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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9EC3C it is the complementary color #2613C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9EC3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9EC3C shade: #DEEC37, #EFFE4A, #FFFF5D, #FFFF70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9EC3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9EC3C shade: #D9EC3C, #C8DA29, #B7C816, #A6B603 and #95A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9EC3C shade: #D9EC3C, #ECCF3C, #ECA03C, #EC713C and #EC413C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9EC3C shade: #D9EC3C, #A9EC3C, #7AEC3C, #4BEC3C and #3CEC5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9EC3C shade matches the following richer shades: #D9EC3C and #E6FD2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9EC3C shade: #D9EC3C, #CBDA4D, #BEC95F, #B0B870 and #A2A681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9EC3C shade: #ECA03C, #ECCE3C, #DAEC3C, #ABEC3C and #7CEC3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9EC3C shade: #AFC213, #D1E817, #D9EC3C, #E0EF62 and #E7F387

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9EC3C shade: #D9EC3C, #3CEC71 and #B73CEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9EC3C shade: #D9EC3C, #3CDAEC and #EC3CDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9EC3C shade: #D9EC3C, #3CEC71, #4E3CEC and #EC3CB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9EC3C shade: #D9EC3C, #3CECA5, #4E3CEC and #EC3C82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 75 / 7

HEX #D9EC3C

RGB 217 236 60

HSL 66.48, 0.82%, 0.58%

LAB 89.43, -26.87, 77.04

 

Complementary color

CMYK 81 / 90 / 0 / 24

HEX #2613C3

RGB 38 19 195

HSL 246.48, 0.82%, 0.42%

LAB 26.21, 60.85, -83.54

 

CMYK 6 / 0 / 77 / 7

HEX #DEEC37

RGB 222 236 55

HSL 64.64, 0.83%, 0.57%

LAB 89.76, -25.04, 78.97

 

CMYK 6 / 0 / 71 / 0

HEX #EFFE4A

RGB 239 254 74

HSL 65, 0.99%, 0.64%

LAB 95.88, -25.89, 79.24

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5D

RGB 255 255 93

HSL 60, 1%, 0.68%

LAB 97.46, -18.98, 74.38

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 8 / 0 / 75 / 7

HEX #D9EC3C

RGB 217 236 60

HSL 66.48, 0.82%, 0.58%

LAB 89.43, -26.87, 77.04

 

CMYK 8 / 0 / 81 / 15

HEX #C8DA29

RGB 200 218 41

HSL 66.1, 0.71%, 0.51%

LAB 83.22, -25.97, 76.32

 

CMYK 9 / 0 / 89 / 22

HEX #B7C816

RGB 183 200 22

HSL 65.73, 0.8%, 0.44%

LAB 76.94, -24.89, 74.56

 

CMYK 9 / 0 / 98 / 29

HEX #A6B603

RGB 166 182 3

HSL 65.36, 0.97%, 0.36%

LAB 70.57, -23.63, 71.51

 

CMYK 9 / 0 / 100 / 36

HEX #95A400

RGB 149 164 0

HSL 65.49, 1%, 0.32%

LAB 64.11, -22.12, 66.48

 

CMYK 8 / 0 / 75 / 7

HEX #D9EC3C

RGB 217 236 60

HSL 66.48, 0.82%, 0.58%

LAB 89.43, -26.87, 77.04

 

CMYK 0 / 12 / 75 / 7

HEX #ECCF3C

RGB 236 207 60

HSL 50.11, 0.82%, 0.58%

LAB 83.33, -4.73, 71.9

 

CMYK 0 / 32 / 75 / 7

HEX #ECA03C

RGB 236 160 60

HSL 34.09, 0.82%, 0.58%

LAB 71.76, 19.84, 60.76

 

CMYK 0 / 52 / 75 / 7

HEX #EC713C

RGB 236 113 60

HSL 18.07, 0.82%, 0.58%

LAB 61.63, 44.15, 50.49

 

CMYK 0 / 72 / 75 / 7

HEX #EC413C

RGB 236 65 60

HSL 1.7, 0.82%, 0.58%

LAB 53.96, 64.5, 42.28

 

CMYK 8 / 0 / 75 / 7

HEX #D9EC3C

RGB 217 236 60

HSL 66.48, 0.82%, 0.58%

LAB 89.43, -26.87, 77.04

 

CMYK 28 / 0 / 75 / 7

HEX #A9EC3C

RGB 169 236 60

HSL 82.84, 0.82%, 0.58%

LAB 86.38, -45.43, 73.09

 

CMYK 48 / 0 / 75 / 7

HEX #7AEC3C

RGB 122 236 60

HSL 98.86, 0.82%, 0.58%

LAB 84.2, -60.88, 70.23

 

CMYK 68 / 0 / 75 / 7

HEX #4BEC3C

RGB 75 236 60

HSL 114.89, 0.82%, 0.58%

LAB 82.81, -71.99, 68.4

 

CMYK 75 / 0 / 61 / 7

HEX #3CEC5D

RGB 60 236 93

HSL 131.25, 0.82%, 0.58%

LAB 82.78, -71.4, 55.69

 

CMYK 8 / 0 / 75 / 7

HEX #D9EC3C

RGB 217 236 60

HSL 66.48, 0.82%, 0.58%

LAB 89.43, -26.87, 77.04

 

CMYK 9 / 0 / 83 / 1

HEX #E6FD2B

RGB 230 253 43

HSL 66.57, 0.98%, 0.58%

LAB 94.84, -30.16, 86.61

 

CMYK 8 / 0 / 75 / 7

HEX #D9EC3C

RGB 217 236 60

HSL 66.48, 0.82%, 0.58%

LAB 89.43, -26.87, 77.04

 

