.91

HEX #ECE7DA

CMYK 8 / 0 / 4 / 7

HEX #D9ECE3

RGB 217 236 227

HSL 151.58, 0.33%, 0.89%

LAB 91.81, -7.92, 2.2

 

CMYK 8 / 8 / 0 / 7

HEX #DADAEC

RGB 218 218 236

HSL 240, 0.32%, 0.89%

LAB 87.54, 3.37, -8.8

 

CMYK 0 / 8 / 4 / 7

HEX #ECDAE3

RGB 236 218 227

HSL 330, 0.32%, 0.89%

LAB 88.7, 7.72, -2.18

HEX #ECDAE3

CMYK 0 / 0 / 8 / 7

HEX #ECECDA

RGB 236 236 218

HSL 60, 0.32%, 0.89%

LAB 92.96, -3.08, 8.72

HEX #ECECDA

Description

Color code: HEX #D9ECE3 | qconv.com Color code: HEX #D9ECE3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 236 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 236 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 4 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 4% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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