CMYK 7 / 0 / 65 / 15

HEX #CBDA4D

RGB 203 218 77

HSL 66.38, 0.66%, 0.58%

LAB 83.64, -23.07, 65.03

 

CMYK 5 / 0 / 53 / 21

HEX #BEC95F

RGB 190 201 95

HSL 66.23, 0.5%, 0.58%

LAB 78.2, -18.68, 50.97

 

CMYK 4 / 0 / 39 / 28

HEX #B0B870

RGB 176 184 112

HSL 66.67, 0.34%, 0.58%

LAB 72.68, -14, 35.62

 

CMYK 2 / 0 / 22 / 35

HEX #A2A681

RGB 162 166 129

HSL 66.49, 0.17%, 0.58%

LAB 66.93, -7.82, 18.73

 

CMYK 0 / 32 / 75 / 7

HEX #ECA03C

RGB 236 160 60

HSL 34.09, 0.82%, 0.58%

LAB 71.76, 19.84, 60.76

 

CMYK 0 / 13 / 75 / 7

HEX #ECCE3C

RGB 236 206 60

HSL 49.77, 0.82%, 0.58%

LAB 83.07, -4.22, 71.65

 

CMYK 8 / 0 / 75 / 7

HEX #DAEC3C

RGB 218 236 60

HSL 66.14, 0.82%, 0.58%

LAB 89.5, -26.47, 77.13

 

CMYK 28 / 0 / 75 / 7

HEX #ABEC3C

RGB 171 236 60

HSL 82.16, 0.82%, 0.58%

LAB 86.49, -44.7, 73.23

 

CMYK 47 / 0 / 75 / 7

HEX #7CEC3C

RGB 124 236 60

HSL 98.18, 0.82%, 0.58%

LAB 84.28, -60.3, 70.33

 

CMYK 10 / 0 / 90 / 24

HEX #AFC213

RGB 175 194 19

HSL 66.51, 0.82%, 0.42%

LAB 74.66, -25.42, 72.98

 

CMYK 10 / 0 / 90 / 9

HEX #D1E817

RGB 209 232 23

HSL 66.6, 0.82%, 0.5%

LAB 87.65, -29.32, 83.71

 

CMYK 8 / 0 / 75 / 7

HEX #D9EC3C

RGB 217 236 60

HSL 66.48, 0.82%, 0.58%

LAB 89.43, -26.87, 77.04

 

CMYK 6 / 0 / 59 / 6

HEX #E0EF62

RGB 224 239 98

HSL 66.38, 0.82%, 0.66%

LAB 90.99, -23.35, 64.78

 

CMYK 5 / 0 / 44 / 5

HEX #E7F387

RGB 231 243 135

HSL 66.67, 0.82%, 0.74%

LAB 92.94, -19.39, 50.5

 

CMYK 8 / 0 / 75 / 7

HEX #D9EC3C

RGB 217 236 60

HSL 66.48, 0.82%, 0.58%

LAB 89.43, -26.87, 77.04

 

CMYK 75 / 0 / 52 / 7

HEX #3CEC71

RGB 60 236 113

HSL 138.07, 0.82%, 0.58%

LAB 82.99, -68.85, 46.94

 

CMYK 22 / 75 / 0 / 7

HEX #B73CEC

RGB 183 60 236

HSL 281.93, 0.82%, 0.58%

LAB 51.1, 73.49, -65.66

 

CMYK 8 / 0 / 75 / 7

HEX #D9EC3C

RGB 217 236 60

HSL 66.48, 0.82%, 0.58%

LAB 89.43, -26.87, 77.04

 

CMYK 75 / 8 / 0 / 7

HEX #3CDAEC

RGB 60 218 236

HSL 186.14, 0.82%, 0.58%

LAB 80.27, -33.89, -20.44

 

CMYK 0 / 75 / 8 / 7

HEX #EC3CDA

RGB 236 60 218

HSL 306.14, 0.82%, 0.58%

LAB 58.16, 80.9, -43.76

 

CMYK 8 / 0 / 75 / 7

HEX #D9EC3C

RGB 217 236 60

HSL 66.48, 0.82%, 0.58%

LAB 89.43, -26.87, 77.04

 

CMYK 75 / 0 / 52 / 7

HEX #3CEC71

RGB 60 236 113

HSL 138.07, 0.82%, 0.58%

LAB 82.99, -68.85, 46.94

 

CMYK 67 / 75 / 0 / 7

HEX #4E3CEC

RGB 78 60 236

HSL 246.14, 0.82%, 0.58%

LAB 39.42, 57.99, -85.22

 

CMYK 0 / 75 / 22 / 7

HEX #EC3CB7

RGB 236 60 183

HSL 318.07, 0.82%, 0.58%

LAB 56.57, 76.19, -26.21

 

CMYK 8 / 0 / 75 / 7

HEX #D9EC3C

RGB 217 236 60

HSL 66.48, 0.82%, 0.58%

LAB 89.43, -26.87, 77.04

 

CMYK 75 / 0 / 30 / 7

HEX #3CECA5

RGB 60 236 165

HSL 155.8, 0.82%, 0.58%

LAB 83.79, -59.71, 22.15

 

CMYK 67 / 75 / 0 / 7

HEX #4E3CEC

RGB 78 60 236

HSL 246.14, 0.82%, 0.58%

LAB 39.42, 57.99, -85.22

 

CMYK 0 / 75 / 45 / 7

HEX #EC3C82

RGB 236 60 130

HSL 336.14, 0.82%, 0.58%

LAB 54.74, 70.53, 2.21

 

Description

Color code: HEX #D9EC3C | qconv.com Color code: HEX #D9EC3C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 236 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 236 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 75 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 75% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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